Mademoiselle Blanche

There was no reason why Jules should have been displeased at seeing Durand; yet at that moment he felt resentful. The journalist was small and dapper, with the ends of his black moustache carefully waxed. His little black eyes were always sparkling with humor, and when he smiled he showed two rows of regular white teeth. Yet, in spite of the care of himself which he seemed to take, he never looked quite clean; his thick black hair was always dusty with dandruff, which fell on the shoulders of his coat. He spoke in a high thin voice and with a patronizing air that exasperated Jules.

"I thought I recognized your back," he said, when Jules had turned his face toward him.

Jules grunted and pointed to a chair at the little table. He wanted to show by his manner that he didn't like that familiar slap. Durand, however, was unruffled.

"What are you doing here, anyway? Why aren't you at the theatre or one of the cafés chantants?"

Jules took a puff of his cigarette, and then looked down at the little figure.

"I might ask you the same question."

"Oh, I'm working. This is a busy night for me." Then Durand's face lighted. "What do you suppose I've got to do to-night?"

Jules knocked the ashes of his cigarette against the edge of the table. "Now, do you mean? I can't imagine. You're always doing impossible things."

"I'm going to interview the little acrobat."

Jules came very near jumping. He controlled himself, however, and carelessly lifted the cigarette to his lips again.

"What little acrobat?" he asked, screwing his eyes.

"The one you saw last night – at the Cirque– the Cirque Parisien."

"Oh, Mademoiselle – Mademoiselle – what's her name – the one who dives from the top of the building?"

"Yes, Mademoiselle Blanche. When I went back to the office last night, I told old Bargy about her – cracked her up to the skies, and he swallowed the bait, and sent me round to interview her to-night. Ah, my dear boy, that's one of the advantages of being a newspaper man. It opens every door to you. Whenever I want to get acquainted with a pretty actress, I simply go and interview her."

He sat back in his seat and smiled and hummed a popular song, rapping the table with his fingers. The waiter came up and asked for his order.

"Two bocks!" said Durand, looking at Jules.

"No, no more for me. I haven't finished this yet." When the waiter went away, Jules glanced sleepily at the journalist. "You're a very lucky fellow, it seems to me. I should think it would be rather agreeable to know the pretty actresses."

Durand shrugged his shoulders. "Sometimes, yes – sometimes, no. Usually it spoils the illusion."

Jules stared thoughtfully at his bock. "Aren't you afraid you'll be disillusioned by Mademoiselle Blanche?"

"Oh, probably. They're all alike – when you come to know them. But there's something about her that made me think she might be a little different from the rest. At any rate, she's dev'lish pretty, isn't she?"

"Do you think so?" Jules asked, with a deprecating lift of the eyebrows.

"Think so! I know so! If you don't think so you must be hard to please."

"Oh, I thought she was pretty in her circus rig. I should like to see her out of the ring. They make up so, those women. You can't tell whether they're really pretty or not."

"Well, come around with me, and I'll introduce you. Then you can see for yourself."

Jules nearly jumped again, but his cigarette helped him to disguise the impulse. "I'm afraid I shall be in the way," he said, after a meditative puff.

Durand had seized the bock left on the table by the waiter, and was holding it over his head. When half the contents had disappeared, he smacked his lips and wiped them with his handkerchief. "Not at all. You'll help me draw her out. They say she does the shy-young-girl act; so she's hard to talk with. That seems to be a favorite pose of actresses nowadays."

Jules' heart was throbbing. He was afraid that Durand would discover his elation. So he tried to appear indifferent and cynical. Durand's cynicism amused him; yet in the journalist's presence he was always trying to imitate it.

When he had drained his bock, Durand stood up, surveyed with a professional eye the crowd at the tables, nodded to a few acquaintances, and made a sign to Jules that he was ready to go. It had ceased raining, but the sky was still leaden. The splendid portico of the Madeleine loomed out of the darkness, and the lights in the Boulevard des Capucines were gleaming faintly in the mist. They met few people as they walked toward the Opéra, but there was plenty of life around the theatres in the Boulevard des Italiens. When they reached the Cirque, Durand had a whispered consultation with the Control who sat in self-conscious dignity and evening dress at the desk near the main door. He referred the journalist to a short fat man with a white beard, lounging a few feet away, and Jules stood apart while the two had an animated talk. After a few moments, Durand made a sign to Jules to come up, and Jules found himself presented to Réju as "my confrère, Monsieur Jules Le Baron, of the Marseilles Gazette." Réju was very amiable, and Jules felt angry, though he could not help being amused by Durand's serene impudence.

