The Face of Deceit

Karen molded the wet earth back into a ball but didn’t restart the wheel, suddenly aware of how tense her shoulders were and how much her back and arms ached. “Four-fifty,” she repeated. Almost four hours had passed since she’d sat down at the wheel. Not unusual, though. When the wheel began to turn, the moist clay changing shape beneath her hands, Karen lost track of time, space, even the air around her. Her aunt, Evie, not understanding how Karen could so completely lose herself in the artwork, called it “that thing with the clay.” When she worked, Karen’s world narrowed to the wheel and the clay, and the only sensations that she remained aware of were the musty smell of damp earth and the feel of the water and earth beneath her hands. She’d been known to work five hours straight as her art formed under her hands. As a result, she usually let Lacey out before she sat down at the wheel, but this afternoon she’d forgotten.

Karen stood, rolling her shoulders, and went to the sink to wash her hands. Time for a break, more coffee, maybe check to see if there were new orders on her fax machine. Or e-mail from Mason. She pulled the towel from the waistband of her jeans and dried her hands.

Karen paused, her hands wrapped in the worn towel, looking at a shelf holding nine vases similar to the ones Mason planned to bid on. Each stood about eighteen inches high, broad at the base, a bit narrower in the middle and flared at the top with the edges jagged and wild, points and curves going in all directions. “Face vases” were not unique in the world of ceramics, but what made Karen’s vases distinctive was the face itself. Neither male nor female, it was a horror mask, twisted and grotesque on some, leering and grinning realistically on others. The vase colors were a kaleidoscope nightmare, swirling around the face in stripes and curls. Although each vase featured different colors, the face remained the same, which was especially noticeable when they were lined up together. The same down-turned eyes, full lips and white streaks slicked back from the scalp. Of course they’re the same, she thought ruefully. They come from the same source.

Tossing the towel over the edge of the sink, Karen headed upstairs, pausing to glance out the windows at the back of the studio at Lacey, now in the process of stalking a wayward butterfly. The metal of the stairs chilled her feet, so she scuffed them a bit on the carpet of the small dining area that separated the stairs from the kitchen. She poured the last cup from the lunchtime pot of Kona into a ceramic mug, and headed up the stairs near her front door.

A polite scratching on the door stopped her, and she opened it. “Already?” she asked as Lacey strolled past her, tail held high. “I thought you were on a butterfly hunt out back.”

No meow this time, just a thank-you figure eight around Karen’s ankles. Then both of them headed upstairs to Karen’s office, where an odd-looking sheet of paper slowly peeled its way through her fax. She pulled it off the machine and turned it around.

The fax had rendered it black and white, but the sheet was clearly a page from an auction house catalog, and Karen grinned as she recognized the angular, dramatic handwriting of the phrase scrawled across the bottom.

Lot 21 could be your salvation. Lot 21, which consisted of four unique vases of Karen’s own design.

“Sorry, Mason,” she murmured, her eyes bright with amusement. “My salvation comes from a much higher source.”

Yet she knew what he meant, and she glanced at the Felix the Cat clock on the wall behind her computer: 5:05. The auction must be over by now. The fax machine clicked and whirred again, and a second sheet emerged. This one was white, with only four lines scrawled across it.

$8,000!!! Didn’t get them. Will talk to agent who did. See you tomorrow!! M

The paper fluttered, blurring the words, as her hands shook. “Eight thousand?” Her knees weakened and Karen sat hard in her office chair. Tears blurred her eyes. Two thousand apiece! She’d never gotten more than five hundred for one of her vases. Mason DuBroc had succeeded in almost quadrupling their value.

Velvety fur brushed her ankles, and Karen glanced down as Lacey circled around her bare feet again. Her hands still quivering, she clicked her tongue and, with a rattling purr and tinkling bell, the eight-pound fur ball landed in her lap. Karen scratched the cat beneath the chin and was rewarded with a swish of Lacey’s thick tail.

“Lacey.” The shudder in her voice did not surprise her. Karen felt as if she were shivering from head to toe. “I’d better get back to work.” She nodded, then reached for the phone. “First I have to call Jane.”

