Shock Heir For The King

Cinderella had his baby...

Now she’ll wear his crown

Vibrant artist Frankie is shocked when Matt, the enigmatic stranger she gave her innocence to, reappears in her life. His touch was intensely sensual, his kiss pure magic...yet their affair had consequences, and Frankie had no way to contact him. Now she’s in for the biggest shock of all—Matt is actually King Matthias! And to claim his heir, he demands Frankie become his queen!

Explore the king’s Mediterranean palace with his royal bride

CLARE CONNELLY was raised in small-town Australia among a family of avid readers. She spent much of her childhood up a tree, Mills & Boon book in hand. Clare is married to her own real-life hero and they live in a bungalow near the sea with their two children. She is frequently found staring into space—a surefire sign that she’s in the world of her characters. She has a penchant for French food and ice-cold champagne, and Mills & Boon novels continue to be her favourite ever books. Writing for Modern Romance is a long-held dream. Clare can be contacted via clareconnelly.com or at her Facebook page.

Also by Clare Connelly

Bought for the Billionaire’s Revenge

Innocent in the Billionaire’s Bed

Bound by the Billionaire’s Vows

Her Wedding Night Surrender

Spaniard’s Baby of Revenge

Christmas Seductions miniseries

Bound by Their Christmas Baby

The Season to Sin

Mills & Boon DARE

Off Limits

Forbidden

Burn Me Once

Discover more at millsandboon.co.uk.

Shock Heir for the King

Clare Connelly

www.millsandboon.co.uk

ISBN: 978-1-474-08782-7

SHOCK HEIR FOR THE KING

© 2019 Clare Connelly

Published in Great Britain 2019

by Mills & Boon, an imprint of HarperCollinsPublishers 1 London Bridge Street, London, SE1 9GF

All rights reserved including the right of reproduction in whole or in part in any form. This edition is published by arrangement with Harlequin Books S.A.

This is a work of fiction. Names, characters, places, locations and incidents are purely fictional and bear no relationship to any real life individuals, living or dead, or to any actual places, business establishments, locations, events or incidents. Any resemblance is entirely coincidental.

By payment of the required fees, you are granted the non-exclusive, non-transferable right and licence to download and install this e-book on your personal computer, tablet computer, smart phone or other electronic reading device only (each a “Licensed Device”) and to access, display and read the text of this e-book on-screen on your Licensed Device. Except to the extent any of these acts shall be permitted pursuant to any mandatory provision of applicable law but no further, no part of this e-book or its text or images may be reproduced, transmitted, distributed, translated, converted or adapted for use on another file format, communicated to the public, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of publisher.

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www.millsandboon.co.uk

For romance readers everywhere, and especially my Advance readers, who are some of the best champions and friends a writer could hope for.

Contents

Cover

Back Cover Text

About the Author

Booklist

Title Page

Copyright

Dedication

PROLOGUE

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

EPILOGUE

Extract

About the Publisher

PROLOGUE

THERE WERE THREE things Matthias Vasilliás loved in life. The glow of the sky as the sun dipped into the horizon, bathing the world in streaks of gold and peach; the country he was one week away from ruling; and women—but never the same woman for long, and never with any expectation of more than this: sex.

The wind blew in across the hotel room, draping the gauzy fabric of the curtain towards him, and for a moment he looked at it, his mind caught by the beauty, the brevity, of such a fragile material—the brevity of this moment.

In the morning he’d be gone, she’d be a memory—a ghost of this life. In the morning he would fly back to Tolmirós and step into his future.

He hadn’t come to New York for this. He hadn’t intended to meet her. He hadn’t intended to seduce a virgin—that wasn’t his usual modus operandi. Not when he couldn’t offer any degree of permanence in exchange for such a gift.

No, Matthias preferred experienced women.

Lovers who were au fait with the ways of the world, who understood that a man like Matthias had no heart to offer, no future he could provide.

One day he would marry, but his bride would be a political choice, a queen to equal him as King, a ruler to sit beside him and oversee his kingdom.

Until then, though, there was this: there was Frankie, and this night.

She ran her fingertips over his back, her nails digging into him, and he lost himself to her completely, plunging inside her, taking the sweetness she offered as she cried out into the balmy New York evening.

‘Matt.’ She used the shortened version of his name—it had been such a novelty to meet a woman who didn’t know who he was, didn’t know he was the heir to the throne of a powerful European country, that he was richer than Croesus and about to be King. Matt was simple, Matt was easy, and soon this would be over.

For ruling Tolmirós meant he would have to abandon his love of women, his love of sex and all that he was, outside the requirements of being King. His life would change completely in seven days’ time.

