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The Following of the Star: A Romance
"Mrs. Mallory did not undo the fact of her lapse from absolute truthfulness by telling you of it, in a way which she must have known would cause you both mortification and pain. She simply added to the sin of untruthfulness, the sins of ingratitude, and of inconsideration for the feelings of another. Had she forged your signature to a cheque, she would have been right to confess it; because confession would have been a necessary step toward restitution. All confession which rights a wrong, is legitimate and essential. Confession which merely lays a burden upon another, is morbid and selfish. The loneliness of a conscience under conviction, bearing in solitude the burden of acute remembrance of past sins, is a part of the punishment those sins deserve. Then – into that loneliness – there comes the comfort of the thought: 'He Who knows all, understands all; and He Who knows and understands already, may be fully told, all.' And, no sooner is that complete confession made, than there breaks the radiance of the promise, shining star-like in the darkness of despair: 'If we confess our sins, He is faithful and just to forgive us our sins, and to cleanse us from all unrighteousness.' Mrs. Mallory could thus have got back into the light of restored communion, without ever mentioning the matter to you.
"But this kind of mind is so difficult to help, because its lapses are due to a lack of straightforward directness, which would be, to another mind, not an effort, but an instinct.
"Such people stand in a chronic state of indecision, at perpetual cross-roads; and are just as likely to take the wrong road, as the right; then, after having travelled far along that road, are pulled up by complications arising, not so much from the predicament of the moment, as from the fact that they vacillated into the wrong path at the crucial time when they stood hesitating. They need Elijah's clarion call to the people of Israel: 'How long halt ye between two opinions? If the Lord be God, follow Him; but, if Baal, then follow him' – honest idolatry being better than vacillating indecision.
"This species of mental lameness reminds me of a man I knew at college, who had one leg longer than the other. He was no good at all at racing on the straight; but, round the grass plot in the centre of one of our courts, no one could beat him. He used to put his short leg inside, and his long leg out, and round and round he would sprint, like a lamplighter. People who halt between two opinions always argue in a circle, but never arrive at any definite conclusion. They are no good on the straight. They find themselves back where they originally started. They get no farther.
"Mrs. Mallory should take her place in the Pool of Bethesda among the blind, and the halt, and the withered. She should get her eyes opened to a larger outlook on life; her crooked walk made straight; and her withered sensibilities quickened into fresh life. Then she would soon cease to try you with her morbid conscience.
"Mrs. Mallory should give up defacing her Bible with the ink of her own ideas or the ideas of others. Human conceptions, however helpful, should not find a permanent place, even in your own individual copy of the Word of God. The particular line of truth they emphasised, may have been the teaching intended for that particular hour of study. But, every time you turn to a passage, you may expect fresh light, and a newly revealed line of thought. If your eye is at once arrested by notes and comments, or even by the underlining of special words, your mind slips into the groove of a past meditation; thus the liberty of fresh light, and the free course of fresh revelation, are checked and impeded. Do not crowd into the sacred sanctuary of the Word, ideas which may most helpfully be garnered in the classroom of your notebook. Remember that the Bible differs from all human literature in this: that it is a living, vital thing – ever new, ever replete with fresh surprises. The living Spirit illumines its every line, the living Word meets you in its pages. As in the glades of Eden, when the mysterious evening wind (ruach) stirred the leaves of the trees, making of that hour 'the cool of the day' – you can say, as the wind of the Spirit breathes upon your passage through the Word: 'I hear the voice of the Lord God walking in the garden in the cool of the day.' Then, passing down its quiet glades, straightway, face to face, you meet your Lord. No unconfessed sin can remain hidden in the light of that meeting. No conscience can continue morbid if illumined, cleansed, adjusted, by habitual study of the Word.
"There! I have calmly given my view of the matter, as being 'by profession, a guide of doubting souls, an expounder of problems of casuistry,' and all the other excellent things it pleased you to call me.
"Now – as a man – allow me the relief of simply stating, that I should dearly like to pound Mrs. Mallory to pulp, for her utter ingratitude to you."
