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Cyber Bike Leo. Adventures of an unusual motorcycle
Cyber Bike Leo. Adventures of an unusual motorcycle

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Cyber Bike Leo. Adventures of an unusual motorcycle

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And only at this moment, the driver, having come to his senses, presses on the brake and convulsively turns the steering wheel to the right, turning to the side of the road. There is a squeal of brakes from behind.

– These motorcyclists can’t ride normally. – The driver is outraged. – Can’t just ride. Be sure to create a dangerous situation.

The driver turns on the gear and gently starts. He does not have time to drive a few meters, as he hears the sounds of police sirens. He is met by two police cars with flashing lights on. The driver once again pressed against the curb and slows down. Having missed the cops, he again cautiously moves off. But then there are two more police cars. The driver again taxis to the curb and puts on the brake.

– Because of these motorcyclists, there is no way to drive. All motorcyclists are the same. Does a normal person get on a motorcycle? Whoever came up with this damn motorcycle. So that he failed!

Past the driver’s car passing police cars. The driver looks forward, backward. Making sure that there is no danger, he starts moving very quietly.

TRANSPARENCY

Fred rolls the bike into the workshop and puts it against the wall. He removes torn portraits and cartoons from a motorcycle. Leo is distracted from scanning the Internet encyclopedia. (the appearance of another (person) must be welcomed, the search for greetings).

– Hello how are you?

– Is it not visible? – Sadly says Fred, pointing to the damaged drawings.

At the bottom of the monitor Leo, highlighted the question and answer options. Leo has been looking for a suitable answer for a long time.

– Answer a question to a question incorrectly. – Finally, he finds the right answer.

Fred sits at the table, sits and looks at the torn drawings. He is upset. Not knowing what to do, he turns to his work computer. With a blank look, he “scrolls” the drawings on the monitor screen. A picture appears on the screen that looks a bit like the texture of the workshop wall behind the monitor. He scrolls through this drawing. Stops. Thinking. Returns to the picture, similar to the wall of the workshop. Several times he looks from the monitor to the wall and back. The face lights up.

– Eureka! A brilliant idea came! We can become invisible.

– What does invisible mean? – It is heard from the loudspeakers Leo.

– Here look.

Fred takes the camera, puts it on the monitor, with the lens on the wall.




– What do I see on the monitor? – A wall behind the monitor. Hang on the wall coordinate grid.

He takes a sheet of drawing paper and draws a grid on the paper.

Hangs paper on the monitor. Leaves from the table. He looks at the monitor and the wall behind the monitor. The grid cells on the screen are much smaller than the cells on the drawing paper hanging behind the monitor.



He takes the remote control of the camera.

– Adjust the focal length.

He presses the “increase” button. The cells on the screen begin to grow. Fred waits for the size of the cells on the screen and the size of the cells on the sheet to match. He releases his finger from the “increase” button. But late. The cells on the screen are slightly larger than the cells on a piece of paper.



He quickly presses the “decrease” button several times. Achieves a complete match of the size of the cells on the screen and on the paper.



The size of the cells coincided, but the image on the monitor screen is brighter than the wall.

Fred puts the camcorder on the table. Pick up the remote monitor.

– Adjust the brightness.

He presses the button “reduce brightness”. Monitor brightness starts to decrease. He keeps the button pressed until the brightness of the wall and the screen begins to coincide. He again misses a little. With quick and short clicks on the “increase brightness” button, he achieves a full coincidence of the brightness of the screen and the drawing paper with the coordinate grid.

On the wall, right above the monitor hangs the picture “Cubic Chess.” Fred takes a picture. In the wall there is a nail sticking out on which the picture was hanging. Fred picks up a long metal ruler from the table with a hole at one end.

– Now we will hang the pendulum and launch it to swing.

Fred hangs a ruler on a nail. It attaches a magnet from the old speaker to the lower end of the ruler. Then he pulls the lower end of the ruler to the side and releases. A ruler with a magnet on the end starts to swing like a pendulum. Fred moves away from the table and looks at the monitor.





– What do we see? The pendulum does not disappear behind the monitor. We see him constantly! We see objects and space behind the monitor, but we don’t see the insides of the monitor and the video camera.

He takes a screwdriver, and begins to unscrew the screws securing the casing (casing) of the monitor.

– It remains to remove the lining of the monitor, leaving only one “bare” LCD screen.


