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The Adventures of Roderick Random
The Adventures of Roderick Random

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The Adventures of Roderick Random

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Titel: The Adventures of Roderick Random

von Augustus J. Thebaud, Charles Kingsley, Henry James, Thomas Hardy, Kate Douglas Smith Wiggin, Joseph Butler, John D. Barry, William Allan Neilson, Henry Rider Haggard, Rudolf Erich Raspe, Paul Heyse, Carl Russell Fish, Tom Taylor, Margaret Pedler, Homer, John Kendrick Bangs, John Burroughs, Juanita Helm Floyd, Maurice Liber, Anthony Trollope, William Morris, Mark Twain, Charles Dudley Warner, Thomas Hobbes, Winfried Honig, Albrecht Dürer, Militia of Mercy . Gift Book Committee, Ella Wheeler Wilcox, Andrew Lang, Katharine Pyle, Sir Samuel White Baker, Frederic William Moorman, the Younger Pliny, Samuel Butler, William Dean Howells, Harold MacGrath, Joseph Crosby Lincoln, Ralph Connor, Various, Oliver Wendell Holmes, Abraham Lincoln, John Galsworthy, Ian Maclaren, Charlotte Mary Yonge, Sir Owen Morgan Edwards, Robert J. C. Stead, Harold Bell Wright, Eleanor H. Porter, Richard Le Gallienne, Ann Ward Radcliffe, Mark Rutherford, John Bunyan, Artemus Ward, John Hanning Speke, James Fenimore Cooper, Edmund Burke, Sir Arthur Conan Doyle, Francis Bacon, Gisela Engel, Edward Samuel Corwin, Washington Irving, Rafael Sabatini, Emma Lazarus, Bishop of Hippo Saint Augustine, Christian Friedrich Hebbel, Adam Smith, Upton Sinclair, Michael Earls, John Hargrave, Charles Hose, William McDougall, Albert Ernest Jenks, marquis de Jean-François-Albert du Pouget Nadaillac, Robert Sewell, 16th cent. Fernão Nunes, 16th cent. Domingos Paes, Inez Haynes Gillmore, Charles Warren Stoddard, Will Irwin, Vivia Hemphill, J. Hampton Moore, Philip Gibbs, Sir Richard Steele, Joseph Addison, L. Mühlbach, Leroy Scott, Mrs. Henry Wood, Ottilie A. Liljencrantz, Algernon Charles Swinburne, Thomas Bulfinch, Bernard Shaw, Confucius, Samuel Pepys, Luís Vaz de Camões, Walter Bigges, Theodore Roosevelt, Émile Gaboriau, fl. 1580. Edward Hayes, Eugène Sue, Earl of Philip Dormer Stanhope Chesterfield, Robert Smythe Hichens, Bliss Perry, Isabella L. Bird, Stewart Edward White, Roald Amundsen, Viscount James Bryce Bryce, Francis Hopkinson Smith, Annie Hamilton Donnell, Mary Wollstonecraft, Jean-Henri Fabre, Marcus Andrew Hislop Clarke, Marietta Holley, W. E. Gladstone, Ellis Parker Butler, Booth Tarkington, G. A. Henty, E. L. Voynich, Anonymous, Francis Leggett, Charles Alfred Tyrrell, Josef Cohen, Jules Verne, Zane Grey, Mary Baker Eddy, Albert Bigelow Paine, Mary Roberts Rinehart, Ouida, Joseph Furphy, Harry Leon Wilson, Sir Hugh Walpole, Edgar Rice Burroughs, Fay Inchfawn, E. Pauline Johnson, Abraham Merritt, James Sheridan Knowles, Herbert George Jenkins, Richard Hakluyt, Georges Victor Legros, J. M. Barrie, Dana Gatlin, Padraic Colum, Lucy Fitch Perkins, Heinrich Heine, Louisa May Alcott, John Ceiriog Hughes, Henry Van Dyke, Laurence Housman, Ludwig van Beethoven, Stephen Leacock, Watkin Tench, E. Nesbit, Edward William Bok, graf Leo Tolstoy, Giacomo Casanova, Oliver Goldsmith, Raffaello Carboni, Orville O. Hiestand, Abraham Cowley, Louis Antoine Fauvelet de Bourrienne, Louis Constant Wairy, Michel de Montaigne, Edward Salisbury Field, Guy de Maupassant, Doris Stevens, Hamilton Brock Fuller, Anna Chapin Ray, Wilkie Collins, Robert Tressell, Victoria