History of Human Society

Language Is an Instrument of Culture. – Culture areas always spread beyond the territory of language groups. Culture depends upon the discovery and utilization of the forces of nature through invention and adaptation. It may spread through imitation over very large human territory. Man has universal mental traits, with certain powers and capacities that are developed in a relative order and in a degree of efficiency; but there are many languages and many civilizations of high and low degree. Through human speech the life of the past may be handed on to others and the life of the present communicated to one another. The physiological power of speech which exists in all permits every human group to develop a language in accordance with its needs and as influenced by its environment. Thus language advanced very rapidly as an instrument of communication even at a very early period of cultural development. A recent study of the languages of the American Indians has shown the high degree of the art of expression among people of the Neolithic culture. This would seem to indicate that primitive peoples are more definite in thought and more observant in the relation of cause and effect than is usually supposed. Thus, definite language permits more precise thought, and definite thought, in turn, insists on more exact expression in language. The two aid each other in development of cultural ideas, and invention and language move along together in the development of the human race. It becomes a great human invention, and as such it not only preserves the thoughts of the past but unlocks the knowledge of the present.

Not only is language the means of communication, and the great racial as well as social bond of union, but it represents knowledge, culture, and refinement. The strength and beauty of genuine artistic expression have an elevating influence on human life and become a means of social progress. The drama and the choicest forms of prose and poetry in their literary aspects furnish means of presenting great thoughts and high ideals, and, thus combined with the beauty of expression, not only furnish the best evidence of moral and intellectual progress but make a perennial source of information in modern social life. Hence it is that language and culture in all of their forms go hand in hand so closely that a high degree of culture is not attained without a dignified and expressive language.

Art as a Language of Aesthetic Ideas. – The development of aesthetic ideas and aesthetic representations has kept pace with progress in other phases of civilization. The notion of beauty as entertained by the savage is crude, and its representation is grotesque. Its first expression is observed in the adornment of the body, either by paint, tattooing, or by ornaments. The coarse, glaring colors placed upon the face or body, with no regard for the harmony of color, may attract attention, but has little expression of beauty from a modern standard. The first adornment in many savage tribes consisted in tattooing the body, an art which was finally rendered useless after clothing was fully adopted, except as a totemic design representing the unity of the tribe. This custom was followed by the use of rude jewelry for arms, neck, ears, nose, or lips. Other objects of clothing and ornament were added from time to time, the bright colors nearly always prevailing. There must have been in all tribes a certain standard of artistic taste, yet so low in many instances as to suggest only the grotesque. The taste displayed in the costumes of savages within the range of our own observation is remarkable for its variety. It ranges all the way from a small piece of cloth to the elaborate robes made of highly colored cotton and woollen goods. The Celts were noted for their highly colored garments and the artistic arrangement of the same. The Greeks displayed a grace and simplicity in dress never yet surpassed by any other nation. Yet the dress of early Greeks, Romans, and Teutons was meagre in comparison with modern elaborate costumes. All of this is a method of expression of the emotions and ideas and, in one sense, is a language of the aesthetic.

Representative art, even among primitive peoples, carries with it a distinctive language. It is a representation of ideas, as well as an attempt at beauty of expression. The figures on pottery and basketry frequently carry with them religious ideas for the expression and perpetuation of religious emotion and belief. Even rude drawings attempt to record the history of the deeds of the race. Progress is shown in better lines, in better form, and a more exquisite blending of colors. That many primitive people display a high degree of art and a low degree of general culture is one of the insoluble problems of the race. Perhaps it may be attributed primarily to the fact that all artistic expression originally sprang from the emotional side of life, and, in addition, may be in part attributed to the early training in the acute observation of the forms of nature by primitive people upon which depended their existence.

Music Is a Form of Language. – Early poetry was a recital of deeds, and a monotonous chant, which finally became recorded as language developed. The sagas and the war songs were the earliest expressions which later were combined with dramatic action. The poetry of primitive races has no distinguishing characteristics except metre or rhythm. It is usually an oft-recurring expression of the same idea. Yet there are many fragmentary examples of lyric poetry, though it is mostly egoistic, the individual reciting his deeds or his desires. From the natives of Greenland we have the following about the hovering of the clouds about the mountain:

"The great Koonak mountain, over there —I see it;The great Koonak mountain, over there —I am looking at it;The bright shining in the South, over there —I admire it;The other side of Koonak —It stretches out —That which Koonak —Seaward encloses.See how they in the SouthMove and change —See how in the SouthThey beautify one another;While it toward the seaIs veiled – by changing cloudsVeiled toward the seaBeautifying one another."

