The Golden Butterfly

So Phillis was neglected by her guardian and left to Agatha and Jack Dunquerque, with such results as we shall see.

So Lawrence Colquhoun fell into the power of this man of stocks, about the mouth of whose City den the footsteps pointed all one way. He congratulated himself; he found out Gilead Beck, and they congratulated each other.

"I don't see," said Colquhoun, who had already enough for four bachelors, "why one's income should not be doubled."

"With Mr. Cassilis," said Gilead Beck, "you sign cheques, and he gives you dividends. It's like Ile, because you can go on pumping."

"He understands more than any other living man," said Lawrence.

"He is in the inner track, sir," said Mr. Beck.

"And a man," said Lawrence, "ready to take in his friends with himself."

"A high-toned and a whole-souled man," said Gilead Beck, with enthusiasm. "That man, sir, I do believe would take in the hull world."

CHAPTER XXIV

"I had rather hear a brazen candlestick turn'd,Or a dry wheel grate on an axle-tree;And that would set my teeth nothing on edge.Nothing so much as mincing poetry."

Jack Dunquerque repaired to the Langham, the day after the call on the Twins, with a face in which cheerful anticipation and anxiety were curiously blended. He was serious with his lips, but he laughed with his eyes. And he spoke with a little hesitation not often observed in him.

"I think your dinner will come off next Wednesday," he said. "And I have been getting together your party for you."

"That is so, Mr. Dunquerque?" asked Gilead Beck, with a solemnity which hardly disguised his pride and joy. "That is so? And those great men, your friends, are actually coming?"

"I have seen them all, personally. And I put the case before each of them. I said, 'Here is an American gentleman most anxious to make your acquaintance; he has no letters of introduction to you, but he is a sincere admirer of your genius; he appreciates you better than any other living man.'"

"Heap it up, Mr. Dunquerque," said the Man of Oil. "Heap it up. Tell them I am Death on appreciation."

"That is in substance what I did tell them. Then I explained that you deputed me, or gave me permission to ask them to dinner. 'The honour,' I said, 'is mutual. On the one hand, my friend, Mr. Gilead P. Beck' – I ventured to say, 'my friend, Mr. Gilead P. Beck' – "

"If you hadn't said that you should have been scalped and gouged. Go on, Mr. Dunquerque; go on, sir."

"'On the one hand, my friend, Mr. Gilead P. Beck' – "

"That is so – that is so."

"'Will feel himself honoured by your company; on the other hand, it will be a genuine source of pleasure for you to know that you are as well known and as thoroughly appreciated on the other side of the water as you are here.' I am not much of a speechmaker, and I assure you that little effort cost me a good deal of thought. However, the end of it is all you care about. Most of the writing swells will come, either on Wednesday next or on any other day you please."

"Mr. Dunquerque, not a day passes but you load me with obligations. Tell me, if you please, who they are."

"Well, you will say I have done pretty well, I think." Jack pulled out a paper. "And you will know most of the names. First of all, you would like to see the old Philosopher of Cheyne Walk, Thomas Carlyle, as your guest?"

"Carlyle, sir, is a name to conjure with in the States. When I was Editor of the Clearville Roarer I had an odd volume of Carlyle, and I used to quote him as long as the book lasted. It perished in a fight. And to think that I shall meet the man who wrote that work! An account of the dinner must be written for the Rockoleaville Gazette. We'll have a special reporter, Mr. Dunquerque. We'll get a man who'll do it up to the handle."

Jack looked at his list again.

"What do you say of Professor Huxley and Mr. Darwin?"

Mr. Beck shook his head. These two writers began to flourish – that is, to be read – in the States after his editorial days, and he knew them not.

"I should say they were prominent citizens, likely, if I knew what they'd written. Is Professor Huxley a professing Christian? There was a Professor Habukkuk Huckster once down Empire City way in the Moody and Sankey business, with an interest in the organs and a percentage on the hymn-books; but they're not relations, I suppose? Not probable. And the other genius – what is his name – Darwin? Grinds novels perhaps?"

"Historical works of fiction. Great in genealogy is Darwin."

"Never mind my ignorance, Mr. Dunquerque. And go on, sir. I'm powerful interested."

