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Life and Writings of Maurice Maeterlinck
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Life and Writings of Maurice Maeterlinck

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Jackson, Holbrook. Romance and Reality. Essays and Studies. London: Grant Richards. 1911.

Jacobs, Dr Monty, Maeterlinck. Eine kritische Studie, zur Einführung in seine Werke. Leipzig: Eugen Diederichs, 1902.

Key, Ellen. Tankebilder, senare delen. Stockholm: Albert Bonniers Forlag, 1898.

Aufsätze. Fischer, Berlin.

Lazare, Bernard. Figures contemporaines. Paris: Perrin et Cie, 1895.

Leblanc, Georgette (Mme Maurice Maeterlinck). Introduction to Morceaux choisis. Collection Nelson.

Le Cardonnel, Georges, et Charles Vellay. La littérature contemporaine. Paris: Mercure de France, 1905.

Lemaître, Jules. Impressions de Théâtre; 8e série. Paris: Lecène, Oudin et Cie, 1895.

Leneveu, Georges. Ibsen et Maeterlinck. Paris: Ollendorf, 1902.

Lorenz, Max. Die Litteratur am Jahrhundertende. Stuttgart: 1900.

Mainor, Yves. M. Maeterlinck, moraliste. Angers: 1902.

Meyer-Benfey, Heinrich. Moderne Religion. Schleiermacher, Maeterlinck. Leipzig: Eugen Diederichs, 1902.

Mieszner, W. Maeterlinck's Werke. Eine literar-psychologische Studie über die Neuromantik. Berlin: Richard Schroder, 1904.

Mockel, Albert. Quelques Livres. Liège: Vaillant-Carmanne, 1890. (Printed for private circulation.)

Picard, Gaston. Maurice Maeterlinck où le mystère de la porte close. Paris, 1912.

Poppenberg, F. Maeterlinck ("Moderne Essays," 30). Berlin, 1903.

Recolin, Chr. L'Anarchie Littéraire. Paris: Perrin et Cie, 1898.

Reggio, Albert. Au seuil de leur âme. Etudes de psychologie critique. Paris: Perrin & Cie, 1904, in 18 – .

Rose, Henry. Maeterlinck's Symbolism: The Blue Bird and other Essays. London: H.C. Fifield, 1910.

Rose, Henry. On Maeterlinck: or Notes on the Study of Symbols, with special reference to "The Blue Bird." To which is added an exposition of The Sightless. London: Fifield, 1911.

Schlaf, Johannes. Maurice Maeterlinck. Berlin: Bard-Marquardt & Co. [1906].

Schrijver, J. Maeterlinck. Een Studie. Amsterdam: Scheltema & Holkema, 1900.

Schuré, Edouard. Précurseurs et Révoltés. Paris: Perrin, 1904.

Souza, Robert de. La poésie populaire et le lyrisme sentimental. Paris: Société du Mercure de France, 1899.

Steiger, E. Das Werden des neuen Dramas, Vol. ii.: Von Hauptmann bis Maeterlinck. Berlin: Fontane & Co., 1898.

Symons, Arthur. The Symbolist Movement in Literature. London: Heinemann, 1899.

–Second Edition, revised. London: Constable, 1908.

Plays, Acting, and Music. London: Duckworth, 1903.

Thomas, Edward. Maurice Maeterlinck. London: Methuen, 1911.

Thompson, Vance. French Portraits. Boston: Richard G. Badger Co., 1900.

Timmermans, B. L'Evolution de Maeterlinck. Brussels: éditions de la Belgique artistique et littéraire, 1912.

Trench, Herbert. Souvenir of the Blue Bird, containing a short essay on the life and work of Maeterlinck, etc. London: John Long, Ltd., [1910].

Verhaeren, Emile. Les lettres françaises en Belgique. Brussels: Lamertin, 1907.

Visan, Tancrède de. L'Attitude du Lyrisme-contemporain. Paris: Mercure de France, 1911.

Walkley, A.B. Frames of Mind. London: Grant Richards, 1899.

Wilmotte, Maurice. La Culture Française en Belgique. Paris: H. Champion, Dec., 1912.