He puts the casing (casing) of the monitor on the floor. On the table there is only a “bare” screen. Fred looks at himself and the monitor through a mirror hanging on the opposite wall. He holds his hand between the monitor and the video camera.

– Here is the hand between the camera and the monitor, we do not see it.

He runs his hand between the camera and the wall.

– But the hand behind the camera, and we see it. Mom’s firm produces monitors that are as flexible as cloth. I will make a fairing for a motorcycle and a suit for myself out of such a monitor.

– It will be possible not only to change the color of the color, but also to be not visible. It will be necessary to prepare several options for coloring. All ingenious is simple! Well, who then will say that I am not a follower of Leonardo da Vinci?

GARAGE OF THE GANG

In the garage, on the left wall, when viewed from the gate, next to the entrance there are a lot of barrels of engine oil and other fuels and lubricants next to each other.





From these barrels in the garage spreads the smell of engine oil, diesel and gasoline. Perhaps this smell is not only and not so much from these long empty barrels, but from the walls themselves, the ceiling and the floor, which during the work of the transport company were soaked with the smell of fuels and lubricants. At the right wall, when viewed from the gate, somewhere in the middle, there is a crossbar (horizontal bar). Next to the crossbar, closer to the gate, two racks with bars. Under the counter, which is closer to the gate, there is a bench for the bench press. In the back of the garage is a table. On the table are small scales, a small bag of white powder, a pack of paper (for making sachets). Members of the group sit at the table, weighed and scattered white powder in small paper bags. Gray collects money, and returns to everyone, the interest due to him.

Leshy gives money. Gets a small part back.

– How I left the police! BUT?

– Cool! – Sincerely admires Dan. – Even in the news got, lucky as some. You are now almost a TV star!

Leshy whistles a song about money. (ABBA) “money money money”.

– And if someone would have killed? – He asks uncertainly Tikhon.

– Let them not click the beak. – Dan retorts.

Mountain gives money to Gray. Gray indicatively recounts money. Returns Woe interest.

– Accumulate – Dreaming Mountain. – And buy yourself a cool and powerful bike.

– I’m a cool iPhone. – Picks up the dreamy tone of Dan.

– I – Continues the topic Leshy. – Now I will go to all the films. No, I’ll buy a cool 3D home cinema. I’m picking up movies…

CYBERBIKE

.Fred pastes the motorcycle with pieces of a flexible LCD monitor, and solders the wires. The trim covers the entire motorcycle. The wheels are almost completely covered with a fairing.

The contour drawing of a motorcycle is visible on the monitor of the working computer. Fred, looking at the monitor, draws the outlines of the future borders of color. He “fills” the contours in different colors, tries different color options. All his actions are visible on the body of the motorcycle. Fred keeps coloring options in computer memory.

Fred takes out Leo’s processor from the system unit standing on the table.

He sets the Leo processor inside the bike. Fred connects the processor with the control unit, with video cameras and electrical equipment.

– Well? Let’s try? – Hurries to see the result of Fred.


Leo, already as a cybernetic motorcycle, standing on a stand, turns the lenses of the front video cameras, located in the front direction indicators.

– The room is turning! What’s happening? Can I turn the room around? This is for sure I turn on, turn, turn off, stop turning.

– This is not a room turning, it is you who control the rotation of video cameras.

– This is the turn of the camcorder. – Repeats Leo, and stores this data in his memory.

Leo starts turning the rear camcorder.

– What’s up with the room? Now I saw one wall, and now I see another.

– You probably switched to the rear camera. Before that, you saw what is in front of you, and now you see what is behind you.

– Switch from front to rear camcorders – Leo repeats again and stores in memory.

Leo turns the rear camera lenses.

– The room just does not move?

– No, this is the turn of the rear video cameras.

– This is a rear camera. – Repeats Leo, and stores this data in his memory.

Leo switches to the front camera, and includes an approximation (zoom) of lenses.

– The wall is moving towards me!

– This is not a wall moving towards you, apparently you increase the focal length of the lenses.

– These are video cameras, lenses, focal length. – Repeats and stores in his memory Leo.

Leo turns on another switch. The front electromagnetic shock absorbers are compressed and the front of the bike is reduced.

– The room goes up!

– The room stands still.

– I did not move the camcorder! Is this an additional camera control?

“No, you lower your front, squeezing the front suspension.”