They were conducted at once into the theatre, under the great arch, draped with French flags, where the performers made their exits and their entrances. Then they found themselves in a large bare room, with several passages radiating from it.

"The dressing-rooms are here," Réju explained, pointing to the passages. "Mademoiselle Blanche's room is number 5. I don't know whether she has come yet or not. Her act doesn't begin till ten minutes of eleven. Wait here, and I'll see if she can receive you."

Durand smiled at Jules, and as soon as Réju was out of hearing, he whispered: "I hope you didn't mind that little fairy-tale of mine. I had to pass you off as one of the fraternity. If I hadn't they wouldn't have let you come in. Now, don't forget your part, the Marseilles Gazette. It's a good republican paper. The editor's a great friend of mine."

"I'm afraid I sha'n't be a credit to the profession. I've never seen any one interviewed in my life."

"Then it'll be an education to you." Durand laughed. "Look out. Here he comes!"

The fat little manager approached them with a smiling face; he evidently had in mind two free advertisements for the theatre.

"Mademoiselle Blanche," he said impressively, "arrived five minutes ago, and she hasn't begun to dress yet. If you'll have the kindness to follow me, messieurs" – he concluded with a bow and a wave of the hand.

Jules' body was tingling, and his heart beat violently. Durand, on the contrary, seemed more debonair than ever; with an air of importance, he strutted behind the manager, as if conferring an honor on the performer by his call. Réju rapped on the door, and after a moment a shrill voice piped:

"Entrez!"

IV

Durand made a bold entrance, and Jules followed sheepishly. The room was small and uncarpeted; on one side stood a wardrobe and a table, and on the opposite wall hung a large mirror that reflected nearly the whole of the apartment. The rest of the furniture consisted of two wooden chairs and a large trunk. Jules did not realize that he had observed these details till afterward, for his glance was bent on the face of Mademoiselle Blanche, who stood beside the trunk, surveying her callers with apprehension in her big eyes. On one of the chairs sat a woman of fifty, tall and thin, with strands of flesh hanging at her neck, her eyes bright, her lips aglow with a false bloom, and her cheeks pallid with powder. Jules recognized her at once as the acrobat's mother, and he had a shock of surprise and revulsion.

The manager, after presenting the callers to Madame Perrault, and then to her daughter, excused himself with a flourish, and left the room. Madame Perrault was smiling and chattering at Durand, and Mademoiselle Blanche was flushed and confused.

"I think we must be the first of the Parisian journalists to interview Mademoiselle," said Durand to the mother, letting his eyes turn vaguely to the acrobat for information.

Madame Perrault gave a little jump, and glanced hastily at her daughter's face.

"Yes, you are," she replied. "We did have – that is, there was a gentleman of the press who wanted to interview Blanche, but she – she was a little timid about it. Blanche is very timid; so we – we put it off. But interviewers are very – Ah, you will sit down, will you not?" she said to Jules, who had remained standing with his eyes fixed on the girl.

Mademoiselle Blanche had taken a seat on the trunk, and her mother sat beside her so that Jules might occupy her chair. When they were all adjusted, Madame Perrault resumed, turning to Jules, whose embarrassment she had observed.

"Monsieur Réju told me yesterday interviews were so important. They make people interested. They – "

"But the people are already interested in Mademoiselle Blanche," Durand interposed, gallantly. "That's why my confrère and I have come here. The Parisians want to know all about Mademoiselle. She's the sensation of the hour. Her name is on everybody's lips."

He glanced at Mademoiselle Blanche with his most languishing smile, and Jules felt a sudden desire to kick him. The acrobat tried to look pleased, but she succeeded only in appearing more confused. Jules was surprised to see how frail she was. Her figure, full and vigorous in the ring, seemed so thin in her plain, tight-fitting gray dress, that he felt sure she must have been padded for her performance.