WORKS SET TO MUSIC,. ETC

Pellas et Mélisande, drame lyrique de Maurice Maeterlinck, musique de Claude Debussy, représenté pour la première fois au Théâtre National de l'Opéra Comique en mai 1902. Partition piano et chant. Paris: E. Fromont, 1902.

La Mort de Tintagiles. Paroles de Maurice Maeterlinck. Musique de Jean Nouguès. Bruxelles: P. Lacomblez, 1905.

La Mort de Tintagiles, etc., mis en musique par Jean Nouguès, représenté pour la première fois aux "Matinées de Georgette Leblanc" (Théâtre des Mathurins), 28th Dec, 1905.

Gilman, Lawrence. Debussy's Pelléas et Mélisande. A Guide to the Opera with musical examples from the score. New York: G. Schirmer, 1907.

Ariane et Barbe-Bleue. Conte en trois actes tiré du théâtre de Maurice Maeterlinck. Musique de Paul Dukas. Brussels: Lacomblez, 1907.

Ariane et Barbe-Bleue. Conte en trois actes, etc., musique de Paul Dukas, représenté pour la première fois sur la scène de l'Opéra-Comique le 10 mai 1907.

Chansons de Maeterlinck. Dix poèmes précédés d'un prélude, instrum. pour violon, violoncelle et piano, par Gabriel Fabre. Paris: Heugel.

Monna Vanna. Drame lyrique en quatre actes. Musique de Henry Février. Représenté pour la première fois à Paris sur la scène de l'Académie Nationale de Musique le 13 janvier 1909. Paris: Fasquelle, 1909.

Other dramas and songs of Maeterlinck have been set to music by Pierre de Bréville; L. Camilieri; Ernest Chausson; Gabriel Fabre; Gabriel Fauré (see Pelléas et Mélisande, suite d'orchestre tirée de la musique de scène de Gabriel Fauré. Paris: Hamelle, 1901); Henry Février; G. Samazeuilh; Eug. Samuel, etc.

MAGAZINE ARTICLES

Anonymous [Jean E. Schmitt and the editor]. – Pour clore une polémique. —Entretiens politiques et littéraires, Oct., 1890.

Anonymous. – Princess Maleine and The Intruder. —Athenœum, 23rd April, 1892.

Anonymous. – Maeterlinck's Plays. —Spectator, 1892, p. 455.

Anonymous. – Maeterlinck —Poet-Lore (Boston), 1893, p. 151.

Anonymous. – Maurice Maeterlinck. —Academy, 1897, pp. 45, 113.

Anonymous. – Maeterlinck as an Essayist —Academy, 1897, p. 465.

Anonymous – Wisdom and Destiny. —Academy, 1898, p. 147.

Anonymous. – Maeterlinck as a Realist. —Academy, 1899, p. 285.

Anonymous (D.M.J.). – Maurice Maeterlinck. —Westminster Review, 1899, p. 409.

Anonymous – The Life of the Bee. —Academy, 1901, p. 459.

Anonymous – Review of The Life of the Bee. —Blackwood's Magazine, May and June, 1901.

Anonymous – Review of The Life of the Bee —Athenœum, June 15th, 1901.

Anonymous. – Maeterlinck, Moralist and Artist. – Littell's Living Age, July 27th, 1901.

Anonymous. – The Life of The Bee. —Current Literature, Nov., 1901.

Anonymous. – Maeterlinck, Dramatist and Mystic. —Outlook, Nov. 16th, 1901.

Anonymous. – Maeterlinck, Man and Mystic. —Harper's Weekly Bazar, March 22nd, 1902.

Anonymous. – Review of Sister Beatrice and Ariane et Barbe-Bleue. —Athenœum, May 3rd, 1902.

Anonymous. – Review of Théâtre de Maurice Maeterlinck. —Athenœum, May 3rd, 1902.

Anonymous. – The Buried Temple. —Athenœum, Aug. 30th, 1902.

Anonymous. – Maeterlinck as a Philosopher. —Academy, 1902, p. 451.

Anonymous. – Maeterlinck. —Church Quarterly Review (London), 1902, p. 381.