Seven days and he would be King.

In seven days he would be back in Tolmirós, the country before him. But for now he was here, with a woman who knew nothing of his life, his people, his duties.

‘This is perfect,’ she groaned, arching her back so two pert breasts pushed skyward and he shoved his guilt at this deception aside, his guilt at having taken an innocent young woman to bed for his own pleasure, to slake his own needs, knowing it could never be more than this.

She didn’t want complications either. They’d been clear on that score. It was this weekend and nothing more. But he was using her, of that he had no doubt. He was using her to rebel, one last time. Using her to avoid the inevitable truth of his life, for one night longer. Using her because right here, in this moment, sleeping with Frankie made him feel human—only human—and not even an inch royal.

He took one of her breasts in his mouth and rolled his tongue over the tight nipple. It budded in his mouth, desperate for his touch, his possession, and he thrust into her depths, wondering if any woman had ever been so perfectly made for a man?

His fingers fisted in her long, silky blonde hair and he pushed her head up to meet his, claiming her lips, kissing her until she whimpered beneath him and the whole of her body was at his command.

Power surged through him at the way this felt, but it was nothing to the power that awaited him, the duty that would soon be at his feet.

For his country and his people, he would turn his back on pleasures such as this, on women such as Frankie, and he would be King.

But not quite yet.

For a few more hours he would simply be Matt, and Frankie would be his...

CHAPTER ONE

Three years later

NEW YORK SPARKLED like a beautiful diorama, all high-rises, bright lights and muted subway noise. He stared down at the glittering city from the balcony of his Manhattan penthouse, breathing in the activity and forcing himself not to remember the last time he’d been in this exact position.

Forcing his eyes to stay trained in the opposite direction of the School of Art, and definitely not allowing himself to remember the woman who had bewitched him and charmed him.

The woman who had given him her innocence, given him her body, and imprinted something of herself in his mind.

Inwardly he groaned, her name just a whisper in his body, a curse too, because he had no business so much as thinking of her, let alone remembering everything about her.

Not when his engagement would be made formal within a month. Not when his future awaited—and duty to his country called to him as loudly as ever. Then, he’d been one week away from assuming the throne, and now he was weeks away from making a marriage commitment.

All of Tolmirós was waiting for its King to finally wed and beget an heir. An heir that would promise stability and the safekeeping of the prosperous nation: all of that was on Matthias’s shoulders, as much now as it had been then. He’d run from this fate for as long as he could. His family had died when he was only a teenager and the idea of marrying, having his own children, as though you could so easily recreate what had been lost, pressed against his chest like a weight of stone.

But it was needed; it was necessary. His country required its King to beget an heir, and he needed a wife. A suitable wife, like one of the women his assistant had vetted for him. A woman who would be cultured, polished and appropriate.

His eyes shut and there she was: Frankie. Frankie as she’d been that afternoon they’d met, her clothes paint-splattered, her hair scraped back into a ponytail, her smile contagious. His gut clenched.

His wife—his Queen—would be nothing like Frankie.

What they’d shared went beyond logic and reason—it had been an affair that had rocked him to his core because, after only a matter of hours, he’d known he was in danger of forgetting everything he owed to his people if it meant more time with the woman—she had been like some kind of siren, rising out of the sea, drawing him towards danger unknowingly.

And so he’d done what he was best at: he’d drawn his heart closed, he’d pushed his emotions deep inside, and he’d walked out on her without a backwards glance.

But now, back in New York, he found himself thinking of her in a way he’d trained himself not to. His dreams he could not control, but his waking mind was as disciplined as the man himself, and he saw no point in dwelling on the past, and particularly not on such a brief event.

Only she was everywhere he looked in this city—the lights that sparkled like the depths of her eyes, the elegance of the high-rises that were tall where she had been short, the nimble alertness, the vivid brightness—and he wondered what it would be like to see her once more. Call it idle curiosity, or simply scratching an itch.

He was a king now, not the man he’d been when they’d first slept together. But his needs were the same. His desires. He stared out at the city and the idea grew.

What harm could come from dipping into the past, just for a night?

* * *

‘The lighting is beyond perfect,’ Frankie enthused, glancing her trained artist’s eye over the walls of the midtown gallery. The showing was scheduled for the following day; this was her last chance to make sure everything was absolutely as she wanted it to be.

A frisson of excitement ran down her spine.

For years she’d been struggling. Establishing oneself as an artist was no mean feat, and every spare penny she made was funnelled into trying to keep a roof over their heads. It was one thing to be a starving artist when you were footloose and fancy-free—there was even a degree of romance to the notion.