– Why is it needed?

– Front shock absorbers raise and lower the front of the motorcycle. Dampers are needed for a smooth ride, so that not the whole motorcycle and the person sitting on it, but only one of the wheels, shakes on uneven roads.

– Not understood. Easier to make roads smooth. That nothing was shaking.

Leo returns his front end to the normal position and turns on the next switch. Compressed rear shock absorber. The back of the bike goes down almost to the floor.

– And what’s that? Now the room goes down.

Further rises above the normal position, then returns to its original position.

– This is apparently the rear suspension. – Makes a conclusion Leo, and includes another switch. – And what’s that?

– A bright spot appears on the wall! I turn on, and the wall becomes lighter! This is for sure I turn on! Can I make part of the wall brighter?!

– You do not turn on the spot on the wall, but your spotlight. This is a headlight. A bright spot on the wall is the light from your headlamp.

Leo turns on, off and switches the headlamp light.

– And now the bright spot jumps lower, the suspenders do not move, the room stands still?

– This is a dipped beam. – Lists Fred.

– What is it for?

– To see in the dark, and so that we can be seen in the dark. Dipped in order not to blind oncoming drivers.

– I can see in the dark in the infrared, I do not need this light.

– I need this light.

“Can’t you see in the infrared?”

– No, I do not see, and other people do not see.

– So, what’s this?


The turn indicators start flashing – the LEDs around the lenses of the video cameras.

– Why is nothing happening?

– These are direction indicators. You do not see them, they are too weak to light the wall. – He gets the answer to Fred. And without waiting for the question “for what?”, Fred continues. – In order to show other road users your intentions to turn aside, or to indicate an emergency stop.

Leo switches the next switch. A beep sounds.

– What is it for?

– To signal to participants of the movement in case of emergency.

– Why such a strange sound? Is it not possible to say in words?

– The person sitting in the car will not hear the words.

Leo’s front wheel turns to the left.

– Again the room turns!

– No, the room stands still.

– Another camera control? The room is moving, and I do not touch the management of video cameras and shock absorbers.

Leo turns the front wheel right and left.

– No, this is a fork front wheel. In order to be able to turn, change the direction of motion.

– So, what’s this?

Motorcycle stand rises to the frame. Leo begins to fall, but Fred manages to grab the falling bike. – This is a stand to stand upright. Return the stand back to the “parking” position.

The stand comes out, Fred sets Leo on the stand and he leaves him.

The Leo hull begins to rise relative to the front and rear wheels. Leo rises too high on the rear and front suspension. Stand, being high, ceases to hold the bike. Leo falls to the other side.

– What’s up with the room? Did Paul hit me on the side and become a wall? Why did everything turn 90 degrees? Can you walk the wall?

“Everything is fine with the room.” That you fell to the floor.

– Fell or floren?

– Why floren?

– Until now, I was far from the floor, and now I’m very close to the floor. So by the floor – floren. Is not it?

– I don’t even know what to say about your linguistic discoveries.

Fred picks up Leo, puts on a stand and departs again.

Leo removes the stand, and falls.

– How to move in this position?

– In this position, you can not move.

– Then why do you need such a situation if I cannot move?

Leo tries to stand up on his own, squeezes and expands the front shock, then the rear shock. Turns the steering wheel. Turns on and off headlights and turn indicators. Raises and lowers the stand. Gives a beep. Unsuccessfully.

– Will it be every time? – Dissatisfied with Leo. – I do not like it. I don’t want to end up in this position anymore. In this position, everything is useless, there is no sense in the presence of wheels and other things. And I do not need wheels. I was on the table and not bad.

“You’re just like a little kid.” – Fred reassures him. – It does not always work out the first time. Do you know how old people learn to walk? And how many months people learn to drive a car, ride a bike or a motorcycle. Do you want everything at once?

– It’s not my idea to put me on the wheels. – Parries Leo and moves the suspension and steering wheel again. Moves the stand. – Yes, I myself can never change my position. – Where is the switch to take a vertical position?

– I did not think about it, unfortunately.

Fred picks up Leo again and puts him on the stand. – It will be necessary to make a device for lifting. So you can independently take a vertical position. Now just turn on the gyroscope.

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Примечания

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The words of Baron Munchhausen from Mark Zakharov’s film “That Munchhausen”, staged after the play by Gregory Gorin “The Most True”.

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