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The Goddess of Atvatabar
As these thoughts swiftly ran through my brain, and before I had time to reply, music, soft, weird, intensely intoxicating, was blown from among the tempestuous bloom of the paradises. The melody seemed the holiest thrill of hearts communing in the rapture of love! To explain the sweetness of the moment is impossible – the goddess was so alluring and serene. She kept her own emotions in the background as the result of a proud devotion to duty, and yet I felt swathed with a soul that seemed to have found an opportunity worthy the expression of its life.
A situation so daring, yet so tender, required an equally daring and reverent soul to meet it. I felt all its surpassing loveliness.
"Our poets," I replied, "have written of love in all its phases, describing the most spiritual passions as well as the most lustful. In poetry love may be any phase of love, but the reality is a compound of lust and spirituality, being rooted both in body and soul."
"Do your people," said the goddess, "never differentiate lust and love and obtain in real life only a spiritual romantic love such as we do in Atvatabar?"
"You must see Egyplosis," said she, "ere you depart from us, and there learn the possibility of ideal love in actual life."
"To discover such a joy," I replied, "will repay my journey to Atvatabar a thousandfold."
We alighted from the boat on a rocky margin of the lake that led into a labyrinth of flowers. Here we wandered at will, discovering at every step new delights. Lyone was not only a goddess, but also the fond incarnation of a comrade soul.
CHAPTER XXIV.
THE JOURNEY TO EGYPLOSIS
Never did time pass so rapidly or so happily as the days spent in the palace of the goddess. Although I met Lyone at the daily banquets and at our scientific discussions with the astronomers, naturalists, chemists, geologists, physicians and philosophers of Atvatabar, yet neither by look nor gesture did she betray the slightest memory of that ravishing scene in her garden only a few days before.
Again and again I asked myself, Was it possible that that calm and crowned goddess of the pantheon was a being that could feel thrilled with ordinary human ecstasy? Would I, most daring of men, ever be permitted to kiss that far-off mouth divine, and not be slain by one dreadful glance of contempt?
Our discussions terminated in an invitation by the goddess to accompany her in her aerial yacht, the Aeropher, to Egyplosis, whither, according to the sacred calendar, she must proceed to take part in the ceremony of the installation of a twin soul. Her holiness, their majesties the king and queen, myself and officers of the Polar King, together with the chief minister Koshnili, the military, civil and naval officers, the poets, savants, artists, and musicians of Atvatabar, would sail in the yacht of the goddess.
A host of lesser dignitaries, including the sailors of the Polar King under command of Flathootly, would follow us in another yacht, called the Fletyeming. Each yacht had its own priest-captain, officers and crew of aerial navigators.
Each yacht consisted of a deck of fine woven cane, compact as steel, woven with great skill, with cabins, staterooms, etc., of the same material erected thereon, and high bamboo bulwarks to prevent the voyagers falling off the deck.
The propelling apparatus consisted of two large wheels, having numerous aerial fans that alternately beat backward and cut through the air as they oscillated on their axes. The wheels were supplemented by aeroplanes, resembling huge outspreading wings, inclined at an angle, so that their forward rush upon the air supported the ship. They revolved with great rapidity, being driven by the accumulated force of a thousand magnic batteries, composed of dry metallic cells, especially designed for aerial navigation. Very little force was required to keep the vessel buoyed up in the air, owing to the diminished gravity.
It was discovered that the rarer metals terrelium and aquelium developed in contact, without salts or acids, enormous currents of magnicity without polarization or the development of gases. These metallic cells would run without attention or maintenance exerting magnic action, and could be stopped or started at any time without corrosion of metals or loss of energy, like the electric batteries on the outer sphere, but infinitely more powerful.
Aerial navigation was one of the great institutions of Atvatabar, and the goddess' yacht was only one of many thousand aerial ships that carried passengers, mails and light freight to and from every part of the country.
On such a machine as this we purposed travelling a distance of one thousand miles.
Five hundred miles west of Calnogor lay a range of lofty mountains, whose peaks pierced the upper strata of cold air. This region was the breeding-place of fearful storms that occasionally vexed the otherwise placid climate of the country.
