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Lectures on the Philosophy of the Human Mind (Vol. 1 of 3)
Such is the language of devout philosophy. No proud assertion of individual infallibility, – no triumph over the consequences in others, of a fallible nature, which ourselves partake in common, – but the expression of feelings more suited to earthly weakness, – of a modest joy of belief, which is not less delightful for the humility that tempers it; and of a modest sorrow for the seeming errors of others, to which the consciousness of our own nature gives a sympathy of warmer interest. The more important the subject of difference, the greater, not the less, will be the indulgence of him who has learned to trace the sources of human error, – of error, that has its origin not in our weakness and imperfection merely, but often in the most virtuous affections of the heart, – in that respect for age, and admiration of virtue, and gratitude for kindness received, which make the opinions of those whom we love and honour seem to us, in our early years, as little questionable, as the virtues which we love to contemplate, or the very kindness which we feel at every moment beaming on our heart, in the tender protection that surrounds us. That the subjects on which we may differ from others, are important to happiness, of course implies, that it is no slight misfortune to have erred; and that the mere error, therefore, must be already too great an evil to require any addition from our individual contempt or indignation, far less from the vengeance of public authority, – that may be right, in the opinions which it conceives to be insulted by partial dissent; but which must be wrong, in the means which it takes to avenge them. To be sincerely thankful for truths received, is, by the very nature of the feeling, to be sensible how great a blessing those have lost who are deprived of the same enjoyment; and to look down, then, with insolent disdain, on the unfortunate victim of error, is, indeed to render contemptible, (as far as it is in our feeble power to render it contemptible,) not the error which we despise, but the truth which allows us to despise it.
The remarks which I have as yet made, on the effects of acquaintance with the Philosophy of Mind, relate to its influence on the general spirit of philosophical inquiry; the advantages which must be derived, in every science, from a knowledge of the extent of the power of the intellectual instruments which we use for the discovery of truth; the skill which we thence acquire in distinguishing the questions in which we may justly hope to discover truth, from those questions of idle and endless controversy, the decision of which is altogether beyond the reach of our faculties; and the consequent moderation in the temper, with which we look both to our own possible attainments, and to the errors of others.
But beside these general advantages, which the Philosophy of Mind extends to all the inquiries of which human genius is capable, there are some advantages more peculiarly felt in certain departments of science or art. It is not merely with the mind that we operate; the subject of our operations is also often the mind itself. In education, in criticism, in poetry, in eloquence, the mind has to act upon mind, to produce in it either emotions that are temporary, or affections and opinions that are permanent. We have to instruct it, – to convince it, – to persuade it, – to delight it, – to soften it with pity, – to agitate it with terror or indignation; – and all these effects, when other circumstances of genius are the same, we shall surely be able to produce more readily, if we know the natural laws of thought and emotion; the feelings which are followed by other feelings; and the thoughts, which, expanding into other thoughts, almost of themselves produce the very passion, or conviction, which we wish to excite.
“One considerable advantage,” says Mr Hume, “which results from the accurate and abstract philosophy, is its subserviency to the easy and humane; which, without the former, can never attain a sufficient degree of exactness in its sentiments, precepts, or reasonings. All polite letters are nothing but pictures of human life in various attitudes and situations; and inspire us with different sentiments of praise or blame, admiration or ridicule, according to the qualities of the object which they set before us. An artist must be better qualified to succeed in this undertaking; who, besides a delicate taste and quick apprehension, possesses an accurate knowledge of the internal fabric, the operations of the understanding, the workings of the passions, and the various species of sentiment which discriminate vice and virtue. However painful this inward search or inquiry may appear, it becomes, in some measure, requisite to those who would describe with success the obvious and outward appearances of life and manners. The anatomist presents to the eye the most hideous and disagreeable objects; but his science is highly useful to the painter in delineating even a Venus or an Helen. While the latter employs all the richest colours of his art, and gives his figures the most graceful and engaging airs, he must still carry his attention to the inward structure of the human body, the position of the muscles, the fabric of the bones, and the use and figure of every part or organ. Accuracy is, in every case, advantageous to beauty, and just reasoning to delicacy of sentiment; – in vain would we exalt the one by depreciating the other.”11
There is a most striking passage to the same purport, in that beautiful dialogue on ancient oratory, which has been ascribed, without any very satisfactory evidence, to various authors, particularly to Quinctilian, the younger Pliny, and Tacitus, and which is not unworthy of the most eminent of the names to which it has been ascribed. After dwelling on the universal science and erudition of the great master of Roman eloquence, the chief speaker in the dialogue proceeds to show the peculiar advantage which oratory must derive from moral and intellectual science, to the neglect of which fundamental study, as superseded by the frivolous disputations of the rhetorical schools, he ascribes the decay of eloquence in the age of which he speaks.
