The Broom-Squire

"Have you missed me greatly, dear mother?" asked Mehetabel, who had heard the story of Giles Cheel before.

Mrs. Verstage sighed.

"My dear, do you know the iron-stone bowl as belonged to my mother. The girl broke it, and hadn't the honesty to say so, but stuck it together wi' yaller soap, and thought I wouldn't see it. Then one of the customers made her laugh, and she let seven pewters fall, and they be battered outrageous. And she has been chuckin' the heel taps to the hog, and made him as drunk as a Christian. She'll drive me out of my seven senses."

"So you do miss me, mother?"

"My dear – no – I'm not selfish. It is all for your good. There wos Martha Lintott was goin' to a dance, and dropped her bustle. Patty Pickett picked it up, and thinkin' she couldn't have too much of a good thing, clapped it on a top of her own and cut a fine figure wi' it – wonderful. And Martha looked curious all up and down wi'out one. But she took it reasonable, and said, 'What's one woman's loss is another woman's gain.' O, my dear life! If Iver would but settle with Polly Colpus I should die content."

"Is not the match agreed to yet?"

"No!" Mrs. Verstage sighed. "I've got my boy back, but not for long. He talks of remaining here awhile to paint – subjects, he calls 'em, but he don't rise to Polly as I should like. Polly is a good girl. Master Colpus was at your weddin', and was very civil to Iver. I heard him invite the boy to come over and look in on him some evening – Sunday, for instance, and have a bite of supper and a glass. But Iver hasn't been nigh the Colpuses yet; and when I press him to go he shrugs his shoulders and says he has other and better friends he must visit first."

Mrs. Verstage sighed again.

"Well, perhaps he doesn't fancy Polly," said Mehetabel.

"Why should he not fancy her? She will have five hundred pounds, and old James Colpus's land adjoins ours. I don't understand Iver's ways at all."

Mehetabel laughed. "Dear mother, you cannot expect that; he did not think with his father's head when a boy. He will think only with his own head now he is a man."

"Look here, Matabel. I'll leave Iver to you for half-an-hour. Show him the cows. I'll make Bideabout take me to his sister. I want to have it out with her for not coming to the wedding. I'm not the person to let these things pass. Say a word to Iver about Polly, there is a dear. I cannot bring them together, but you may, you are so clever."

Meanwhile Iver and Jonas had been in conversation. The latter had been somewhat contemptuous about the profession of an artist, and was not a little astonished when he heard the prices realized by pictures. Iver told the Broom-Squire that he intended making some paintings of the Punch-Bowl, and that he had a mind to draw Kink's farm.

In that case, said Bideabout, a percentage of the money such a picture fetched would be due to him. He didn't see that anyone had a right to take a portrait of his house and not pay him for it. If Iver were content to draw his house, he must, on no account, include that of the Rocliffes, for there was a mortgage on that, and there might be trouble with the lawyers.

Mrs. Verstage proposed to Bideabout that she should go with him to his sister's house, and he consented.

"Look here, Matabel," said he, "there is Mister Iver thinks he can make a pictur' of the spring, if you'll get a pitcher and stand by it. I dare say if it sells, he'll not forget us."

"I wish I could take Mehetabel and her pitcher off your hands, and not merely the portrait of both," laughed Iver, to cover the confusion of the girl, who reddened with annoyance at the grasping meanness of Jonas.

When Iver was alone with her, as they were on their way to the spring, he said, "Come, this will not do at all. For the first time we are free to chat together, as in the old times when we were inseparable friends. Why are you shy now, Matabel?"

"You must be glad to be home again with the dear father and mother," she said.

"Yes, but I miss you; and I had so reckoned on finding you there."

"You will remain at the Ship now," urged she.

"I don't know that. I have my profession. I have leisure during part of the summer and fall, making studies for pictures – but I take pupils; they pay."

"You must consider the old folk."

"I do. I will visit them occasionally. But art is a mistress, and an imperious one. When one is married one is no longer independent."

"You are married?" asked Mehetabel, with a flush in her cheeks.

"Yes, to my art."

"Oh! to paints and brushes! Tell me true, Iver! Has no girl won your heart whilst you have been from home?"

