John March, Southerner

As for Ravenel and Fair, they had their parts and performed them harmoniously with the rest, so that John could see that he himself and everyone else were genuinely interesting to those two and that they were growingly interesting to each other. Both possessed the art of provoking the others to talk; they furnished the seed of conversation and were its gardeners, while the rest of the company bore its fruits and flowers. Ravenel seemed always to keep others talking for his diversion, Fair for his information.

John pointed this out to Miss Garnet that evening, at the Parson's golden wedding, and noticed that she listened to him with a perfectly beautiful eagerness.

"It's because I talked about Fair," he said to himself as he left her – "Aha! there they go off together, now."

The scene of this movement was that large house and grounds, the "Usher home place," just beyond the ruined bridge where Cornelius had once seen ghosts. A pretty sight it was to come out on the veranda, as John did, and see the double line of parti-colored transparencies meandering through the dark grove to the gate and the lane beyond. Shotwell met him.

"Hello, March, looking for Fair? He's just passed through that inside door with Miss Garnet."

"I know it – I'm not looking for anyone – in particular."

Out here on the veranda it was too cool for ladies; John heard only male voices and saw only the red ends of cigars; so, although he was not – of course he wasn't! – looking for anyone – in particular – he went back into the crowded house and buzzing rooms.

"Hunt'n' faw yo' maw, John?" asked Deacon Sexton as he leaned on his old friend Mattox; "she's – "

"Why, I'm not hunting for anybody," laughed March; "do I look like I was?"

He turned away toward a group that stood and sat about Parson Tombs.

"I never suspicioned a thing," the elated pastor was saying for the third or fourth time. "I never suspicioned the first thing till Motheh Tombs and I got into ow gate comin' home fum the Graveses! All of a sudden there we ware under a perfec' demonstration o' pine an' ceda' boughs an' wreaths an' arborvitæ faschoons! Evm then I never suspicioned but what that was all until Miss Fannie an' Miss Barb come in an' begin banterin' not only Motheh Tombs but me, if you'll believe it, to lie down an' rest a while befo' we came roun' here to suppeh! Still I 'llowed to myself, s'I, it's jest a few old frien's they've gotten togetheh. But when I see the grove all lightened up with those Chinee lanterns, I laughed, an' s'I to motheh, s'I, 'I don't know what it is, but whatev' it is, it's the biggest thing of its kind we've eveh treed in the fifty years that's brought us to this golden hour!' An' with that po' motheh, she just had to let go all ho-holts; heh – heh cup run oveh.

"You wouldn't think so now, to see heh sett'n' oveh there smilin' like a basket o' chips, an' that little baag o' gold dollahs asleep in heh lap, would you? But that smile ain't change' the least iota these fifty years. What a sweet an' happy thought it was o' John March, tellin' the girls to put the amount in fifty pieces, one for each year. But he's always been that original. Worthy son of a worthy motheh! Why, here he is! Howdy, John? I'm so proud to see Sisteh March here to-night; she told me at dinneh that she 'llowed to go back to Widewood this evenin'."

"I see in the papeh she 'llowed to go this mawnin'," said Clay Mattox.

John showed apologetic amusement. "That's my fault, I reckon, I understood mother to say she couldn't stay this evening."

A finger was laid on his shoulder. It was Shotwell again. "John, Miss Fannie Halliday wants Jeff-Jack. Do you know where he is?"

"No! Where is Miss Fannie?"

Shotwell lifted his hand again, with a soothing smile. "Don't remove yo' shirt; Ellen is saafe, fo' that thaynk Heavm, an' hopes ah faw the Douglas givm."

March flung himself away, but Shotwell turned him again by a supplicating call and manly, repentant air. "Law, John, don't mind my plaay, old man; I'm just about as sick as you ah. Here! I'll tell you where she is, an' then I'll tell you what let's do! You go hunt Jeff-Jack an' I'll staay with heh till you fetch him!"

"That would be nice," cheerfully laughed John.

In the next room he came upon Fannie standing in a group of Rosemont and Montrose youths and damsels. They promptly drew away.

"John," she said, "I want to ask a favor of you, may I?"

"You can ask any favor in the world of me, Miss Fannie, except one."

"Why, what's that?" risked Fannie.

"The one you've just sent Shotwell to do." He smiled with playful gallantry, yet felt at once that he had said too much.

