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A Son of Hagar: A Romance of Our Time
The horror of the vision had gone. It would come back no more. Paul walked home, went up to his own room, and slept peacefully.
When he awoke the pink and yellow rose of a wintery sunrise bloomed over the head of the Eel Crags. The tinkle of the anvil came from across the vale. Sheep were bleating high up on the frost-nipped side of the fell. The echo of the ax could be heard from the wood, and the muffled lowing of the kine from the shippon in the yard behind. The harsh scrape of Natt's clogs was on the gravel. A robin with full throat perched on the window-ledge and warbled cheerily.
Last night was gone from him for all eternity. Before him was the day, the world, and life.
CHAPTER XV
That day – the day before the wedding – all the gossiping tongues in Newlands were cackling from morning till night. Natt had been sent round the dale with invitations addressed to statesmen, their wives, sons and daughters. Parson Christian himself made the round of the homes of the poor.
"'The poor ye have always with you,' but not everywhere, and not often in Cana of Galilee," he said to Greta on setting out.
And the people of the highways and hedges were nothing loath to come in to the feast. "God luck to the weddiners!" they said, "and may they never lick a lean poddish-stick."
There was not much work done in the valley that day. The richest heiress on the country-side was about to be married to the richest statesman in the dale. On the eve of such an event it was labor enough to drop in at the Flying Horse and discuss mathematics. The general problem was one in simple addition, namely, how much Paul Ritson would be worth when he married Greta Lowther. And more than once that day twice two made a prodigious five.
The frost continued and the roads were crisp. Heavy rains had preceded the frost, and the river that ran down the middle of the valley had overflowed the meadows to the width of a wide carriage-way. This was now a road of ice five miles long, smooth as glass, and all but as straight as an arrow.
Abraham Strong, the carpenter, had been ordered to take the wheels off a disused landau and fix instead two keels of wood beneath the axles. This improvised sledge, after it had been shod in steel by the blacksmith, was to play a part in to-morrow's ceremony.
Early in the day Brother Peter was dispatched to the town to fetch Mr. Bonnithorne. The four miles' journey afoot seemed to him a bigger candle than the entire game was worth.
"Don't know as I see what the lass wants mair nor she's got," he told himself, grumpily, as he plodded along the road. "What call has she for a man? Hasn't she two of 'em as she is? I made her comfortable enough myself. But lasses are varra ficklesome."
Mr. Bonnithorne gathered enough from Brother Peter's "Don't know as there's not a wedding in t' wind," to infer what was afoot. Hugh Ritson was away from home, and his brother Paul was availing himself of his absence to have the marriage ceremony performed.
This was the inference with which Mr. Bonnithorne had walked from the town; but before reaching the vicarage he encountered Paul himself, who was even then on the way to his office. Few words passed between them. Indeed, the young dalesman was civil, and no more. He gave scant courtesy, but then he also gave something that was more substantial, and the severity of the lawyer's cynicism relaxed. Paul handed Mr. Bonnithorne, without comment, the deed drawn up in London. Mr. Bonnithorne glanced at it, pocketed it, and smiled. His sense of Paul's importance as a dangerous man sunk to nothing at that moment. They parted without more words.
Parson Christian got home toward evening, dead beaten with fatigue. He found the lawyer waiting for him. The marriage had been big in his eyes all day, and other affairs very little.
"So you shall give her away, Mr. Bonnithorne," he said, without superfluous preface of any kind.
"I – I?" said Mr. Bonnithorne, with elevated brows.
"Who has more right?" said the parson.
"Well, you know, you – you – "
"Me! Nay, I must marry them. It is you for the other duty."
"You see, Mr. Christian, if you think of it, I am – I am – "
"You are her father's old friend. There, let us look on it as settled."
Mr. Bonnithorne looked on it as awkward. "Well, to say the truth, Mr. Christian, I'd – I'd rather not."
The old parson lifted two astonished eyes, and gazed at Mr. Bonnithorne over the rims of his spectacles. The lawyer's uneasiness increased. Then Parson Christian remembered that only a little while ago Mr. Bonnithorne had offered reasons why Paul should not marry Greta. They were rather too secular, those same reasons, but no doubt they had appealed honestly to his mind as a friend of Greta's family.
"Paul and Greta are going away," said the parson.
"So I judged."