"I'm going to ask Mademoiselle a great many questions," Durand resumed, still leering at the acrobat.

"But I have nothing to tell," she replied, speaking for the first time.

"But you must have been born, and grown up, and done a great many things besides, that the rest of us don't do," the journalist laughed, growing more familiar. Jules' dislike for him was rapidly developing into hatred.

Durand's familiarity, however, seemed to please the acrobat's mother.

"Blanche is too modest," she said. "She's had a great many things happen to her."

"Have you always been in the circus, Mademoiselle?"

"Yes, ever since she was a child," her mother answered. "Her father was an acrobat."

"So it's in the family. And were you in the circus too, Madame?"

Madame Perrault shook her head, and Jules thought he saw her blush under the powder. "No, I have never been in public life. My husband's family lived in Boulogne, where I lived too. They were all acrobats. After my marriage I used to travel with the circus, and when Blanche was born, Monsieur Perrault wanted her to perform, too. When she was only five years old, they used to appear together."

"Then you have travelled a great deal, Mademoiselle?" Durand turned his fascinating glance on the girl. She looked at her mother, and as she was about to reply, Madame Perrault resumed: "Ah, my daughter has been over nearly the whole world, – in England, in Germany, in Russia – "

"Have you ever been in America?" Jules asked quickly.

The acrobat shook her head.

"But she has had such offers – such splendid – such magnificent offers to go there," the mother cried, clasping her hands.

"But I'm afraid," the girl murmured, glancing at Jules with her big timid eyes.

"Afraid of the voyage?" Jules asked. Her eyes were still fixed upon him, and he felt as if every nerve in his body were vibrating. "That's nothing. I have made it twice, and I wasn't sick a day."

This was not true, for on each trip Jules had been sick for several days; but he made the remark with such ease, that for the moment he felt convinced himself of its truth. Mademoiselle Blanche looked at him admiringly, and he saw that he had made an impression on the mother, too, established himself in her regard as a travelled person, a man of importance.

"Then Monsieur has been in America?" said Madame Perrault.

"Oh, yes," Jules replied, carelessly. "All over it. It's a wonderful country."

Mademoiselle Blanche sighed, and her mother glanced at her wistfully.

"But it's too far," Madame resumed with a shake of the head. "We could not go so far from the children."

"Then you have other children?" said the journalist. "Are they in the circus, too?"

For the first time, the girl's face brightened. "Oh, no!" she replied, with a suggestion of horror in her tone.

"They are very young," the mother explained. "Jeanne is only fourteen and Louise will be eleven next month. They are with my sister in Boulogne."

Durand made a little sign of impatience which indicated to Jules that he was not getting the information he wanted. Besides, he was evidently displeased by the failure of his leers to produce any apparent effect upon the girl; she seemed to be unconscious of them.

"And Monsieur Perrault," he said, "he is still performing?"

An expression of pain appeared in the mother's face, and Mademoiselle dropped her eyes.

"No, he died three years ago," Madame Perrault replied. "He was killed at Monte Carlo. He fell from the trapeze."

There was silence for a moment, and the journalist tried to infuse into his insipid little face a look of sympathy. Just how much sympathy he felt was shown by his next remark.

"I couldn't help wondering last night," he said briskly, "when I saw Mademoiselle perform, how she felt just before she took that plunge. How do you feel, Mademoiselle? Aren't you frightened, just a little?"

The girl shook her head. "I have done it for so many years, I don't think of being afraid. My father taught me never to have the least fear. He wouldn't have been killed if the trapeze hadn't broken."

"And we take every precaution," Madame Perrault quickly explained.