Westward of the mountains, an elevated prairie or tableland extended for five hundred miles further, broken here and there into crevasses and cañons, the beds of mighty rivers. Beyond the prairie an irregular agglomeration of mountains and valleys stretched five hundred miles further until the ocean was reached which formed the western boundary of Atvatabar.
Egyplosis, or the sacred palace, stood on an island in a lake lying in a romantic valley of the central plateau, one thousand miles west of Calnogor. This was the destination of the Aeropher, the goddess making a special visitation to the palace of hopeless love.
No journey could have begun with better auspices than ours. We soared up the grand divide, underneath the brilliant sun, which threw the moving shadow of the ship on the earth beneath.
Captain Lavornal, the inventor of the Aeropher, was resolved to outdo all former records in aerial navigation, and accordingly drove the Aeropher at a speed of eighty miles an hour.
The captain explained to me that he was using the wheels simply to lift the ship over the mountains. Once over these the wheels that were being used to lift the ship would thus propel her, when her normal speed of two hundred miles an hour would be reached.
Lyone was in a particularly happy mood. "I like aerial travelling so much," said she, "because it is the nearest mechanical approach to the nature of the soul."
"What relation to the soul can the ship possibly possess?" I inquired.
"Why, don't you see," said she, "that our travelling approaches nearer to that of the spiritual state than any other mode? We can at will sweep up into heaven or descend to earth. We are independent of obstacles. Rivers and roads, mountains and seas have no terrors for us. Then the infinite daring of it all – oh! it is to me delightful."
Higher and yet higher mounted the ship up the steeps of the continent until we plunged into a grisly pass. On either side the huge shoulders of the mountains lifted up forests of pines and cedars, whose colossal trunks seemed the gateways of a new world. The ship indeed possessed some of the attributes of a soul. It could plunge us into sublimity or death, lift up to the very sun itself, or, like a disembodied soul, skim the surface of the earth.
The mountains once crossed, we swept down their declivities toward the prairies with tremendous speed. The propellers seemed powerful enough to control the ship in the fiercest storm. The inner world lay spread out beneath us like a map in relief. There was a strange absence of shadow caused by a perpendicular sun that realized the climate of Dante,
"A land whereon no shadow falls."
Yet as the Aeropher swept onward her shadow could be seen drifting over cornfields, miles of rustling wheat and pastures where the cattle started and fled from the apparition in the sky.
We were admiring the beauty of the panorama beneath, when the sky became suddenly overcast with clouds, obscuring the light of the sun. This was so unexpected an occurrence that Lyone and myself looked at each other in alarm.
Captain Lavornal exclaimed: "Your holiness, I apprehend these clouds are the couriers of a hurricane!"
"Do you mean that we shall be overtaken by the storm?" asked Lyone.
"Most certainly," said the captain, "and I tremble lest anything should happen to your holiness."
"Do not fear for me," said Lyone; "even a storm is not insurmountable."
"Shall I descend, your holiness, or keep to our course?" inquired the captain with some trepidation.
"Keep to your course," replied Lyone.
Just then a hollow booming was heard, and then a fierce explosion in which the darkened sky became enveloped in a sheet of flame.
In a moment the cyclone struck the ship!
Some of the terrified voyagers shrieked and others remained silent, but all held tightly on to the nearest thing they could get hold of.
The ship lay at an angle of forty-five degrees from the plane of the rotating storm, having been caught by the wind with a fearful shock, snapping several of the cables that bound cabins and decks together. Strangely enough, the ship did not become a wreck, but was blown out of its course, the toy of the wind. We lost sight of the other ship containing the sailors, and could certainly only care for ourselves.
The cyclone proved to be a storm five hundred miles in diameter. The currents of air most remote from the centre did not sweep round in the same uniform plane. The entire circumference of wind was composed of two enormous waves each seven hundred and fifty miles in length and four miles in perpendicular height. It was as if the rings of Saturn had suddenly assumed a vertical as well as a spinning motion, and both movements of the storm produced an appalling splendor of flight hitherto unknown to human sensation. Can the Aeropher survive the roaring storm? was the thought of every heart. Bravery was of no avail with the destroying force that had so suddenly overwhelmed us.