Anonymous. – Maeterlinck. —Pall Mall Magazine, 1902, p. 108.

Anonymous. – Maeterlinck. —Academy, 1903, p. 559.

Anonymous. – Monna Vanna. —Book News (Philadelphia), 1904, p. 145.

Anonymous. – Maeterlinck and the Eternal Womanly. —Harper's Bazar (New York), July, 1904.

Anonymous. – Review of The Blue Bird. —Athenœum, Aug. 7th, 1909.

Anonymous. – Review of performance of The Blue Bird at the Haymarket Theatre. —Athenœum, Dec, 18th, 1909.

Anonymous. – The Land of Unborn Children. —Ladies' Home Journal, Philadelphia, Jan., 1910.

Anonymous. – Maeterlinck's New Type of Heroine. —Current Literature, May, 1910.

Anonymous. – The Insect's Homer. —Forum (New York), Sept., 1910.

Anonymous. – The Blue Bird. —Outlook, Oct. 15th, 1910.

Anonymous. – Review of Mary Magdalene —Athenœum, Nov. 5th, 1910.

Anonymous. – Review of performance of The Blue Bird at the Haymarket Theatre. —Athenœum, Dec. 31st, 1910.

Anonymous. – Maeterlinck's Exit from Shadowland: Mary Magdalene. —Current Literature, Dec, 1910.

Anonymous – The Blue Bird as a féerie. —Scribner's Magazine (New York), Dec, 1910.

Anonymous. – The Woman Question in Grand Opera: Ariane and Bluebeard. —Current Literature, May, 1911.

Anonymous. – Review of Life and Flowers. —Athenœum, June 3rd, 1911.

Anonymous. – Review of Death. —Athenœum, Nov. 11th, 1911.

Anonymous. – La philosophie de Maurice Maeterlinck. —Le xxe Siècle, Brussels, 15th Feb., 1912.

Anonymous. – (? Grégoire Le Roy), Le poète prodigue – Propos de Table, Le Masque, Brussels, Série ii, No. 5. 1912.

Anonymous. – Maurice Maeterlinck. —Everyman, Oct. 25th, 1912.

Archer, W. – A Pessimist Playwright —Fortnightly Review, 1891, p. 346.

Archer, W. – Maurice Maeterlinck and Mystery. —Critic, 1900, p. 220.

Beerbohm, Max – Pelléas and Mélisande. —Saturday Review, 1898, p. 843.

Berg, Leo. – Maeterlinck, Umschau, No. 32 f., 1898.

Bonnier, Gaston. – La Science chez Maeterlinck. —La Revue, 15th Aug., 1907.

Bornstein P. – Maurice Maeterlinck. —Wiener Rundschau, ii., 19, 20, 21 Aug. – Sept., 1897.

Bornstein. P. – Maurice Maeterlinck. Monatschrift fur neue Literatur und Kunst, ii., 8 and 9 May and June, 1898.

Boynton, H.W. – The Double Garden. —Atlantic Monthly (Boston), August 1904.

Bradley, W.A. – Maeterlinck's Mary Magdalene. —Bookman (New York), Dec, 1910.

Bragdon, C. – Maeterlinck. —Critic (New York), 1904, p. 156.

Brunnemann, A. – Maurice Maeterlinck —Pan, Berlin, 3rd year, 4th number, 1898.

Burton, R. – Maurice Maeterlinck. —Atlantic Monthly (Boston), 1894, p. 672.

Buysse, Cyriel. – Maurice Maeterlinck. With bibliography. —Den Gulden-Winckel (Baarn), 15th July, 1902.

Chambers, E.K. – Joyzelle. —Academy, 1903, p. 89.

Chrysale. – La Vie des Abeilles. —Figaro, 14th July, 1901.

Coleman, A.I. du P. – The Buried Temple. —Critic, Jan., 1903.

Cooper, F.T. – The Forbidden Play. —Bookman (New York), Sept., 1902.

Corneau, G. – Maeterlinck and Joyzelle. —Critic, Aug., 1903.