Cross, William Guthrie, Alexandre Dumas père, Mary Jane Holmes, Charles Darwin, J. Hartley Manners, Sir James George Frazer, Sir Adolphus William Ward, James Hamilton, Theodore Dreiser, Kathleen Thompson Norris, William Henry Knight, Arnold Bennett, Cosmo Hamilton, Voltaire, Molière, Winston Churchill, Alexander Mackenzie, Joseph A. Altsheler, Maria Edgeworth, Florence L. Barclay, Mary E. Bamford, Frank Harris, Harold Bindloss, Alfred Henry Lewis, Charles Reade, United States. Central Intelligence Agency, Charles Ives, Conrad Ferdinand Meyer, Marion Polk Angellotti, Steele Rudd, Louis Stone, J. C. F. Johnson, Pierre Loti, Henry Martyn Cist, Howard Pyle, Saki, Franz Liszt, H. G. Wells, Dante Gabriel Rossetti, Ben Jonson, William Cowper, Lord Dufferin, Dion Boucicault, Ethel C. Pedley, Robert Alexander Wason, Gertrude Franklin Horn Atherton, O. Henry, Rufus Phillips Williams, Friedrich Heinrich Karl Freiherr de La Motte-Fouqué, Ambrose Bierce, Francis Parkman, Gene Stratton-Porter, Addison B. Poland, John H. Haaren, Giovanni Boccaccio, Henry Handel Richardson, Oliver T. Osborne, Victor [pseud.] Appleton, Nikolai Vasilievich Gogol, Thomas Paine, Maria Thompson Daviess, Gilbert Parker, Lodovico Ariosto, Jean-Jacques Rousseau, Ethel Dench Puffer Howes, Walter De la Mare, P. G. Wodehouse, Van Tassel Sutphen, Esaias Tegnér, Earl of Beaconsfield Benjamin Disraeli, H. E. Marshall, Edna St. Vincent Millay, James Smith, Horace Smith, Henry Edward Krehbiel, Sir Charles Lyell, John S. C. Abbott, Georgina Pell Curtis, Logan Marshall, G. P. R. James, Bram Stoker, John Buchan, Maksim Gorky, Mabel Thorne, Paul Thorne, Henry Kingsley, Mrs. Inchbald, J. Cuthbert Hadden, James Lane Allen, Emma Dorothy Eliza Nevitte Southworth, Lucius Annaeus Seneca, L. M. Montgomery, R. H. Gronow, of Youghal the younger Joseph Fisher, Benedictus de Spinoza, Henry Seton Merriman, J. H. Patterson, Clinton W. Gilbert, Evelyn Blantyre Simpson, F. Marion Crawford, Louis Becke, K. Langloh Parker, Gotthold Ephraim Lessing, Frederick Lawton, Marie Corelli, Frederick Jackson Turner, Lord Frederick Spencer Hamilton, William John Locke, James Elroy Flecker, Richard Wagner, Johann David Wyss, King of France consort of Henry IV Queen Marguerite, Jean François Paul de Gondi de Retz, marquise de Françoise-Athénaïs de Rochechouart de Mortemart Montespan, duchesse d' Charlotte-Elisabeth Orleans, duc de Louis de Rouvroy Saint-Simon, princesse de Marie Thérèse Louise de Savoie-Carignan Lamballe, Mme. Du Hausset, Jeanne Louise Henriette Campan, Lewis Goldsmith, Georges Ohnet, Anatole France, Gustave Droz, Jules Claretie, marquis de Philippe Massa, André Theuriet, Alfred de Musset, Octave Feuillet, Alfred de Vigny, Ludovic Halévy, François Coppée, Paul Bourget, Th. Bentzon, René Bazin, Alphonse Daudet, Charles de Bernard, Hector Malot, Émile Souvestre, Rosa Nouchette Carey, Walter Savage Landor, Coventry Kersey Dighton Patmore, Sir Walter Scott, Maurice Leblanc, Eugene O'Neill, Yei Theodora Ozaki, Dillon Wallace, Eliza Lee Cabot Follen, Benvenuto Cellini, Unknown, Ignatius Donnelly, George Moore, Walter Pater, Wolfgang Amadeus Mozart, Herman Melville, Algernon Blackwood, Anna Katharine Green, Mary Grant Bruce, Mrs. Campbell Praed, Richard Johnson, Ellen Clacy, William Aikman, Sir Edward Shepherd Creasy, Sydney Smith, Simon Newcomb, Henry David Thoreau, J. J. Thomas, Henrik Ibsen, Oscar Wilde, Rex Ellingwood Beach, T. Smollett

ISBN 978-3-7429-3943-2

Alle Rechte vorbehalten.