Jane insisted on taking Karen to Portsmouth to celebrate, buying her dinner in a cozy boutique restaurant near the water. When they returned, midnight had come and gone, but Karen still felt wired and restless. Wandering into the office, she found fourteen new orders for “face vases” waiting on the fax machine. She glanced through them, overwhelmed. “Oh, Mason. What have we done?”

Sleep helped. The next morning a much calmer Karen awoke early and this time let Lacey out before she even showered. Then she took her first coffee of the day out on the back deck of the house, raising it toward the heavens. “Thank You, Lord,” she said aloud. She settled in one of the deck chairs and sipped again, then set the cup on the deck rail and looked out over the yard, feeling blessed. The sun struggled to get above the tallest trees, barely illuminating the May morning with bands of gold shot through the mist. Karen’s hair, still darkened from its normal red-gold sheen by her morning shower, dried quickly in the early-morning breeze, and she fluffed it before picking up the mug again.

This was her time. Prayer time. The day never felt quite right without it. The sun now winked at Karen over the top of her tallest birch, and she closed her eyes for a moment. Taking a deep breath, she whispered, “Thank You, Lord. I know Your hand is in all this, all along. Thanks for bringing Mason to Jackson’s Retreat to write his book, and thank You for…”

Inside, her phone rang, interrupting her thoughts. She scowled, then looked upward, waiting for the answering machine to pick up. When it did, she returned to her prayer, moving from praise to requests, the last one for herself. “Help me understand all this and Your will in it, Lord.”

She sat for a few more moments, enjoying the coffee and the morning air, then headed back inside. She hoped Mason would come by early to talk about the auction, but she had not heard from him since yesterday’s fax. Karen left her cup on the bottom step of the staircase, then bounded up, her hair flapping against her neck. Fifteen minutes later, she’d scooted into a pair of jeans and a light sweater, plus her hiking boots in case Mason wanted to walk into Mercer. She’d gone light on the makeup and turned on the blow-dryer long enough that her hair wouldn’t completely frizz out as it finished air drying. A touch of mousse, and she was ready just about the time the doorbell rang.

“Coming!” Karen yelled, her boots clumping on the stairs. She kicked over the cup and fussed at herself as she picked it up, thankful it was empty but wishing with a fleeting thought that she had time for another cup of her Kona. She unlocked the front door, pulling it open.

Her cheerful “Good morning!” faded away as she stared at the two men on the front porch. Mason was there, but he looked as solemn as she’d ever seen him. Behind him, oversized hat in hand, stood Tyler Madison, the local police chief.

Mason cleared his throat, but Tyler spoke first. “I hate to bother you this early, Karen, but we’ve got to talk about your broken vases.” He cleared his throat. “Broken vases,” he repeated, “and a murder.”

TWO

Twice in twenty-four hours, Karen’s world flipped upside down. As the two men sat in her living room and laid out their story, she couldn’t keep from blurting out, “But who would kill over a vase?”

Luke Knowles, a well-known auction agent, had purchased Lot 21, Karen’s vases, bidding the winning $8,000 for an anonymous client. The vases had been delivered to Knowles’s hotel room. Late last night, when Luke’s wife hadn’t been able to reach him, a manager had gone to check, finding Knowles dead and the four vases destroyed.

Karen stared at the two men, a crime scene photo in one hand and empty coffee cup in her other. “Who?” she repeated.

Tyler and Mason shifted uncomfortably and glanced at each other, then Mason touched her arm gently. “We were hoping you could help with that.”

Blinking, Karen looked down at the photo in her hand again, the details registering sketchily on her mind. A hotel room in chaos; in the center, ceramic shards and clay dust—remnants of four destroyed vases—were smeared across a dresser. At the edge of the image, a man’s leg protruded into the scene. The victim, murdered because of vases she had created from her imagination and a bit of raw clay.

The photo quivered as her fingers trembled, and Karen sat hard on her sofa. Her pottery, her art, was her heart, her livelihood and her life. Her vases, beautiful and distinct, sometimes felt like extensions of her very soul.

But they weren’t worth dying over.

Karen stared into her empty coffee cup as the two men sat and Tyler finished telling her about the death of Luke Knowles. She relished the security of the hard, cool ceramic under her fingertips as her eyelids stung and her vision blurred. Tyler sat across from her, his bulky frame wedged into one of her grandmother’s ancient, cane-bottom rockers, his hat clutched in one fist and a file folder in the other. Mason perched next to her on the edge of her fading rose-print sofa, his jeans a stark contrast to the feminine blossoms splayed under his thighs.

