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Hunter

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HUNTER

LARS KEPLER

Translated from the Swedish by Neil Smith


Copyright

This is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.

HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Published by HarperCollinsPublishers 2018

Copyright © Lars Kepler 2016

Translation copyright © Neil Smith 2018

All rights reserved

Originally published in 2016 by Albert Bonniers Förlag, Sweden, as Kaninjägaren

Lars Kepler assert the moral right to be identified as the authors of this work

Cover design by Claire Ward © HarperCollinsPublishers 2019

Cover photographs © Mark Owen/Arcangel Images (man), David Paire/Arcangel Images (background)

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

Ebook Edition © MAY 2018 ISBN: 9780008205928

SOURCE ISBN: 9780008205904

Version: 2019-02-07

Table of Contents

Cover

Title Page

Copyright

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

Chapter 69

Chapter 70

Chapter 71

Chapter 72

Chapter 73

Chapter 74

Chapter 75

Chapter 76

Chapter 77

Chapter 78

Chapter 79

Chapter 80

Chapter 81

Chapter 82

Chapter 83

Chapter 84

Chapter 85

Chapter 86

Chapter 87

Chapter 88

Chapter 89

Chapter 90

Chapter 91

Chapter 92

Chapter 93

Chapter 94

Chapter 95

Chapter 96

Chapter 97

Chapter 98

Chapter 99

Chapter 100

Chapter 101

Chapter 102

Chapter 103

Chapter 104

Chapter 105

Chapter 106

Chapter 107

Chapter 108

Chapter 109

Chapter 110

Chapter 111

Chapter 112

Chapter 113

Chapter 114

Chapter 115

Epilogue

Keep Reading …

About the Author

Also by Lars Kepler

About the Publisher

It’s early morning, and the still water of the inlet is shimmering like brushed steel. The luxurious villas are asleep, but outdoor lights glint behind tall fences and hedges.

A drunk man is walking along the road by the shore, a bottle of wine in his hand. He stops in front of a white house whose elongated façade faces the water. Very carefully, he puts the bottle down in the middle of the road, steps across the ditch, and climbs the black metal railing.

The man weaves his way across the lawn, then stops and sways as he stares at the big windows, the reflections of the patio lights, the indistinct outline of the furniture inside.

He heads towards the house, waving at a large, porcelain garden gnome, and then stumbles out onto the wooden deck. He manages to hit one knee, but keeps his balance.

The water of the pool shines like a blue sheet of glass.

The man stands unsteadily on the edge, unzips his trousers and starts to urinate into the pool, then weaves his way over to the navy-blue garden furniture and proceeds to soak the cushions, chairs and round table.

Steam rises from his urine in the chill air.

He zips up his trousers and watches a white rabbit as it hops across the lawn and disappears under a bush.

Smiling, he walks back towards the house, leaning against the fence. He makes his way down to the lawn, then stops and turns around.

His befuddled brain tries to make sense of what he just saw.

A black-clad figure with a strange face was staring at him.

Either the person was standing inside the dark house, or was outside, watching him in the reflection.

1

Summer

Drizzle is falling from the dark sky. The city lights glow high above the rooftops. There’s no wind, and the illuminated drops form a misty dome that covers Djursholm.

Beside the still waters of Germaniaviken lies a sprawling villa.

Inside a young woman walks across the polished floor and Persian carpet as warily as an animal.

Her name is Sofia Stefansson.

Her anxiety makes her register tiny details about the room.

There’s a black remote control on the arm of the sofa, its battery cover taped in place. There are water rings on the table. An old plaster is stuck to the long fringe of the carpet.

The floor creaks, as if someone is creeping through the rooms behind Sofia.

There are splashes of mud from the wet stone path on her high heels and toned calves. Her legs are still muscular even though she stopped playing football two years ago.

Sofia keeps the pepper spray in her hand hidden from the man waiting for her. She keeps telling herself that she has chosen this situation. She’s in control and she wants to be here.

The man is standing by an armchair, watching her move with unabashed frankness.

Sofia’s features are symmetrical, but she has a youthful plumpness in her cheeks. She is wearing a blue dress that shows off her bare shoulders. A row of small, fabric-covered buttons stretches from her neck down between her breasts. The little gold heart on her necklace bobs up and down at the base of her throat in time with her increased heart-rate.

She could say she’s not feeling well, that she needs to go home. It would probably annoy him, but he’d accept it.

The man is looking at her with a hunger that makes her stomach flutter with fear.

She is seized by the feeling that she has met him before – could he have been a senior manager somewhere she worked, the father of a classmate a long time ago?

Sofia stops a short distance away from him, smiles, and feels the rapid beat of her heart. She’s planning to keep her distance until she’s figured out his tone and gestures.

His hands don’t look like they belong to a violent man: his nails are neatly trimmed and his plain wedding ring is scratched from years of marriage.

‘Nice house,’ she says, tucking a stray lock of hair away from her face.

‘Thanks,’ he replies.