Es ist ohne vorherige schriftliche Erlaubnis nicht gestattet, dieses Werk im Ganzen oder in Teilen zu vervielfältigen oder zu veröffentlichen.


THE ADVENTURES OF RODERICK RANDOM


By Tobias Smollett



Contents

THE AUTHOR'S PREFACE APOLOGUE THE ADVENTURES OF RODERICK RANDOM

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI CHAPTER XXXII CHAPTER XXXIII CHAPTER XXXIV CHAPTER XXXV CHAPTER XXXVI CHAPTER XXXVII CHAPTER XXXVIII CHAPTER XXXIX CHAPTER XL CHAPTER XLI CHAPTER XLII CHAPTER XLIII CHAPTER XLIV CHAPTER XLV CHAPTER XLVI CHAPTER XLVII CHAPTER XLVIII CHAPTER XLIX CHAPTER L CHAPTER LI CHAPTER LII CHAPTER LIII CHAPTER LIV CHAPTER LV CHAPTER LVI CHAPTER LVII CHAPTER LVIII CHAPTER LIX CHAPTER LX CHAPTER LXI CHAPTER LXII CHAPTER LXIII CHAPTER LXIV CHAPTER LXV CHAPTER LXVI CHAPTER LXVII CHAPTER LXVIII CHAPTER LXIX




THE AUTHOR'S PREFACE

Of all kinds of satire, there is none so entertaining and universally improving, as that which is introduced, as it were occasionally, in the course of an interesting story, which brings every incident home to life, and by representing familiar scenes in an uncommon and amusing point of view, invests them with all the graces of novelty, while nature is appealed to in every particular. The reader gratifies his curiosity in pursuing the adventures of a person in whose favour he is prepossessed; he espouses his cause, he sympathises with him in his distress, his indignation is heated against the authors of his calamity: the humane passions are inflamed; the contrast between dejected virtue and insulting vice appears with greater aggravation, and every impression having a double force on the imagination, the memory retains the circumstance, and the heart improves by the example. The attention is not tired with a bare catalogue of characters, but agreeably diverted with all the variety of invention; and the vicissitudes of life appear in their peculiar circumstances, opening an ample field for wit and humour.

Romance, no doubt, owes its origin to ignorance, vanity, and superstition. In the dark ages of the World, when a man had rendered himself famous for wisdom or valour, his family and adherents availed themselves of his superior qualities, magnified his virtues, and represented his character and person as sacred and supernatural. The vulgar easily swallowed the bait, implored his protection, and yielded the tribute of homage and praise, even to adoration; his exploits were handed down to posterity with a thousand exaggerations; they were repeated as incitements to virtue; divine honours were paid, and altars erected to his memory, for the encouragement of those who attempted to imitate his example; and hence arose the heathen mythology, which is no other than a collection of extravagant romances. As learning advanced, and genius received cultivation, these stories were embellished with the graces of poetry, that they might the better recommend themselves to the attention; they were sung in public, at festivals, for the instruction and delight of the audience; and rehearsed before battle, as incentives to deeds of glory. Thus tragedy and the epic muse were born, and, in the progress of taste, arrived at perfection. It is no wonder that the ancients could not relish a fable in prose, after they had seen so many remarkable events celebrated in verse by their best poets; we therefore find no romance among them during the era of their excellence, unless the Cyropaedia of Xenophon may be so called; and it was not till arts and sciences began to revive after the irruption of the barbarians into Europe, that anything of this kind appeared. But when the minds of men were debauched by the imposition of priestcraft to the most absurd pitch of credulity, the authors of romance arose, and losing sight of probability, filled their performances with the most monstrous hyperboles. If they could not equal the ancient poets in point of genius they were resolved to excel them in fiction, and apply to the wonder, rather than the judgment, of their readers. Accordingly, they brought necromancy to their aid, and instead of supporting the character of their heroes by dignity of sentiment and practice, distinguished them by their bodily strength, activity, and extravagance of behaviour. Although nothing could be more ludicrous and unnatural than the figures they drew, they did not want patrons and admirers; and the world actually began to be infected with the spirit of knight-errantry, when Cervantes, by an inimitable piece of ridicule, reformed the taste of mankind, representing chivalry in the right point of view, and converting romance to purposes far more useful and entertaining, by making it assume the sock, and point out the follies of ordinary life.