Fannie put on a gayety intended for their furtive observers, as she murmured, "Don't look so! A dozen people are watching you with their ears in their eyes." Then, in a fuller voice – "I want you to get Parson Tombs away from that crowd in yonder. He's excited and overtaxing his strength."

"Then may I come back and spend a few minutes – no more – with you – alone? This is the last chance I'll ever have, Miss Fannie – I – I simply must!"

"John, if you simply must, why, then, you simply – mustn't. You'll have the whole room trying to guess what you're saying."

"They've no right to guess!"

"We've no right to set them guessing, John." She saw the truth strike and felt that unlucky impulse of compassion which so often makes a woman's mercy so unmercifully ill-timed. "Oh!" she called as he was leaving.

He came back with a foolish hope in his face. She spoke softly.

"Everybody says there's a new John March. Tell me it's so; won't you?"

"I" – his countenance fell – "I thought there was, but – I – I don't know." He went on his errand. Champion met him and fixed him with a broad grin.

"I know what's the matter with you, March."

"O pooh! you think so, eh? Well, you never made a greater mistake! I'm simply tired. I'm fairly aching with fatigue, and I suppose my face shows it."

"Yes. Well, that's all I meant. Anybody can see by your face you're in a perfect agony of fatigue. You don't conceal it as well as Shotwell does."

"Shotwell!" laughed John. "He's got about as much agony to conceal as a wash-bench with a broken leg. O, I'll conceal mine if anybody'll tell me how."

Champion closed his lips but laughed audibly, in his stomach. "Well, then, get that face off of you. You look like a boy that'd lost all his money at a bogus snake-show."

When Fair came up to Barbara, she was almost as glad to see him as John supposed, and brought her every wit and grace to bear for his retention, with a promptness that satisfied even her father, viewing them from a distance.

"Miss Garnet, I heard a man, just now, call this very pleasant affair a jamboree. What constitutes a jamboree?"

"Why, Mr. Fair," said Barbara, in her most captivating drawl, "that's slang!"

"Yes, I didn't doubt. I hope you're not guilty of never using slang, are you?"

"O no, sir, but I never use it where I can't wear a shawl over my head. Still, I say a great many things that are much worse than slang."

"Miss Garnet, you say things that are as good as the best slang I ever heard."

"Ah! – that's encouraging. Did you ever hear the Misses Kinsington's rule: Never let your slang show a lack of wit or poverty of words! They say it's a sure cure for the slang habit. But if you really need to know, Mr. Fair, what constitutes a jamboree, I can go and ask Uncle Leviticus for you; that is, if you'll take me to him. He's our butler to-night, and he's one of the old slave house-servants that you said you'd like to talk with."

"But I want to talk with you, just now; definitions can wait."

"O you shall; there's every facility for talking there, and it's not so crowded."

The consumption of refreshments had been early and swift, and they found the room appropriated to it almost empty. Two or three snug nooks in it were occupied by one couple each. Leviticus was majestically superintending the coming and going of three or four maid-servants. Just as he gathered himself up to define a jamboree, Virginia happened in and stood with a coffee-cup half wiped, eying him with quizzical approbation.

"A jamboree? You want to know what constitutes a jamboree? Well – What you want, Fudjinia?"

"Go on, seh, go on. Don't let me amba'as you. I wants jess on'y my civil rights. Go on, seh." She set her arms akimbo.

"A jamboree!" repeated Leviticus, giving himself a yet more benevolent dignity. "Well, you know, Miss Barb, to ev'ything they is a season, an' a time to ev'y puppose. A wedd'n' is a wedd'n', a infare is a infare, a Chris'mus dinneh is a Chris'mus dinneh! But now, when you come to a jamboree – a jam – Fudjinia" – he smiled an affectionate persuasion – "we ain't been appi'nted the chiefs o' this evenin's transactions to stan' idlin' round, is we?"

"Go on, seh, go on."

"Well, you know, Mr. Fair, when we South'enehs speak of a jamboree, a jamboree is any getherin' wherein the objec' o' the getherin' is the puppose fo' which they come togetheh, an' the joy and the jumble ah equal if not superiah to each otheh."

Virginia brought up a grunt from very far down, which might have been either admiration or amusement. "Umph! dat is a jamboree, faw a fac'! I wond' ef he git dat fum de books aw ef he pick it out'n his own lahnin'?"