He can’t be much more than fifty, but he still moves ponderously, like an old man in his old home.

‘You took a taxi here?’ he asks, and swallows hard.

‘Yes,’ she replies.

They fall silent again. The clock in the next room strikes twice with a brittle clang.

Some saffron-coloured pollen falls silently from a lily in a vase.

Sofia realised at an early age that she found sexually charged situations exciting. She enjoyed being appreciated, the sense of being chosen.

‘Have we met before?’ she asks.

‘I wouldn’t have forgotten something like that,’ he replies.

The man’s grey-blond hair is thin, combed back over his head. His slack face is shiny, and his brow is deeply furrowed.

‘Do you collect art?’ she asks, nodding towards the wall.

‘I’m interested in art,’ he says.

His pale eyes look at her through horn-rimmed glasses. She turns away and slides the pepper spray into her bag, then walks over to a large painting in a gilded frame.

He follows her and stands slightly too close, breathing through his nose. Sofia startles when he raises his right hand to point.

‘Nineteenth century … Carl Gustaf Hellqvist,’ he lectures. ‘He died young. He had a troubled life, full of pain. He got electric shock therapy, but he was a wonderful artist.’

‘Fascinating,’ she replies quietly.

‘I think so,’ the man says, then walks towards the dining room.

Sofia follows him even though she feels like she is being lured into a trap. It’s as if the way out is closing behind her with sluggish slowness, cutting off her escape route little by little.

The huge room is furnished with upholstered chairs and highly polished cupboards. There are rows of leaded windows looking out across the water.

She sees two glasses of red wine on the edge of the oval dining table.

‘Can I offer you a glass of wine?’ he asks, turning back towards her.

‘I’d prefer white, if you have any,’ she replies, worried that he might try to drug her.

‘Champagne?’ he says, without taking his eyes off her.

‘That would be lovely,’ she replies.

‘Then we shall have champagne,’ he declares.

When you visit the home of a complete stranger every room could be a trap, every object a weapon.

Sofia prefers hotels, because at least there’s a chance that someone would hear her if she had to call for help.

She’s following him towards the kitchen when she hears a peculiar, high-pitched sound. She can’t figure out where it’s coming from. The man doesn’t seem to have noticed it, but she stops, and turns to look at the dark windows. She’s about to say something when there’s a very distinct sound, like an ice-cube cracking in a glass.

‘Are you sure there’s no one else here?’ she asks.

She could slip her shoes off and run towards the front door if anything happened. She’s more agile than him, and if she were to run, leaving her coat hanging where it is, she’d be able to get out.

She stands in the kitchen door as he takes a bottle of Bollinger from a wine fridge. He opens it and fills two slender glasses, waits for the bubbles to settle and then tops them up before walking over to her.

2

Sofia sips the champagne. She lets the taste spread through her mouth, hears the bubbles burst in the glass. Something makes her look over towards the windows again. A deer, maybe, she thinks. It’s dark outside. In the reflection she can see the sharp outline of the kitchen and the man’s back.

The man raises his glass again and drinks. His hand is shaking ever so slightly as he gestures towards her.

‘Unbutton your dress a little,’ he says weakly.

Sofia empties her glass, sees the mark of her lipstick on the rim, and puts it down on the table before gently teasing the top button open.

‘You’re wearing a bra,’ he says.

‘Yes,’ she replies, and undoes the second button.

‘What size?’

‘Sixty C.’

The man stays where he is and watches her with a smile, and Sofia feels her armpits prickle as she starts to sweat.

‘What panties are you wearing?’

‘Pale blue, silk.’

‘Can I see?’

She hesitates, and he notices.

‘Sorry,’ he says quickly. ‘Am I being too direct? Is that it?’

‘We should probably handle payment first,’ she says, trying to sound simultaneously firm and casual.

‘I understand,’ he says tersely.

‘It’s best to get it out of the—’

‘You’ll get your money,’ he interrupts with a hint of irritation in his voice.

When she sees her regulars things are usually very straightforward – pleasant, even – but new clients always make her nervous. She worries about things she’s experienced in the past, like the father of two in Täby who bit her on the neck and locked her in his garage.

She advertises on Pink Pages and Stockholmgirls. Almost all the people who contact her are a waste of time. Lots of crude language, promises of wonderful sex, threats of violence and punishment.

She always trusts her gut instinct when she starts to correspond with someone new. This particular message was well-written. It was fairly direct, but not disrespectful. He said his name was Wille, his phone number was blocked, and he lived in a nice area.

In his third email he explained what he wanted to do to her, and how much he was willing to pay.

She took that as a warning.

If it sounds too good to be true, then there’s something wrong. There are no free meal-tickets in this world, and it’s better to miss out on a generous deal than put yourself in danger.

Still, she’s here now.

The man returns and hands her an envelope. She counts the money quickly and puts it in her bag.

‘Is that enough for you to show me your underwear?’ he says.