The same method has been practised by other Spanish and French authors, and by none more successfully than by Monsieur Le Sage, who, in his Adventures of Gil Blas, has described the knavery and foibles of life, with infinite humour and sagacity. The following sheets I have modelled on his plan, taking me liberty, however, to differ from him in the execution, where I thought his particular situations were uncommon, extravagant, or peculiar to the country in which the scene is laid. The disgraces of Gil Blas are, for the most part, such as rather excite mirth than compassion; he himself laughs at them; and his transitions from distress to happiness, or at least ease, are so sudden, that neither the reader has time to pity him, nor himself to be acquainted with affliction. This conduct, in my opinion, not only deviates from probability, but prevents that generous indignation, which ought to animate the reader against the sordid and vicious disposition of the world. I have attempted to represent modest merit struggling with every difficulty to which a friendless orphan is exposed, from his own want of experience, as well as from the selfishness, envy, malice, and base indifference of mankind. To secure a favourable prepossession, I have allowed him the advantages of birth and education, which in the series of his misfortunes will, I hope, engage the ingenuous more warmly in his behalf; and though I foresee, that some people will be offended at the mean scenes in which he is involved, I persuade myself that the judicious will not only perceive the necessity of describing those situations to which he must of course be confined, in his low estate, but also find entertainment in viewing those parts of life, where the humours and passions are undisguised by affectation, ceremony, or education; and the whimsical peculiarities of disposition appear as nature has implanted them. But I believe I need not trouble myself in vindicating a practice authorized by the best writers in this way, some of whom I have already named.

Every intelligent reader will, at first sight, perceive I have not deviated from nature in the facts, which are all true in the main, although the circumstances are altered and disguised, to avoid personal satire.

It now remains to give my reasons for making the chief personage of this work a North Briton, which are chiefly these: I could, at a small expense, bestow on him such education as I thought the dignity of his birth and character required, which could not possibly be obtained in England, by such slender means as the nature of my plan would afford. lit the next place, I could represent simplicity of manners in a remote part of the kingdom, with more propriety than in any place near the capital; and lastly, the disposition of the Scots, addicted to travelling, justifies my conduct in deriving an adventurer from that country. That the delicate reader may not be offended at the unmeaning oaths which proceed from the mouths of some persons in these memoirs, I beg leave to promise, that I imagined nothing could more effectually expose the absurdity of such miserable expletives, than a natural and verbal representation of the discourse in which they occur.




APOLOGUE

A young painter, indulging a vein of pleasantry, sketched a kind of conversation piece, representing a bear, an owl, a monkey, and an ass; and to render it more striking, humorous, and moral, distinguished every figure by some emblem of human life. Bruin was exhibited in the garb and attitude of an old, toothless, drunken soldier; the owl perched upon the handle of a coffee-pot, with spectacle on nose, seemed to contemplate a newspaper; and the ass, ornamented with a huge tie-wig (which, however, could not conceal his long ears), sat for his picture to the monkey, who appeared with the implements of painting. This whimsical group afforded some mirth, and met with general approbation, until some mischievous wag hinted that the whole—was a lampoon upon the friends of the performer; an insinuation which was no sooner circulated than those very people who applauded it before began to be alarmed, and even to fancy themselves signified by the several figures of the piece.

