History of Human Society

Within the monasteries devotional exercises and the study of the Scriptures represented the chief intellectual development of the monks. The Western monks required a daily service and a systematic training, but the practice of the Eastern monks was not educational in its nature at all. After a while persons who were not studying for religious vows were admitted to the schools that they might understand the Bible and the services of the church. They were taught to write, that they might copy the manuscripts of the church fathers, the sacred books, and the psalter; they were taught arithmetic, that they might be able to calculate the return of Easter and the other festivals; they were taught music, that they might be able to chant well. But the education in any line was in itself superficial and narrow.

The Benedictine order was exceptional in the establishment of better schools and in promoting better educational influences. Their curriculum consisted of the Old and New Testaments, the exposition of the Scriptures by learned theologians, and the discourses, or conversations, of Cassianus; yet, as a rule, the monks cared little for knowledge as such, not even for theological knowledge. The monasteries, however, constituted the great clerical societies, where many prepared for secular pursuits. The monasteries of Ireland furnished many learned scholars to England, Scotland, and Germany, as well as to Ireland; yet it was only a monastic education which they exported.

Finally it became customary to found schools within the monasteries, and this was the beginning of the church schools of the Middle Ages. Formal and meagre as the instruction of these schools was, it represents a beginning in church education. But in the seventh and eighth centuries they again declined, and learning retrograded very much; literature was forgotten; the monks and friars boasted of their ignorance. The reforms of Charlemagne restored somewhat the educational status of the new empire, and not only developed the church schools and cathedral schools but also founded some secular schools. The cathedral schools became in many instances centres of learning apart from monasticism. The textbooks, however, of the Middle Ages were chiefly those of Boethius, Isidor, and Capella, and were of the most meagre content and character. That of Capella, as an illustration, was merely an allegory, which showed the seven liberal arts in a peculiar representation. The logic taught in the schools was that given by Alcuin; the arithmetic was limited to the reckoning of holidays and festivals; astronomy was limited to a knowledge of the names and courses of the stars; geometry was composed of the first four books of Euclid, and supplemented with a large amount of geography.

But all this learning was valued merely as a support to the church and the church authorities, and for little else. Yet there had been schools of importance founded at Paris, Bologna, and Padua, and at other places which, although they were not the historical foundations of the universities, no doubt became the means, the traditional means, of the establishment of universities at these places. Also, many of the scholars, such as Theodore of Tarsus, Adalbert, Bede, and Alcuin, who studied Latin and Greek and also became learned in other subjects, were not without their influence.

The Rise of Universities.34 – An important phase of this period of mediaeval development was the rise of universities. Many causes led to their establishment. In the eleventh century the development of independent municipal power brought the noble and the burgher upon the same level, and developed a common sentiment for education. The activity of the crusades, already referred to, developed a thirst for knowledge. There was also a gradual growth of traditional learning, an accumulation of knowledge of a certain kind, which needed classification, arrangement, and development. By degrees the schools of Arabia, which had been prominent in their development, not only of Oriental learning but of original investigation, had given a quickening impulse to learning throughout southern Europe. The great division of the church between the governed and governing had led to the development of a strong lay feeling as opposed to monasticism or ecclesiasticism. Perhaps the growth of local representative government had something to do with this.

But the time came when great institutions were chartered at these centres of learning. Students flocked to Bologna, where law was taught; to Salerno, where medicine was the chief subject; and to Paris, where philosophy and theology predominated. At first these schools were open to all, without special rules. Subsequently they were organized, and finally were chartered. In those days students elected their own instructors and built up their own organization. The schools were usually called universitas magistrorum et scholarium. They were merely assemblages of students and instructors, a sort of scholastic guild or combination of teachers and scholars, formed first for the protection of their members, and later allowed by pope and emperor the privilege of teaching, and finally given the power by these same authorities to grant degrees. The result of these schools was the widening of the influence of education.

The universities proposed to teach what was found in a new and revived literature and to adopt a new method of presenting truth. Yet, with all these widening foundations, there was a tendency to be bound by traditional learning. The scholastic philosophy itself invaded the universities and had its influence in breaking down the scientific spirit. Not only was this true of the universities of the continent, but of those of England as well. The German universities, however, were less affected by this tendency of scholasticism. Founded at a later period, when the Renaissance was about to be merged into the Reformation, there was a wider foundation of knowledge, a more earnest zeal in its pursuit, and also a tendency for the freedom and activity of the mind which was not observed elsewhere.

The universities may be said to mark an era in the development of intellectual life. They became centres where scholars congregated, centres for the collection of knowledge; and when the humanistic idea fully prevailed, in many instances they encouraged the revival of classical literature and the study of those things pertaining to human life. The universities entertained and practised free discussion of all subjects, which made an important landmark of progress. They encouraged people to give a reason for philosophy and faith, and prepared the way for scientific investigation and experiment.