"I have found many to admire, but my heart is free. I have had no time to think of girls' faces – save as studies. Art is a mistress as jealous as she is exacting."

Mehetabel drew a long breath. There went up a flash of light in her mind, for which she did not attempt to account. "You are free – that is famous, and can take Polly Colpus."

Then she laughed, and Iver laughed.

They laughed long and merrily together.

"This is too much," exclaimed Iver. "At home father is at me to exchange the mahl-stick for an ox-goad, and mother wearies me with laudation of Polly Colpus. I shall revolt and run away, as I did not expect you to lend a hand with Polly."

"You must not run away," said Mehetabel, earnestly. "Iver! I was all those years at the Ship, with mother, after you went, and I have seen how her heart has ached for you. She is growing old. Let her have consolation during the years that remain for the sorrow of those that are past."

"I cannot take to farming, nor turn publican, and I will not have Polly Colpus."

"Here is the spring," said Mehetabel.

She set the pitcher beside the water, leaned back in the hedge, musing, with her finger to her chin, her eyes on the ground, and her feet crossed.

"Stand as you are. That is perfect. Do not stir. I will make a pencil sketch."

The spring gushed from under a bank, in a clear and copious jet. It had washed away the sand, and had buried itself in a nook among ferns and moss. On the top of the bank was a rude shed, open at the side, with a cart at rest in it. Wild parsnips in full flower nodded before the water.

"I could desire nothing better," said Iver, "and that pale blue skirt of yours, the white stockings, the red kerchief round your head – in color as in arrangement everything is admirable."

"You have not your paints with you."

"I will come another day and bring them. Now I will only sketch in the outline."

Presently Iver laughed. "Matabel! If I took Polly she would be of no use to me whatever, not even as a model."

Presently the Broom-Squire returned with Mrs. Verstage, and looked over the shoulder of the artist.

"Not done much," he said.

"I shall have to come again and yet again, to put in the color," said Iver.

"Come when and as often as you like," said Bideabout. Neither of

the men noticed the shrinking that affected the entire frame of

Mehetabel, as Jonas said these words, but it was observed by Mrs.

Verstage, and a shade of anxiety swept over her face.

CHAPTER XVI

AGAIN-IVER

A few days after this first visit, Iver was again at the Kinks' farm.

The weather was fine, and he protested that he must take advantage of it to proceed with his picture.

Mehetabel was reluctant to stand. She made excuses that were at once put aside.

"If you manage to sell pictures of our place," said Bideabout, "our

Punch-Bowl may get a name, and folk come here picnicking from

Godalming and Guildford and Portsmouth; and I'll put up a board with

Refreshments – Moderate, over the door, and Matabel shall make tea

or sell cake, and pick up a trifle towards; housekeeping."

A month was elapsed since Mehetabel's marriage, the month of honey to most – one of empty comb without sweetness to her. She had drawn no nearer to her husband than before. They had no interests, no tastes in common. They saw all objects through a different medium.

It was not a matter of concern to Mehetabel that she was left much alone by Jonas, and that her sister-in-law and the rest of the squatters treated her as an interloper.

As a child, at the Ship, without associates of her own age, after Iver's departure, she had lived much to herself, and now her soul craved for solitude. And yet, when she was alone the thoughts of her heart troubled her.

Jonas was attached, in his fashion, to his beautiful wife; he joked, and was effusive in his expressions of affection. But she did not respond to his jokes, and his demonstrations of affection repelled her. Jonas was too dull, or vain, to perceive this, and he attributed her coldness to modesty, real or affected, probably the latter.

Mehetabel shrank from looking full in the face, the thought that she must spend the rest of her life with this man. She was well aware that she could not love him, could hardly bring herself to like him, the utmost she could hope was that she might arrive at enduring him.

Whilst in this condition of unrest and discouragement, Iver appeared, and his presence lit up the desolation in which she was. The sight of him, the sound of his voice, aroused old recollections, helped to drive away the shadows that environed her, and that clouded her mind. There was no harm in this, and yet she was uneasy. Cheerful as she was when he was present, there was something feverish in this cheerfulness, and it left her more unhappy than before when he was gone, and more conscious of the impossibility of accommodating herself to her lot.

The visit on one fine day was followed by another when the rain fell heavily.