CHAPTER XXV.
ESCAPING FROM THE CYCLONE
The ship, lifting her prow, would spring into the sky upon the bosom of the whirling waste of air. The sun was completely obscured by dense masses of flying clouds and we were deluged with torrents of water. The terror of the situation obliterated all thoughts of country or home or friends. All worldly consciousness had evaporated from the pale beings that in despair held on to the ship for life or death.
The ravages of the storm on the earth beneath could be heard with startling distinctness. We heard at times the roaring of forests and saw the shrieking, whirling branches in every earth-illuminating flash of lightning.
The goddess stood holding on to the outer rail of the deck, the incarnation of courage. She had risen to meet the danger at its worst.
The Aeropher having risen to an enormous height, being thrown completely out of the tempest as if shot from a catapult, turned to descend again. It flew downward like an arrow, filling every soul, save perhaps that of Lyone, with fear. All were resigned for death; there could be no escape from the destruction that threatened us.
All this time the centre of the storm had been travelling to the southeast, or about forty-five degrees out of our proper course. Suddenly the ship shot downward from the southeastern limb of the storm, which almost reached the earth at this point. Gazing below, we discovered a fearful chasm in the face of the earth toward which we were rapidly flying. It was the cañon of the river Savagil, a merciless abyss ten thousand feet in depth.
Frightful as was the scene, it might yet prove our salvation if the ship could escape colliding with the precipitous walls. Were there no abyss we would certainly be dashed to pieces on the earth itself.
Suddenly the ship heeled over fifty degrees, flinging its living freight violently against the houses on deck and the lower rail. But we were saved! One side of the deck grazed the precipice as it plunged into the cañon. We had passed through the danger before knowing what had happened.
Lyone was stunned, but safe, the captain had a dislocated wrist, and others had broken limbs, but none was fatally hurt.
It was a terrible experience.
As the cañon of the river led in a northeasterly direction we did not emerge from the shelter it gave us to seek fresh conflict with the cyclone, but kept flying between the formidable walls. We soon knew by the returning sunlight and the silver clouds that the hurricane had died away.
The damage done to the Aeropher was quickly repaired. The ceaseless humming of the fans revolving on axles of hollow steel lulled our senses once more into dreamy repose.
"Ah," said Lyone, "this is life. I feel as though I were a bird or disembodied spirit. This aerial navigation is the realization of those aspirations of men that they might like birds possess the sky. Some have wished to enjoy submarine travel, to explore those frightful abysses of ocean where sea-monsters dwell; to behold the conflict of sharks in their native element, to see the swordfish bury his spear in the colossal whale. I prefer this upper sphere of sunlight and the dome of forests, mountains, and valleys of the dear old earth."
"You are right," said I; "the world into which we are born is our true habitat."
The walls of the cañon grew wider apart until we floated in a valley two miles wide. The meadow land below us was carpeted with grass and covered with clumps of forest trees, down the middle of which ran the river, green and swift. The walls of the valley here rose twelve thousand feet in perpendicular height, prodigies of stone, stained in barbaric colors by the brushes of the ages. Here and there triumphant cataracts flashed from the heights and fell in torrents of foam to the valley below. Sometimes a tributary of the river dashed furiously from the battlements above us into the abyss, flinging clouds of spray on the tops of the trees beneath.
The Aeropher maintained a uniform height of five thousand feet, sufficiently high to give us the exultation of a bird, yet sufficiently deep to allow the sublimity of the scene to fully impress us.
The musicians, who had hitherto remained in abeyance, now broke the silence of our progress with a swelling refrain. The music rolled echoing from granite to jasper walls in strains of divine pathos. We seemed to sail through the fabled realms of enchantment. In that little moving heaven, ceremony was dissolved into a thrilling friendship; the harmonious surroundings created a closer union of souls.
Above where I sat with Lyone there floated a flag of yellow silk a hundred feet in length. As it floated on the wind it assumed a varying series of poetic shapes, very beautiful to witness.