“Ita enim est, optimi viri, ita, ex multa eruditione, ex pluribus artibus, et omnium rerum scientia, exundat et exuberat illa admirabilis eloquentia. Neque oratoris vis et facultas, sicut ceterarum rerum, angustis et brevibus terminis eluditur; sed is est orator, qui de omni quæstione pulchre, et ornate, et ad persuadendum apte dicere, pro dignitate rerum ad utilitatem temporum, cum voluptate audientium, possit. Hæc sibi illi veteres persuadebant. Ad hæc efficienda intelligebant opus esse, non ut Rhetorum scholis declamarent, – sed ut his artibus pectus implerent, in quibus de bonis ac malis, de honesto ac turpi, de justo et injusto disputatur; – de quibus copiose, et varie, et ornate, nemo dicere potest, nisi qui cognovit naturam humanam. – Ex his fontibus etiam illa profluunt, ut facilius iram judicis vel instiget, vel leniat, qui scit quid ira, promptius ad miserationem impellat qui scit quid sit misericordia, et quibus animi motibus concitetur. In his artibus exercitationibusque versatus orator, sive apud infestos, sive apud cupidos, sive apud invidentes, sive apud tristes, sive apud timentes dicendum habuerit, tenebit habenas animorum, et prout cujusque natura postulabit, adhibebit manum et temperabit orationem, parato omni instrumento, et ad usum reposito.”12
What is the whole art of criticism, in its most important applications, but the knowledge of the most natural successions of thought and feeling in the mind? We judge of the perspicuity and order of a discourse, by knowing the progress in which the mind, by the developement of truth after truth, may be made at last to see the full meaning of the most complex proposition. We judge of the beauty of impassioned poetry or eloquence, by knowing whether the figures, the images, the very feelings described, be such as, from our observation of the laws that regulate the internal series of changes in the mind, we know to be consistent with that state of emotion, in which a mind must exist that has been placed in the situation supposed. If all other circumstances be equal, he will undoubtedly be the best critic, who knows best the phenomena of human thought and feeling; and, without this knowledge, criticism can be nothing but a measurement of words, or a repetition of the ever repeated and endless common places of rhetoric. The knowledge of nature, – of the necessity of which critics speak so much, and so justly, and which is as essential to the critic himself, as to the writer on whom he sits in judgment, – is only another name for the knowledge of the successive transitions of feeling of the mind, in all the innumerable diversities in which it is capable of being modified, by the variety of circumstances in which it maybe placed. It is for this reason, that, with so great an abundance of the mere art, or rather of the mere technical phrases of criticism, we have so very little of the science of it; because the science of criticism implies an acquaintance with the philosophy of thought and passion, which few can be expected to possess; and though nothing can be easier than to deliver opinions, such as pass current in the drawing-room, and even in the literary circle, which the frivolous may admire as profound, and the ignorant as erudite, and which many voices may be proud to repeat; though even the dull and pedantic are as able as the wise to say, in fluent language, that one passage of a work of genius is beautiful, and another the reverse, – because one of them is in accordance with some technical rules, or because Homer and Milton have passages similar to the one, and not to the other: it is far from being equally easy to show, how the one passage is beautiful, from its truth of character, and the other, though perhaps rich in harmony of rhythm and rhetorical ornament, is yet faulty, by its violation of the more important harmony of thought and emotion, – a harmony which nature observes as faithfully, in the progress of those vehement passions that appear most wild and irregular, as in the calmest successions of feeling of the most tranquil hours. It would indeed, be too much to say, as in the well known couplet of Pope,