"Ruskin is coming; and I had thought of Robert Browning, the poet, but I am afraid he may not be able to be present. You see, Browning is so much sought after by the younger men of the day. They used to play polo and billiards and other frivolous things till he came into fashion with his light and graceful verse, so simple that all may understand it. His last poem, I believe, is now sung about the streets. However, there are Tennyson and Swinburne – they are both coming. Buchanan I would ask, if I knew him, but I don't. George Eliot, of course, I could not invite to a stag party. Trollope we might get, perhaps – "

"Give me Charles Reade, sir," said Gilead Beck. "He is the novelist they like on our side."

"I am afraid I could not persuade him to come; though he might be pleased to see you if you would call at his house, perhaps. However, Beck, the great thing is" – he folded up his list and placed it in his pocket-book – "that you shall have a dinner of authors as good as any that sat down to the Lord Mayor's spread last year. Authors of all sorts, and the very best. None of your unknown little hungry anonymous beggars who write novels in instalments for weekly papers. Big men, sir, with big names. Men you'll be proud to know. And they shall be asked for next Wednesday."

"That gives only four days. It's terrible sudden," said Gilead Beck. He shook his head with as much gravity as if he was going to be hanged in four days. Then he sat down and began to write the names of his guests.

"Professor Huxley," he said, looking up. "I suppose I can buy that clergyman's sermons? And the Universal Genius who reels out the historical romances, Mr. Darwin? I shall get his works, too. And there's Mr. Ruskin, Mr. Robert Browning – "

"What are you going to do?"

"Well, Mr. Dunquerque, I am going to devote the next four days, from morning till night, to solid preparation for that evening. I shall go out right away, and I shall buy every darned book those great men have written; and if I sit up every night over the job, I'm bound to read every word."

"Oh!" said Jack. "Then I advise you to begin with Robert Browning."

"The light and graceful verse that everybody can understand? I will," said Gilead Beck. "They shall not find me unacquainted with their poems. Mr. Dunquerque, for the Lord's sake don't tell them it was all crammed up in four days."

"Not I. But – I say – you know, authors don't like to talk about their own books."

"That's the modesty of real genius," said the American, with admiration.

It will be perceived that Jack spoke with a certain rashness. Most authors I have myself known do love very much to talk about their own books.

"That is their modesty. But they will talk about each other's books. And it is as well to be prepared. What I'm bound to make them feel, somehow, is that they have a man before them who has gone in for the hull lot and survived. A tough contract, Mr. Dunquerque, but you trust me."

"Very well," said Jack, putting on his hat, "only don't ask them questions. Authors don't like being questioned. Why, I shouldn't wonder if next Wednesday some of them pretended not to know the names of their own books. Don't you know that Shakespeare, when he went down to Stratford, to live like a retired grocer at Leytonstone, used to pretend not to know what a play meant? And when a strolling company came round, and the manager asked permission to play Hamlet, he was the first to sign a petition to the mayor not to allow immoral exhibitions in the borough."

"Is that so, sir?"

"It may be so," said Jack, "because I never heard it contradicted."

As soon he was gone, Gilead Beck sought the nearest bookseller's shop and gave an extensive order. He requested to be furnished with all the works of Carlyle, Ruskin, Tennyson, Swinburne, Browning, Buchanan, Huxley, Darwin, and a few more. Then he returned to the Langham, gave orders that he was at home to no one except Mr. Dunquerque, took off his coat, lit a cigar, ordered more champagne, and began the first of the three most awful days he ever spent in all his life.

The books presently came in a great box, and he spread them on the table with a heart that sank at the mere contemplation of their numbers. About three hundred volumes in all. And only four days to get through them. Seventy-five volumes a day, say, at the rate of fifteen hours' daily work; five an hour, one every twelve minutes. He laid his watch upon the table, took the first volume of Robert Browning that was uppermost, sat down in his long chair with his feet up, and began.

The book was Fifine at the Fair. Gilead Beck read cheerfully and with great ease the first eight or ten pages. Then he discovered with a little annoyance that he understood nothing whatever of the author's meaning. "That comes of too rapid reading," he said. So he turned back to the beginning and began with more deliberation. Ten minutes clean wasted, and not even half a volume got through. When he had got to tenth page for the second time, he questioned himself once more, and found that he understood less than ever. Were things right? Could it be Browning, or some impostor? Yes, the name of Robert Browning was on the title-page; also, it was English. And the words held together, and were not sprinkled out of a pepper-pot. He began a third time. Same result. He threw away his cigar and wiped his brow, on which the cold dews of trouble were gathering thickly.