"Miss Garnet," said Fair, "there are wheels within wheels. I am having a jamboree of my own."

LI.

BUSINESS

"This," replied Barbara, "has been a bright day for our whole town." And then, more pensively, "They say you could have made it brighter."

Whereat the young man lowered his voice. "Miss Garnet, I had hoped I could."

"And I had hoped you would."

"Miss Garnet, honestly, I'm glad I did not know it at the meeting. It was hard enough to disappoint Mr. March; but to know that I was failing to meet a hope of yours – "

Presently he added:

"Your hope implied a certain belief in me. Have I diminished that?"

"Why-y, no-o, Mr. Fair, you've rather aug-men-ted it."

He brightened almost playfully. "Miss Garnet, you give me more pleasure than I can quietly confess."

"Why, I didn't intend to do that."

"To be trusted by you is a glad honor."

"Well, I do trust you, Mr. Fair. I'm trusting you now – to trust me – that I really want to talk – man-talk. As a rule," continued Barbara, putting away her playfulness, "when a young lady wants to talk pure business, she'd better talk with her father, don't you think so?"

"As a rule, yes. And, as a rule, I make no doubt that's what you would do."

Barbara's reply was meditative. "One reason why I want to talk about this business at all this evening is also a strong reason why I don't talk about it to pop-a."

"I see; he's almost as fascinated with it as Mr. March is."

"It means so very much to the college, Mr. Fair, and you know he's always been over eyes and ears in love with it; it's his life." She paused and then serenely seized the strategic point at which she had hours before decided to begin this momentous invasion. "Mr. Fair, why, do you reckon, Mr. Ravenel has consented to act as commissioner?"

Fair laughed. "You mean is it trust or distrust?"

"Yes, sir; which do you reckon it is?"

He laughed again. "I'm not good at reckoning."

"You can guess," she said archly.

"Yes, we can both do that. Miss Garnet, I don't believe your father is actuated by distrust; he believes in the scheme. You, I take it, do not, and you are solicitous for him. Do I not guess rightly?"

"I don't think I'm more solicitous than a daughter should be. Pop-a has only me, you know. Didn't you believe in Mr. March's plan at one time, sir?"

"I believed thoroughly, as I do still, in Mr. March. I also had, and still have, some belief in his plan; but" – confidentially – "I have no belief in – "

"Certain persons," said Barbara so slowly and absently that Fair smiled again as he said yes. They sat in silence for some time. Then Barbara said, meditatively, "If even Mr. March could only be made to see that certain persons ought not to have part in his enterprise – but you can't tell him that. I didn't see it so until now. It would seem like pique."

"Or a counter scheme," said Fair. "Would you wish him told?"

"You admit I have a right to a daughter's solicitude?"

"Surely!" Fair pondered a moment. "Miss Garnet, if the opportunity offers, I am more than willing you should say to Mr. March – "

"I rarely meet him, but still – "

"That I expressed to you my conviction that unless he gets rid of – "

"Certain – " said Barbara.

"Persons," said Fair, "his scheme will end in loss to his friends and in ruin to him."

"And would that be" – Barbara rose dreamily – "a real service to pop-a?"

Fair gave his arm. "I think it the best you can render; only, your father – " He began to smile, but she lifted a glance as utterly without fear as without hardihood and said:

"I understand. He must never know it's been done."

"That's more than I meant," he replied, as Fannie Halliday came up. The two girls went for their wraps.

"March?" said Ravenel, as he and Fair waited to escort them home. "O, no, he left some time ago with his mother."

On the way to the Halliday cottage Fair said to Barbara:

"I'm glad of the talk we've had."

"You can afford to be so, Mr. Fair. It showed your generosity against the background of my selfishness."

"Selfishness? Surely it isn't selfish to show a daughter's care and affection for a father."

By her hand on his arm he felt her shrink at the last word. "I love my father, yes. But you're making mistakes about me. Let's talk about Miss Fannie; she'll only be Miss Fannie about two weeks longer. You ought to stay to see her married, Mr. Fair."

"And you are to be bridesmaid! But I must go to-morrow. I wish my father and mother could reach here in time on their way home from New Orleans, but when they get this far your bridal party will have been two days married and gone."