Failure to Grasp Scientific Methods. – Perhaps the greatest wonder in all this accumulation of knowledge, quickening of the mind, philosophy, and speculation, is that men of so much learning failed to grasp scientific methods. Could they but have turned their attention to systematic methods of investigation based upon facts logically stated, the vast intellectual energy of the Middle Ages might have been turned to more permanent account. It is idle, however, to deplore their ignorance of these conditions or to ridicule their want of learning. When we consider the ignorance that overshadowed the land, the breaking down of the old established systems of Greece and Rome, the struggle of the church, which grew naturally into its power and made conservatism an essential part of its life; indeed, when we consider that the whole medieval system was so impregnated with dogmatism and guided by tradition, it is a marvel that so many men of intellect and power raised their voices in the defense of truth, and that so much advancement was made in the earnest desire for truth.

Inventions and Discoveries. – The quickening influence of discovery was of great moment in giving enlarged views of life. The widening of the geographical horizon tended to take men out of their narrow boundaries and their limited conceptions of the world, into a larger sphere of mental activity, and to teach them that there was much beyond their narrow conceptions to be learned. The use of gunpowder changed the method of warfare and revolutionized the financial system of nations. The perfection of the mariner's compass reformed navigation and made great sea voyages possible; the introduction of printing increased the dissemination of knowledge; the building of great cathedrals had a tendency to develop architecture, and the contact with Oriental learning developed art. These phases tended to assist the mind in the attempt to free itself from bondage.

The Extension of Commerce Hastened Progress. – But more especially were men's ideas enlarged and their needs supplied by the widening reach of commerce. Through its exchanges it distributed the food-supply, and thus not only preserved thousands from want but furnished leisure for others to study. It had a tendency to distribute the luxuries of manufactured articles, and to quicken the activity of the mind by giving exchange of ideas. Little by little the mariners, plying their trade, pushed farther and farther into unknown seas, and at last brought the products of every clime in exchange for those of Europe.

The manner in which commerce developed the cities of Italy and of the north has already been referred to. Through this development the foundations of local government were laid. The manner in which it broke down the feudal system after receiving the quickening impulse of the crusades has also been dealt with. In addition to its influence in these changes, it brought about an increased circulation of money – which also struck at the root of feudalism, in destroying the mediaeval manor and serfdom, for men could buy their freedom from serfdom with money – which also made taxation possible; and the possibility of taxation had a vast deal to do with the building up of new nations and stimulating national life. Moreover, as a distributer of habits and customs, commerce developed uniformity of political and social life and made for national solidarity.

SUBJECTS FOR FURTHER STUDY

1. What is meant by Renaissance, Revival of Learning, Revival of Progress and Humanism, as applied to the mediaeval period?

2. The causes of the Revival of Progress.

3. The direct influence of humanism.

4. The attitude of the church toward freedom of thought.

5. The scholastic philosophy, its merits and its defects.

6. What did the following persons stand for in human progress: Dante, Savonarola, Charlemagne, John Scotus Erigena, Thomas Aquinas, Abelard, William of Occam, Roger Bacon?

7. Rise of universities. How did they differ from modern universities?

CHAPTER XXIII

HUMANISM AND THE REVIVAL OF LEARNING

Perhaps the most important branch of the revival of learning is that which is called humanism, or the revival of the study of the masterpieces of Greek and Latin literature. The promoters of this movement are called humanists, because they held that the study of the classics, or litterae humaniores, is the best humanizing agent. It has already been shown how scholasticism developed as one of the important phases of the renaissance, and how, close upon its track, the universities rose as powerful aids to the revival of learning, and that the cathedral and monastic schools were the traditional forerunners of the great universities.

Primarily, then, were taught in the universities scholastic philosophy, theology, the Roman and the canon law, with slight attention to Greek and Hebrew, the real value of the treasures of antiquity being unknown to the Western world. The Arabic or Saracen schools of Spain had taken high rank in learning, and through their efforts the scientific works of Aristotle were presented to the mediaeval world. There were many men of importance, such as Roger Bacon, Albertus Magnus, who were leaders in universities and who lent their influence to the development of learning in Europe. The translation of the scientific works of Aristotle into Latin at the beginning of the thirteenth century by Thomas Aquinas had its influence. But, after all, scholasticism had settled down to speculative ideas within the universities and without, and little attention was paid to the old classical authors.