Cornut, Samuel. – Maurice Maeterlinck —La Semaine littéraire, Geneva, 18th and 25th Jan., 1902.

Courtney, W.L. – Development of Maurice Maeterlinck. —Contemporary Review, Sept., 1004.

Crawford, Virginia M. – Maurice Maeterlinck. —Fortnightly Review, 1897, p. 176.

Crawford, Virginia M. – Maeterlinck's Aspirations. —Current Literature, August, 1900.

Daniels, E.D. – Symbolism in The Blind. —Poet-Lore, 1902, p. 554.

Dauriac, Lionel. – Un stoïcien du temps présent. —Revue Latine, 22nd June, 1902.

Deschamps, Gaston. – La Vie littéraire. —Le Temps, 21st April, 1907.

Deschamps, L. – M. Maeterlinck. —La Plume, 15th Nov., 1902.

Dewey, J. – Maeterlinck's Philosophy of Life. —Hibbert Journal, July, 1911.

Deyssel, Lodewijk van. – Het schoone beeld. —Twee-maandelijksch Tijdschrift, Sept., 1897.

Dimnet, Abbé Ernest. – Is M. Maeterlinck critically estimated? —Nineteenth Century and After, Jan., 1912.

Dreux, André. – Maurice Maeterlinck. —Le Correspondent, 25th March, 1897.

Drews, Arthur. – Maurice Maeterlinck als Philosoph. —Preuszische Jahrbücher, Berlin, Jan. – March, 1900, vol. xc., No. 12, pp. 232-262.

Drews, Arthur. – Das Leben der Bienen. —Preuszische Jahrbücher, vol. cvii., No. 3.

Drews, Arthur. – Der begrabene Tempel. —Preuszische Jahrbücher, vol. cx., No. 1.

Dumont-Wilden, L., et Georges Marlow. – L'Oiseau Bleu, Le Masque, Brussels, May, 1910.

Dumont-Wilden, Louis. – Maurice Maeterlinck. —La Nouvelle Revue Française, Sept., 1912.

Dumont-Wilden, Louis. – Correspondence. —La Vie Intellectuelle, Brussels, Nov. 1912.

Ettlinger, Anna. – Maurice Maeterlinck. —Beilage zur Allgemeinen Zeitung, No. 155 f., 1901.

Fidler, Florence G. – Maeterlinck's Blue Bird. —Everyman, Feb. 14th, 1913.

Firkens, O.W. – Dramas of Maeterlinck. —Nation (New York), Sept. 14th, 1911.

Flat, Paul. – Maurice Maeterlinck. —Revue Bleue, Oct., 1903.

Forest, K. de. – A Visit to Maeterlinck's Paris Home. Harper's Bazar, May, 1901.

Fortebus, T. – Maeterlinck as Thinker. —Argosy, 1901, p. 86.

Galtier, Joseph. – Maurice Maeterlinck raconté par lui-même. Le Temps, May 29th, 1903.

Gerothwohl, M.A. – Monna Vanna. —Monthly Review (London), 1902, p. 121.

Gerothwohl, M.A. – Joyzelle. Fortnightly Review, 1903, p. 76.

Gibson, A.E. – Maeterlinck and the Bees. —Arena, 1002, p. 381.

Gilder, J.L. – The American Production of Maeterlinck's Blue Bird. —Review of Reviews (New York), Dec., 1910.

Gilman, L. – Maeterlinck in Music. —Harper's Weekly, Jan. 13th, 1906.

Groth, C.D. – Madame Maeterlinck at Home. —Harper's Bazar, Nov., 1911.

Guthrie, W.N. – The Treasure of the Humble. Study of Death. Sewanee Review (Sewanee, Tenn.), 1898, p. 276.

Hagemann, Dr. Karl. – Maeterlinck und Bölsche. —Die Propyläen, Munich, Nov. 1903.

Hamel, A.G. van. – Maurice Maeterlinck. —De Gids, Jan., 1900.

Harris, Frank. – Maurice Maeterlinck, The Academy, June 15th and 22nd, 1912.

Hartmann, Anna von. – Maurice Maeterlinck. —Deutsche Rundschau, Jan. 1003.

