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British Fascism


ibidem Press, Stuttgart
For Esther
And the memory of
Dr Robert Richardson
Table of Contents
Acknowledgements
Preface
Chapter One Introduction: Fascism & Fascism Studies
Academic discussion of fascism
Griffin’s mythic core: fascism as palingenetic ultra-nationalism
A mythic (not political-economic) core
Fascism as revolutionary
Analysing Fascism: an approach from Critical Discourse Analysis
Chapter Two Discourse-Historical Analysis
Introduction
Discourse-Historic Analysis— text in historic context
Exploring context: intertextuality and recontextualization in fascist music
Text—discursive strategies
Application: Griffin speech at the indigenous family day
Conclusion
Chapter Three British Fascism: A Synoptic History of People and Parties
Introduction
The emergence of British fascism
British Union of Fascists
Growing radicalisation: Discipline and Action at Olympia
The State Intervenes
Post war
The Post-War Mosleyite Tradition
The National Socialist tradition, post-war
Racial Populists
Consolidation and fragmentation: the National Front, 1967–
Contemporary British fascism
Chapter Four ‘Britain’ and ‘British’: the protection of race and nation
Who is/isn’t British: the surface and depths of British fascist nationalism
Humour, and the challenge to tolerance
A Green and Pleasant Land
Women and the eugenic National project
‘Race-mixing’ and eugenics
Conclusion
Chapter Five A ‘real alternative’? Fascism and ‘Third Way’ economics
Fascist political economies
Fascists on ‘communism’
Fascists on ‘capitalism’
Capitalism and the Nation
The solution: national capitalism
Corporatism: emulating Fascist Italy
Distributism: a ‘native’ fascist economic model
Conclusion
Chapter Six Fascism and its Threat to Civil Society
Illiberalism and inequality
‘Democracy’s Masters’
Mass media, fascism and democracy
‘Vested Interests’ and the mass media
Fascism and violence
Street violence
Conclusion
Conclusion
Analysis
Understanding
Oppose
References
Primary sources
Secondary sources
Copyright
Last Page
Acknowledgements
First and foremost, thanks to Kirsty. It wouldn’t make a great deal of sense without you, love.
Second, the vast majority of this book was written in the Department of Social Sciences, Loughborough University, and I would like to thank my colleagues in the department for their unwavering support during what was an incredibly difficult time in our lives. It is a remarkable place to work, and I am very happy to have come back to my interdisciplinary home at Loughborough. Thanks, in particular, for granting me a study leave to finish the book, and for covering my teaching during this period.
I would like to thank Britain’s librarians and archivists for the incredible work that they do in preserving our social, political and cultural past, however revolting parts of it may be. And, for their enormous assistance during my own research for this book, I would especially like to thank the British Library, The Searchlight Archive at Northampton University, the University of Sheffield Library, the Modern Records Centre at Warwick University, and The Working Class Movement Library (Salford). The final chapters of the book were written working in the confines of the Bromley House Library; you couldn’t find a more inspiring place to work, it is a true gem in the crown of Nottingham.
I have spoken at various conferences, symposia and meetings during the gestation and writing of this book. Colleagues were (for the most part!) very encouraging, reassuring me that the approach I was taking to British fascism held some kind of promise, even though that wasn’t particularly clear in the early days. I would particularly like to thank the Culture and Media Analysis Research Group and the Cultural Communities, Cosmopolitanism and Citizenship Research Group (both at Loughborough University), the Newcastle Critical Discourse Group (Newcastle University), Lancaster’s Language, Power, Ideology (LIP) research group, Liverpool University’s Communication & Media department and the Wiener Institute. Thanks too to everyone who supported the development of my ideas and arguments, with advice and information: Michael Billig, Garry Bushell, Daniel Chernilo, Monica Colombo, Susan Condor, Nigel Copsey, Dalia Gavriely, Phil Graham, Paul Jackson, Aristotle Kallis, Darren Kelsey, Michał Krzyżanowski, Majid KhosraviNik, Andrea Mammone, Cristina Marinho, Simon McKerrell, Sabina Mihelj, Ian Roderick, Dan Stone, Chris Szejnmann, Georgina Turner, Lyndon Way and Dominic Wring.