"This is the beginning of the end, Gilead P. Beck," he murmured. "The Lord, to try you, sent His blessed Ile, and you've received it with a proud stomach. Now you air going off your head. Plain English, and you can't take in a single sentence."

It was in grievous distress of mind that he sprang to his feet and began to walk about the room.

"There was no softenin' yesterday," he murmured, trying to reassure himself. "Why should there be to-day? Softenin' comes by degrees. Let us try again. Great Jehoshaphat!"

He stood up to his work, leaning against a window-post, and took two pages first, which he read very slowly. And then he dropped the volume in dismay, because he understood less than nothing.

It was the most disheartening thing he had ever attempted.

"I'd rather fight John Halkett over again," he said. "I'd rather sit with my finger on a trigger for a week, expecting Mr. Huggins to call upon me."

Then he began to construe it line by line, thinking every now and then that he saw daylight.

It is considered rather a mark of distinction, a separating seal upon the brow, by that poet's admirers, to reverence his later works. Their creed is that because a poem is rough, harsh, ungrammatical, and dark, it must have a meaning as deep as its black obscurity.

"It's like the texts of a copybook," said Gilead. "Pretty things, all of them, separate. Put them together and where are they? I guess this book would read better upsy down."

He poured cold water on his head for a quarter of an hour or so, and then tried reading it aloud.

This was worse than any previous method, because he comprehended no more of the poet's meaning, and the rough hard words made his front teeth crack and fly about the room in splinters.

"Cæsar's ghost!" he exclaimed, thinking what he should do if Robert Browning talked as he wrote. "The human jaw isn't built that could stand it."

Two hours were gone. There ought to have been ten volumes got through, and not ten pages finished of a single one.

He hurled Fifine to the other end of the room, and took another work by the same poet. It was Red Cotton Nightcap Country, and the title looked promising. No doubt a light and pretty fairy story. Also the beginning reeled itself off with a fatal facility which allured the reader onwards.

When the clock struck six he was sitting among the volumes on the table, with Red Cotton Nightcap Country still in his hand. His eyes were bloodshot, his hair was pushed in disorder about his head, his cheeks were flushed, his hands were trembling, the nerves in his face were twitching.

He looked about him wildly, and tried to collect his faculties. Then he arose and cursed Robert Browning. He cursed him eating, drinking, and sleeping. And then he took all his volumes, and disposing them carefully in the fire-place, he set light to them.

"I wish," he said, "that I could put the Poet there, too." I think he would have done it, this mild and gentle-hearted stranger, so strongly was his spirit moved to wrath.

He could not stay any longer in the room. It seemed to be haunted with ghosts of unintelligible sentences; things in familiar garb, which floated before his eyes and presented faces of inscrutable mystery. He seized his hat and fled.

He went straight to Jack Dunquerque's club, and found that hero in the reading-room.

"I have a favour to ask you," he began in a hurried and nervous manner. "If you have not yet asked Mr. Robert Browning to the little spread next week, don't."

"Certainly not, if you wish it. Why?"

"Because, sir, I have spent eight hours over his works."

Jack laughed.

"And you think you have gone off your head? I'll tell you a secret. Everybody does at first; and then we all fall into the dodge, and go about pretending to understand him."

"But the meaning, Mr. Dunquerque, the meaning?"

"Hush! he hasn't got any. Only no one dares to say so, and it's intellectual to admire him."

"Well, Mr. Dunquerque, I guess I don't want to see that writer at my dinner, anyhow."

"Very well, then. He shall not be asked."

"Another day like this, and you may bury me with my boots on. Come with me somewhere, and have dinner as far away from those volumes of Mr. Browning as we can get in the time."

They dined at Greenwich. In the course of the next three days Gilead Beck read diligently. He did not master the three hundred volumes, but he got through some of the works of every writer, taking them in turn.

