Bluebell Castle

Bright silver sparks showered high above as Iggy placed a soft hand on his back before accepting the ignitor from him. ‘Love you, Daddy, to the stars and back.’ Her fiery tribute streaked into the sky, a perfect crackling match to Arthur’s rocket.

‘We’ll always have Paris,’ Tristan said as he lit the third and final fuse, and the three of them laughed. Stolen from Casablanca, it had been their dad’s response to any awkward or emotional situation, and had become his traditional farewell phrase whenever he’d dropped them off at school.

As the final firework blazed above, they turned away towards the castle. Mixed amongst the smoke, the ashes of Uther Pendragon Ludworth, fourteenth Baronet Ludworth of Camland Castle drifted to settle over the lands he’d loved so much, and Arthur swore he’d do everything in his power to keep hold of them.

CHAPTER TWO

‘You’ve got this. You’ve done all the research, double-checked and triple-checked everything. Come on now.’ Pep talk over, Lucie Kennington released her grip on the porcelain sink in the ladies’ bathroom and turned on the cold tap. Running her wrists under the cool water, she practised a deep breathing technique she’d picked up at yoga class and squished down the last of the butterflies fluttering in her stomach.

A quick check in the mirror above the sink told her the carefully applied ‘there, but not there’ make-up she’d got up an hour earlier than normal to apply still looked flawless. One of the first things she’d learnt when starting at Witherby’s Fine Art five years previously was the importance of presentation. Whether it was finding the perfect frame for a painting, a table from the right period to display an exquisite porcelain vase, or just ensuring you were immaculately turned out, presentation was an essential part of maintaining Witherby’s reputation as one of the foremost auction houses in the country.

Having used a damp finger to tame a stray tendril threatening to escape from the sleek bun tied at her nape, Lucie dried her hands on one of the white hand towels stacked in neat rolled rows next to the sink then slid her arms into her navy jacket. Single button fastened at her waist, a quick half-turn and a smoothing hand over the matching pencil skirt and she was ready to face the music.

The low heels on her navy court shoes sank into the deep pile of the forest green carpet as she strode along the hallway then down the sweeping staircase which led from the upper floor staff offices to the ground floor housing the exhibition spaces. Witherby’s occupied what had once been a grand Georgian mansion in the heart of London, and its high sculptured ceilings and painted half-panel walls added to the gravitas and atmosphere. Coming to work every day in the exquisitely beautiful building felt like a real privilege to Lucie—even if the ancient heating system and original sash windows left something to be desired in the cold depths of winter.

As she stepped down onto the creamy marble floor of the imposing entrance hall, a blast of cold from the open front door sent a shiver through her, and she was glad for the thermal vest hidden beneath her silk blouse. A strip of Wedgwood blue sky showed over the rooftops of the buildings across the street. It might be chilly, but at least the weather was fine which boded well for their first major sale day of spring. A quick, nervous smile to James, the doorman clad in a traditional set of tails, complete with top hat, earned her a wink in return. ‘It’s going to be a good one,’ he said. ‘They were queuing to get in.’

His declaration did nothing to quell her nerves, nor did the hubbub of conversation already spilling out of the open double-doors of the main auction room. The start of the auction was still three hours away. ‘Better go and make sure everything’s ready then!’ Lucie kept her tone bright and breezy, like it was just another day and not the most important one to date in her career. With a quick wave, she headed down a short corridor to the left of the main entrance and into the private viewing area where select patrons were given time to peruse the best lots in relative peace.

One more deep breath as she paused on the threshold and then she swept into the room, head high, smile bright, eyes dancing over the people already gathered with a glass of Buck’s Fizz. ‘Something to drink, Ms Kennington?’ Marnie, one of this year’s new interns, offered her a silver tray topped with glasses.

‘Thank you.’ Lucie accepted a highball filled with sparkling water. The ice clinked, and she wrapped her left hand over the right to calm the slight shaking. She cast a glance around the room, trying to focus on individuals and not just the blur of chattering faces. Spying a famous newspaper art critic holding court in one corner, she took a too-large mouthful of water and almost choked as the bubbles fizzed up the back of her nose. Smooth, Lucie. Snorting out one’s drink was most definitely not the ‘Witherby’s way’ of doing things.

Hoping nobody had noticed her discomfort, she began to stroll around the edge of the room, catching snippets of conversations as she went. It came as no surprise how few of the discussions were about the painting they’d all gathered to see. Art was rarely appreciated solely for its ability to induce an emotional reaction, whether breath-taking joy, or shock and discomfort. It had become a commodity. A thing to own for the sake of owning it, or even as a way of reducing taxation liabilities. It was the ugly side of the art world, a necessary evil without which she wouldn’t be able to do the job she loved. But it broke her heart to think of all the treasures secreted away in bank vaults and kept under lock and key. A shiver ran through her. Try as she might to escape it, the tendrils of materialism continued to thread themselves through her life.

‘Ah, Lucinda, there you are.’ The warm greeting from Carl Nelson, the head of her department, chased away the dark clouds gathering in her mind. He’d been nothing but supportive since she’d first joined the company as a shy girl fresh from university. Setting her shoulders, she lifted her face to meet the paternal smile he aimed her way and moved towards the small group gathered around him. ‘I was just telling everyone about your remarkable discovery.’

A woman clad in a sleek black skirt and jacket that whispered of vintage Chanel from every stitch and thread gave Lucie an appraising glance before smiling. ‘You really just found the piece hanging forgotten in the hallway?’