The Discovery of Manuscripts. – The real return to the study of Greek literature and art finally came through the fortunate discoveries of ancient sculpture and ancient manuscripts on the occasion of the turning of the mind of Europe toward the Eastern learning. The fall of the Eastern Empire accelerated the transfer of learning and culture to the West. The discovery and use of old manuscripts brought a survival of classical literature and of the learning of antiquity. The bringing of this literature to light gave food for thought and means of study, and turned the mind from its weary round of speculative philosophy to a large body of literature containing the views of the ancients respecting the progress and development of man. As has been heretofore shown, the Greeks, seeking to explain things by the human reason, although not advanced far in experimental science, had accomplished much by way of logical thought based upon actual facts. They had turned from credulity to inquiry.

Who Were the Humanists?– Dante was not a humanist, but he may be said to have been the forerunner of the Italian humanists, for he furnished inspiration to Petrarch, the so-called founder of humanism. His magnificent creation of The Divine Comedy, his service in the foundation of the Italian language, and his presentation of the religious influence of the church in a liberal manner made him a great factor in the humanizing of Europe. Dante was neither modern nor ancient. He stood at the parting of the ways controlling the learning of the past and looking toward the open door of the future, and directed thought everywhere to the Latin. His masterpiece was well received through all Italy, and gave an impulse to learning in many ways.

Petrarch was the natural successor of Dante. The latter immortalized the past; the former invoked the spirit of the future. He showed great enthusiasm in the discovery of old manuscripts, and brought into power more fully the Latin language. He also attempted to introduce Greek into the Western world, but in this he was only partially successful. But in his wide search for manuscripts, monasteries and cathedrals were ransacked and the literary treasures which the monks had copied and preserved through centuries, the products of the classical writers of the early times, were brought to light. Petrarch was an enthusiast, even a sentimentalist. But he was bold in his expression of the full and free play of the intellect, in his denunciation of formalism and slavery to tradition. The whole outcome of his life, too, was a tendency toward moral and aesthetic aggrandizement. Inconsistent in many things, his life may be summed up as a bold remonstrance against the binding influences of tradition and an enthusiasm for something new.

"We are, therefore," says Symonds,35 "justified in hailing Petrarch as the Columbus of a new spiritual hemisphere, the discoverer of modern culture. That he knew no Greek, that his Latin verse was lifeless and his prose style far from pure, that his contributions to history and ethics have been superseded, and that his epistles are now read only by antiquaries, cannot impair his claim to this title. From him the inspiration needed to quicken curiosity and stimulate zeal for knowledge proceeded. But for his intervention in the fourteenth century it is possible that the revival of learning, and all that it implies, might have been delayed until too late."

His influence was especially felt by those who followed him, and his enthusiasm made him a successful promoter of the new learning.

But it remained for Boccaccio, who was of a more practical turn of mind than Petrarch, to systematize the classical knowledge of antiquity. If Petrarch was an enthusiastic collector, Boccaccio was a practical worker. With the aid of Petrarch, he was the first to introduce a professor of Greek language and literature into Italy, and through this influence he secured a partial translation of Homer. Boccaccio began at an early age to read the classical authors and to repent the years he had spent in the study of law and in commercial pursuits. It was Petrarch's example, more than anything else, which caused Boccaccio to turn his attention to literature. By persistence and vigor in study, he was enabled to accomplish much by his own hand in the translation of the authors, and in middle life he began a persistent and successful study of Greek. His contributions to learning were great, and his turn toward naturalism was of immense value in the foundation of modern literature. He infused a new spirit in the common literature of the times. He turned away from asceticism, and frankly and openly sought to justify the pleasures of life. Although his teaching may not be of the most wholesome kind, it was far-reaching in its influence in turning the mind toward the importance and desirability of the things of this life. Stories of "beautiful gardens and sunny skies, fair women and luxurious lovers" may not have been the most healthful diet for universal consumption; they introduced a new element into the literature of the period and turned the thoughts of men from the speculative to the natural.

A long line of Italian writers followed these three great master spirits and continued to develop the desire for classical literature. For such power and force did these men have that they turned the whole tide of thought toward the masterpieces of the Greeks and Romans.

Relation of Humanism to Language and Literature. – When the zeal for the classical learning declined somewhat, there sprang up in Italy a group of Italian poets who were the founders of an Italian literature. They received their impulse from the classical learning, and, turning their attention to the affairs which surrounded them, developed a new literature. The inspiration which humanism had given to scholars of the fifteenth and sixteenth centuries had a tendency to develop a literary spirit among all classes of students. The products of the Italian literature, however, brought out through the inspiration of humanistic studies, were not great masterpieces. While the number and variety were considerable, the quality was inferior when the intellectual power of the times is considered. The great force of Italian intellect had been directed toward classical manuscripts, and hence failed to develop a literature that had real originality.

Perhaps among the few great Italian writers of these times may be mentioned Guicciardini and Machiavelli. The former wrote a history of Italy, and the latter is rendered immortal by his Prince. Guicciardini was a native of Florence, who had an important position in the service of Leo X. As professor of jurisprudence, ambassador to Spain, and subsequently minister of Leo X, governor of Modena, lieutenant-general of the pope in the campaign against the French, president of the Romagna and governor of Bologna, he had abundant opportunity for the study of the political conditions of Italy. He is memorable for his admirable history of Italy, as a talented Florentine and as a member of the Medicean party.