The morning sun had broken free of the tall trees of her backyard and now cast bright yellow streaks through the windows. The room seemed to glow, despite the somber mood of the three people clustered there.

“What about his family?” Karen’s voice was a strained whisper. “Did he have a family?” She peered at Mason, then Tyler. Her stomach felt tight, her chest constricted, but she wasn’t sure if she felt fear or grief. Or both. Hot tears leaked from each eye, and she wiped them away quickly.

The young police chief nodded. “A wife and a grown son.”

“I don’t understand.” Her soft voice cracked, and she swallowed again. “Why would anyone do this because of me?”

Tyler shifted in the chair, causing the cane to creak ominously. “Just like there was a note with your broken vases, there was a note at the crime scene.” He pulled a slip of paper from a file folder and held it out toward her. Mason stood quickly and helped the paper make the cross to Karen. He slipped the photo from her fingers and returned it to Tyler.

“That’s a copy they faxed,” Tyler explained. “The detective in New York thought you might recognize the handwriting.”

Karen wiped her eyes again and sat the cup on the floor near her feet. She unfolded the note, her fingers trembling a bit. As if scrawled and smeared with a pen too large for the writer’s hand, the letters swirled in an almost unreadable script in the middle of the page. She studied the note, her shoulders bowing slightly as a tight chill settled at the base of her spine. She recognized the handwriting…but not from anyone she knew. The clumsy block letters were the same as in the notes that had simply said, Stop! This one, however, was more specific.

Evil corrupts mind and soul.

Evil must be stopped.

All that is evil will be destroyed.

Her head snapped toward Mason, then Tyler. “So the killer thinks my vases are evil? Or me?”

Tyler shrugged. “New York thinks it could go either way. He could be a nutcase who has a fixation on your work, or maybe he has a problem with you personally. Or it could be a jealous—”

“But…evil?”

Mason cleared his throat. “Work or personal, this is about you.”

Tyler shifted in the rocker, his mouth pursed around a word that never made it out.

“But why?” Karen stood up and took the cup into the kitchen. Tyler caught the note as she passed by, slipping it from her fingers and returning it to the folder. She continued into the kitchen, her energy surging. She set the cup down with a solid thump on the counter that divided the two rooms. “They’re just vases.” She tapped her temple. “They just came out of my imagination and whatever I’ve learned about pots through the years.” She held her hand out toward Mason. “You know that. We talked about this!”

“I know.” He followed her into the kitchen. “But you’re trying to make sense of something that may exist only in this guy’s head. He killed because of something that makes sense only to him.”

Karen grabbed a dishcloth off the sink and began to wipe off an already spotless counter. “But if he thinks the vases are evil, then he thinks I’m evil.”

“Which is why we’re here.”

“Because evil must be destroyed.”

Tyler’s gaze bounced between the two, and he finally intervened. “Well, it’s clear neither of you is a cop.” He joined them at the counter. “Calm down.” He perched on one of the three bar stools that stood guard on the living room side of the counter. “First of all, New York does not expect you to figure out what’s going on with this murderer. That’s their job. Second, no one really thinks you are in danger. If whoever this is wanted to hurt you…” Tyler paused and shifted on the stool. “After all, he’s already proven he knows where you live.”

“But—”

“Which is why she needs protection!”

Tyler held up his hand to both of them. “And this is a small town. Everyone around knows the first thing you do every morning is make a pot of that fancy Hawaiian coffee you have shipped in and go out on your deck to talk to God. If the killer wanted you, he wouldn’t be wasting time and money buying up vases to shoot. Even a perfect stranger could sit at Laurie’s café for a couple of days and figure out what your schedule is.” Tyler shook his head. “We’ll add extra drive-bys on patrol, but the truth is, even a 24/7 guard probably wouldn’t help. Whatever his problem is, he wants to get rid of the vases, not you.”

Karen felt the heat slowly rise from her throat to her cheeks. “Every one?”

Tyler grinned. “My mom thinks it’s cute that you have a different robe for every season.” He stood, his mood somber again. “I do want you to take extra precautions. Make sure you lock the doors and set the alarm. Don’t wander around alone too much. And call me if you see anything strange—” he looked down at Lacey, who had suddenly started climbing his pants leg “—other than this cat—about the house.” He plucked Lacey off and put her on the stool. “In the meantime, I think you two should go for breakfast.”