Among others, a worthy personage in years, who had served in the army with reputation, being incensed at the Supposed outrage, repaired to the lodging of the painter, and finding him at home, "Hark ye, Mr. Monkey," said he, "I have a good mind to convince you, that though the bear has lost his teeth, he retains his paws, and that he is not so drunk but he can perceive your impertinence." "Sblood! sir, that toothless jaw is a d—ned scandalous libel—but don't you imagine me so chopfallen as not to be able to chew the cud of resentment." Here he was interrupted by the arrival of a learned physician, who, advancing to the culprit with fury in his aspect, exclaimed, "Suppose the augmentation of the ass's ears should prove the diminution of the baboon's—nay, seek not to prevaricate, for, by the beard of Aesculapius! there is not one hair in this periwig that will not stand up in judgment to convict thee of personal abuse. Do but observe, captain, how this pitiful little fellow has copied the very curls—the colour, indeed, is different, but then the form and foretop are quite similar." While he thus remonstrated in a strain of vociferation, a venerable senator entered, and waddling up to the delinquent, "Jackanapes!" cried he, "I will now let thee see I can read something else than a newspaper, and that without the help of spectacles: here is your own note of hand, sirrah, for money, which if I had not advanced, you yourself would have resembled an owl, in not daring to show your face by day, you ungrateful slanderous knave!"

In vain the astonished painter declared that he had no intention to give offence, or to characterise particular persons: they affirmed the resemblance was too palpable to be overlooked; they taxed him with insolence, malice, and ingratitude; and their clamours being overheard by the public, the captain was a bear, the doctor an ass, and the senator an owl, to his dying day.

Christian reader, I beseech thee, in the bowels of the Lord, remember this example "while thou art employed in the perusal of the following sheets; and seek not to appropriate to thyself that which equally belongs to five hundred different people. If thou shouldst meet with a character that reflects thee in some ungracious particular, keep thy own counsel; consider that one feature makes not a face, and that though thou art, perhaps, distinguished by a bottle nose, twenty of thy neighbours may be in the same predicament."




THE ADVENTURES OF RODERICK RANDOM





CHAPTER I

Of my Birth and Education

I was born in the northern part of this united kingdom, in the house of my grandfather, a gentleman of considerable fortune and influence, who had on many occasions signalised himself in behalf of his country; and was remarkable for his abilities in the law, which he exercised with great success in the station of a judge, particularly against beggars, for whom he had a singular aversion.

My father (his youngest son) falling in love with a poor relation, who lived with the old gentleman in quality of a housekeeper, espoused her privately; and I was the first fruit of that marriage. During her pregnancy, a dream discomposed my mother so much that her husband, tired with her importunity, at last consulted a highland seer, whose favourable interpretation he would have secured beforehand by a bribe, but found him incorruptible. She dreamed she was delivered of a tennis-ball, which the devil (who, to her great surprise, acted the part of a midwife) struck so forcibly with a racket that it disappeared in an instant; and she was for some time inconsolable for the lost of her offspring; when, all on a sudden, she beheld it return with equal violence, and enter the earth, beneath her feet, whence immediately sprang up a goodly tree covered with blossoms, the scent of which operated so strongly on her nerves that she awoke. The attentive sage, after some deliberation, assured my parents, that their firstborn would be a great traveller; that he would undergo many dangers and difficulties, and at last return to his native land, where he would flourish in happiness and reputation. How truly this was foretold will appear in the sequel. It was not long before some officious person informed my grandfather of certain familiarities that passed between his son and housekeeper which alarmed him so much that, a few days after, he told my father it was high time for him to think of settling; and that he had provided a match for him, to which he could in justice have no objections. My father, finding it would be impossible to conceal his situation much longer, frankly owned what he had done; and excused himself for not having asked the consent of his father, by saying, he knew it would have been to no Purpose; and that, had his inclination been known, my grandfather might have taken such measures as would have effectually put the gratification of it out of his power: he added, that no exceptions could be taken to his wife's virtue, birth, beauty, and good sense, and as for fortune, it was beneath his care. The old gentleman, who kept all his passions, except one, in excellent order, heard him to an end with great temper, and then calmly asked, how he proposed to maintain himself and spouse? He replied, he could be in no danger of wanting while his father's tenderness remained, which he and his wife should always cultivate with the utmost veneration; and he was persuaded his allowance would be suitable to the dignity and circumstances of his family, and to the provision already made for his brothers and sisters, who were happily settled under his protection. "Your brothers and sisters," said my grandfather, "did not think it beneath them to consult me in an affair of such importance as matrimony; neither, I suppose, would you have omitted that piece of duty, had you not some secret fund in reserve; to the comforts of which I leave you, with a desire that you will this night seek out another habitation for yourself and wife, whither, in a short time, I will send you an account of the ex pens I have been at in your education, with a view of being reimbursed. Sir, you have made the grand tour—you are a polite gentleman—a very pretty gentleman—I wish you a great deal of joy, and am your very humble servant."

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