The reality was a lot less enjoyable, particularly with a rapidly growing two-and-a-half-year-old to care for and a mountain of bills that seemed to go on for ever.

But this show...

It could be the game-changer she’d been waiting for.

Two broadsheet newspapers had already sent reviewers to have a pre-show viewing, and the opening night had been advertised across the city. Her fingers, her toes and the hairs on her head remained crossed that she might finally catch her big break into the competitive New York art scene.

‘I did think of using small spotlights here.’ Charles nodded towards some of her favourite landscapes—sun rising over oceans, but all in abstract oils—gashes of colour scratched over the paper to create the impression of day’s dawn. Each picture would be interpreted differently by the spectator, and Frankie liked that. It was her take on each day being what you made of it.

‘I like the overheads you’ve chosen,’ she demurred, another shiver running down her spine. Her whole body was a tangle of nerves—and she told herself it was because of the exposure. Not the media exposure—the exposure of herself. Every thought, lost dream, wish, fear, feeling had been captured on these canvases. Even the paintings of Leo, with his stunning crop of black curls, intense grey eyes, so shimmery they were almost silver, lashes that curled precociously and wild. He was her little love, her heart and soul, and his image now hung on the walls of this gallery, waiting to be seen by thousands, she hoped, of viewers.

‘The door,’ Charles murmured apologetically, in response to a sound that Frankie hadn’t even noticed. She was moving closer to the painting she’d done of Leo last fall.

He’d been laughing, collecting dropped leaves from the sidewalk and tossing them into the air with all the enthusiasm a two-year-old boy could muster, and as they’d fallen back to earth he’d watched their progress before crouching down and crunching a new selection into his chubby grip.

His joy had been so euphoric she’d had to capture it. So she’d snapped hundreds of photos from different angles, committing the light to her memory, and then she’d worked late into the night.

And she’d done what she did best: she’d taken a mood, a slice of one of life’s moments, and locked it onto a canvas. She’d created a visual secret for the viewer to share in, but only for as long as they looked at her work. It was a moment in time, a moment of her life, and now it was art.

‘The opening is tomorrow night, sir, but if you’d like to take a brief look at the collection...’

‘I would.’

Two words, so deep, and from a voice so instantly familiar.

A shiver ran down Frankie’s spine of a different nature now. It wasn’t a shiver of anxiety, nor joyous anticipation, it was one of instant recognition, a tremble of remembrance and a dull thudding ache of loss.

She turned slowly, as if that could somehow unstitch the reality she knew she’d found herself in. But when she looked at Charles, and then the man beside him, all her worlds came crashing down at once.

Matt.

It was him.

And everything came rushing back to her—the way she’d awoken to find him gone, no evidence he’d even slept in the same bed as her, no note, nothing. No way of contacting him, nothing to remember him by except the strange sensation of her body having been made love to, and a desire to feel that sensation again and again.

‘Hello, Frances,’ he said, his eyes just exactly as she remembered, just exactly like Leo’s. How many dreams had she spent painting those eyes? Mixing exactly the right shades of silver, grey and flecks of white to flick, close to the iris? The lashes, with their luxuriant black curls, had occupied much of her artist’s mind. How to transpose them onto canvas without looking heavy-handed? They were so thick and glossy that no one would actually believe they really existed.

It had been three years since Frankie had seen this man but, courtesy of her dreams, she remembered him as vividly as if they’d met only the day before.

Oh, how she wanted to drag her eyes down his body, to luxuriate in every inch of him, to remember the strength in his frame, the contradictory gentleness he’d shown when he’d taken possession of her body that first time, when he’d held her in his arms and removed the vestiges of her innocence. How she wanted to give into the temptation to hungrily devour him with her gaze.

With the greatest of efforts, she crossed her arms over her chest and maintained her attention on his face. A face that was watching her with just as much intensity as she was him.

‘Matt,’ she murmured, proud beyond description when her voice came out steady and cool. ‘Are you looking for a piece of art?’

Something seemed to throb between them. A power source that was all its own, that Frankie pushed aside. It wasn’t welcome.

‘Would you show me your work?’ he responded, and it wasn’t an answer. It was an invitation, one that was fraught with danger. Belatedly, she recollected that the wall of paintings behind her was of their son and if he looked a little to the left or right he’d see clearly for himself the proof of their weekend together.

‘Fine,’ she agreed, a little rushed, moving deeper into the gallery, towards another annex. ‘But I only have a few minutes.’