Machiavelli, in his Prince, desired to picture the type of rulers needed to meet the demands of Italy at the time he wrote. It is a picture of imperialism and, indeed, of despotism. The prince or ruler was in no way obliged to consider the feelings and rights of individuals. Machiavelli said it was not necessary that a prince should be moral, humane, religious, or just; indeed, that if he had these qualities and displayed them they would harm him, but if he were new to his place in the principality he might seem to have them. It would be as useful to him to keep the path of rectitude when this was not too inconvenient as to know how to deviate from it when circumstances dictate. In other words, a prudent prince cannot and ought not really to keep his word except when he can do it without injury to himself.

Among other Italian writers may be mentioned Boiardo, on account of his Orlando Innamorato, and Ariosto, who wrote Orlando Furioso. Upon the whole, the writings of the period were not worthy of its intellectual development, although Torquato Tasso, in his Jerusalem Delivered, presents the first crusade as Homer presented the Trojan War. The small amount of really worthy literature of this age has been attributed to the lack of moral worth.

Art and Architecture. – Perhaps the renaissance art exceeded that which it replaced in beauty, variety, and naturalness, as well as in exuberance. There was an attempt to make all things beautiful, and no attempt to follow the spirit of asceticism in degrading the human body, but rather to try to delineate every feature as noble in itself. The movement, life, and grace of the human form, the beauty of landscape, all were enjoyed and presented by the artists of the renaissance. The beauty of this life is magnified, and the artists represented in joyous mood the best qualities that are important in the world. They turned the attention from asceticism to the importance of the present life.

Perhaps the Italians reached the highest point of development in painting, for the Madonnas of Italy have given her celebrity in art through all succeeding generations. Cimabue was the first to paint the Madonna as a beautiful woman. Giotto followed next, and a multitude of succeeding Madonnas have given Italy renown. Raphael excelled all others in the representation of the Madonna, and was not only the greatest painter of all Italy, but a master artist of all ages.

Architecture, however, appears to be the first branch of art that defied the arbitrary power of tradition. It could break away more readily than any other form of art, because of the great variety which existed in different parts of the Roman Empire – the Byzantine in the south of Italy, the Gothic in the north, and Romanesque in Rome and the provinces. There was no conventional law for architectural style, hence innovations could be made with very little opposition. In the search for classical remains, a large number of buildings had already become known, and many more were uncovered as the searching continued. These gave types of architecture which had great influence in building the renaissance art. The changes, beginning with Brunelleschi, were continued until nearly all buildings were completely Romanized. Then came Michael Angelo, who excelled in both architecture and sculpture at Rome, and Palladio, who worked at Venice and Verona. In the larger buildings the Basilica of Rome became the model, or at least the principles of its construction became the prevailing element in architectural design.

Florence became the centre of art and letters in the Italian renaissance.36 Though resembling Athens in many respects, and bearing the same relations to surrounding cities that Athens did to cities in the classic times, her scholars were more modern than those of Greece or Rome, and, indeed, more modern than the scholars who followed after the Florentines, two centuries later. It was an important city, on the Arno, surrounded by hills, a city of flowers, interesting to-day to the modern scholar and student of history. Surrounded by walls, having magnificent gates, with all the modern improvements of paved streets, of sewers, gardens, and spacious parks, it represented in this early period the ideal city life. Even to-day the traveller finds the Palazzo Vecchio, or ancient official residence of the city fathers, and very near this the Loggia dei Lanzi, now filled with the works of precious art, and the Palazzo del Podesta, now used as a national museum, the great cathedral, planned in 1294 by Arnolfo, ready for consecration in 1498, and not yet completed, and many other remarkable relics of this wonderful era.

The typical idea in building the cathedral was to make it so beautiful that no other in the world could ever surpass it. Opposite the main door were the gates of Ghiberti, which Michael Angelo, for their great beauty, thought worthy to be the gates of paradise. They close the entrance of the temple of Saint John the Baptist, the city's patron saint. More than a hundred other churches, among them the Santa Croce and the Santa Maria Novella, the latter the resting-place of the Medici, were built in this magnificent city. The churches were not only used for religious worship, but were important for meeting-places of the Florentines. The Arno was crossed by four bridges, of which the Ponte Vecchio, built in the middle of the fourteenth century, alone remains in its original form. Upon it rest two rows of houses, each three stories high, and over this is the passageway from the Palazzo Pitti to the Palazzo Vecchio. In addition to the public buildings of Florence, there were many private residences and palaces of magnificence and splendor.