She smiles warmly, gently takes hold of both sides of her dress and slowly lifts it above her knees. The hem rubs against her nylon tights. She pauses and looks at him.

He doesn’t meet her gaze, just stares down between her legs as she gradually raises the dress to her waist. Her silk underwear shimmers like mother-of-pearl beneath her pale tights.

‘Are you shaved?’ he asks in a slightly hoarser voice.

‘Waxed.’

‘Completely?’

‘Yes,’ she replies.

‘That must hurt?’ he says, sounding genuinely interested.

‘You get used to it,’ she says with a nod.

‘Like a lot of things in life,’ he whispers.

She lets her dress drop again and takes the opportunity to wipe the sweat from her palms as she smooths the fabric over her thighs.

Even though she has the money she’s starting to feel nervous again.

Possibly because he paid so much, five times more than any previous client.

In one of his emails he explained that he was prepared to pay extra for her discretion, and for his specific wishes, but this is way above her normal rate.

When he wrote to tell her what he wanted to do, she didn’t think it sounded that bad.

She remembers one man with worried eyes who dressed up in his mother’s underwear and wanted her to kick him in the crotch. He paid for her to pee on him as he lay on the floor crying in pain, but she couldn’t do it. She just grabbed the money and ran.

‘People get turned on by all sorts of things,’ Wille says with an embarrassed smile. ‘Obviously you can’t force anyone … I mean, you have to pay for some things. I’m not expecting you to actually enjoy what you do.’

‘It depends, but I do sometimes enjoy it if the man’s gentle,’ she lies.

Naturally Sofia promises full discretion in her ad, but she still has one safety measure as a precaution. She keeps a diary at home, where she makes a note of the names and addresses of people she’s arranged to meet, so that someone will be able to find her if she ever goes missing.

Besides, Tamara saw Wille once, just before she stopped working as an escort, got married and moved to Gothenburg. Sofia knows that Tamara would have posted a warning on the sex-workers’ forum if he’d behaved inappropriately.

‘As long as you don’t find me revolting and repulsive,’ the man says, taking a step closer to her. ‘I mean, you’re so beautiful, and I’m … well, I know what I look like. I was OK when I was your age, but …’

‘You look good now,’ she assures him.

Sofia thinks of all the times she’s heard people say that escorts have to be like psychologists, but most of the men she sees never say anything personal.

‘Shall we go up to the bedroom?’ Wille asks lightly.

3

Sofia follows him up the broad wooden staircase thinking about how badly she needs to pee. The soft carpet is held in place on each step by thin brass rods. The light from the large chandelier reflects off the varnished banister.

Sofia’s initial plan had been to concentrate on exclusive clients, the ones who were prepared to pay more for an entire night, ones who wanted company at a party or on a trip.

In the three years she’s been working as an escort she’s had maybe a couple of dozen jobs like that, but most of her clients just want a blow-job after work before they go home to their families.

The master bedroom is well-lit, dominated by an imposing double bed with beautiful grey silk sheets.

On the wife’s side there’s a Lena Andersson novel and a jar of fancy hand cream, and on Wille’s side there’s an iPad with finger-marks on the dark glass.

He shows her the black leather straps he’s already tied around the bedposts. She notes that they’re not new, the creases are slightly cracked and the colour has begun to flake off.

The room suddenly shudders and spins around a couple of times. She looks at the man, but he seems unconcerned.

He has white marks at the corners of his mouth, from toothpaste.

The staircase creaks and he glances towards the hallway before looking back at her.

‘I have to be able to trust you to release me when I say so,’ he says as he unbuttons his shirt. ‘I have to be sure that you won’t try to rob me or just run off now that you have your money.’

‘Of course,’ she replies.

His chest is covered with fair hair, and he’s making an effort to suck in his stomach while she looks at him.

Sofia thinks that she can ask to go to the bathroom once he’s tied up. There’s an en-suite. The door is open and she can see the shower and a patch of gold mosaic wall in the mirror.

‘I want you to tie me up, and take your time with it – I don’t like violence or force,’ he says.

Sofia nods and takes her shoes off. She feels dizzy again as she straightens up. She looks him in the eye before lifting her dress up to her navel. It crackles with static. She slips her thumbs beneath the top of her tights and starts to pull them down. The feeling of constriction eases as the thin fabric puddles around her calves.

‘Perhaps you’d rather be tied up instead?’ he asks, smiling at his suggestion.

‘No, thanks,’ she replies as she starts to unbutton her dress.

‘It’s actually pretty comfortable,’ he jokes, tugging gently at one of the straps.

‘I don’t do that sort of thing,’ she explains breezily.

‘I’ve never tried it the other way around … I’d be prepared to double your fee if you did it,’ he says with a laugh, as if the thought surprises and delights him.

What he’s now offering is more money than she earns in two months, but having to lie there tied up is much too dangerous.

‘What do you say?’ he smiles.

‘No,’ she replies.

‘OK,’ he says quickly, and lets go of the strap.

The buckle makes a tinkling sound as it hits the bedpost.

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