Barbara mused a moment. "You know, this plan for me to give a year to study in the North has been as much mine as pop-a's; but pop-a's entirely responsible for putting me into your father's and mother's care on the journey. I've been in a state of alarm ever since."

"Really, that's wrong! You're going to be a source of great pleasure to them. And you'll like them, too, very much. They are interesting in many ways and good in all, and as travelers they are perfect."

"You give me new courage, Mr. Fair. But" – she spoke more playfully – "I'm afraid of New England, yet. There's a sort of motherly quality in our climate that I can't expect to find there. Won't the snow be still on the ground?"

"Very likely; the higher mountain tops, at least, will be quite covered."

"Well, I'm glad that doesn't mean what I once thought it did. I thought the snow in New England covered the mountain tops the same way the waters covered them in the Deluge."

Fair looked down into his companion's face under the leafy moonlight and halted in a quick glow of inspiration. "When first you see New England, Miss Garnet, nature will have been lying for four months in white, sacramental silence. But presently you will detect a growing change – "

"A stealing out of captivity?"

"Yes! – each step a little quicker than the one behind it – " So he went on for a full minute in praise of the New England spring.

Barbara listened with the delight all girls have for flowers of speech plucked for themselves.

"You know," she responded, as they moved on again, "it doesn't come easy for us Southerners to think of your country as being beautiful; but we notice that nearly all the landscapes in our books are made in 'barren New England,' and we have a pri-vate cu-ri-os-i-ty to know how you all in-vent them."

"If New England should not charm you, Miss Garnet," – Fair hurried his words as they drew near Ravenel and Fannie waiting at the cottage gate – "my disappointment would last me all my life."

"Why, so it would me," said Barbara, "but I do not expect it. Well, Fannie, Mr. Fair has at last been decoyed into praising his native land. Think of – " She hushed.

A strong footstep approached, and John March came out of the gloom of the trees, saluting buoyantly. Ravenel reached sidewise for his hand and detained him.

"I took my mother away early," said March. "She can't bear a crowd long. I was feeling so fatigued, myself, I thought a brisk walk might help me. You still think you must go to-morrow, Mr. Fair? I go North, myself, in about a week."

The two girls expressed surprise.

"For the land company?" quickly prompted Fannie.

"Yes, principally. I'll take my mother's poems along and give them to some good publisher. O no-o, it's not exactly a sudden decision; its taken me all day to make it. My mother – O – no, she seems almost resigned to my going, but it's hard to tell about my mother, Miss Garnet; she has a wonderful control of her feelings."

LII.

DARKNESS AND DOUBT

The paragraph in the Courier which purported to tell the movements of Mrs. March silently left its readers to guess those of her son. Two men whose abiding-places lay in different directions away from Suez had no sooner made their two guesses than they proceeded to act upon them without knowledge of, or reference to, the other.

About an hour after dark on the night of the golden wedding both these men were riding, one northward, the other southward, toward each other on the Widewood road. Widewood house was between them. Both moved with a wary slowness and looked and listened intently, constantly, and in every direction.

When one had ridden within a hundred yards or so of the Widewood house and the other was not much farther away, the rider coming up from the southward stopped, heard the tread of the horse approaching in front, and in hasty trepidation turned his own animal a few steps aside in the forest. He would have made them more but for the tell-tale crackle of dead branches strewed underfoot by the March winds. He sat for a long time very quiet, peering and hearkening. But the other had heard, or at least thought he had heard, the crackle of dead branches, and was taking the same precautions.

The advantage, however, was with the rider from the south, who knew, while the other only feared, there was something ahead it were better to see than be seen by. About the same time the one concluded his ears might have deceived him, the other had divined exactly what had happened. Thereupon the shrewder man tied his horse and stole noiselessly to a point from whose dense shade he could see a short piece of the road and the house standing out in the moonlight.

The only two front windows in it that had shades were in Mrs. March's bed-chamber. The room was brightly lighted and the shades drawn down. The rest of the house was quite dark. The man hiding so near these signs noted them, but drew no hasty conclusions. He hoped to consider them later, but his first need was to know who, or, at least where, the person was whom he had heard upon the road.