This sudden explosion on David's part, brought out delighted dimples in Diana's cheeks; and, thereafter, whenever Mrs. Mallory proved trying, she found consolation in whispering to herself: "David – my good, saintly David – would dearly like to pound her to pulp!"
CHAPTER XXIX
WHAT DAVID WONDERED
One more episode, culled from the year's correspondence, shows the intimacy, constantly bordering on the personal, which grew up between David and Diana.
He had mentioned in one of his letters, that among a package of illustrated papers which had reached his station, he had found one in which was an excellent photograph of Diana, passing down the steps of the Town Hall, to her motor, after opening a bazaar at Eversleigh.
David had written with so much pleasure of this, that Diana, realising he had no portrait of her, and knowing how her heart yearned for one of him, went up to town, and was photographed especially for him.
When the portrait arrived, and her own face looked out at her from the silver wrappings, she was startled by its expression. It was not a look she ever saw in her mirror. The depth of tenderness in the eyes, the soft wistfulness of the mouth, were a revelation of her own heart to Diana. She had been thinking of her husband, when the camera unexpectedly opened its eye upon her. The clever artist had sacrificed minor details of arrangement, in order to take her unawares before a photographic expression closed the gates upon the luminous beauty of her soul.
Diana hurried the picture back into its wrappings. It had been taken for David. To David it must go; and go immediately, if it were to go at all. If it did not go at once to David, it would go into the fire.
It went to David.
With it went a letter.
"My dear David, – I am much amused that you should have come across a picture of me in an illustrated paper. I did not see it myself; but I gather from your description, that it must have been taken as I was leaving the Town Hall after the function of which I told you in September. Fancy you being able to recognise the motor and the men. I remember having to stand for a minute at the top of the long flight of steps, while some of the members of the committee, who had organised the bazaar, made their adieus. I always hate all the hand-shaking on these occasions. I suppose you would enjoy it, David. To you, each hand would mean an interesting personality behind it. I am afraid to me it only means something unpleasantly hot, and unnecessarily literal in the meaning it gives to 'hand-shake.' Don't you know a certain style of story which says, in crucial moments between the hero and the heroine: 'He wrung her hand and left her?' They always wring your hand – a most painful process – when you open bazaars, but they don't leave you! You are constrained at last to flee to your motor.
"'The fellow in the topper'" – Diana paused here to refer to David's letter, then continued writing, a little smile of amusement curving the corners of her mouth, – "The 'good-looking fellow in the topper' who was being 'so very attentive' to me, and 'apparently enjoying himself on the steps,' is our Member. His wife, a charming woman, is a great friend of mine. She should appear just behind us. The mayoress had presented me with the bouquet he was holding for me. I foisted it upon the poor man because, personally, I hate carrying bouquets. I daresay it had the effect in the snapshot of making him look 'a festive chap.' But he was not enjoying himself, any more than I was. We had both just shaken hands with the Mayor!
"It seems so funny to think that a reproduction of this scene should have found its way to you in Central Africa; and I am much gratified that you considered it worth framing, and hanging up in your hut.
"I am glad you thought me looking so like myself. I don't think I am much given to looking like other people! Unlike a little lady in this neighbourhood who is never herself, but always some one else, and not the same person for many weeks together. It is one of our mild amusements to wonder who she will be next. She had a phase of being me once, with a bunch of artificial violets on her muff!
"But, to return to the picture. It has occurred to me that, as you were so pleased with it, you might like a better. It is not right, my dear David, that the only likeness you possess of your wife, should be a snapshot in a penny paper. So, by this mail, I send a proper photograph, taken the other day on purpose for you. Are you not flattered, sir?"
The letter then went on to speak of other things; but, before signing her name, Diana drew the photograph once more from its wrappings, and looked at it, shyly, wistfully. She could not help seeing that it was very beautiful. She could not help knowing that her heart was in her eyes. What would they say to David – those tender, yearning eyes? What might they not lead David to say to her?
At last his answer came.
"How kind of you to send me this beautiful large photograph, and very good of you to have had it taken expressly for me. I fear you will think me an ungrateful fellow, if I confess that I still prefer the snapshot, and cannot bring myself to take it from its frame.