At points, colleagues and friends were kind enough to read drafts of material that eventually found its way into the book. First and foremost, I’d like to acknowledge Ruth Wodak’s ongoing support, encouragement and comments on several draft chapters—many thanks Ruth, I really appreciate it. In addition, I would like to give sincere thanks to Matthew Feldman (whose feedback really went above and beyond), Bernhard Forchtner, Craig Fowlie, Graham Macklin, David Renton and Daniel Tilles. Thanks to Anton Shekhovtsov for commissioning the book and for providing comments on the final manuscript, and a million thanks to Gavin Brookes whose extremely generous offer to proof-read the full manuscript got me over the finish line.
Finally, during the writing of this book, I experienced two life-changing events that, for different reasons, caused me significant delay: the death of my father, and the birth of my daughter. It makes me very sad that they never met. My Dad once told me the point (of life) is to be good to each other. I strive to live up to that ideal; and so I hope that, through me, Esther still gains a sense of her Grandfather. This book is dedicated to them both, with love.
Preface
Imagine that you’re on holiday in Eastern Germany. In the rural state of Mecklenburg-Western Pomerania, to be precise. You decide to take the car out for a day—to drive around the region you’re staying in and take in the sights. Perhaps you’ll discover a nice place and get out the car and have a wander; maybe have lunch and something to drink. In any case, it is a nice day and you and your companion are not in any rush to be anywhere, so you decide to go and explore.
You happen upon a small village of little more than 10 houses. It is a rather nondescript place, apart from a large wooden signpost at the side of the road at the entrance to the village. As you drive by, you notice that several people appear to be paying particular attention to the sign, so you decide to stop and take a look yourself. Perhaps this is what amounts to a tourist attraction in this village. If not, you can at least gain a better sense of your location.
Figure 0.1: Road sign, Jamel

(Photograph: Roland Geisheimer / Attenzione / DER SPIEGEL, http://www.spiegel.d
e/fotostrecke/fotostrecke-63175.html )
Walking around the wooden sign, you see it provides the direction and distances to the major European cities of Paris, Berlin and Vienna. Three other place names on the sign are less familiar to you: Breslau, Königsberg and Braunau am Inn. You take a few pictures, but your interest in the road sign appears to have attracted the attention of a few rather threatening looking residents, so you return to your car.
What does this this all mean?
And why open a book on British fascist discourse with a fictionalised account of a holiday in Eastern Germany?
The place names might be familiar to readers from mainland Europe, particularly those from Central or Eastern Europe, but I would imagine they will be unknown to the majority of British readers. And this speaks to the first vital issue to consider when it comes to decoding fascist discourse: context. In fact, the village of Jamel has recently attracted a significant level of attention, from journalists and others, for the way that it has apparently been taken over by neo-Nazis. Sven Krüger, a high-level member of the far-right National Democratic Party (NPD) and resident of the village, has refashioned it as “a 'nationally liberated zone' -- a neo-Nazi term for places foreigners and those of foreign descent must fear to tread”.1 A campaign of intimidation, vandalism and low-level violence employed by Krüger and his supporters ensured that most residents were forced to move, at which point “Krüger encouraged his right-wing friends to buy the available houses”.2 However, to the untrained eye, the indications of such a transformation remain under the surface.
