Under the Maples

The albatross will follow a ship at sea, sailing round and round, in a brisk breeze, on unbending wing, only now and then righting itself with a single flap of its great pinions. It literally rides upon the storm.

IV

BIRD INTIMACIES

When, as sometimes happens, I feel an inclination to seek out new lands in my own country, or in other countries, to see what Nature is doing there, and what guise she wears, something prompts me to pause, and after a while to say to myself: "Look a little closer into the nature right at your own door; do a little intensive observation at home, and see what that yields you. The enticement of the far-away is mostly in your imagination; let your eyes and your imagination play once more on the old familiar birds and objects."

One season in my walks to the woods I was on the lookout for a natural bracket among the tree-branches, to be used in supporting a book-shelf. I did not find it; but one day in a shad-blow tree, within a few feet from the corner of my own house, I found what I was searching for, perfect in every particular – the right angle and the supporting brace, or hypothenuse. It gave me a hint I have not forgotten.

I find that one has only to overcome a little of his obtuseness and indifference and look a little more closely upon the play of wild life about him to realize how much interesting natural history is being enacted every day before his very eyes – in his own garden and dooryard and apple-orchard and vineyard. If one's mind were only alert and sensitive enough to take it all in! Whether one rides or walks or sits under the trees, or loiters about the fields or woods, the play of wild life is going on about him, and, if he happens to be blessed with the seeing eye and the hearing ear, is available for his instruction and entertainment. On every farm in the land a volume of live natural history goes to waste every year because there is no historian to note the happenings.

The drama of wild life goes on more or less behind screens – a screen of leaves or of grass, or of vines, or of tree-trunks, and only the alert and sympathetic eye penetrates it. The keenest of us see only a mere fraction of it. If one saw one tenth of the significant happenings that take place on his few acres of orchard, lawn, and vineyard in the course of the season, or even of a single week, what a harvest he would have! The drama of wild life is played rapidly; the actors are on and off the stage before we fairly know it, and the play shifts to other stages.

I wonder how many of the scores of persons passing along the road between my place and the railway station one early May day became aware that a rare bird incident was being enacted in the trees over their heads. It was the annual sängerfest of the goldfinches – one of the prettiest episodes in the lives of any of our birds, a real musical reunion of the goldfinch tribe, apparently a whole township, many hundreds of them, filling scores of the tree-tops along the road and in the groves with a fine, sibilant chorus which the ear refers vaguely to the surrounding tree-tops, but which the eye fails adequately to account for. It comes from everywhere, but from nowhere in particular. The birds sit singly here and there amid the branches, and it is difficult to identify the singers. It is a minor strain, but multitudinous, and fills all the air. The males are just donning their golden uniforms, as if to celebrate the blooming of the dandelions, which, with the elm-trees, afford them their earliest food-supply. While they are singing they are busy cutting out the green germs of the elm flakes, and going down to the ground and tearing open the closed dandelion-heads that have shut up to ripen their seeds, preparatory to their second and ethereal flowering when they become spheres of fragile silver down.

Whether this annual reunion of the goldfinches should be called a dandelion festival, or a new-coat festival, or whether it is to bring the sexes together preliminary to the mating-season, I am at a loss to decide. It usually lasts a week or more, and continues on wet days as well as on fair. It all has a decidedly festive air, like the fête-days of humans. I know of nothing like it among other birds. It is the manifestation of something different from the flocking instinct; it is the social and holiday instinct, bringing the birds together for a brief season, as if in celebration of some special event or purpose. I have observed it in my vicinity every spring for many years, usually in April or early May, and it is the prettiest and most significant bird episode, involving a whole species, known to me.

The goldfinch has many pretty ways. He is one of our most amiable birds. So far as my knowledge goes, he is not capable of one harsh note. His tones are all either joyous or plaintive. In his spring reunions they are joyous. In the peculiar flight-song in which he indulges in the mating season, beating the air vertically with his round, open wings, his tones are fairly ecstatic. His call to his mate when she is brooding, and when he circles about her in that long, billowy flight, the crests of his airy waves being thirty or forty feet apart, calling, "Perchic-o-pee, perchic-o-pee," as if he were saying, "For love of thee, for love of thee," and she calling back, "Yes, dearie; yes, dearie" – his tones at such times express contentment and reassurance.

When any of his natural enemies appear – a hawk, a cat, a jay – his tones are plaintive and appealing. "Pit-y, pit-y!" he cries in sorrow and not in anger.

When with his mate he leads their brood about the August thistles, the young call in a similar tone. When in July the nesting has begun, the female talks the prettiest "baby talk" to her mate as he feeds her. The nest-building rarely begins till thistledown can be had – so literally are all the ways of this darling bird ways of softness and gentleness. The nest is a thick, soft, warm structure, securely fastened in the fork of a maple or an apple-tree.