Iver entered the house, shook his wet hat and cloak, and with a laugh, exclaimed —

"Here I am – to continue the picture."

"In such weather?"

"Little woman! When I started the wind was in the right quarter. All at once it veered round and gave me a drenching. What odds? You can stand at the window, and I can proceed with the figure. It was tedious at the Ship. Between you and me and the post, I cannot get along with the fellows who come there to drink. You are the only person in Thursley with whom I can talk and be happy."

"Bideabout is not at home."

"I didn't come through the rain to see Bideabout, but you."

"Will you have anything to eat or drink?"

"Anything that you can give me. But I did not come for that. To tell the truth, I don't think I'll venture on the picture. The light is so bad. It is of no consequence. We can converse. I am sick of public-house talk. I ran away to be with you. We are old chums, are we not, dear Matabel?"

A fire of peat was on the hearth. She threw on skin-turf that flamed up.

Iver was damp. His hands were clammy. His hair ends dripped. His face was running with water. He spread his palms over the flame, and smiled.

"And so you were tired of being at home?" she said, as she put the turves together.

"Home is no home to me, now you are gone," was his answer.

Then, after a pause, during which he chafed his hands over the dancing flame, he added: "I wish you were back in the old Ship. The old Ship! It is no longer the dear old Ship of my recollections, now that you have deserted. Why did you leave? It is strange to me that my mother did not write and tell me that you were going to be married. If she had done that – "

He continued drying his hands, looking dreamily into the flame, and left the sentence incomplete.

"It is queer altogether," he pursued. "When I told her I was at Guildford, and proposed returning, she put me off, till my father was better prepared. She would break the news to him, see how – he took it, and so on. I waited, heard no more, so came unsummoned, for I was impatient at the delay. She knew I wished to hear about you, Mattee, dear old friend and playmate. I asked in my letters about you. You know you ceased to write, and mother labored at the pen herself, finally. She answered that you were well – nothing further. Why did she not tell me of your engagement? Have you any idea, Matabel?"

She bowed over the turf, to hide her fate, but the leaping flame revealed the color that mantled cheek, and throat, and brow. Her heart was beating furiously.

"That marriage seems to me to have been cobbled up precious quickly. Were you so mighty impatient to have the Broom-Squire that you could not wait till you were twenty? A girl of eighteen does not know her own mind. A pretty kettle of fish there will be if you discover, when too late, that you have made a mistake, and married the wrong man, who can never make you happy."

Mehetabel started upright, and went with heaving bosom to the window, then drew back in surprise, for she saw the face of Mrs. Rocliffe at the pane, her nose applied to and flattened against the glass, and looking like a dab of putty.

She was offended at the woman's inquisitiveness, and went to the door to inquire if she needed anything.

"Nuthin' at all," answered Sarah, with a laugh, "except to see whether my brother was home. It's early days beginning this, I call it."

"What do you mean?"

"Oh, nuthin'."

"Iver is here," said Mehetabel, controlling herself. "Will you please to come in?"

"But Jonas is not, is he?"

"No; he has gone to Squire Mellers about a load of stable-brooms."

"I wouldn't come in on no account," said Mrs. Rocliffe. "Two's company, three's none," and she turned and departed.

After she had shut the door Mehetabel went hastily through the kitchen into the scullery at the back. Her face was crimson, and she trembled in all her joints.

Iver called to her; she answered hastily that she was engaged, and presently, after she had put bread and cake and butter on the table, she fled to her own room upstairs, seated herself on a chair, and hid her burning face in her apron.

The voice of her husband below afforded sensible relief to her in her mortification. He was speaking with Iver; cursing the weather and his bad luck. His long tramp in the rain had been to no purpose. The Squire, to whose house he had been, was out. She washed her face, combed and smoothed her hair, and slowly descended the stairs.

On seeing her Jonas launched forth in complaints, and showed himself to be in an evil temper. He must have ale, not wish-wash tea, fit only for old women. He would not stuff himself with cake like a school child. He must have ham fried for him at once.

He was in an irritable mood, and found fault with his wife about trifles, or threw out sarcastic remarks that wounded, and made Iver boil with indignation. Jonas did not seem to bear the young artist a grudge; he was, in fact, pleased to see him, and proposed to him to stay the evening and have a game of cards.