"They go to Victoria to farm there," continued the parson.
"On Greta's money," added the lawyer.
Parson Christian looked again over the rims of his spectacles. Then for once his frank and mellow face annexed a reflection of the curl on the lawyer's lip. "Do you know," he said, "it never once came into my simple old pate to ask which would find the dross and which the honest labor?"
Mr. Bonnithorne winced. The simple old pate could, on occasion, be more than a match for his own wise head.
"Seeing that I shall marry her, I think it will be expected that you should give her to her husband; but if you have an objection – "
"An objection?" Mr. Bonnithorne interrupted. "I don't know that my feeling is so serious as that."
"Then let us leave it there, and you'll decide in the morning," said Parson Christian.
So they left it there, and Mr. Bonnithorne, the dear friend of the family, made haste to the telegraph office and sent this telegram to Hugh Ritson in London: "They are to be married to-morrow. If you have anything imperative to say, write to-night, or come."
Paul and Greta saw each other only for five minutes that day amid the general hubbub; but their few words were pregnant with serious issues. Beneath the chorus of their hearts' joy there was an undersong of discord; and neither knew of the other's perplexity.
Greta was thinking of Hugh Ritson's mysterious threat. Whether or not Hugh had the power of preventing their marriage was a question of less consequence to Greta at this moment than the other question of whether or not she could tell Paul what Hugh had said. As the day wore on, her uncertainty became feverish. If she spoke, she must reveal – what hitherto she had partly hidden – the importunity and unbrotherly disloyalty of Hugh's love. She must also awaken fresh distress in Paul's mind, already overburdened with grief for the loss of his mother. Probably Paul would be powerless to interpret his brother's strange language. And if he should be puzzled, the more he must be pained. Perhaps Hugh Ritson's threat was nothing but the outburst of a distempered spirit – the noise of a bladder that is emptying itself. Still, Greta's nervousness increased; no reason, no sophistry could allay it. She felt like a blind man who knows by the current of air on his face that he has reached two street crossings, and can not decide which turn to take.
Paul, on his part, had a grave question to revolve. He was thinking whether it was the act of an honorable man to let Greta marry him in ignorance of the fact that he was not his father's legitimate son. Yet he could never tell her. The oath he had taken over his father's body must seal his lips forever. His mother's honor was wrapped up in that oath. Break the one, and the other was no longer inviolate. True, it would be to Greta, and Greta alone, and she and he were one. True, too, his mother was now dead to the world. But the oath was rigid:
"Never to reveal to any human soul, by word or deed, his act, or her shame." He had sworn it, and he must keep it. The conflict of emotion was terrible. Love was dragging him one way, and love the other. Honor said yes, and honor said no. His heart's first thought was to tell Greta everything, to keep nothing back from her whose heart's last thought was his. But the secret of his birth must lie as a dead and speechless thing within him.
If it was not the act of an honorable man to let Greta marry him in ignorance of his birth, there was only one escape from the dishonor – not to let her marry him at all. If they married, the oath must be kept. If the oath were kept, the marriage might be dishonored – it could not be the unreserved and complete union of soul with soul, heart with heart, mind with mind, which true marriage meant. It would be laying the treasure at the altar and keeping back part of the price.
Paul was not a man of subtle intellect, or perhaps such reflections would have troubled him too deeply. Love was above everything, and to give up Greta was impossible. If Circumstance was the evil genius of a man's life, should it be made the god of it also?
At all hazards Paul meant to marry Greta. And after all, what did this question of honor amount to? It was a mere phantasm. What did it matter to Greta whether he were high or basely born? Should he love her less or more? Would he be less or more worthy of her love? And how was his birth base? Not in God's eyes, for God had heard the voice of Hagar's son. Only in the eyes of the world. And what did that mean? It meant that whether birth was high or base depended one part on virtue and nine hundred and ninety-nine parts on money. Where had half the world's titled great ones sprung from? Not – like him – from their father and their father's fathers, but from a monarch's favorite.
Thus Paul reasoned with himself at this juncture. Whether he was wholly right or wholly wrong, or partly right and partly wrong, concerns us not at all. It was natural that such a man, in such a place, at such an hour, should decide once for all to say not a word to Greta. It was just as natural that his reticence should produce the long series of incidents still to be recorded.