At this, she saw Charles frown in her peripheral vision. No wonder he was confused. Without knowing anything about Matt, it was clear that he had enough money to buy everything in the place, probably a million times over. From the fit of his suit to the gleam of his shoes, this was a man who obviously lived very, very comfortably. In normal circumstances, she wouldn’t dream of rejecting a potential investor in her work.

But Matt?

Matt who’d crashed into her world, seduced her effortlessly, triumphed over her and gone away again, just as quickly? He was danger, and not for anything would she spend more time with him than she had to.

He’s your son’s father. Her conscience flared to life and she almost stopped walking, so intense was the realisation, the moral impetus that stabbed into her sides.

‘I will take over when Miss Preston leaves.’ Charles’s offer came from just behind them.

Matt stopped walking, turning to face the other man. ‘Miss Preston’s company will be sufficient.’

Frankie saw pink bloom in the gallery owner’s face and sympathy swelled in her. Charles La Nough’s gallery was renowned in New York, and he was used to being met with respect, if not a degree of awe.

To be dismissed in such a way was obviously a new experience.

‘I’ll call if we need you,’ Frankie offered, to soften the blow.

‘Very well.’ Charles sniffed, turning and disappearing in the direction of the rooms that would eventually lead to the front door.

‘You didn’t have to be so rude,’ she responded, only this time the words were breathy and her pulse was rushing inside her. They were close—just a few feet apart—and she could smell him, she could feel his warmth and her skin was pricking with goosebumps.

Responses she had long since thought dead were stirring to life and demanding indulgence. But she ignored them—such feelings had no place here, or anywhere any more. She tilted her chin defiantly and stared at him. ‘And now that he’s gone you can tell me exactly what you’re doing here. Because I know it’s not to buy one of my paintings.’

* * *

He regarded her through shuttered eyes. Memory was a funny thing. He’d recollected her in intimate detail over the years, but there were a thousand minute differences now that he stood toe to toe with Frankie Preston. Things his mind hadn’t properly written into his memory banks, so that he wanted to hold her still and just look.

She remained the most distractingly intriguing woman he’d ever seen, and yet there was no one thing in particular he could ascribe that to. It was everything about her—from eyes that were feline in shape and just as green as he remembered, to a nose that had a tiny ski jump at its end and a flurry of pale freckles rushing over its bridge, and lips—Dio, those lips.

Pink and pillowy, soft, so that when he’d crushed his mouth to them three years earlier they’d parted on a husky sigh, surrendering to him, welcoming him. His body tightened at the recollection.

Then, she’d been coming home from an art class, carrying a rolled-up canvas in a bag, wearing a pair of paint-splattered jeans and a simple white singlet top, also marked with the signs of her artistic labour. And she’d been so distracted in her own thoughts that she’d walked right into him, smearing a healthy dose of what he’d later discovered to be Cerulean Blue on his suit.

He’d liked her in those clothes—so casual and relaxed.

Now, she wore a dress, black with puffy sleeves that just covered her shoulders and a neckline that dipped frustratingly close to her cleavage without revealing even a hint of the generous curves beneath. It fell to her ankles, and she’d teamed it with leather sandals and a bright yellow necklace. It was a more elegant ensemble, but still so very Frankie.

As she was in his mind, anyway.

But wasn’t it more than likely that the woman he’d slept with three years earlier was more a creation of his than a real-life, flesh-and-blood woman? Wasn’t it more than likely he’d created a fantasy? How well could he have really known her, given that they’d spent so little time together?

‘How do you know,’ he drawled, considering her question, ‘that I am not here to make a purchase?’

She blotted her lips together; they were painted the most fascinating shade of dark pink—as if she’d been feasting on sun-warmed cherries and the natural pigments had stained her mouth.

‘Because you’re not interested in my art.’

He thought of the piece in his office, the piece he’d bought through a dealer to keep his acquisition at arm’s length—the painting Frankie had been working on the day they’d met—and frowned slightly. ‘Why would you say that?’

A hint of pink bloomed in her cheeks. ‘Well, I remember clearly how well you played me. Pretending interest in my work is how you fooled me then. I won’t be so stupid this time around. So what is it that brings you to the gallery, Matt?’

Her use of that name filled him with a confusing rush of emotions. Shame at having given her only the diminutive of his full name, because surely it proved that he’d set out to deceive her, even from that first moment? Pleasure at the memories it invoked—no other woman had called him that; it was their name, it belonged to that weekend, and he would hear it on her lips for ever, calling out to him at the height of her passion.

He wanted her.

Even now, after three years, after walking away from her, he congratulated himself on doing the right thing. He’d been strong in the face of incomprehensible temptation, and he’d done it for his kingdom.