None of our familiar birds endear themselves to us more than does the bluebird. The first bluebird in the spring is as welcome as the blue sky itself. The season seems softened and tempered as soon as we hear his note and see his warm breast and azure wing. His gentle manners, his soft, appealing voice, not less than his pleasing hues, seem born of the bright and genial skies. He is the spirit of the April days incarnated in a bird. He has the quality of winsomeness, like the violet and the speedwell among the flowers. Not strictly a songster, yet his every note and call is from out the soul of harmony. The bluebird is evidently an offshoot from the thrush family, and without the thrush's gift of song; still his voice affords us much of the same pleasure.

How readily the bluebirds become our friends and neighbors when we offer them suitable nesting-retreats! Bring them something from nature, something with the bark on – a section of a dry beech or maple limb in which the downy woodpecker has excavated his chamber and passed the winter or reared his brood; fasten it in early spring upon the corner of your porch, or on the trunk of a near-by tree, and see what interesting neighbors you will soon have. One summer I brought home from one of my walks to the woods a section, two or three feet long, of a large yellow birch limb which contained such a cavity as I speak of, and I wired it to one of the posts of the rustic porch at Woodchuck Lodge. The next season a pair of bluebirds reared two broods in it. The incubation of the eggs for the second brood was well under way when I appeared upon the scene in early July. My sudden presence so near their treasures, and my lingering there with books and newspapers, disturbed the birds a good deal. The first afternoon the mother bird did not enter the cavity for hours. I shall always remember the pretty and earnest manner in which the male tried to reassure her and persuade her that the danger was not so imminent as it appeared to be, probably encouraging a confidence in his mate which he did not himself share. The mother bird would alight at the entrance to the chamber, but, with her eye fixed upon the man with the newspaper, feared to enter. The male, perched upon the telegraph wire fifty feet away, would raise his wings and put all the love and assurance in his voice he was capable of, apparently trying to dispel her fears. He would warble and warble, and make those pretty wing gestures over and over, saying so plainly: "It is all right, my dear, the man is harmless – absorbed there in his newspaper. Go in, go in, and keep warm our precious eggs!" How long she hesitated! But as night grew near she grew more and more anxious, and he more and more eloquent. Finally she alighted upon the edge of the overhanging roof and peered down hesitatingly. Her mate applauded and encouraged till finally she made the plunge and entered the hole, but instantly came out again; her heart failed her for a moment; but she soon returned and remained inside. Then her mate flew away toward the orchard, uttering a cheery note which doubtless she understood.

The birds soon became used to my presence and their household matters progressed satisfactorily. Both birds took a hand in feeding the young, which grew rapidly. When they were nearly ready to leave the nest, a cruel fate befell them: I slept upon the porch, and one night I was awakened by the cry of young bluebirds, and the sound of feet like those of a squirrel on the roof over me. Then I heard the cry of a young bird proceed from the butternut-tree across the road opposite the house. I said to myself, "A squirrel or an owl is after my birds." The cry coming so quickly from the butternut-tree made me suspect an owl, and that the bird whose cry I heard was in his talons. I was out of my cot and up to the nest in a moment, but the tragedy was over; the birds were all gone, and the night was silent. In the morning I found that a piece of the brittle birch limb had been torn away, enlarging the entrance to the cavity so that the murderous talons of the owl could reach in and seize the young birds. I had been aroused in time to hear the marauder on the roof with one, and then hear its cry as he carried it to the tree. In the grass in front I found one of the young, unable to fly, but apparently unhurt. I put it back in the nest, but it would not stay. The spell of the nest was broken, and the young bird took to the grass again. The parent birds were on hand, much excited, and, when I tried to return the surviving bird to the nest, the male came at me fiercely, apparently charging the whole catastrophe to me.

We had strong proof the previous season that an owl, probably the screech owl, prowled about the house at night. A statuette of myself in clay which a sculptor was modeling was left out one night on the porch, and in the morning its head was unusually bowed. The prints of a bird's talons upon the top told what had happened. In the bronze reproduction of that statuette the head has more of a droop than the artist at first planned to give it.