Karen’s eyes widened. Food? “You don’t think I can eat now, do you?”

Tyler wandered toward the door, his eyes glancing casually around the room. “I certainly think you should eat. Mason has agreed to talk to you about the vases, see if you remember anything unusual about them. Maybe something about those particular vases strikes a chord with you.”

“But—”

“Protein. Eat some meat. Eggs. Lots of water.” He tapped the side of his head as he reached for the doorknob. “Helps you think.”

Mason followed him, an almost bemused smile on his face, and Karen wondered if the Delta boy thought their local police chief to be a dolt—or small-town clever. She walked out onto the deck again, staring, embracing the way the remaining mist seeped into her bones, as if the sting of it reminded her that she was still among the living.

“Lord,” she whispered, “what’s going on?”

Mason held the door for Tyler, who paused, glancing around him at Karen. Although Mason stood an inch or two taller than the young police chief, he admired the almost graceful way Tyler moved his larger, more muscular frame. Definitely not a man he’d want to oppose in a fight.

Tyler’s voice dropped in tone as well as volume. “You watch out for her. I knew she’d take it hard, but not this hard.”

Mason nodded. “She has a gentle soul.” A soul he had a sudden urge to protect.

Tyler’s eyes brightened a moment but he said nothing, and Mason twisted a bit under the police chief’s gaze. “You really don’t think she’s in danger? This has already escalated from broken vases to murder. That’s quite a leap!”

Tyler straightened. “I meant what I said to her. But let’s not forget something. Luke Knowles died because this guy wanted to be taken seriously—and not just as a crackpot who likes breaking pottery. He wants those vases to go away.” Tyler shifted his weight. “Karen may not be in danger right now, but that doesn’t mean this won’t escalate even more. We’ll do what we can, but watch your back. And hers.”

Mason watched, thoughtful as Tyler’s patrol car backed away, tires crunching on the narrow gravel drive. On the way over, Tyler had explained that since no threat had been made against Karen, he was limited in how much action he could take to protect her. He could add the extra drive-bys, but with only a five-officer force, no one could be there 24/7.

Inside again, Mason shut the door and turned, his eyes focusing on Karen’s back. Her shoulders slumped forward as she leaned heavily against the deck railing, and Mason wondered if she were praying again. She did that a lot, more than he was used to his friends doing, and it created an odd ache just below his sternum that he couldn’t quite explain. It wasn’t that he didn’t believe; he’d accepted Christ as his Savior fifteen years ago, at a youth rally when he was nineteen. His faith, however, was a closely held, private thing. Few of his friends even knew he was a Christian, and he was comfortable with that. He didn’t want to discuss his faith, definitely didn’t want to discuss theirs. His chosen profession, and his public image, didn’t lend themselves to outward shows of belief. Yet the highly visible nature of Karen’s faith left him with a nagging urge to ask questions.

And her faith was not the only thing that tugged at him, almost without explanation. From the moment he’d seen her vases in Jane’s shop, his imagination had been captured by her talent, her sense of color and shape, by how the vases seemed almost organic, as if they had been grown instead of formed from clay. Then, when she’d opened the door that day, covered in mud up to her elbows, hair wild and her eyes dazed, as if he’d interrupted a dream…

Mason rubbed his mouth. He didn’t like that he could not find the right words to the feelings that tightened his chest and made his mind whirl whenever he was around her…troublesome, since words were his business. He didn’t like it at all.

He did, however, like her. Maybe even more than like. He shifted his weight from one foot to the other. Being around Karen felt like…home. Mason had never quite believed that God had a chosen path for everyone, and that He could guide each person to it. Yet he’d been planning to go to a retreat center in Georgia when he got the call about the opening at Jackson’s Retreat. He’d never been to New Hampshire. The day he saw her vases in Jane’s window he had planned to stay in Boston, but his appointment had been canceled.

True, he could explain all that away, but not the way his heart had jumped when she’d opened the door. The way he longed to stand close to her, protect her. He tried desperately not to crowd or smother her; he’d already seen how carefully she kept people at a distance. Her aunt. Even Jane.