“Let such teach others who themselves excel,And censure freely, who have written well;”13for the critic requires only one of the two great talents, which in the poet, ought to exist together, but which may yet exist separately. In the poet, there must be, in the first place, an inventive fancy to bring together thoughts and images which have never been combined before; and with this inventive fancy, a discriminating judgment, which is to measure, by the standard of nature, the products of invention; and to retain them, only if they appear such, as though perhaps never before combined, might yet, in conformity with the natural laws of thought, have occurred to a mind, in the circumstances represented, as truly, as the other thoughts or images, which the works of other poets have rendered more familiar. This latter talent, – the judgment which determines the intrinsic beauty and fidelity to general nature, – is all which is absolutely requisite to the critic, who is not, therefore, under the necessity of being himself “the great sublime” which he draws. Yet, though all the elements of excellence in the artist are not absolutely requisite for the judgment of the sage and discriminating admirer of the noble works which that excellence may have produced, some of these elements unquestionably are requisite, – elements, for which the critic may search in vain in all the rules of rhetoricians, and even in the perusal of all the masterpieces of ancient and modern times, unless, to an acquaintance with these, he add an accurate acquaintance with that intellectual and moral nature of man, the beautiful conformity to which was the essential charm of all the pathos, and all the eloquence, which he has admired.
There is another art, however, to which knowledge of the intellectual and moral nature of man is still more important – that noble art, which has the charge of training the ignorance and imbecility of infancy into all the virtue, and power, and wisdom of maturer manhood – of forming, of a creature, the frailest and feeblest perhaps which heaven has made, the intelligent and fearless sovereign of the whole animated creation, the interpreter, and adorer, and almost the representative of the Divinity. The art, which performs a transformation so wondrous, cannot but be admirable itself; and it is from observation of the laws of mind, that all which is most admirable in it is derived. These laws we must follow indeed, since they exist not by our contrivance, but by the contrivance of that nobler wisdom, from which the very existence of the mind has flowed; yet, if we know them well, we can lead them, in a great measure, even while we follow them. And, while the helpless subject of this great moral art is every moment requiring our aid, – with an understanding that may rise, from truth to truth, to the sublimest discoveries, or may remain sunk forever in ignorance, and with susceptibilities of vice that may be repressed, and of virtue that may be cherished, – can we know too well the means of checking what is evil, and of fostering what is good? It is too late to lie by, in indolent indulgence of affection, till vice be already formed in the little being whom we love, and to labour then to remove it, and to substitute the virtue that is opposite to it. Vice already formed, is almost beyond our power. It is only in the state of latent propensity, that we can with much reason expect to overcome it by the moral motives which we are capable of presenting; and to distinguish this propensity before it has expanded itself, and even before it is known to the very mind in which it exists, – to tame those passions which are never to rage, and to prepare, at a distance, the virtues of other years, – implies a knowledge of the mental constitution, which can be acquired only by a diligent study of the nature, and progress, and successive transformations of feeling. It is easy to know, that praise or censure, reward or punishment, may increase or lessen, the tendency to the repetition of any particular action; and this, together with the means of elementary instruction, is all which is commonly termed education. But the true science of education is something far more than this. It implies a skilful observation of the past, and that long foresight of the future, which experience and judgment united afford. It is the art of seeing, not the immediate effect only, but the series of effects which may follow any particular thought or feeling, in the infinite variety of possible combinations – the art often of drawing virtue from apparent evil, and of averting evil that may rise from apparent good. It is, in short, the philosophy of the human mind applied practically to the human mind, – enriching it, indeed, with all that is useful or ornamental in knowledge, but at the same time giving its chief regard to objects of yet greater moment – averting evil, which all the sciences together could not compensate, or producing good, compared with which all the sciences together are as nothing.