Durand began to ask questions about the various cities Mademoiselle had visited. Most of the replies came from Madame Perrault, who seemed to have constituted herself her daughter's mouthpiece. Which audiences did she like best to play to? The Germans! Durand shook his head. He wouldn't dare to say that in a French paper. It might make Mademoiselle unpopular with the Parisians. Ah, but Mademoiselle liked the Parisians, too. Didn't she find them very enthusiastic? No? That was simply because they were thrilled, overcome, silenced by her performance. Durand grew excited in extolling the merits of Parisian audiences. For their favorites they would do anything, and Mademoiselle was fast becoming one of the most popular of their favorites. Of course they had their peculiarities. When a performer vexed them, there were no limits to their wrath. Had Mademoiselle heard of the attack on Sophie Lenoir at the Ambassadeurs? The audience had thrown at her everything they could lay hands on, and she had fainted, or pretended to faint, on the stage.

Indeed, much of the conversation was supplied by the journalist himself. He had apparently abandoned hope of making the acrobat talk; so he addressed most of his speeches to the mother, whom he drew out by many artful devices. Mademoiselle Blanche sat looking on in open-eyed surprise, as if she did not have a share in the matters under discussion. Occasionally she would glance appealingly at Jules; when he looked back, she would blush and turn her head away.

While Durand was in the middle of one of his stories, Madame Perrault drew a small gold watch from her pocket. The journalist jumped from his chair.

"We are keeping Mademoiselle from dressing," he said, as Jules rose, too. "A thousand pardons. We will go in just a moment. There's only one more question. That is about your presents, Mademoiselle, your gifts."

"My gifts?" the acrobat repeated vaguely.

"Yes, from the princes, the crowned heads you've appeared before."

"Ah!" the mother exclaimed, in a long breath, "Blanche has received so many! There was the brooch from the Emperor of Russia, and the ring from the Prince of Roumania, a costly diamond, monsieur, so clear and beautiful, and the little gold watch studded with pearls from the King of Bavaria, the 'mad King' they call him, you know – and then – then the bracelet set with rubies from the Duchess of Merlino, when Blanche was in Bucharest. Ah, but we have none of these here. They are all at home, they – "

"Here in Paris?" Durand asked, impatiently.

"No, monsieur, in Boulogne," Madame Perrault answered, and Jules saw an expression of wonder and pain cross her daughter's face.

Durand was rubbing his silk hat with his glove, and regarding it intently.

"Then," he said, looking up quickly, "there must have been some adventures – some admirers, that have followed Mademoiselle, perhaps, eh?" he added, leering insinuatingly at the mother.

Madame smiled, and the face of the acrobat turned pink. Jules wanted to seize the little journalist by the neck, and throw him out of the door.

"Ah, in Bucharest," cried Madame, "the young – "

"Mamma!"

Madame Perrault shrugged her shoulders, and smiled suggestively. "Perhaps we'd better not speak of that. Blanche is a good girl," she added, patting her daughter on the back. "She's good to her mother, and she's good to her sisters. Ah, ma chère!"

The girl had turned her head away. Durand offered her his hand gallantly, and then beamed on the mother. "I will come and see you some time, if you will give me permission," he said condescendingly.

"Some Sunday," Madame Perrault replied. "It's the only day when Blanche is free. And you will bring your friend, perhaps, if he is still in Paris," she added amiably, with a quick glance and smile at the journalist from Marseilles. Then she produced two cards and passed them to the callers.

Jules murmured a civil response to the invitation, and, after bowing low to the ladies, he followed Durand and closed the door behind him. The expression of languishing pleasure in the journalist's face had given place to a look of hilarious merriment.

"Did you ever see such a block? She didn't have a word to say. I don't believe she has an idea. And she thought she was impressing me with her modesty! And the gifts from the crowned heads – wasn't that droll? Of course, the old lady made up every one of those stories. She's a sharp one, with her painted lips and her powdered cheeks. Her little game is to get a rich husband for the girl, and I'll wager a week's salary she'll succeed."

Jules said nothing. He knew it would be useless to argue with Durand. If he were to give his opinion of Mademoiselle Blanche, the journalist would laugh, and say he didn't understand women, especially actresses. So, when Durand suddenly asked him what he thought of the girl, he merely shrugged his shoulders.

As they passed out they met Réju, who offered them seats if they cared to remain for the rest of the performance. Durand explained that he must return at once to the office, and urged Jules to accept the invitation. When Jules found himself alone in the first row of the orchestra he breathed with relief. He had never before realized what an odious little creature Durand was. For the moment he forgot even to feel gratitude for the introduction to the acrobat.