The result was a glorious and inextricable mess. Carlyle, Swinburne, Huxley, Darwin, Tennyson, and all of them, were hopelessly jumbled in his brains. He mixed up the Sartor Resartus with the Missing Link, confounded the history of Frederick the Great with that of Queen Elizabeth, and thought that Maud and Atalanta in Calydon were written by the same poet. But time went on, and the Wednesday evening, to which he looked forward with so much anxiety and pride, rapidly drew near.

CHAPTER XXV

"Why, she is cold to all the world."

And while Gilead Beck was setting himself to repair in a week the defects of his early education, Jack Dunquerque was spending his days hovering round the light of Phillis's eyes. The infatuated youth frequented the house as if it was his own. He liked it, Mrs. L'Estrange liked it, and Phillis liked it. Agatha looked with matronly suspicion for indications and proofs of love in her ward's face. She saw none, because Phillis was not in love at all. Jack to her was the first friend she made on coming out of her shell. Very far, indeed, from being in love. Jack looked too for any of those signs of mental agitation which accompany, or are supposed to accompany, the birth of love. There were none. Her face lit up when she saw him; she treated him with the frankness of a girl who tells her brother everything; but she did not blush when she saw him, nor was she ever otherwise than the sweetest and lightest-hearted of sisters. He knew it, and he groaned to think of it. The slightest sign would have encouraged him to speak; the smallest indication that Phillis felt something for him of what he felt for her would have been to him a command to tell what was in his heart. But she made no sign. It was Jack's experience, perhaps, which taught him that he is a fool who gives his happiness to a woman before he has learned to divine her heart. Those ever make the most foolish marriages who are most ignorant of the sex. Hooker, the Judicious is a case in point, and many a ghostly man could, from his country parsonage, tell the same tale.

Jack was not like the Judicious Divine; he was wary, though susceptible; he had his share of craft and subtlety; and yet he was in love, in spite of all that craft, with a girl who only liked him in return.

Had he possessed greater power of imagination he would have understood that he was expecting what was impossible. You cannot get wine out of an empty bottle, nor reap corn without first sowing the seed; and he forgot that Phillis, who was unable to read novels, knew nothing, positively nothing, of that great passion of Love which makes its victims half divine. It was always necessary, in thinking of this girl, to remember her thirteen years of captivity. Jack, more than any other person, not excepting Agatha L'Estrange, knew what she would say and think on most things. Only in this matter of love he was at fault. Here he did not know because here he was selfish. To all the world except Jack and Agatha she was an impossible girl; she said things that no other girl would have said; she thought as no one else thought. To all those who live in a tight little island of their own, fortified by triple batteries of dogma, she was impossible. But to those who accepted and comprehended the conditions of Phillis's education she was possible, real, charming, and full of interest.

Jack continually thought what Phillis would say and what she would think. For her sake he noticed the little things around him, the things among which we grow up unobservant. We see so little for the most part. Things to eat and drink interest us; things that please the eye; fair women and rare wine. We are like cattle grazing on the slopes of the Alps. Around us rise the mountains, with their ever-changing marvels of light and colour; the sunlight flashes from their peaks; the snow-slopes stretch away and upwards to the deep blues beyond in curves as graceful as the line of woman's beauty; at our feet is the belt of pines perfumed and warmed by the summer air; the mountain stream leaps, bubbles, and laughs, rushing from the prison of its glacier cave; high overhead soars the Alpine eagle; the shepherds yodel in the valleys; the rapid echoes roll the song up into the immeasurable silence of the hills, – and amid all this we browse and feed, eyes downward turned.

So this young man, awakened by the quick sympathies of the girl he loved, lifted his head, taught by her, and tried to catch, he too, something of the childlike wonder, the appreciative admiration, the curious enthusiasm, with which she saw everything. Most men's thoughts are bound by the limits of their club at night, and their chambers or their offices by day; the suns rise and set, and the outward world is unregarded. Jack learned from Phillis to look at these unregarded things. Such simple pleasures as a sunset, the light upon the river, the wild flowers on the bank, he actually tasted with delight, provided that she was beside him. And after a day of such Arcadian joys he would return to town, and find the club a thirsty desert.