“Lord,” he muttered. “If this is Your path for us, You have a lot of work to do.”

Mason opened the door to the deck and approached Karen quietly, waiting until she raised her head again and turned toward him. Her eyes glistened, and she licked tears off her lower lip.

His heart twisted. “Praying for Luke Knowles?”

She wiped her eyes, smearing her mascara. “And his family. And for guidance.”

“Guidance?”

She nodded. “I suspect we’re going to need all the help we can get.”

“We?”

Karen’s eyebrows arched. “You don’t think we’re going to sit here and do nothing?”

A grin slowly crossed his face. “You? I can’t see you sitting still for much of anything.”

She waved a hand and marched past him. “Then come with me.”

Mason’s curiosity took over. “Where are you going?”

She kept walking, but pointed at the floor. “Down.” She headed for the far corner of her living room, away from the kitchen, where an elegant spiral staircase circled down to her pottery studio. Since he usually entered the studio from the outside, he took each of the narrow steps carefully, especially avoiding the coffee cup she’d left on a step about halfway down. The custom-built steps were barely deep enough for his size tens, and he arrived at the bottom long after Karen had disappeared from view.

Mason paused, looking around. The studio, which took up the entire basement, was Karen’s sanctuary, and she kept it pristinely clean. The house was set deep into a solid granite hillside, and three walls of the basement had been framed directly against the stone, which still protruded through the Sheetrock in places. Shelves lined almost every inch, clustered with baskets of paints, clays, glazes, molds, texturing tools and the round, flat bats for the three potter’s wheels that stood in a line in the center of the room. Every shelf was labeled and each basket neatly organized. At one end of the room stood an extruding table, where Karen pulled thin plates of clay for hand building. Next to the table stood a worktable stained with years of glaze, paint and old bits of clay. At the other end sat two kilns, one for her larger projects and one that wasn’t much bigger than a toaster oven, in which she made the smaller gifts and beads for local jewelry artists. The glass wall that overlooked the hill was spotless and dotted with sun catchers.

The potter, however, could not be seen. “Where are you?”

“Back here.” Her head seemed to appear suddenly out of a space of granite. Puzzled, Mason crossed the room to discover that there was a thin doorway in the rock, disguised by the gray stone directly behind it and revealed only by a yellow light now coming from the left.

Karen stepped out.

“A baffle?”

She nodded. “When the house was built, the owner wanted a darkroom, and the builder tried to carve this Z in the rock as a rough sort of light baffle. Rumor has it that it drove two of his workers completely crazy. Unfortunately, it was all for naught. The owner died before the house was complete. I like it.” She grinned. “When the light’s off, you can’t even tell there’s a room here.” She stepped back and Mason trailed her around the tight corner of the thin, Z-shaped baffle into a room of granite walls with high shelves along one side.

He looked up and around, his eyes widening. “This is amazing! Like a catacomb.” The cavelike room was barely four feet wide and extended back into the stone about eight feet. A bare bulb hung from a hook driven into the stone ceiling, small, but casting enough light that he could read the labels on the neat, clearly marked metal boxes that covered the shelves.

Karen’s smile broadened. “My secret hiding place.” She turned suddenly and pulled a file box from one of the middle shelves. “But this is what I came for.”

He took it from her, and a slightly surprised look crossed her face. “What’s wrong, chère?” he asked.

She blinked. “Guess I’m not used to having anyone help me.” She shrugged, then motioned for him to leave. “Let’s take it back out there.”

They exited the room, and she snapped off the light behind them, letting her private storage room disappear into the wall again. He set the box on her worktable and she flipped the lid up and back, letting it bang against the tabletop. Inside were stacks of small, five-by-seven photo albums. “That was the Wilhelms auction, right?”

When he nodded, her lips pursed. “The four in that catalog were old, earlier versions. I stopped using orange last year, went solely to streaks of green and red…and I don’t remember selling to a Wil…” Her voice faded a moment as her eyes closed. “A set of four. Not a private sale, must have been through one of the galleries. Haven’t sold four at once except…” another pause, then her eyes flew open and she attacked the box, digging through the albums “…2005. A dealer, but not in New York. Boston. Told me he’d sold four as a gift. A woman was giving them to her mother. She bargained him down to about a hundred dollars per.”