"This is lovely beyond words, of course; and immensely artistic; but it gives me more the feeling of an extremely beautiful fancy picture. You see, I never saw you look as you are looking in this portrait, whereas the Town Hall picture is you, exactly as I remember you always; tall and gay, and immensely enjoying life, and life's best gifts.
"Conscious of ingratitude, I put the portrait up on the wall of my hut; but I could not leave it there; and it is now safely locked away in my desk.
"I could not leave it there for two reasons: its effect on myself; and its effect on the natives.
"Reason No. 1. Its effect on myself: I could not work, while it was where I could see it. It set me wondering; and a fellow is lost if he once starts wondering, out in the wilds of Central Africa.
"Reason No. 2. Its effect on the natives: They all began worshipping it. It became a second goddess fallen from heaven, like unto your namesake at Ephesus. They had seen a Madonna, brought here by an artist travelling through. They took this for a Madonna – and well they might. They asked: Where was the little child? I said: There was no little child. Yet still they worshipped. So I placed it under lock and key."
Diana laid her head down on the letter, after reading these words. When she lifted it, the page was blotted with her tears. Sometimes her punishment seemed heavier than she could bear.
She took up her pen, and added a postscript to the letter she was just mailing.
"Dear David, what did you wonder? Tell me."
And David, with white set face, wrote in answer: "I wondered who – " then started up, and tore the sheet to fragments; threw prudence to the winds; went out and beat his way for hours through the swampy jungle, fighting the long grasses, and the evil clinging tendrils of poisonous growths.
When he regained his hut, worn out and exhausted, the stars were pricking in golden pin-points through the sky; one planet hung luminous and low on the horizon.
David stood in his doorway, trying to gain a little refreshment from the night wind, blowing up from the river.
Suddenly he laughed, long and wildly; then caught his breath, in a short dry sob.
"My God," he said, "I have so little! Let me keep to the end the one thing in my wife which I possess: my faith in her."
Then he passed into the hut, closing the door; groped his way to the rough wooden table; lighted a lamp, and sitting down at his desk, drew Diana's portrait from its silver wrappings; placed it in front of him, and sat long, looking at it intently; his head in his hands.
At last he laid his hot mouth on those sweet pictured lips, parted in wistful tenderness, as if offering much to one at whom the grey eyes looked with love unmistakable.
Then he laid it away, out of sight, and rewrote his letter.
"I wondered," he said, "at the great kindness which took so much trouble, only for me."
CHAPTER XXX
RESURGAM
"Riverscourt,"Feast of Epiphany,"My dear David, – A wonderful thing has happened; and I am so glad it happened on the Feast of the Star, which is also – as you will remember – our wedding-day.
"I want to tell you of it, David, because it is one of those utterly unexpected, beautiful happenings, which, on the rare occasions when they do occur, make one feel that, after all, nothing is irrevocably hopeless, even in this poor world of ours, where mistakes usually appear to be irretrievable, and where wisdom, bought too dearly and learned too late, can bring forth no fruit save in the mournful land of might-have-beens.
"Last year, this day was one of frost and sunshine. This year, the little Hampshire farms and homesteads, all along the railway, cannot have looked either cosy or picturesque; and the distant line of undulating hills must have been completely hidden by fog and mist. It has sleeted, off and on, during the whole morning – a seasonable attempt at snow somewhere up above, frustrated by the unseasonable murky dampness of the earth, below. I wonder how often God's purposes for us, of pure white beauty, are prevented by the murk and mist of our own mental atmosphere. This sounds like moralising, and so it is! I thought it out, in Brambledene church this morning, while god-papa was enjoying himself in the pulpit.