The emotional nature of savages varies greatly in different tribes. The lives of some seem to be moved wholly through the emotions, while others are stolid or dull. The variations in musical ability and practice of savage and barbarous races are good evidence of this. Many of the tribes in Africa have their rude musical instruments, and chant their simple, monotonous music. The South Sea Islanders beat hollow logs with clubs, marking time and creating melody by these notes. The Dahomans use a reed fife, on which they play music of several notes. In all primitive music, time is the chief element, and this is not always kept with any degree of accuracy. The chanting of war songs, the moaning of the funeral dirge, or the sprightly singing with the dance, shows the varied expression of the emotional nature.

No better illustration of the arts of pleasure may be observed than the practices of the Zuñi Indians and other Pueblo Indians of New Mexico. The Zuñi melodies are sung on various festival occasions. Some are sacred melodies, used in worship; others are on the occasion of the celebration of the rabbit hunt, the rain dances, and the corn dances. Among the Pueblo Indians the cachina dance is for the purpose of invoking bountiful rains and good harvests. In all of their feasts, games, plays, and dances there are connected ceremonies of a religious nature. Religion occupies a very strong position in the minds of the people. Possessed of a superstitious nature, it was inevitable that all the arts of pleasure should partake somewhat of the religious ceremony. The song and the dance and the beating of the drums always accompanied every festival.

The Dance as a Means of Dramatic Expression. – Among primitive peoples the dance, poetry, and music were generally introduced together, and were parts of one drama. As such it was a social institution, with the religious, war, or play element fully represented. Most primitive dances were conducted by men only. In the celebrated Corroboree of the Australians, men danced and the women formed the orchestra.17 This gymnastic dance was common to many tribes. The dances of the Moros and Igorrotes at the St. Louis Exposition partook, in a similar way, of the nature of the gymnastic dance. The war dances of the plains Indians of America are celebrated for their grotesqueness. The green-corn dance and the cachina of the Pueblos and the snake dance of the Moqui all have an economic foundation. In all, however, the play element in man and the desire for dramatic expression and the art of mimicry are evident. The chief feature of the dance of the primitive people is the regular time beat. This is more prominent than the grace of movement. Yet this agrees with the nature of their music, for in this the time element is more prominent than the tune. Rhythm is the strong element in the primitive art of poetry, music, or the dance, but all have an immense socializing influence. The modern dance has added to rhythm the grace of expression and developed the social tendencies. In it love is a more prominent feature than war or religion.

Catlin, in his North American Indians, describes the buffalo dance of the Mandan Indians, which appears to be more of a service toward an economic end than an art of pleasure. After an unsuccessful hunt the returned warriors bring out their buffalo masks, made of the head and horns and tail of the buffalo. These they don, and continue to dance until worn out. Ten or fifteen dancers form a ring and, accompanied by drumming, yelling, and rattling, dance until the first exhausted one goes through the pantomime of being shot with the bow and arrow, skinned, and cut up; but the dance does not lag, for another masked dancer takes the place of the fallen one. The dance continues day and night, without cessation, sometimes for two or three weeks, or until a herd of buffaloes appears in sight; then the warriors change the dance for the hunt.

The dancing of people of lower culture was carried on in many instances to express feelings and wishes. Many of the dances of Egypt, Greece, and other early civilizations were of this nature. Sacred hymns to the gods were chanted in connection with the dancing; but the sacred dance has become obsolete, in Western civilization its place being taken by modern church music.

The Fine Arts Follow the Development of Language. – While art varied in different tribes, we may assume in general that there was a continuity of culture development from the rude clay idol of primitive folk to the Venus de Milo or the Winged Victory; from the pictures on rocks and in caves to the Sistine Madonna; from the uncouth cooking bowl of clay to the highest form of earthenware vase; and from the monotonous strain of African music to the lofty conception of Mozart. But this is a continuity of ideas covering the whole human race as a unit, rather than the progressive development of a single branch of the race.

Consider for a moment the mental and physical environment of the ancient cave or forest dweller. The skies to him were marked only as they affected his bodily comfort in sunshine or storm; the trees invited his attention as they furnished him food or shelter; the roaring torrent was nothing to him except as it obstructed his journey; the sun and the moon and the stars in the heavens filled him with portentous awe, and the spirits in the invisible world worked for his good or for his evil. Beyond his utilitarian senses no art emotion stirred in these signs of creation. Perhaps the first art emotion was aroused in contemplation of the human body. Through vanity, fear, or love he began to decorate it. He scarifies or tattoos his naked body with figures upon his back, arms, legs, and face to represent an idea of beauty. While the tribal or totemic design may have originated the custom, he wishes to be attractive to others, and his first emotions of beauty are thus expressed. The second step is to paint his face and body to express love, fear, hate, war, or religious emotions. This leads on to the art of decorating the body with ornaments, and subsequently to the ornamentation of clothing.