What is the significance of the signpost at the entrance of the village? Why the inclusion of these particular place names? Breslau and Königsberg were both formerly German cities, now renamed Wrocław (and located in modern day Poland) and Kaliningrad (located in modern day Russia) respectively. They were the two largest cities located in the former eastern territories of Germany—that is, the territories East of the current German border—given up as part of the territorial changes to Germany following the Second World War. But their histories are more significant to modern day neo-Nazis than that. Founded in 1255 by crusading Teutonic Knights, Königsberg was for centuries the capital of Prussia and, from 1701, the regional capital of the province East Prussia. Originally created via subduing and converting (pagan) Prussians to Catholicism, the city and wider province were later populated with ‘ethnic Germans’, only to be de-Germanized after the war when its inhabitants were forcibly moved to West Germany, along with around 12 million others from across the East (Judt 2007: 25). In the words of Stalin, East Prussia—including Königsberg—had been returned “to Slavdom, where it belongs” (Ibid.). Königsberg is therefore rich in significance for German neo-Nazis. What this means is that the road sign points not only to a place, but also to a time—a time/place that was once-German. And, from the ideological perspective of German neo-Nazis, a better time/place. Drawing attention to Königsberg in this way therefore functions as a kind of condensed metonym—a part for whole replacement, in which Königsberg’s imperial history and eventual loss to the then-Soviet Union stands in for wider processes of territorial expansion, contraction and de-Nazification of the East after WWII.
Breslau/Wrocław is equally rich with historic significance. Indeed, as Thum (2011: p. xv) argues:
Wrocław is a city symptomatic of the twentieth century. In this one city, perhaps, more than any other, it is possible to witness the drama of twentieth-century Europe in full. Wrocław is a looking glass through which Europe’s self-destruction becomes manifest: nationalism and provincialization, xenophobia and anti-Semitism, the destructive rage of the Second World War, Nazi fantasies of Germanization and the murder of European Jewry, the total collapse of 1945, the shifting national borders of Central Europe, the forced resettlements, and, finally, the Cold War division of the continent.
It was home to the so-called Breslau School of Anthropology at the University of Breslau from 1931 until 1945, headed by Professor Egon von Eickstedt (1892–1965). Eickstedt’s field was ‘race psychology’, and his principle contribution to science was a ‘race formula’ that “would enable the researcher to define the degree of mixtures of racial groups in given populations. After 1939, the race experts of the Race and Settlement Main Office (RuSHA) of the SS used their own version of a ‘race formula’ to determine which parts of the population in the territories occupied by the Germans were to be resettled” (Klautke 2007: 26–27). His work in Breslau, on the presence and prevalence of the ‘Nordic race’ in the local population, therefore contributed to the ethnic cleansing of Silesia during the war—and yet he continued his work after 1945, re-establishing himself and his research team “in the Federal Republic of Germany, at the newly founded University of Mainz. Here Eickstedt became professor of anthropology in 1947” (Klautke 2007: 35). It is unclear whether these neo-Nazi sign makers were aware of Breslau’s significance in ‘race science’, and the scientific gloss this gave to Nazi policies of ethnic cleansing (‘Lebensraum’), but the example is pregnant with such possibilities.
A more conventional interpretation might involve Breslau’s involvement in warfare against the Soviet Union during WWII, given that it is remembered as the last stronghold of the Third Reich holding back the Red Army. Dubbed Fortress Breslau (‘Die Festung Breslau’) by Hitler, it was the scene of a brutal siege that cost thousands of lives—particularly those of civilians. Breslau was not directly threatened by fighting until the summer of 1944, but by February 1945, “all of Upper Silesia and most of Lower Silesia had been occupied by Soviet troops” (Thum 2011: xxii). The city was surrounded on February 15, effectively imprisoning “between 150,000 and 250,000 civilians in the city, including tens of thousands of forced laborers, prisoners of war and concentration camp inmates” (Ibid.). Vast swathes of Breslau were destroyed, by increasingly devastating Soviet raids, Nazi demolition of the city (including an ill-considered order to create a landing strip) and through arson. The city “gradually became a graveyard. There were so many corpses that it became impossible to inter all of them in the city’s cemeteries” (Thum 2011: xxvii). For 12 weeks the siege continued. General Hermann Niehoff, the commander of the fortress troops, “was not willing to surrender until Hitler had committed suicide, Berlin had fallen on May 2, and news of the Wehrmacht’s capitulation talks made it to Breslau (Thum 2011: xxix). Finally, on May 6, Niehoff signed the articles of capitulation. His fanaticism, unrelenting commitment to the ‘strategy of self-destruction’ and his lack of courage “to end a battle long after it had become senseless, cost tens of thousands of lives” (Ibid.).