Footnotes
LECTURE IV
RELATION OF THE PHILOSOPHY OF MIND TO THE CULTIVATION OF MORAL FEELING
We have already, Gentlemen, considered the relation which the Philosophy of Mind bears to the Sciences in general, and its particular application to those sciences and arts, in which the mind is not merely the instrument with which we carry on our intellectual operations, but the very subject on which we operate, as in the great arts of reasoning, and persuading, of delighting with all the charms of poetry and eloquence, of judging of the degrees of excellence that have been attained in these delightful arts; and, still more, its application to the noblest, though, in proportion to its value, the least studied of all the arts, the art of education. It remains still, to point out some moral effects which the study of the Science of Mind produces in the inquirer himself, effects which may not be obvious at first sight, but which result from it, as truly as the intellectual advantages already pointed out.
One very powerful and salutary influence of moral science arises directly from the mere contemplation of the objects with which it is conversant – the benevolent affections, the pleasure which attends these, the sacrifices that are made by generous virtue, and all the sublime admiration which they excite – the sordid and malevolent, and joyless passions of the selfish – the fear and shame that attend the guilty in society, and the horrors that, with a certainty of constant return more dreadful than their very presence, await them in their solitary hours. It is good to have these often before us, and to trace and contrast all the immediate, and all the remote effects of vice and virtue, even though we should form, at the time, no direct reference to our own past or future conduct. Without any such reference to ourselves, we must still be sensible of the pleasure and serene confidence which attend the one, and of the insecurity and remorse which forever hang over the other; and the remaining impressions of love and disgust, will have an influence on our future conduct, of which we may probably be altogether unconscious at the time. It is, in truth, like the influence of the example of those with whom we habitually associate, which no one perceives at any particular moment, though all are every moment subject to it; and to meditate often on virtue and happiness, is thus almost to dwell in a sort of social communion with the virtuous and happy. The influence of moral conceptions has, in this respect, been compared to that of light, which it is impossible to approach, without deriving from it some faint colouring, even though we should not sit in the very sunshine, – or to that of precious odours, amid which we cannot long remain, without bearing away with us some portion of the fragrance. “Ea enim philosophiæ vis est, ut non solum studentes, sed etiam conversantes juvet. Qui in solem venit, licet non in hoc venerit, colorabitur: qui in unguentaria taberna resederunt, et paulo diutius commorati sunt, odorem secum loci ferunt: et qui apud philosophiam fuerunt, traxerint aliquid necesse est, quod prodesset etiam negligentibus.”14
The nature of the process, by which this moral benefit arises from the mere contemplation of moral objects, frequently repeated, is far from obscure, though it depends on a cause to which you may perhaps as yet have paid little attention, but which, in an after part of the course, I shall have an opportunity of illustrating at length, – the influence of the associating principle in the mind, – of that principle, by which ideas and other feelings, that have often co-existed, acquire, forever after, an almost indissoluble union. It is not merely, therefore, by having traced, more accurately than others, the consequences of vice and virtue, as affecting the general character, that the lover of moral science strengthens his admiration of virtue, and his abhorrence of vice. But, by the frequent consideration of virtue, together with the happiness which it affords, and of vice, together with its consequent misery, the notions of these become so permanently, and so deeply associated, that future virtue appears almost like happiness about to be enjoyed, and future vice like approaching misery. The dread of misery, and the love of happiness, which are essential principles of our very physical existence, are thus transformed into principles of moral conduct, that operate, before reflection, with the rapidity, and almost with the energy of instincts, – and that, after reflection, add to our virtuous resolutions a force and stability, which, as results of mere reasoning, they could not possess.