The art of representation at first possessed little artistic beauty, though the decorations on walls of caves show skill in lines and color. The first representations sought only intelligence in communicating thought. The bas-reliefs of the ancients showed skill in representation. The ideal was finally developed until the aesthetic taste was improved, and the Greek sculpture shows a high development of artistic taste. In it beauty and truth were harmoniously combined. The arts of sculpture and painting are based upon the imagination. Through its perfect development, and the improvement in the art of execution, have been secured the aesthetic products of man. Yet there is always a mingling of the emotional nature in the development of fine arts. The growth of the fine arts consists in intensifying the pleasurable sensations of eye and ear. This is done by enlarging the capacity for pleasure and increasing the opportunity for its satisfaction. The beginnings of the fine arts were small, and the capacity to enjoy must have been slowly developed. Of the arts that appeal to the eye there may be enumerated sculpture, painting, drawing, landscape-gardening, and architecture. The pleasure from all except the last comes from an attempt to represent nature. Architecture is founded upon the useful, and combines the industrial and the fine arts in one. The attempt to imitate nature is to satisfy the emotions aroused in its contemplation.

The Love of the Beautiful Slowly Develops. – There must have developed in man the desire to make a more perfect arrow-head, axe, or celt for the efficiency of service, and later for beauty of expression. There must early have developed an idea of good form and bright colors in clothing. So, too, in the mixing of colors for the purpose of expressing the emotions there gradually came about a refinement in blending. Nor could man's attention be called constantly to the beautiful plants and flowers, to the bright-colored stones, metals, and gems found in the earth without developing something more than mere curiosity concerning them. He must early have discovered the difference between objects which aroused desire for possession and those that did not. Ultimately he preferred a more beautifully finished stone implement than one crudely constructed – a more beautiful and showy flower than one that was imperfect, and likewise more beautiful human beings than those that were crude and ugly.

The pleasure of sound manifested itself at an earlier stage than the pleasure of form, although the degree of advancement in music varies in different tribes. Thus the inhabitants of Africa have a much larger capacity for recognizing and enjoying the effect of harmonious sounds than the aborigines of America. While all nations have the faculty of obtaining pleasure from harmonious sounds, it varies greatly, yet not more widely than between separate individuals. It may be considered quite a universal faculty. The love of the beautiful in form, color, and in harmonious sound, is a permanent social force, and has much to do in the progress of civilization. Yet it is not an essential force, for the beginnings of civilization could have been made without it. However, it gives relief to the cold business world; the formal association of men is softened and embellished by painting, poetry, and music. Thus considered, it represents an important part of the modern social development. Art culture, which represents the highest expression of our civilization, has its softening influences on human life.

SUBJECTS FOR FURTHER STUDY

1. The importance of language in the development of culture.

2. Does language always originate the same way in different localities?

3. Does language develop from a common centre or from many centres?

4. What bearing has the development of language upon the culture of religion, music, poetry, and art?

5. Which were the more important impulses, clothing for protection or for adornment?

6. Show that play is an important factor in society-building.

7. Compare pictograph, ideograph, and phonetic writing.

PART III

THE SEATS OF EARLY CIVILIZATIONS

CHAPTER VIII

THE INFLUENCE OF PHYSICAL NATURE ON HUMAN PROGRESS

Man Is a Part of Universal Nature. – He is an integral part of the universe, and as such he must ever be subject to the physical laws which control it. Yet, as an active, thinking being, conscious of his existence, it is necessary to consider him in regard to the relations which he sustains to the laws and forces of physical nature external to himself. He is but a particle when compared to a planet or a sun, but he is greater than a planet because he is conscious of his own existence, and the planet is not. Yet his whole life and being, so far as it can be reasoned about, is dependent upon his contact with external nature. By adaptation to physical environment he may live; without adaptation he cannot live.

As a part of evolved nature, man comes into the world ignorant of his surroundings. He is ever subject to laws which tend to sweep him onward with the remaining portions of the system of which he is a part, but his slowly awakening senses cause him to examine his surroundings. First, he has a curiosity to know what the world about him is like, and he begins a simple inquiry which leads to investigation. The knowledge he acquires is adapted to his use day by day as his vision extends. Through these two processes he harmonizes his life with the world about him. By degrees he endeavors to bring the materials and the forces of nature into subjection to his will. Thus he progresses from the student to the master. External nature is unconscious, submitting passively to the laws that control it, but man, ever conscious of himself and his effort, attempts to dominate the forces surrounding him and this struggle to overcome environment has characterized his progress. But in this struggle, nature has reciprocated its influence on man in modifying his development and leaving her impress on him. Limited he has ever been and ever will be by his environment. Yet within the limits set by nature he is master of his own destiny and develops by his own persistent endeavor.