The selection of these two cities—and the historic examples they invoke—is linked by a common idea, frequently present in revisionist literature: that Germans were victims of the war, and were made to suffer (disproportionately) at its end. Such revisionism is present in hard and soft forms, in mass media texts as well as in extremist propaganda. The television series Die grosse Flucht (The Great Flight) for example, produced by German documentary filmmaker Guido Knopp, “deals with the experiences of the German refugees who were driven from their homes in the eastern territories at the end of the Second World War” (Elm 2006: 160). The third episode of this series, titled ‘Die Festung Breslau’ (Fortress Breslau) appropriated “the language of the Death Marches endured by concentration camp victims by presenting the flight of German civilians from the approaching Russian army as ‘the death march from Breslau’ (der Todesmarsch von Breslau)” (Ibid.). In such a social and cultural context, where “the discourse on ‘German suffering’ […] has gained a new prominence in German public debate”, the narratives of what Breslau and Königsberg signify are hiding below the surface (Ibid.).
Braunau am Inn, finally, is the birthplace of Adolf Hitler. Which rather speaks for itself.
The sign therefore achieves a great deal, but only for those who can read the codes: it points to the time/place of a past Germany, an expanded German empire and implicitly signals the breadth of lands that neo-Nazis still consider to be rightly Germanic—from Königsberg in the East to Braunau am Inn in the South West. It indexes significant moments in the story of a National Socialist—Nazi—Germany and, specifically, the sacrifice that thousands of German soldiers and civilians paid in defending the Third Reich, fighting to the last, even after hope of victory was lost. By pointing out the direction and distance to his place of birth, it signals a reverence for Adolf Hitler and so indexes the continued importance of him and his ideas to contemporary neo-Nazis. It does all this, and more, and yet on first examination it is just a road sign, whose ostensible function is to mark the direction and distance to other settlements.
The road sign is therefore an exemplary demonstration of the difference between denoted and connoted meaning—the difference between surface and depth, between what is there to be ‘read off’ and what requires additional decoding, contextualisation and analysis. Once decoded, some of the connoted meanings of this sign are relatively uncontentious. Hitler’s place of birth, for example, is a town of around only 16,000 inhabitants and so signing such a small place, located 855KM away, is rather eccentric. Consequently, few would argue against the conclusion that this town is included on this road sign as an act of veneration. However, other connoted meanings are debateable, undetermined and less fixed, or else the signs have more than one meaning—what is known as a polysemic sign. The case of Königsberg on the road sign is a case in point. (Perhaps the road sign is simply old, and the name hasn’t been updated since the city’s name was changed?) Ultimately, there is no textual or linguistic meaning outside of usage—outside of context. And so, in examples where the meanings are unclear or open to discussion, it is necessary to turn to context—to contexts of production (speaker/writer histories and motivations) and contexts of consumption (the other names on the sign; Jamel; East Germany; the ‘here and now’)—to ‘unriddle’ a sign’s possible meanings. It is the combination of the three place names—Breslau, Königsberg and Braunau am Inn—in this particular place at this particular time that indicate a neo-Nazi political act: an act of political defiance; an act which claims the public space and declares it a ‘nationally liberated zone’. And still, to some, it could just be read as ‘a road sign’.
The road sign serves as a reminder that political movements utilise coded symbols of various forms to communicate—like a dog whistle—in ways imperceptible to the untrained eye and ear. This use of coded, vague and euphemistic discourse is perhaps especially functional for fascist and neo-Nazi movements, given the post-war taboos on the open expression of extreme right-wing ideologies. The remainder of this book explores this argument in greater depth, through examining both continuity and change in British fascist discourse over the past 100 years, and their relations to social contexts.