Sometimes there was a long sinuous fold, then a number of rippling waves, then a second fold only shorter than the first, then more rippling waves. It was a symbol of the soul and of the goddess, and represented the fascination and poetry that belongs to the adepts of Harikar. Its folds changed momentarily. At times there would be one large central curve like a Moorish arch, flanked on either side by a number of lesser arches. Again the flag streamed in throbbing waves, frequently blown by an intense breath of wind straight as a spear, crackling and shivering like a soul in pain. It responded not only to the motion of the ship, but had an independent life of its own.
"You see," said Lyone, "that the spiritual part of our creed is but the development of this independent life of the soul. The spiritual nature responds to the opportunity worthy of its recognition."
"That is but the mechanical law of cause and effect," I ventured; "where does self-sacrifice come in?"
"I do not quite understand," she replied; "self-sacrifice is the first law of the soul."
"What I mean," I said, "is this – having discovered your counterpart, do you adore despite the circumstances of fortune?"
"Most certainly," she replied; "there is the divinest self-sacrifice on both sides as far as the fortunes of each will permit. Ideally, the sacrifice is unlimited, but practically is limited as to time, opportunity and other circumstances."
"Is the counterpart soul loved in spite of disparity of circumstances, or is an equality of circumstances, such as rank, wealth and nationality, etc., a factor in the case?" I inquired.
"Outward circumstances have nothing whatever to do with the matter," said Lyone. "Friends, wealth, rank, everything is thrown aside in favor of the inward circumstance that the two souls are one."
"But," I urged, "you expose your spiritual creed to very violent shocks at times. The king of to-day may be a beggar to-morrow, and, besides, one or both of two souls may before they have known each other have been freighted with lifelong responsibilities. How, then, do you prevent a catastrophe to some one?"
"I admit," she said, "that as far as the every-day world is concerned, there are serious difficulties to contend with. But we avoid these by creating a little world of our own, exclusively for the cultivation of the spiritual soul. Just as some people apply themselves to physical culture to become athletes and show how grand the physical man may become, so we set apart a number of people as soul-priests to develop spirituality, or power over themselves and others and power over matter. It was for this object that Egyplosis was founded, to form a fitting environment for those who have achieved the ideal life. This life fully ripened, with its fresh and glorious enjoyment, can be maintained for a hundred years without diminution or loss of ecstasy."
"And do you mean that, after living one hundred years, beginning with your twentieth birthday, you are still only commencing your twenty-first year?"
"That is exactly what I mean," said Lyone. "I myself have lived ten years of Nirvana, and am yet only twenty years old."
I could well believe that such glorious freshness and beauty as hers was quite as young as she had represented it; but it was a strange idea – this achievement of an earthly Nirvana.
"Do you believe in the independent life of the soul after death?" I inquired.
"I believe that, as our bodies when they die become reabsorbed into the bosom of nature, to become in part or whole reincarnated in other forms of life, so also our souls are reabsorbed into the great ocean of existence, to also dwell, in time, wholly or in part in some other form of life or love."
CHAPTER XXVI.
THE BANQUET ON THE AERIAL SHIP
The saloon, which was also the salle à manger, was situated in the centre of the ship. Thus the entire travellers could assemble together without disturbing the centre of gravity of the structure.
The saloon was composed of woven cane, and ornamented with a dado of sage-green silk, on which were embroidered storks, pheasants and eagles flying through space. An elongated table, also of wicker work, contained a sumptuous repast.
The goddess congratulated the guests on their safety, which proved that the skill that produced the Aeropher had successfully grappled with the difficult problem of aerial navigation.
The inventor of the Aeropher said it was the apex of mechanical skill. Invention had raised humanity from the depths of slavery, ignorance, and weakness to a height of empire undreamed of in earlier ages. Such material greatness expands the soul with godlike attributes. The ideal, inventive soul, the typical soul, was a god.