Indeed, the epitome of civilization is a struggle of nature and thought, the triumph of the psychical over the physical; and while he slowly but surely overcomes the external physical forces and makes them subordinate to his own will and genius, civilization must run along natural courses even though its products are artificial. In many instances nature appears bountiful and kind to man, but again she appears mean and niggardly. It is man's province to take advantage of her bounty and by toil and invention force her to yield her coveted treasures. Yet the final outcome of it all is determined by the extent to which man masters himself.

Favorable Location Is Necessary for Permanent Civilization. – In the beginning only those races have made progress that have sought and obtained favorable location. Reflect upon the early civilizations of the world and notice that every one was begun in a favorable location. Observe the geographical position of Egypt, in a narrow, fertile valley bounded by the desert and the sea, cut off from contact with other races. There was an opportunity for the Egyptians to develop continuity of life sufficient to permit the beginnings of civilization. Later, when wealth and art had developed, Egypt became the prey of covetous invading nations. So ancient Chaldea, for a time far removed from contact with other tribes, and protected by desert, mountain, and sea, was able to begin a civilization.

But far more favorable, not only for a beginning of civilization but for a high state of development, was the territory occupied by the Grecian tribes. Shut in from the north by a mountain range, surrounded on every other side by the sea, a fertile and well-watered land, of mild climate, it was protected from the encroachments of "barbarians." The influence of geographical contour is strongly marked in the development of the separate states of Greece. The small groups that settled down on a family basis were separated from each other by ranges of hills, causing each community to develop its own characteristic life. These communities had a common language, differing somewhat in dialect, and the foundation of a common religion, but there never could exist sufficient similarity of character or unity of sentiment to permit them to unite into a strong central nation. A variety of life is evinced everywhere. Those who came in contact with the ocean differed from those who dwelt in the interior, shut in by the mountains. The contact with the sea gives breadth of thought, largeness of life, while those who are enclosed by mountains lead a narrow life, intense in thought and feeling. Without the protection of nature, the Grecian states probably would never have developed the high state of civilization which they reached.

Rome presents a similar example. It is true that the Italian tribes that entered the peninsula had considerable force of character and thorough development as they were about to enter upon a period of civilization. Like the Greeks, the discipline of their early Aryan ancestors had given them much of strength and character. Yet the favorable location of Italy, bounded on the north by a high mountain range and enclosed by the sea, gave abundant opportunity for the national germs to thrive and grow. Left thus to themselves, dwelling under the protection of the snow-capped Alps, and surrounded by the beneficent sea, national life expanded, government and law developed and thrived, and the arts of civilized life were practised. The national greatness of the Romans may in part be attributed to the period of repose in which they pursued unmolested the arts of peace before their era of conquest began.

Among the mountains of Switzerland are people who claim never to have been conquered. In the wild rush of the barbarian hordes into the Roman Empire they were not overrun. They retain to this day their early sentiments of liberty; their greatness is in freedom and equality. The mountains alone protected them from the assaults of the enemy and the crush of moving tribes.

Other nations might be mentioned that owe much to geographical position. More than once in the early part of her history it protected Spain from destruction. The United States, in a large measure, owes her independent existence to the fact that the ocean rolls between her and the mother country. On the other hand, Ireland has been hampered in her struggle for independent government on account of her proximity to England. The natural defense against enemies, the protection of mountains and forests, the proximity to the ocean, all have had their influence in the origin and development of nations. Yet races, tribes, and nations, once having opportunity to develop and become strong, may flourish without the protecting conditions of nature. They may defy the mountains, seas, and the streams, and the onslaughts of the wild tribes.

The Nature of the Soil an Essential Condition of Progress. – But geography alone, although a great factor in progress, is powerless without a fertile soil to yield a food supply for a large population. The first great impetus of all early civilizations occurred through agriculture. Not until this had developed so as to give a steady food supply were people able to have sufficient leisure to develop the other arts of life. The abundant food supply furnished by the fertility of the Nile valley was the key to the Egyptian civilization. The valley was overflowed annually by the river, which left a fertilizing sediment upon the land already prepared for cultivation. Thus annually without excessive labor the soil was watered, fertilized, and prepared for the seed. Even when irrigation was introduced, in order to obtain a larger supply of food, the cultivation of the soil was a very easy matter. Agriculture consisted primarily in sowing seed on ready prepared ground and reaping the harvest. The certainty of the crop assured a living. The result of cheap food was to rapidly multiply the race, which existed on a low plane. It created a mass of inferior people ruled by a few despots.

What is true of Egypt is true of all of the early civilizations, as they each started where a fertile soil could easily be tilled. The inhabitants of ancient Chaldea developed their civilization on a fertile soil. The great cities of Nineveh and Babylon were surrounded by rich valleys, and the yield of agricultural products made civilization possible. The earliest signs of progress in India were along the valleys of the Ganges and the Indus. Likewise, in the New World, the tribes that approached the nearest to civilization were situated in fertile districts in Peru, Central America, Mexico, and New Mexico.