"He took for his text: 'They departed into their own country another way.' He displayed a vast amount of geographical information, concerning the various ways by which the three Wise Men – oh, David, there were three all through the sermon; and I felt so wrathful, because Mrs. Smith's back view – I mean my back view of Mrs. Smith – was so smugly complacent, and she nodded her head in approval, every time god-papa said 'three.' I could have hurled my Bible, open at Matthew ii. at god-papa; and an agèd and mouldy copy of Hymns Ancient and Modern, at Mrs. Smith; a performance which would have carried on, in a less helpful way, your particular faculty for making that congregation sit up. This desire on my part will possibly lead you to conclude, my dear David, that your wife was giving way to an unchristian temper. But she was not. She was simply experiencing a wifely pride in your sermons, and a quite justifiable desire that every word they contained should be understood and corroborated. Other ladies have hurled stools in defence of the faith, and thereby taken their place in the annals of history. Why should not your wife hurl a very, very old copy of Ancient and Modern Hymns and Tunes, and thus become famous?
"Well, as I was saying, god-papa was being very learnèd as to the probable route by which the Wise Men returned home, though he had already told us it was impossible to be at all certain as to the locality from which they started. This struck me as being so very like the good people who tell us with authoritative detail where we are going, although they know not whence we came.
"This thought unhitched my mind from god-papa's rolling chariot of eloquence, which went lumbering on along a highroad of Eastern lore and geographical research, regardless of the fact that my little mental wheel had trundled gaily off on its own, down a side alley.
"This tempting glade, my dear David, alluring to a mind perplexed by the dust of god-papa's highway, was an imaginary sermon, preached by you, on this self-same text.
"I seemed to know just how you would explain all the different routes by which souls reach home; and how sometimes that 'other way' along which they are led is a way other than they would have chosen, and difficult to be understood, until the end makes all things clear. In the course of this eloquent and really helpful sermon of yours, occurred that idea about the snow, which caused me to digress at the beginning of my letter, in order to tell you I had been to Brambledene.
"The little church looked very much as it did last year; heavy with evergreen, and gay with flock texts, and banners. The font looked like a stout person, suffering from sore throat. It was carefully swathed in cotton-wool and red flannel. The camphorated oil, one took for granted. I sat in my old corner against the pillar. Sarah was in church. I had a feeling that, somehow, you were connected with the fact of her presence there. We gave each other a smile of sympathy. We both owe much to you, David.
"But you will think I am never coming to the point of my letter – the wonderful thing which has happened. I believe I keep postponing it, because it means so much to me; I hardly know how to write it; and yet I am longing to tell you.
"Well – after luncheon I felt moved, notwithstanding the weather, to go for a tramp in the park. There are days when I cannot possibly remain within doors. My holiday children were having a romp upstairs, in charge of Mrs. Mallory.
"I happened to go out through the hall; and, just as I opened the door, a station fly drove up, and the solitary occupant hurriedly alighted. I should have made good my retreat, leaving this unexpected visitor to be dealt with by Rodgers, had I not caught sight of her face, and been thereby arrested on the spot. It was the sweetest, saddest, most gently lovely face; and she was a young widow, in very deep mourning.
"'Is this Riverscourt,' she asked, as I came forward; 'and can I speak, at once, to Mrs. Rivers?'
"I brought her in. There was something strangely familiar about the soft eyes and winning smile, though I felt quite sure I had never seen her before.
"I placed her on the couch, in the draw room, where you first saw Chappie; and turned my attention to the fire, while she battled with an almost overwhelming emotion.
"Then she said: 'Mrs. Rivers, I am a missionary. I have just returned from abroad. I only reached London this morning. My little girl had to be sent on, nearly a year ago. I have just been living for the hour when I should see her again. They tell me, you, in your great kindness, have had her here for the Christmas holidays, and that she is here still. So I came straight on. I hope you will pardon the intrusion.'
"'Intrusion!' I cried. 'Why, how could it be an intrusion? If you knew what it means to me when I hear of any of these bereft little boys and girls finding their parents again! But we have at least a dozen children here just now. What is the name of your little girl?'
"'Her name is Eileen,' said the gentle voice, 'but we always call her "Little Fairy".'
"David, my heart seemed to bound into my throat and stop there!
"'Who – who are you?' I exclaimed.
"The young widow on the sofa opened her arms with an unconscious gesture of love and longing.
"'I am Little Fairy's mummie,' she said simply.