It is, besides, no small advantage of the abstract consideration of virtue, as opposed to the miseries of vice, that, in considering these philosophically, we regard them as stripped of every thing that can blind or seduce us; and we behold them, therefore, truly as they are. It is not in the madness of intemperate enjoyment, that we see drunkenness in the goblet, and disease in the feast. Under the actual seduction of a passion, we see dimly, if we see at all, any of the evils to which it leads; and if the feelings, of which we are then conscious, were those which were forever after to be associated with the remembrance of the passion, it would appear to us an object, not of disgust or abhorrence, but of delight and choice, and almost of a sort of moral approbation. It is of importance, then, that we should consider the passion, at other moments than these, that the images associated with it may be not of that brief and illusive pleasure, which stupifies its unfortunate victim, but of its true inherent character, of deformity, and of the contempt and hatred which it excites in others. Such is the advantage of the point of view, in which it is seen by the moral inquirer, to whom it presents itself, not under its momentary character of pleasure, but under its lasting character of pain and disgust. By habituating himself to consider the remote, as well as the immediate results of all the affections and passions, he learns to regard virtue, not merely as good in itself, at the moment in which it is called into exercise, but as an inexhaustible source of good which is continually increasing; and vice not merely as a temporary evil in itself, but as a source of permanent and yet deeper misery and degradation. Every generous principle, which nature has given him, is thus continually deriving new strength, from the very contemplation of the good which it affords; and if, in the frailty of mortality, he should still be subject to the occasional influence of those very passions, which, in cooler moments, he detests, he yet does not fall, thoroughly and hopelessly. There are lingering associations of moral beauty and happiness in his mind, which may save him still, – associations that must render it, in some degree at least, more difficult for him than for others, to yield to seductions, of which he has long known the vanity, and which perhaps even may, in some happier hour, lead him back to that virtue, of which he has never wholly forgotten the charms.
The charms of virtue, indeed, it is scarcely possible, for him who has felt them, wholly to forget. There may be eyes that can look unmoved on the external beauty which once delighted them. But who is there that has ever been alive to its better influence, who can think of moral loveliness without a feeling of more than admiration, – without a conscious enjoyment, in the possession of what is so truly admirable, or a sigh at having lost the privilege of dwelling on it with delight, and at being obliged to shrink from the very thought of what it once appeared?
“For what can striveWith virtue? which of nature's regions vastCan in so many forms produce to sightSuch powerful beauty? – Beauty, which the eyeOf hatred cannot look upon secure;Which Envy's self contemplates, and is turn'dEre long to tenderness, to infant smiles,Or tears of humblest love. Is ought so fair,In all the dewy landscapes of the Spring,The Summer's noontide groves, the purple eveAt harvest-home, or in the frosty moonGlittering on some smooth sea, is aught so fairAs virtuous friendship? As the honour'd roof,Whither, from highest heaven, immortal love,His torch etherial, and his golden bow,Propitious brings, and there a temple holds,To whose unspotted service gladly vow'd,The social bond of parent, brother, child,With smiles, and sweet discourse, and gentle deeds,Adore his power? What gift of richest climeE'er drew such eager eyes, or prompted suchDeep wishes, as the zeal, that snatcheth backFrom Slander's poisonous tooth a foe's renown,Or crosseth Danger in his lion-walk,A rival's life to rescue?”The study of moral science, then, we have seen, has a direct tendency to strengthen our attachment to the virtues which we habitually contemplate. Another most important advantage derived from it, relates to us in our higher character of beings capable of religion, increasing our devotion and gratitude to the Divinity, by the clearest manifestation which it gives us of his provident goodness in the constitution and government of the moral world.