Thus it was not a word was said between them of what lay nearest to the hearts of both.
CHAPTER XVI
The morning was brilliant – a vigorous, lusty young day, such as can awake from the sleep of the night only in winter and in the north. The sun shone on the white frost; the air was hazy enough to make the perspective of the fells more sharp, and leave a halo of mystery to hang over every distant peak and play about every tree.
The Ghyll was early astir, and in every nook and corner full of the buzz of gossip.
"Well, things is at a pass, for sure!" "And never no axings nowther." "And all cock-a-hoop, and no waiting for the mistress to come back." "Shaf, what matter about the mistress – she's no' but a kill-joy. There'd be no merry neet an' she were at home." "Well, I is fair maizelt 'at he won't wait for Master Hugh – his awn brother, thoo knows." "What, lass, dusta think as he wad do owt at the durdum to-neet? Maybe tha's reckoning on takin' a step wi' him, eh?" "And if I is, it's nowt sa strange." "Weel, I wadna be for saying tha's aiming too high, for I mind me of a laal lass once as they called Mercy Fisher, and folks did say as somebody were partial to her." "Hod thy tongue about the bit thing; don't thoo misliken me to sec a stromp!"
Resplendent in a blue cloth coat, light check trousers, a flowered yellow silk waistcoat, and a white felt hat, Natt was flying up and down the stairs to and from Paul's room. Paul himself had not yet been seen. Rumor in the kitchen whispered that he had hardly taken the trouble to dress, and had not even been at the pains to wash. Natt had more than once protested his belief that his master meant to be married in his shirt-sleeves. Nothing but "papers and pens and sealing-wax and things" had he asked for.
Outside the vicarage a motley group had gathered. There was John Proudfoot, the blacksmith, uncommonly awkward in a frock coat and a pair of kid gloves that sat on his great hands like a clout on a pitchfork. Dick, the miller, was there, too, with Giles Raisley, the miner; and Job Sheepshanks (by the way of treaty of peace) stood stroking the tangled mane of Gubblum Oglethorpe's pony. Children hung on the fence, women gathered about the gate, dogs capered on the path. Gubblum himself had been in the house, and now came out accompanied by Brother Peter Ward and a huge black jug. The jug was passed round with distinct satisfaction.
"Is the laal man ever coming?" said Gubblum, smacking his lips and taking a swift survey of the road.
"Why, here he is at sec a skufter as'll brak' his shins!"
At the top of his speed, and breathless, clad in a long coat whose tails almost swept the ground, grasping a fiddle in one hand and a paper in the other, Tom o' Dint came hurrying up.
"Tha's here at last, Tom, ma man. Teem a glass into him, Peter, and let's mak' a start."
"Ye see, I's two men, I is," said the small man, apologetically. "I had my rounds with my letters to do first, and business afore pleasure, you knows."
"Pleasure afore business, say I," cried Gubblum. "Never let yer wark get the upper hand o' yer wages – them's my maxims."
Two coaches came up at the moment, having driven four miles for the purpose of driving four furlongs.
John Proudfoot, without needless courtesy, took the fiddler-postman by the neck of his coat and the garment beneath its tails, and slung him, fiddle and all, on to the saddle of the pony, and held him there a moment, steadying him like a sack with an open mouth.
"Sit thee there as steady as a broody hen; and now let's mak' shift," said the blacksmith.
"But I must go inside first," said the fiddler; "I've a letter for Lawyer Bonnithorne."
"Shaf on thee and thy letter! Away with thee! Deliver it at the church door."
The men dropped into a single file, with Tom o' Dint riding at their head, and Gubblum walking by the pony's side and holding the reins.
"Strike up!" shouted Job Sheepshanks. "Ista ever gaen to begin?"
Then the fiddler shouldered his fiddle, and fell to, and the first long sweeps of his wedding-march awoke the echoes of the vale.
The women and children followed the procession a few hundred yards, and then returned to see the wedding-party enter the coaches.
Inside the vicarage all was noise and bustle. Greta was quiet enough, and ready to set out at any time, but a bevy of gay young daleswomen were grouped about her, trying to persuade her to change her brown broche dress for a pale-blue silk, to have some hothouse plants in her hair, and at least to wear a veil.
"And mind you keep up heart, darling, and speak out your responses; and, dearest, don't cry until the parson gets to 'God bless you!'"