"'But – ' I cried; and stopped. I suppose my face completed the unfinished sentence.
"'Oh, yes,' she said, 'I had forgotten you would know of the telegram. In some inexplicable way it got changed in transit. It was my husband's death it should have announced, not mine. I lost him very suddenly, just as we were almost due to leave for home. I did not wish my children to be told until my return. I wanted to tell them myself.'
"I rang the bell, and sent a message to Mrs. Mallory to send Little Fairy at once to the drawing-room. Then I knelt down in front of Fairy's mummie, and took both her trembling hands in mine. It does not come easy to me to be demonstrative, David, but I know the tears were running down my cheeks.
"'Oh, you don't know what it has been!' I said. 'To think of you as dead and buried, thousands of miles away; and to hear that baby voice, singing in joyous confidence: "Mummie's tumming home!" And the little mouth kept its kisses so loyally for you. I was told each evening: "Not my mouf, – that's only for Mummie!" I used to think I must tell her. Thank God, I didn't! And now – '
"I broke off. Little Fairy's mummie was sobbing on my shoulder. We held each other, and cried together.
"'You won't leave her again?' I said.
"'Oh, no,' she whispered, 'never, never! I also have two little sons at school in England. I never could feel it right to be parted from the children. It was my husband – who – '
"Then we heard a little voice, singing on the stairs.
"I ran out to the hall.
"That sweet baby, in a white frock and blue sash, was tripping down the staircase. Mrs. Mallory's middle-class instincts had rapidly made her tidy. She looked a little picture as she came, holding by the dark oak banisters.
"Mummie's – tumming – home!" proclaimed the joyous voice – a word to each step. She saw me, waiting at the bottom; and threw me a golden smile.
"I caught her in my arms. I could n't kiss her; she was not mine to kiss. But I looked into her little face and said: 'Mummie's come home, darling! Mummie's come home!'
"Then I ran to the drawing-room. I had meant to put her down at the door. But, David, I couldn't! I carried her in, and put her straight into her mother's arms. I saw the little mouth, so carefully guarded, meet the living, loving lips, which I had pictured as cold and dead.
"Then I walked over to the window, and stood looking out at the sleet and drizzle, the leafless branches, the sodden turf, the dank cold deadness of all things without. Ah, what did they matter, with such love, such bliss, such resurrection within!
"David, I have always said I did not like children. For years I have derided the sacred obligation of motherhood. I have often declared that nothing would induce me, under any circumstances, to undertake it. At last, by my own act, I have put myself into a position which makes it impossible that that love, that tie, that sweet responsibility, should ever be mine. I don't say, by any means, that I wish for it; but I have felt lately that my former attitude of mind in the matter was wrong, ignorant, sinful.
"And – oh, how can I make my meaning plain – it seemed to me that in that moment, when I put that little child into those waiting arms, without kissing her myself – I expiated that mental sin. I shall always have a hungry ache at my heart, because I gave Little Fairy up without kissing her; but that very hunger means conviction, confession, and penance. I shall never have a little child of my own; but I have experienced something of the rapture of motherhood, in sharing in this meeting between my little baby-girl, and the mother I had thought dead.
"And now, David, I will tell you a secret. Had the father arrived home, with the awful news, I had meant to ask leave to adopt Little Fairy. But you see I am not intended even to have other people's children for my own.
"After a while, as I stood at the window, I heard the mother say: 'Darling, dear father has not come home.'
"'Oh,' said Fairy's contented little voice; asking no questions.
"'Darling,' insisted the quiet tones of the mother, 'dear father has gone to be with Jesus.'
"I looked round. The baby-face was earnest and thoughtful. She lifted great questioning eyes to her mother.
"'Oh,' she said. 'Did Jesus want him?'
"'Yes,' said the sweet voice, controlling a sudden tremor. 'Jesus wanted him. So we have lost dear father, darling.'
"Then Fairy knelt up on her mother's knee, and put both little arms round her mother's neck, with a movement of unspeakable tenderness.
"'But we've gotted each uvver, Mummie,' she said.