It was distressing to Mehetabel to be rebuked in public, but she made no rejoinder. Jonas had seized on the opportunity to let his visitor see that he was not tied to his wife's apron string, but was absolute master in his own house. The blood mounted to Iver's brow, and he clenched his hands under the table.

To relieve the irksomeness of the situation Iver proceeded to undo a case of his colored sketches that he had brought with him.

These water-colors were charming in their style, a style much affected at that period; the tints were stippled in, and every detail given with minute fidelity. The revolution in favor of blottesque had not yet set in, and the period was happily far removed from that of the impressionist, who veils his incapacity under a term – an impression, and calls a daub a picture. Nature never daubs, never strains after effects. She is painstaking, delicate in her work, and reticent.

Whilst Mehetabel was engaged frying ham, Iver showed his drawings to the Broom-Squire, who treated them without perception of their beauty, and valued them solely as merchandise. But when supper was ready, and whilst Jonas was eating, he had a more interested and appreciative observer in Mehetabel, to whom the drawings afforded unfeigned pleasure. In her delight she sat close to Iver; her warm breath played over his cheek, as he held up the sketches to the light, and pointed out the details of interest.

Once when these were minute, and she had to look closely to observe them, in the poor light afforded by the candle, without thinking what he was about, Iver put his hand on her neck. She started, and he withdrew it. The action was unobserved by Bideabout, who was engrossed in his rasher.

When Jonas had finished his meal, he thrust his plate away, produced a pack of cards, and said —

"Here, Mr. Iver, are pictures worth all of yours. Will you come and try your luck or skill against me? We'll have a sup of brandy together. Matabel, bring glasses and hot-water."

Iver went to the door and looked out. The rain descended in streams; so he returned to the table, drew up his chair and took a hand.

When Mehetabel had washed the plates and dishes used at the meal, she seated herself where she could see by the candle-light, took up her needlework, and was prepared to snuff the wick as was required.

Iver found that he could not fix his attention on the game. Whenever Mehetabel raised her hand for the snuffers, he made a movement to forestall her, then sometimes their eyes met, and she lowered hers in confusion.

The artistic nature of Iver took pleasure in the beautiful; and the features, coloring, grace of the young Broom-Squiress, were such as pleased him and engaged his attention. He made no attempt to analyze his feelings towards her. He was not one to probe his own heart, nor had he the resolution to break away from temptation, even when recognized as such. Easy-going, good-natured, impulsive, with a spice of his mother's selfishness in his nature, he allowed himself to follow his inclinations without consideration whither they might lead him, and how they might affect others.

Iver's eyes, thoughts, were distracted from the game. He lost money – five shillings, and Jonas urged him to play for higher stakes.

Then Mehetabel laid her needlework in her lap, and said —

"No, Iver, do not. You have played sufficiently, and have lost enough. Go home."

Jonas swore at her.

"What is that to you? We may amuse ourselves without your meddling. What odds to you if he loses, so long as I win. I am your husband and not he."

But Iver rose, and laughingly said: —

"Better go home with a wet jacket than with all the money run out of my pocket. Good-night, Bideabout."

"Have another shot?"

"Not another."

"She put you up to this," with a spiteful glance at Mehetabel.

"Not a bit, Jonas. Don't you think a chap feels he's losing blood, without being told he is getting white about the gills."

The Broom-Squire sulkily began to gather up the cards.

"What sort of a night is it, Mehetabel? Go to the door and see," said he.

The girl rose and opened the door.

Without, the night was black as pitch, and in the light that issued the raindrops glittered as they fell. In the trees, in the bushes, on the grass, was the rustle of descending rain.

"By Jove, it's worse than ever," said Iver: "lend me a lantern, or

I shall never reach home."

"I haven't one to spare," replied Bideabout; "the hogs and calves must be tended, and the horse, Old Clutch, littered down. Best way that you have another game with me, and you shall stay the night. We have a spare room and bed."

"I accept with readiness," said Iver.

"Go – get all ready, Matabel. Now, then! you cut, I deal."

CHAPTER XVII

DREAMS

Iver remained the night in the little farm-house. He thought nothing as he lay in bed of the additional shillings he had lost to Jonas, but of the inestimable loss he had sustained in Mehetabel.