If Phillis had known anything about love, she would have fallen in love with Jack long before; but she did not. Yet he made headway with her, because he became almost necessary to her life. She looked for his coming; he brought her things he had collected in his "globe trotting;" he told her stories of adventure; he ruined himself in pictures; and then he looked for the love softening of her eyes, and it came not at all.

Yet Jack was a lovable sort of young man in maidens' eyes. Everybody liked him to begin with. He was, like David, a youth of a cheerful, if not of a ruddy countenance. Agatha L'Estrange remarked of him that it did her good to meet cheerful young men – they were so scarce. "I know quantities of young men, Phillis my dear; and I assure you that most of them are enough to break a woman's heart even to think of. There is the athletic young man – he is dreadful indeed, only his time soon goes by; and there is the young man who talks about getting more brain power. To be sure, he generally looks as if he wants it. There is the young man who ought to turn red and hot when the word Prig is used. There is the bad young man who keeps betting-books; and the miserable young man who grovels and flops in a Ritualist church. I know young men who are envious and backbite their friends; and young men who aspire to be somebody else; and young men who pose as infidels, and would rather be held up to execration in a paper than not to be mentioned at all. But, my dear, I don't know anybody who is so cheerful and contented as Jack. He isn't clever and learned, but he doesn't want to be; he isn't sharp, and will never make money, but he is better without it; and he is true, I am sure."

Agatha unconsciously used the word in the sense which most women mean when they speak of a man's truth. Phillis understood it to mean that Jack Dunquerque did not habitually tell fibs, and thought the remark superfluous, But it will be observed that Agatha was fighting Jack's battle for him.

After all, Jack might have taken heart had he thought that all these visits and all this interest in himself were but the laying of the seed, which might grow into a goodly tree.

"If only she would look as if she cared for me, Tommy," he bemoaned to Ladds.

"Hang it! can't expect a girl to begin making eyes at you."

"Eyes! Phillis make eyes! Tommy, as you grow older you grow coarser. It's a great pity. That comes of this club life. Always smoking and playing cards."

Tommy grinned. Virtue was as yet a flower new to Jack Dunquerque's buttonhole, and he wore it with a pride difficult to dissemble.

"Better go and have it out with Colquhoun," Tommy advised. "He won't care. He's taken up with his old flame, Mrs. Cassilis, again. Always dangling at her heels, I'm told. Got no time to think of Miss Fleming. Great fool, Colquhoun. Always was a fool, I believe. Might have gone after flesh and blood instead of a marble statue. Wonder how Cassilis likes it."

"There you go," cried Jack impatiently. "Men are worse than women. At Twickenham one never hears this foolish sort of gossip."

"Suppose not. Flowers and music, muffins, tea, and spoons. Well, the girl's worth it, Jack; the more flowers and music you get the better it will be for you. But go on and square it with Colquhoun."

CHAPTER XXVI

"A right royal banquet."

At seven o'clock on the great Wednesday Gilead Beck was pacing restlessly in his inner room, the small apartment which formed his sanctum, waiting to receive his guests. All the preparations were complete: a quartette of singers was in readiness, with a piano, to discourse sweet music after the dinner; the noblest bouquet ever ordered at the Langham was timed for a quarter to eight punctually; the wine was in ice; the waiters were adding the last touches to the artistic decorations of a table which, laid for thirteen only, might have been prepared for the Prince of Wales. In fact, when the bill came up a few days later, even Gilead Beck, man of millions, quailed for a moment before its total. Think of the biggest bill you ever had at Vèfour's – for francs read pounds, and then multiply by ten; think of the famous Lord Warden bill for the Emperor Napoleon when he landed in all his glory, and then consider that the management of the Langham is in no way behind that of the Dover hostelry. But this was to come, and when it did come, was received lightly.

Gilead Beck took a last look at the dinner-table. The few special injunctions he had given were carried out; they were not many, only that the shutters should be partly closed and the curtains drawn, so that they might dine by artificial light; that the table and the room should be entirely illuminated by wax-candles, save for one central light, in which should be burning, like the sacred flame of Vesta, his own rock-oil. He also stipulated that the flowers on the table should be disposed in shallow vessels, so as to lie low, and not interfere with the freedom of the eyes across the table. Thus there was no central tower of flowers and fruit. To compensate for this he allowed a whole bower of exotics to be erected round the room.