Hassé. – L'âme philosophique de Maeterlinck. —Ermitage, May, 1896.

Hauser, Otto. – Maeterlinck's Dramen. —Nationalzeitung, Aug., 1902.

Heard, J., Jr. – Maurice Maeterlinck. —Critic, 1894, P. 354.

Henderson, A. – Maeterlinck as a Dramatic Artist. —Sewanee Review, 1904, p. 207.

Henderson, A. – Maurice Maeterlinck, Symbolist and Mystic. —Arena (Boston), Feb., 1906.

Hofmiller, Josef. – Maeterlinck (Deutsches Theater, ii). —Monatshefte, Munich and Leipzig, Oct., 1904.

Holländer, Felix. – Criticism of various works. —Literarisches Echo, Oct., 1902.

Hovey, Richard. – Maurice Maeterlinck. —Nineteenth Century, March, 1895.

Hovey, Richard. – Impressions of Maeterlinck and the Théâtre de l'Œuvre. —Poet-Lore, 1895, p. 446.

Hovey, Richard. – Translation from Maeterlinck —Current Literature, Mar., 1901.

Huneker, James. – The Evolution of a Mystic. —The Sun, 12th April, 1903.

Huneker, James. – The Romance of Maeterlinck. —The Sun (New York), 26th April, 1903.

Huneker, James. – Joyzelle. —The Lamp (New York), Jan., 1904.

Jannasch, Lilly. – Monna Vanna im Lichte der sozialen Ethik. —Ethische Kultur, Berlin, 4th April, 1903.

Jervey, H. – Maeterlinck versus the Conventional Drama. —Sewanee Review, 1903, p. 187.

Keller, Adolf von. – Maeterlinck als Philosoph. —Neue Zürcher Zeitung, 28-29th Dec, 1903.

Keymeulen, van. – Maurice Maeterlinck et son Œuvre. —Revue Encyclopédique, 15th Jan., 1893.

Leblanc-Maeterlinck, Georgette. – Macbeth at Saint Wandrille. —Fortnightly Review, Oct., 1909.

Leblanc-Maeterlinck, Georgette. – Later Heroines of Maeterlinck. —Fortnightly Review, Jan., 1910.

Leblanc-Maeterlinck, Georgette. – Maeterlinck's Methods of Life and Work. —Contemporary Review, Nov., 1910.

Lerberghe, Charles van. – Maurice Maeterlinck. —La Wallonie (Liège), 31st July, 1889.

Lord, W.F. – The Reader of Plays to the Rescue. —Nineteenth Century and After, 1902, p. 72. Reply: H.H. Fyfe, p. 282. Rejoinder: W.F. Lord, p. 289.

Lorenz, Max. – Der Naturalismus und seine überwindung. Preuszische Jahrbücher, vol. xcvi., p. 493 ff.

Mattos, A.T. de. – A Notable Genius. —American Magazine (New York), Feb., 1911.

Mauclair, Camille. – Maurice Maeterlinck. —Les Hommes d'aujourd'hui, No. 434, Paris, Vanier.

Mauclair, Camille. – Intérieur. —Revue Encyclopédique, 1st April, 1895.

Mauclair, Camille. – La Belgique par un Français. —Revue Encyclopédique, 24th July, 1897.

Maurras, Charles. – Le Trésor des Humbles —Revue Encyclopédique, 26th Sept., 1896.

Merrill, Stuart. – Commentaires sur une Polémique. —Le Masque (Brussels), Série ii, Nos. 9 et 10.

Mirbeau, Octave. – Maurice Maeterlinck. —Figaro, 24th Aug., 1890.

Mockel, Albert. – Chronique littéraire. —La Wallonie, June and July, 1890.

Mockel, Albert. – Une âme de poète. —Revue Wallonne, Liège, June, 1894.

Mockel, Albert. – Les lettres françaises en Belgique. —Revue Encyclopédique, 24th July, 1897.

Newman, E. – Maeterlinck and Music. —Atlantic Monthly (Boston), 1901, p. 769.

Norat, E. – Maeterlinck moraliste. —Revue Bleue, 11th June, 1904.