The next season the bluebirds occupied the cavity in the birch limb again, but before my arrival in July the owls had again cleaned them out. In so doing they had ripped the cavity open nearly to the bottom. For all that, early the following May bluebirds were occupying the cavity again. It held three eggs when I arrived. I looked over the situation and resolved to try to head off the owl this time, even at the risk of driving the bluebirds away. I took a strip of tin several inches wide and covered the slit with it and wired it fast. Then I obtained a broad strip of dry birch-bark, wrapped it about the limb over the tin, and wired it fast, leaving the entrance to the nest in its original form. I knew the owl could not slit the tin; the birch-bark would hide it and preserve in a measure the natural appearance of the branch. When the bluebirds saw what had happened to their abode, they were a good deal distressed; they could no longer see their eggs through the slit which the owl had made, and they refused to enter the cavity. They hung about all day, uttering despondent notes, approaching the nest at times, but hesitating even to alight upon the roof above it. Occasionally the female would fly away toward the distant woods or hills uttering that plaintive, homesick note which seemed to mean farewell. The male would follow her, calling in a more cheery and encouraging tone. Once the couple were gone three or four hours, and I concluded they had really deserted the place. But just before sundown they were back again, and the female alighted at the entrance to the nest and looked in. The male called to her cheerily; still she would not enter, but joined him on the telephone wire, where the two seemed to hold a little discussion. Presently the mother bird flew to the nest again, then to the roof above it, then back to the nest, and entered it till only her tail showed, then flew back to the wire beside her mate. She was evidently making up her mind that the case was not hopeless. After a little more maneuvering, and amid the happy, reassuring calls of her mate, she entered the nest cavity and remained, and I was as well pleased as was her mate.

No owls disturbed them this time, and the brood of young birds was brought off in due season. In July a second brood of four was successfully reared and sent forth on their career.

The oriole nests in many kinds of trees – oaks, maples, apple-trees, elms – but her favorite is the elm. She chooses the end of one of the long drooping branches where a group of small swaying twigs affords her suitable support. It is the most unlikely place imaginable for any but a pendent nest, woven to half a dozen or more slender, vertical twigs, and swaying freely in the wind. Few nests are so secure, so hidden, and so completely sheltered from the rains by the drooping leaves above and around it. It is rarely discoverable except from directly beneath it. I think a well-built oriole's nest would sustain a weight of eight or ten pounds before it would be torn from its moorings. They are also very partial to the ends of branches that swing low over the highway. One May I saw two female orioles building their nests twenty or twenty-five feet above our State Road, where automobiles and other vehicles passed nearly every minute all the day. An oriole's nest in a remote field far from highways and dwellings is a rare occurrence.

Birds of different species differ as widely in skill in nest-building as they do in song. From the rude platform of dry twigs and other coarse material of the cuckoo, to the pendent, closely woven pouch of the oriole, the difference in the degree of skill displayed is analogous to the difference between the simple lisp of the cedar-bird, or the little tin whistle of the "chippie," and the golden notes of the wood thrush, or the hilarious song of the bobolink.

Real castles in the air are the nests of the orioles; no other nests are better hidden or apparently more safe from the depredations of crows and squirrels. To start the oriole's nest successfully is quite an engineering feat. The birds inspect the branches many times before they make a decision. When they have decided on the site, the mother bird brings her first string or vegetable fiber and attaches it to a twig by winding it around and around many times, leaving one or both ends hanging free. I have nests where these foundation strings are wound around a twig a dozen times. In her blind windings and tuckings and loopings the bird occasionally ties a substantial knot, but it is never the result of a deliberate purpose as some observers contend, but purely a matter of chance. When she uses only wild vegetable fibers, she fastens it to the twig by a hopeless kind of tangle. It is about the craziest kind of knitting imaginable. After the builder has fastened many lines to opposite twigs, their ends hanging free, she proceeds to span the little gulf by weaving them together. She stands with her claws clasped one to each side, and uses her beak industriously, looping up and fastening the loose ends. I have stood in the road under the nest looking straight up till my head swam, trying to make out just how she did it, but all I could see was the bird standing astride the chasm she was trying to bridge, and busy with the hanging strings. Slowly the maze of loose threads takes a sacklike form, the bottom of the nest thickens, till some morning you see the movement of the bird inside it; her beak comes through the sides from within, like a needle or an awl, seizes a loose hair or thread, and jerks it back through the wall and tightens it. It is a regular stitching or quilting process. The course of any particular thread or fiber is as irregular and haphazard as if it were the work of the wind or the waves. There is plan, but no conscious method of procedure. In fact, a bird's nest is a growth. It is not something builded as we build, in which judgment, design, forethought enter; it is the result of the blind groping of instinct which rarely errs, but which does not see the end from the beginning, as reason does. The oriole sometimes overhands the rim of her nest with strings and fibers to make it firm, and to afford a foundation for her to perch upon, but it is like the pathetic work which an untaught blind child might do under similar conditions. The birds use fine, strong strings in their nest-building at their peril. Many a tragedy results from it. I have an oriole's nest sent me from Michigan on the outside of which is a bird's dried foot with a string ingeniously knotted around it. It would be difficult to tie so complicated a knot. The tragedy is easy to read. Another nest sent me from the Mississippi Valley is largely made up of fragments of fish-line with the fish-hooks on them. But there is no sign that the bird came to grief using this dangerous material. Where the lives of the wild creatures impinge upon our lives is always a danger-line to them. They are partakers of our bounty in many ways, but they pay a tax to fate in others.

Конец ознакомительного фрагмента.

Текст предоставлен ООО «ЛитРес».

Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес.

Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.