He was unable to take an interest in the performance, and he looked at his watch to see how long he would have to wait for the appearance of Mademoiselle Blanche. It was just twenty minutes past ten. Suddenly it occurred to him that he would have time to go out and buy some flowers for her. He left his seat, and hurried to the nearest shop in the Boulevard. There he bought the finest bunch of white roses he could find, went back to the theatre, and sent them to the acrobat with his card. When at last Mademoiselle Blanche ran into the arena, he was thrilled with joy. She wore his flowers in her belt.

V

That night Jules Le Baron knew that for the first time in his life he was really in love. He had often fancied himself in love before, and he had enjoyed the experience; now he discovered his mistake. Love was not the pure delight he had imagined it to be. It is true, he had moments of ecstasy, of sublime self-congratulation, when he felt with stronger conviction that the world was made for him and he had been created to conquer the world; but during the next few days these were followed by long periods of depression, of abject despair.

At times, too, the grotesqueness of this infatuation appalled him. To be in love with an acrobat, a woman who earned her bread by hurling herself from the top of a building, who risked her life every day, sometimes twice a day, that she might live! Then, at the thought of her amazing courage, Jules would be overcome, and if alone in his room at home, he would throw himself on the bed, bury his head in the pillow and groan. Indeed, at this period he went through many strange and violent performances. Madeleine became alarmed for his health, and thought of sending for a doctor.

He could not apply himself to his work; he made so many mistakes in his English correspondence that Monsieur Mercier had to ask him to be more careful. The twins noticed his condition and chaffed him, and insisted on knowing "her name"; in secret they decided that Jules had been investing his money badly; he had often boasted to them about his little property. They tried to cheer him by urging him to join them in their nocturnal expeditions, but he always replied that he was staying at home in the evening now. As a matter of fact, he spent every night or a portion of every night at the Cirque Parisien, and at each appearance of Mademoiselle Blanche, he was gratified to see that she wore his nightly offering of roses in her belt. He never received an acknowledgment of these tributes, for he did not dare write his address on the cards he sent with them. Once, as she stood in the net, just before climbing the rope to make her great plunge, he fancied that his eye caught hers, and she smiled at him. He decided afterward that he had been mistaken; but the thought of that smile prevented him from sleeping half the night.

Jules was keeping his courage alive in the hope of seeing her at her apartment on Sunday. His only fear was that Durand would be there. Durand's published interview with Mademoiselle Blanche was so flippant that it deepened the hatred Jules had already conceived for the journalist. He resolved on Sunday to explain to Madame Perrault that he was not what Durand had represented him to be and to appear in his own character; he was conceited enough to believe that in his own character he could make quite as good an impression as in any other. Besides, had not Mademoiselle Blanche been impressed by the fact that he had visited America?

On Saturday night he sent his silk hat to be blocked, and his frock-coat to be pressed, and he bought a pair of white gloves. Madeleine found him much more agreeable on Sunday morning than he had been during the week; but, though he seemed to be recovering his spirits, she still felt worried. In the afternoon he presented himself before her for inspection, asked if his coat set well, if she liked the colour of his gloves, what she thought of the violets that he wore. She became enraptured over his appearance, told him that he had never looked so beautiful, and saw him go away with a radiant face. Then, as the door closed behind him, she went into her little chamber and wept. The truth had flashed upon her! Her Jules was in love! Some one else was going to take his mother's place and hers. She felt all the jealousy and misery that his own mother might have felt at the moment, combined with a pathetic consciousness that she had no right to grieve. Jules was everything in the world to her, she said to herself, and she was nothing to him. She was an old broken woman, and for the rest of her days she should have to live alone.

Jules had become her pride and the source of her happiness. Yet she really saw very little of him – the only meal he took at home was his breakfast – but she really existed for the pleasure of serving him and looking at his face in the morning. Now, in spite of her misery, she knelt before the statue of the Blessed Virgin that stood on a little table beside her bed, and prayed that the woman who was going to take her place might be a good woman, and worthy of her boy. In her simple affection for Jules she believed that he had only to show that he cared for a woman to have her throw herself into his arms.