Nouhuys, W.G. van. – Maeterlinck. —Nederland, 1897, L, p. 14.

Oppeln-Bronikowski, F. von. – Maurice Maeterlinck. —Die Gesellschaft, 9 and 10, 1898.

Oppeln-Bronikowski, F. von. – Maurice Maeterlinck und der Mysticismus. —Nord und Süd, Dec., 1898.

Oppeln-Bronikowski, F. von. – Maurice Maeterlinck. —Bühne und Welt, 1st and 15th Nov., 1902.

Oppeln-Bronikowski, F. von. – Wie Maeterlinck arbeitet, Berliner Tageblatt, 19th Feb., 1904.

Oppeln-Bronikowski, F. von. – Die Quellen von Monna Vanna —Nationalzeitung, Sonntagsbeilage 44, 1904.

Oppeln-Bronikowski, F. von. – Maeterlinck's neueste Werke —Nationalzeitung, 19th and 21st July, 1904.

Osgood, H. – Maeterlinck and Emerson —Arena– 1896, p. 563.

Pastore, Annibale. – L'Evoluzione di M. Maeterlinck. —Nuova Antologia, 16th March, 1903.

Patrick, M.M. – The Belgian Shakespeare. —Chautauquan (Meadville, Pa.), Oct., 1904.

Phelps, William Lyon – Maeterlinck. —Poet-Lore (Boston), 1899, p. 357.

Phelps, William Lyon. – Maeterlinck and Robert Browning. —Academy, 1903, p. 594. Same: Independent (New York), March 5th, 1903.

Phillips, R. – A Talk with Maurice Maeterlinck. —Book Buyer, New York, July, 1902.

Picard, Gaston. – Enquête. —L'Heure qui sonne, April, 1911.

Pidoux, M. – Maeterlinck at home. —Bookman (New York), 1895, p. 104.

Pilon, Edmond. – Maurice Maeterlinck. —Mercure de France, April, 1896.

Pilon, Edmond. – Maurice Maeterlinck, La Plume, 1st May, 1902.

Puttkamer, Alberta von. – Monna Vanna und der künstlerisch – philosophische Werdegang Maeterlincks. —Beilage zur Allgemeinen Zeitung, No. 236 f., 1902.

Rava, Maurice. – Maurice Maeterlinck, Poeta Filosofo. —Nuova Antologia, 1st Feb., 1897.

Rency, Georges. – Maurice Maeterlinck et Louis Dumont-Wilden. —La Vie Intellectuelle (Brussels), 15th Oct., 1912.

Rency, Georges. – Review of La Mort. La Vie Intellectuelle, March, 1913.

Reuter, Gabriele. – Rhodope und Monna Vanna. —Der Tag, Berlin, 5th April, 1903.

Richter, Helene. – Das Urbild der Monna Vanna. —Neue Freie Presse (Vienna), 29th April, 1904.

Rod, E. – Maeterlinck's Essay on The Life of the Bee. —International Monthly (Burlington, Vt.), April, 1902.

Ropes, A.R. – Maurice Maeterlinck. —Contemporary Review, March, 1900.

Rose, G.B. – Monna Vanna. —Sewanee Review (Sewanee, Tenn.), 1902, p. 458.

Ruhl, A. – The Blue Bird. —Collier's National Weekly (New York), Oct. 22nd, 1910.

Sanborn, A.F. – Maeterlinck out of doors. —Harper's Weekly, Oct. 15th, 1910.

Scott-James, R.A. – Review of "Death" and Mr Edward Thomas's "Maurice Maeterlinck." Daily News (London), Oct. 20th, 1911.

Serrano, M.J. – Three Songs of Maeterlinck translated. —Critic, Dec. 1902.

Sharp, W. – Maurice Maeterlinck. —Academy, 1892, p. 270.

Sherwood. – Later Philosophy of Maurice Maeterlinck. —Atlantic Monthly, Sept. 1911.

Sholl, A.M. – Maeterlinck's Philosophy. —Gunton's Magazine (New York), Jan., 1904.