Greta received all this counsel with equal thanks. She listened to it, affected to approve of it, and ignored it. Her face betrayed anxiety. She hardly understood her own fears, but whenever the door opened, and a fresh guest entered, she knew that her heart leaped to her mouth.
Parson Christian stood near her in silk gaiters and a coat that had been old-fashioned even in his youth. But his Jovian gray head and fine old face, beautiful in its mellowness and child-like simplicity, made small demand of dress. He patted Greta's hair sometimes with the affectionate gesture that might be grateful to a fondled child.
Mr. Bonnithorne arrived early, in a white waistcoat and coat adorned by a flower. His brave apparel was scarcely in keeping with the anxiety written on his face. He could not sit down for more than a moment in the same seat. He was up and down, walking to and fro, looking out of the window, and diving for papers into his pocket.
The procession, headed by Tom o' Dint, had not long been gone, when word was given, and the party took to the coaches and set off at a trot. Then the group of women at the gate separated with many a sapient comment.
"Weel, he's getten a bonny lass, for sure."
"And many a sadder thing med happen to her, too."
The village lay midway between the vicarage and the church, and the fiddler and his company marched through it to a brisk tune, bringing fifty pairs of curious eyes to the windows and the doors. Tom o' Dint sat erect in the saddle, playing vigorously, and when a burst of cheering hailed the procession as it passed a group of topers gathered outside the Flying Horse, Tom accepted it as a tribute to his playing, and bowed his head with becoming dignity, and without undue familiarity, always remembering that courtesy comes after art, as a true artist is in loyalty bound to do.
Once or twice the pony slipped its foot on the frosty road, and then Tom was fain to abridge a movement in music and make a movement in gymnastics toward grasping the front of the saddle.
But all went well until the company came within fifty paces of the church door, and there a river crossed the road. Being shallow and very swift, the river head escaped the grip of the frost, and slipped through its fingers. There was a foot-bridge on one side, and the men behind the fiddler fell out of line to cross by it.
Gubblum dropped the reins and followed them; but, as bridges are not made for the traffic of ponies, Tom o' Dint was bound to go through the water. Never interrupting the sweep and swirl of the march he was playing, he gave the pony a prod with his foot, and it plunged in. But scarcely had it taken two steps and reached the depth of its knees, when, from the intenser cold, or from coming sharply against a submerged stone, or from indignation at the fiddler's prod, or from the occult cause known as pure devilment, it shied up its back legs, and tossed down its tousled head, and pitched the musician head-foremost into the stream.
Amid a burst of derisive cheers, Tom o' Dint was drawn, wet as a sack, to the opposite bank, and his fiddle was rescued from a rapid voyage down the river.
Now, the untoward adventure had the good effect of reducing the fiddler's sense of the importance of his artistic function, and bringing him back to consciousness of his prosaic duties as postman. He put his hand into his pocket, feeling as if he had dipped it into a bag of eels, and drew out the lawyer's letter. It was wet, and the ink of the superscription was beginning to run.
Tom o' Dint also began to run. Fearing trouble, he left his unsympathetic cronies, hurried on to the church, went into the vestry, where he knew there would be a fire, and proceeded to dry the letter. The water had softened the gum, and the envelope had opened.
"So much the mair easier dried," thought Tom, and, nothing loath, he drew out the letter, unfolded it, and held it to the fire.
The paper was smoking with the heat, and so was Tom, when he heard carriage-wheels without, and then a mighty hubbub, and loud voices mentioning his own name without reverence: "Where's that clothead of a fiddler?" and sundry other dubious allusions.
Tom knew that he ought to be at the gate striking up a merry tune to welcome the bride. But then the letter was not dry. There was not a moment to lose. Tom spread the paper and envelope on the fender, intending to return for them, and dashed off with his fiddle to the discharge of his artistic duty.