1 Popp, Maximilian (2011) “The Village Where the Neo-Nazis Rule”, Spiegel Online http://www.spiegel.de/international/germany/right-wing-extremism-the-village-wh ere-the-neo-nazis-rule-a-737471.html [consulted 16 November 2012]
2 Ibid.
Chapter One
Introduction: Fascism & Fascism Studies
Fascists and National Socialists push many traditional conservative ideas to radical and vulgar extremes, but they do not abandon them. As ‘new’ conservatives they do not want to be taken for mere defenders of the old reactionary elite, and insist endlessly that their movement is dynamic, unique and, above all, modern. Those who write the history of social movements must be careful, however, not to take ideological statements at face value. (Weiss 1967: 9)
Many academics writing about fascist ideology show a marked unwillingness to acknowledge contemporaneous fascist parties and movements. While most academics writing on the subject are united in their identification of fascist parties and movements from the past, for many, their categories and classifications are curiously deficient when analysing the ideology and practice of parties and movements breathing the same air as them. A pattern is identifiable in the academic literature, which has remained relatively stable for the past 50 years: although parties which existed 10 to 20 years ago may have been fascist (or at minimum neo-fascist), any contemporary mass movement is regarded as something different, something new. Fascism always seems to be an ideology and movement of the past. For academics who accept that fascists have continued to exist and march and campaign since 1945, around 10–20 years appears to be the standard length of time required to allow for their identification. Thus, in the 1960s, the Union Movement—Oswald Mosley’s successor party to the British Union of Fascists—was considered fascist but John Bean and Andrew Fountaine’s British National Party (BNPa) were not (Cross 1963). By the 1970s, the BNPa—which merged with other parties to form the National Front (NF) in 1967—were considered fascist, but the NF largely were not (Walker 1977).1 And yet, by the 1990s the NF were now considered fascist but the British National Party (BNPb), formed by John Tyndall in 1982 following his departure from the NF, were not. This heuristic blind spot is especially pronounced with political scientists, whose tendency to coin new political categories to describe current political parties has led to the formulation of a wide variety of double-barrelled terms, working up a seemingly endless dance of classification. Indeed, the most recent British National Party (BNPb) were at various points categorized as far right (Cantle 2012; McGowan 2012), extreme right (Eatwell 2004; Ford 2010; Goodwin 2012; Hainsworth 2008)2, radical right (Norris 2005; Sykes 2005), populist radical right (Mudde 2007), extreme right-wing populist (Rydgren 2005), neo-fascist (Ignazi 1997; Messina 2011), neo-populist (Griffin 2011), racial nationalist (Goodwin 2010), and racial populist (Solomos 2013), amongst other labels.
The reason for this diverse categorisation becomes understandable when one considers, first, the nature of the subject under analysis and, second, the methods that tend to be used to arrive at these interpretative conclusions. Even a cursory glance at primary materials produced by fascist parties reveals startling inconsistencies and deep-seated, even endemic, contradictions in what they claim to stand for. Take these examples:
We offer leadership not dictatorship and the only dictatorship under British Union Government will be the will of the people expressed through the Government they have elected. (Mosley, no date circa 1934)
Fascism, in fact, is the only scientific approach to politics and economics to-day; and dictatorship is the only scientific approach to government. (Joyce 1933: 2–3) […] Other countries have been subjected to the plague of democracy and have survived it by the establishment of dictatorships; and it is becoming increasingly evident that our own plague must end in the same way, if we are not to be exterminated. (Joyce 1933: 6)
Mosley was the leader of the British Union of Fascists and Joyce was one of the party’s leading propagandists, and yet they still offer diametrically opposed accounts of the ideology and political aims to which they apparently subscribe. The existence of such contrasting self-descriptions presents us with both analytic and political difficulties. Are fascists committed to dictatorship or not? Are they committed to popular elections or not? Are fascists revolutionary or conservative? Is fascism elitist or populist? Are they all of these things (at different times) and, hence, blow opportunistically in the wind? Or are they, in fact, liars and subscribe continuously, and covertly, to a political programme unbeknownst to the public, to the electorate and even (potentially) to portions of their own parties?