Silver, Ednah C. – Maeterlinck and Swedenborg. —New Church Review (Boston), 1905, p. 416.

Slosson, E.E. – Twelve Major Prophets of To-day. —Independent, May 4th, 1911.

Soissons, Count S.C. de. – Bluebeard and Aryan. —Fortnightly Review, Dec. 1900. Same: Littell's Living Age (Boston), Jan. 1901.

Soissons, Count S.C. de. – Maeterlinck as Reformer of the Drama. —Contemporary Review, Nov. 1904.

Soissons, Count de. – The Modern Belgian Poets. —English Review, Aug. 1911.

Souza, Robert de. – Littérature. —Mercure de France, 1898.

Steiner, E.A. – A visit to Maeterlinck. —Outlook (New York), 1901, p. 701.

Stoddart, J.T. – Maurice Maeterlinck. —Bookman (New York). 1895, p. 246.

Sylvestre, M. – Maeterlinck. —Open Court (Chicago), 1903, p. 116.

Symons, Arthur. – Maeterlinck as a Mystic. —Contemporary Review, 1897, p. 349.

Tadema, L. Alma. – Monna Vanna. —Fortnightly Review, 1902, p. 153.

Thorold, Algar. – Maeterlinck as Moralist. —Independent Review (London), 1906, p. 184.

"Thyrse, Le," Brussels, Jan., 1912. – Maeterlinck et le prix Nobel. Enquête. – (Contains opinions of eminent men of letters on Maeterlinck.)

Uzanne, Octave. – La Thébaïde de Maurice Maeterlinck. —Echo de Paris, 7th Sept., 1900.

Vallete, Alfred. – Pelléas et Mélisande et La Critique Officielle. —Mercure de France, July, 1893.

Weekes, C – Maeterlinck as Artist. —Argosy, 1901, p. 77.

Winter, W. – The Blue Bird. —Harper's Weekly, Oct. 29th, 1910.

Zangwill, Israel – Maurice Maeterlinck. —Critic, 1895, p. 451.

Zieler, Gustav. – Maurice Maeterlinck. —Velhagen und Klasings Monatshefte, Aug., 1902.

CHRONOLOGICAL LIST OF MAETERLINCK'S WORKS

1889 Serres Chaudes

La Princesse Maleine

1890 Les Aveugles

1891 L'Ornement des Noces spirituelles de Ruysbroeck l'Admirable

Les sept Princesses

1892 Pelléas et Mélisande

1894 Alladine et Palomides

Intérieur

La Mort de Tintagiles

1895 Annabella

Les Disciples à Saïs et les Fragments de Novalis

1896 Le Trésor des Humbles

Aglavaine et Selysette

Douze Chansons

1898 La Sagesse et la Destinée

1901 La Vie des Abeilles

Théâtre I & III

1902 Théâtre II

Le Temple Enseveli

Monna Vanna

Théâtre de Maurice Maeterlinck

1903 Joyzelle

1904 Le double Jardin

Das Wunder des Heiligen Antonius

1907 L'Intelligence des Fleurs

1909 L'Oiseau Bleu

1910 Macbeth

Mary Magdalene

1911 Death

1913 La Mort

1

Gérard Harry, Maeterlinck, p. 18.

2

"Monsieur Maeterlinck being as all the world knows, hermetically mute." – (Grégoire Le Roy), Le Masque (Brussels), Série ii, No. 5 (1912).

3

"La Vie des Abeilles brought us from the tiptoe of expectance to a more reasonable attitude, and Monna Vanna and the translation of Macbeth keyed our hopes still lower; but at length in Le Trésor des Humbles Maeterlinck returned to his early inspiration." —Academy, 15th June, 1912.

4

The Flemish pronunciation is Màh-ter-lee-nk; but Frenchmen pronounce it as though it were a French name.

5

It was by this canal, no doubt, that Maeterlinck as a young man would skate "into Holland." See Huret's Enquête. And it inspired the scenery of The Seven Princesses.

6

Mme Georgette Leblanc, Morceaux choisis, Introduction.

7

Anselma Heine, Maeterlinck, pp. 7-8.

8

Serres Chaudes, "Hôpital."

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