The poet said that the Aeropher was the symbol of that kind of poetry in which energy and art were in equipoise. It glorified mechanical skill. It had been prophesied that as civilization advanced poetry would decline. There was a period in the history of Atvatabar in which matters of taste, imagination and intellectual emotion had been utterly neglected by a universal preference for scientific and mechanical pursuits. The country was overrun with reasoners, debaters, metaphysicians, scientists and mechanical artists, but there were no poets. Such mechanical civilization was unfavorable to their development. The founding of such institutions as the art palace of Gnaphisthasia and the spiritual palace of Egyplosis had grafted on their modern life the soul life of more ancient times, until soul-worship had become the universal religion.
The goddess said that the aerial ship was the symbol of an ideal and passionate temperament resolved on discovering new spheres of spiritual beauty, so as to spiritualize the race. Such a soul ought to be free to surround itself with that atmosphere from which it absorbs life. It must choose its own weapons and armor, so as to be adequately equipped for the battle. In its eagerness to climb on discovering wings it must be accompanied by its own retinue of spirits, by enthusiastic and lasting friendships so consoling to its nature. Such was the idea of Egyplosis.
Captain Lavornal at this point stated that when the company regained the deck he would put the rotating wheel, placed at the stern of the ship, in motion, so as to produce the combination of a revolving as well as an onward flight.
"These wheels," said he, "will spin us around, and by means of our double rudder we produce both vertical and lateral undulations, which, combined with the rotary movement of the deck, will produce a delirious sensation. All the abandon of great and strong birds are ours. We can imitate the sonorous sweep of the seemorgh, who plunges with supreme majesty in the abyss of air."
"These elaborations of flight," said Lyone, "are not pursued merely for physical pleasure, but in a mysterious way they are the moulders of the soul itself. That essence, re-enforced with such subtle and powerful enthusiasm, develops sensibility and assumes a grandeur and ecstasy unknown to those who merely travel on the earth. Each gesture of flight is a stride nearer omnipotence, an attribute more godlike by reason of its supremacy over those obstacles that crush and overwhelm."
I shared the same seat with Lyone at the prow of the vessel.
The scenery had in our absence developed into more marked grandeur. Under the spell of an eternal morning, of such light as poets only dream of, there rose on either side of us consummate rocks and cataracts that signalled heaven. The swinging pillars of incredible streams leaped thousands of feet into the gulf beneath. They charmed us like glittering serpents. The gorge, the rocks, the cataracts, the heavens of the earth above us were a prodigal feast to which nature had bidden us.
As we explored the depths of the gulf the Aeropher assumed an undulating motion. For several miles the vessel kept descending, until we swept through an overwhelming jungle of wild flowers. There were acres of roses riotous in bloom, there was the trailing of wild peas sweet as honey, the blue of larkspurs, the fragrance of musk flowers, and the swaying cups of scarlet poppies.
Then the ship rose again toward the mammoth rocks that shimmered in the sunlight adorned with the tapestries of falling wave. Still upward we rose into the spell-bound sky, feeding on the savage sweets of nature, the rhythm of the golden cliffs, the echoes of the waterfalls. We were the associates of mighty pines that on the Theban peaks spread incomparable solaces for mind and heart. Then, as we descended from our extreme altitude, we began also to revolve with a splendid sweep of motion, until the landscape swam around us like a dream.
It was a delirious phantasy of airy clouds, fluttering leaves, songs of birds, milky avalanches, balsamic forests, and the awe-inspiring silences of revolving walls!
The intoxication of such wheeling flight filled us with a strange joy. Our journey became wistful, eager, breathless. We became poets, and the soul of a poet is a chameleon that takes its glow and color from the surrounding infection. The motion that bore us in daring circles produced a euthanasia of mind and an exaltation of soul. The jugglery of flight under such conditions produced a Nirvana of soul and a Dharana of body. An exquisitely sweet whirlwind of emotion swept through I know not how many souls on the Aeropher, but certainly through the souls of Lyone and myself.
We both flew round and round like birds in intoxicating converse. During the progress of the flight, intellect, will and memory slumbered. I was deprived of the use of all external faculties, while those of the soul were correspondingly increased. Imagination and emotion were excited with rapturous energy. Lyone's eyes sparkled with a celestial joy. She was again the goddess in her ecstasy!