Though already well hidden he crouched behind a log, and upon the piece of road and every shadowy cover of possible approach threw forward an alert scrutiny supported by the whole force of his shrewdest conjectures. The sounds and silences that belong to the night in field and forest were far and near. Across the moon a mottled cloud floated with the slowness of a sleeping fish, a second, third, and fourth as slowly followed, the shadow of a dead tree crawled over a white stone and left it in the light; but the enigma remained an enigma still. It might be that the object of conjecture had fled in the belief that the conjecturer was none other than Widewood's master. But, in that same belief, who could say he might not be lying in ambush within close gunshot of the horse to which the conjecturer dared not now return? In those hills a man would sometimes lie whole days in ambush for a neighbor, and one need not be a coward to shudder at the chance of being assassinated by mistake. To wait on was safest, but it was very tedious. Yet soon enough, and near and sudden enough, seemed the appearance of the man waited for, when at length, without a warning sound, he issued from the bushy shadow of a fence into the bright door-yard. In his person he was not formidable. He was of less than medium stature, lightly built, and apparently neither sinewy nor agile. But in his grasp was something long and slender, much concealed by his own shadow, but showing now a glint of bright metal and now its dark cylindrical end; something that held the eye of the one who watched him from out the shadow. Neither the features nor yet the complexion of the one he watched were discernible, but the eyes were evidently on a third window of the lighted room not at its front, but on a side invisible to the watcher. This person rose from his log and moved as speedily as he could in silence and shadow until he came round in sight of this window and behind the other figure. Then he saw what had so tardily emboldened the figure to come forward out of hiding. This window also had a shade, the shade was lowered, and on it the unseen lamp perfectly outlined the form of a third person. Without a mutter or the slightest gesture of passion, the man under the window raised the thing in his grasp as high as his shoulder, lowered it again and glanced around. He seemed to tremble. The man at his back did not move; his gaze, too, was now fastened, with liveliest manifestations of interest, on the window-shade and the moving image that darkened it.

As the foremost of the two men began for the third time that mysterious movement which he had twice left unfinished, the one behind, now clearly discerning his intention, stole one step forward, and then a second, as if to spring upon him before he could complete the action. But he was not quick enough. The black and glistening thing rose once more to the level of its owner's shoulder, and the next instant on the still night air quivered the plaintive wail of – a flute.

At mortal risks both conjectured and unconjectured, it was an instrument of music, not of murder, which Mr. Dinwiddie Pettigrew was aiming sidewise.

LIII.

SWEETNESS AND LIGHT

Yet the pulse of the man behind him, who did not recognize him, began to quicken with anger. Almost at the flute's first note the image on the window-shade started and hearkened. A moment later it expanded to grotesque proportions, the room swiftly grew dark, and in another minute the window of a smaller one behind it shone dimly as with the flame of a lamp turned low. The flutist fluted on. From the melody it appeared that the musician had at some date not indicated, and under some unaccountable influence, dreamt that he dwelt in marble halls with vassals and serfs at his side. The man at his back had come as near as the darkness would cover him, but there had stopped.

Presently the music ceased, but another sound, sweeter than all music, kissed, as it were, the serenader's ear. It was the wary lifting of a window-sash. He ran forward into the narrow shade of the house itself, and lost to the restraints of reason, carried away on transports of love, without hope of any reply, whispered, "Daphne!"

And a tender whisper came back – "Wait a minute."

"You'll come down?" he whisperously asked; but the window closed on his words, the dim light vanished, and all was still.

He was watching, on his left, the batten shutters of the sitting-room, when a small, unnoticed door near the dark, rear corner of the house clicked and then faintly creaked. Mr. Pettigrew became one tremolo of ecstasy. He glided to the spot, not imagining even then that he was to be granted more than a moment's interview through an inch or two of opening, when what was his joy to see the door swiftly spread wide inward by a dim figure that extended her arms in gracious invitation.

"O love!" was all his passion could murmur as they clasped in the blessed dark, while she, not waiting to hear word or voice, rubbed half the rice powder and rouge from her lips and cheeks to his and cried,

"O you sweet, speckle', yalleh niggeh liah, you tol' me you on'y play de fife in de similitude o' ligislation!"

As Dinwiddie silently but violently recoiled Daphne Jane half stifled a scream, sprang through a stair door, shot the bolt and rushed upstairs. At the same instant he heard behind him a key slipped from its lock. He glanced back in affright, and trembling on legs too limp to lift, dimly saw the outer door swing to. As the darkness changed to blackness he heard the key re-enter its lock and turn on the outside. The pirate was a prisoner.