The old childish liking he had entertained for her revived. It did more than revive, it acquired strength and heat. As a boy he had felt some pride and self-consequence because of the child whom he had introduced into the Christian Church, and to whom he had given a name. Now he was elated to think that she was the most beautiful woman he had seen, and angry with the consciousness that she was snatched from him.

Why had he not returned to Thursley a day, half a day, earlier? Why had Fate played such a cruel game with him? What a man this Jonas Kink was who had won the prize. Was he worthy of it? Did he value Mehetabel as he should? A fellow who could not perceive beauty in a landscape and see the art in his drawings was not one to know that his wife was lovely, or if he knew it did so in a stupid, unappreciative manner. Did he treat Mehetabel kindly; with ordinary civility? Iver remembered the rebukes, the slights put on her in his own presence.

Iver's bedroom was neat, everything in it clean. The bed was one of those great tented four-posters which were at the time much affected in Surrey, composed of covering and curtains of striped – or pranked – cotton, blue and white. Mehetabel, in the short while she had been in the Punch-Bowl, had put the spare room in order. She had found it used as a place for lumber, every article of furniture deep in dust, and every curtain rent. The corners of the room had been given over for twenty years as the happy hunting-ground of spiders. Although Bideabout had taken some pains to put his house in order before his marriage, repairs had been executed only on what was necessary, and in a parsimonious spirit. The spare room had been passed over, as not likely to be needed. To that as to every other portion of the house, Mehetabel had turned her attention, and it was now in as good condition to receive a guest as the bedrooms in the Ship Inn.

Presently Iver went to sleep, lulled by the patter of the rain on the roof, on the leaves, and the sobbing of the moist wind through the ill-adjusted casement.

As he slept he had a dream.

He thought that he heard Thursley Church bells ringing. He believed he had been to church to be married. He was in his holiday attire, and was holding his bride by the hand. He turned about to see who was his partner, and recognized Mehetabel. She was in white, but whiter than her dress and veil was her bloodless face, and her dark brows and hair marked it as with mourning.

There was this strange element in his dream, that he could not leave the churchyard.

He endeavored to follow the path to the gate, outside which the villagers were awaiting them with flowers and ready to cheer; but he was unable to reach it. The path winded in and out among the gravestones, and round and round the church, till at length it reached the tomb of the murdered sailor.

All the while the ringers were endeavoring to give the young bridal pair a merry peal, and failed. The ropes slid from their hands, and only the sexton succeeded in securing one, and with that he tolled. Distinctly Iver saw the familiar carving of the three murderers robbing and killing their victim. He had often laughed over the bad drawing of the figures – he laughed now, in sleep.

Then he thought that he heard Mehetabel reproach him for having returned, to be her woe. And that between each sentence she sobbed.

Thereupon he again looked at her.

She was beautiful, more beautiful than ever – a beauty sublimated, rendered almost transparent. As he looked she became paler, and the hand he held grew colder. Now ensued a strange phenomenon.

She was sinking. Her feet disappeared in the spongy turf that oozed with water after the long rain. Her large dark eyes were fixed on him entreatingly, reproachfully.

Then she was enveloped to her knees, and as she went down, the stain of the wet grass and the soil of the graveyard clay rose an inch up her pure white garment.

She held his hand tenaciously, as the only thing to which she could cling to save her from being wholly engulfed.

Then she was swallowed up to her waist, and he became aware that if he continued to clasp her hand, she would drag him under the earth. In his dream he reasoned with her. He pointed out to her that it was impossible for him to be of any service to her, and that he was jeopardizing his own self, unless he disengaged himself from her.

He endeavored to release his hand. She clung the more obstinately, her fingers were deadly cold and numbed him, yet he was resolute in self-defence, and finally freed his hand. Then she sank more rapidly, with despair in the upturned face. He tried to escape her eyes, he could not. It was a satisfaction to him when the rank grass closed over them and got between the lips that were opened in appeal for help. Then ensued a gulp. The earth had swallowed her up, and in dream, he was running for his pallet and canvas to make a study of the spot where she had sunk, in a peculiarly favorable light. He woke, shivering, and saw that the gray morning was looking in at his window between the white curtains.