As Tom o' Dint left the vestry, Parson Christian entered it. The parson saw the papers on his fender, picked them up, and in all innocence read them. The letter ran as follows:
"Morley's Hotel, Trafalgar Square, Nov. 28"Dear Bonnithorne, – The man who was in Newlands is Paul Lowther, Greta's half-brother. Paul Ritson is my own brother, my father's son. Keep this to yourself as you value your salvation, your pride, or your purse, or whatever else you hold most dear. Send me by wire to-day the name of their hotel in London, the time of their train south, and who, if any, are with them. Yours,
"Hugh Ritson.""P.S. – The girl Mercy will be troublesome."The parson had scarcely time to understand the words he read, when he, too, was compelled to leave the vestry. The bride and bridegroom had met at the church door. It was usual to receive them at the altar with music. The fiddler's function was at an end for the present. Parson Christian could not allow the fiddle to be heard in church. There a less secular instrument was required. The church was too poor for an organ; it had not yet reached the dignity of a harmonium; but it had an accordion, and among the parson's offices was the office of accordionist. So, throwing his gown over his head, he walked into the church, stepped into the pulpit, whipped up his instrument from the shelf where he kept it, and began to play.
Now it chanced that Mr. Bonnithorne in his legal capacity held certain documents for signature, and having accompanied the bride to the altar rail, he hurried to deposit them in the vestry. The gloom had still hung heavy on his brow as he entered the church. He was brooding over a letter that he had expected and had not received. Perhaps it was his present hunger for a letter that made his eye light first on the one which the fiddler-postman had left to dry. The parson had dropped it on the mantel-shelf. At a glance Mr. Bonnithorne saw it was his own.
Tom o' Dint had been compelled to come up the aisle at the tail of the wedding-party. He saw Mr. Bonnithorne, who was at the head of it, go into the vestry. Dripping wet as he was, and with chattering teeth, the sweat stood on his forehead. "Deary me, what sec a character will I have!" he muttered. He elbowed and edged his way through the crowd, and got into the vestry at last. But he was too late. With an eye that struck lightning into the meek face of the fiddler, Mr. Bonnithorne demanded an explanation.
The request was complied with.
"And who has been in the room since you left it?"
"Nay, nobody, sir."
"Sure of that?"
"For sure," said Tom.
Mr. Bonnithorne's countenance brightened. He had read the letter, and, believing that no one else had read it, he was satisfied. He put it in his pocket.
"Maybe I may finish drying it, sir?" said Tom o' Dint.
The lawyer gave a contemptuous snort, and turned on his heel.
When Paul walked with a firm step up the aisle, he looked fresh and composed. His dress was simple; his eyes were clear and bright, and his wavy brown hair fell back from a smooth and peaceful brow.
Greta, at Paul's side, looked less at ease. The clouds still hung over her face. Her eyes turned at intervals to the door, as if expecting some new arrival.
The service was soon done, and then the parson delivered a homily. It was short and simple, telling how the good bishop had said marriage was the mother of the world, filling cities and churches, and heaven itself, whose nursery it was. Then it touched on the marriage rite.
"I do not love ceremonies," said the parson, "for they are too often 'devised to set a gloss on faint deeds,' and there are such of them as throw the thing they celebrate further away than the wrong end of a telescope."
Then he explained that though the marriage ceremony was unknown to the early Christians, and never referred to in the old Bible, where Abraham "took" Sarah to wife, and Jacob "took" Rachel, yet that the marriage of the Church was a most holy and beautiful thing, symbolizing the union of Christ with His people. Last of all, he spoke of the stainless and pious parentage of both bride and bridegroom, and warned them to keep their name and fame unsullied, for "What is birth to man or woman," said the teacher, "if it shall be a stain to his dead ancestors to have left such offspring?"
Greta bowed her head meekly, and Paul stood, while the parson spoke, with absent eyes fixed on the tablets on the wall before him, spelling out mechanically the words of the commandments.
In a few moments the signatures were taken, the bell in the little turret was ringing, and the company were trooping out of the church. It was a rude old structure, with great bulges in the walls, little square lead lights, and open timbers untrimmed and straight from the tree.
The crowd outside had gathered about the wheelless landau which the carpenter and blacksmith had converted into a sledge. On the box seat sat Tom o' Dint, his fiddle in his hand, and icicles hanging in the folds of his capacious coat. The bride and bridegroom were to return in this conveyance, which was to be drawn down the frozen river by a score of young dalesmen shod in steel. They took their seats, and had almost set off, when Greta called for the parson.
"Parson Christian, Parson Christian!" echoed twenty voices. The good parson was ringing the bell, being bell-ringer also. Presently the brazen tongue ceased wagging, and Parson Christian reappeared.