Nikolay Lakutin
Plays on the 5,6,7,8,9,10 people. Collection №4

Plays on the 5,6,7,8,9,10 people. Collection №4
Nikolay Lakutin

This collection contains modern classic, fantastic, new year's and extravagant plays of the 2019-2020s with the number of actors from five to ten people. Performances based on some of the plays listed in the collection are already being staged on the territory of the Russian Federation. Содержит нецензурную брань.

ATTENTION! ALL COPYRIGHTS TO THE PLAY ARE PROTECTED BY THE LAWS OF RUSSIA AND INTERNATIONAL LAW, AND BELONG TO THE AUTHOR. IT IS FORBIDDEN ITS PUBLICATION AND REPUBLICATION, REPRODUCTION, PUBLIC PERFORMANCE, TRANSLATION INTO FOREIGN LANGUAGES, CHANGES IN THE TEXT OF THE PLAY IN THE FORMULATION WITHOUT THE WRITTEN PERMISSION OF THE AUTHOR. THE PLAY CAN ONLY BE STAGED AFTER A DIRECT CONTRACT IS CONCLUDED BETWEEN THE AUTHOR AND THE THEATER.

Play for 10,9,8 or 7 people "Hear or see"

Fiction. Drama. Comedy. Duration is two hours.

A play in two acts.

ACTOR

PHILIP Georgievich – Director of the company, "happy owner" of the gift;

VACHAGAN – the question of who he is remains open to the viewer (the actor's voice is required mysterious, voluminous);

YANA – Philip's wife;

JULIA – the mistress of Philip;

YULECHKA's LOVER – a cameo role without words.

ANTON is an employee of the company, Logist;

YURI – employee of the company, the Manager;

NATALIA Viktorovna – company employee, accountant;

GENNADIEVICH – an employee of the company, a driver (preferably a tall actor with a tummy);

MARK – a homeless man, a tax collector, a cameo role.

The play provides a record (the true thoughts of the characters) of almost all the characters. The sound engineer has a very serious job ahead of him, but it's worth it.

Combining roles:

Vachagan, Gennadievich and Yulechka's lover or Vachagan and the lover can be played by one actor, at the discretion of the Director.

Mark and Yuri or mark and Anton are also interchangeable roles.

ATTRIBUTES REQUIRED FOR STAGING:

Three office desks, three office chairs, three laptops, an office phone, an office sofa, a cooler with a water bottle, a pile of documents. Scenography of the working office environment at the discretion of the Director.

The play also involves two different living spaces (no frills). Wardrobe, bed, chair, table, the rest is at the discretion of the Director.

To simulate a forest, you will need several Christmas trees (you can use artificial Christmas trees)

Small safe water explosive packages attached to the actor's body (preferably) or computer graphics simulating flying water splashes.

Safe fireworks that spray fireworks in a diameter of no more than 2 sq. m. (highly desirable)

You will need two large trained sheepdogs for the production!!! (highly desirable), otherwise dummies or children dressed in authentic dog costumes will do, but the effect will not be the same.

From special effects, it is highly desirable to create snowfall, rain, thunder, as well as wind that reaches the audience (it is extremely and extremely desirable to implement all this)

The season of events is autumn (September – October)

Due to the complexity of this statement, the contract will provide for possible minor changes.

ACT ONE

OFFICE

A small office sofa for visitors, on which, snoring, huddles heavy driver Gennadievich. Desktops, laptops at which Manager Yuri and logistician Anton sit impressively, they are passionate about a computer game of tanks, play with each other over the network. The noise of gunfire and the roar of engines comes from their computers. Accountant Natalia pedicure with my bare feet on his Desk, carefully removes the cover on nails while talking on a cell phone with a friend, holding the phone shoulder to ear. With all this, the handset of the work phone breaks, but there is no one to take it, everyone is "very busy".

Finally, Natalia can't stand it, glancing at the work phone several times and looking around, picks up the phone.

NATALIA: (politely to your mobile) Snezhinochka, could you wait a second. The phone is ringing under my ear, I can't hear you at all.

He puts down his mobile phone and puts the work phone to his ear.

NATALIA: (sternly, defiantly, boorishly) Yes! What did you want?

He listens to the phone, looks in the direction of the guys who are engaged in the game, turns to the phone.

NATALIA: (sternly, defiantly, boorishly) Yuri can't come to the phone right now, he has… negotiations!

He listens to the phone, looks in the direction of the guys who are engaged in the game, turns to the phone.

NATALIA: (sternly, defiantly, boorish) Anton is also busy right now. Do you think we sit around here all day, waiting for your call? Avral, that you as a small! Call back in… two hours.

Natalia looks doubtfully at the guys who only start hitting the keyboard harder with their fingers, their enthusiasm only increases.

NATALIA: (already moderately, without irritation) Although you know, call back better later in the evening, or even better tomorrow morning. I'll tell them you called, and if the guys are free, they'll call you back early. Have a nice day."

Natalia hangs up, shakes her head in disapproval, and shouts at the guys.

NATALIA: Yura!

The driver shudders on the couch from the scream, marking his experience of this gadfly with a particularly loud snore.

One of the guys reluctantly turns to Natalia.

NATALIA: (angrily) Yura, my God, I'm an accountant, not a Manager, why do your clients call me all the time, distract me from work!

There is an explosive, furious, victorious laugh from Anton, who jumps up from his chair and gestures humiliatingly (preferably decently) at Yuri.
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