Lucie nodded. ‘I was there to appraise another artwork entirely. I turned to take off my coat and caught sight of the Meileau from the corner of my eye.’ She paused, lost for a moment in the memory of her first sight. Butterflies danced inside her, the same as they had in the dusty hallway of a suburban bungalow. The luminous blues and greens of the beautiful watercolour had glowed even in the half-light of a gloomy afternoon, stealing the breath from Lucie’s lungs.

‘And Impressionism isn’t even her speciality.’ The slightly hesitant voice behind her shoulder was another welcome balm to Lucie. Turning, she made room for a slightly rumpled-looking Piers Johnson to join them. ‘So you can imagine,’ he continued with a quick wink at Lucie, ‘how green with envy we were when our Pre-Raphaelite-loving colleague stumbled across one of the discoveries of the decade.’

Fighting not to blush, Lucie found his hand and gave it a quick squeeze before dropping it again in case he got the wrong idea. With his kind blue eyes twinkling from behind the lenses of his wire-framed glasses, to the ruffled brown hair that always looked in need of a good comb, Piers had the kind of bookish charm that ticked every one of Lucie’s boxes. Or should have.

They’d dated a handful of times the previous summer before Lucie had admitted reluctantly to herself that the only stimulation between them was on an intellectual level. When he’d finally kissed her in a quiet corner of the V&A where they’d been to visit an exhibition together, it had been…pleasant.

Though he’d been disappointed when she’d suggested they had too much to lose in terms of both friendship and their working relationship, he’d been nothing but gracious. Over the past twelve months he’d never intimated he wanted to resume their fledgling romance, but she caught the odd look from him now and then that made her wonder, so she was at pains not to act in a way he might take as encouragement. He was a decent man, and the last thing she wanted to do was hurt or embarrass him. Turning up to support her today was just the sort of thing he would do, and she wished, not for the first time, that she was attracted to him. He was perfect for her in every other way.

Swallowing a sigh of regret, she turned his compliment aside with one of her own. ‘Oh, Piers, don’t tease so. Everyone knows how much you’ve done to build Witherby’s reputation to what it is today. I’m just a beginner in comparison.’

Casting her a grateful smile, he shoved his glasses back in place with his forefinger. ‘You’re too kind.’ He turned back to the client. ‘Since Lucie’s find we’ve all been trawling the valuation enquiries inbox in the hopes of matching her success.’

Members of the public were welcome to submit requests directly to Witherby’s via their website, and it usually fell to Lucy and the other junior valuation staff to comb through the emails and winnow out anything of interest. Her find had, temporarily at least, elevated the task from mundane chore to something of an in-house competition to find the next big thing.

‘It was pure luck,’ she stressed. ‘Any one of my colleagues could’ve been assigned the visit. I was just in the right place at the right time.’

‘Well, we’re all on tenterhooks. When do we get to see this masterpiece?’ The sleek woman asked.

Glancing past the woman’s shoulder, Lucie spotted Carl making his way towards the cloth-swathed stand in the centre of the room. Immediately, the butterflies in her tummy were dancing once more. ‘Any minute now.’

‘Allow me.’ With a smile, Piers offered the woman his arm, excusing himself from Lucie with a smile. No doubt he’d sensed her nerves and was giving her space to compose herself. Such a good man. As he strolled away, his words drifted back to Lucie. ‘There were some questions over the provenance, but Lucie beavered away until she scraped together enough data to satisfy the committee.’

Lucie winced. It was true she’d faced an uphill battle to trace an unbroken line of ownership of the Meileau. Piers was no doubt just trying to make polite conversation, but she wished he would be a little more discreet. Someone might overhear him and assume there was some question mark over her research, which could be ruinous. Provenance was everything in the art community, and any doubt in its veracity might put off potential bidders. Trying not to let her nerves ratchet up to panic, she gave the pair a wide berth as she made her way towards the circular dais along with the rest of the converging crowd.

‘Lucinda, where are…oh, there you are. Come on up.’ Carl gestured to a spot beside him facing the gathered staff and guests.

Feeling heat prickle in her cheeks, Lucie edged towards the front to slip through a gap and join him. Never comfortable in the spotlight, she would’ve preferred to remain within the group. In the grand scheme of things, it didn’t matter who had discovered the painting, only that someone had brought it back into the light for the world to enjoy once more. Credit where credit is due. The old adage drifted up from her memory, the words spoken by her grandfather when she demurred over him giving her a special present after she’d received an award at her school’s speech night. When she’d pointed out her award had been for participating in a group project, he’d chucked her cheek with his finger. ‘You’re allowed to shine a little bit, sometimes. People will be quick enough to steal your glory, don’t give it away so easily.’

With the spirit of her grandfather boosting her courage, Lucie forced her shoulders to relax and lifted her head to meet Carl’s encouraging smile. He’d been instrumental in ensuring she received her due. He’d monitored her progress as she’d worked to pin together the bits and pieces of lost provenance caused in the main by the desperate flight from Paris a few steps ahead of the unrelenting press of the Third Reich sweeping over France’s borders by the grandparents of Mrs Richardson, the now-owner, in the spring of 1940. Along with many other French Jews, their assets had been seized, the belongings they’d left behind ransacked by neighbours and former friends caught up in the anti-Semitic frenzy of those darkest of days.

It had taken many hours of delicate negotiation and correspondence with the great-granddaughter of a neighbour, before she’d allowed Lucie to search through the contents of their attic. In amongst boxes and suitcases stuffed with personal items and correspondence belonging not only to Mrs Richardson’s grandparents but a host of other families who’d fled—or worse—Lucie had eventually found the original bill of sale for the Meileau. What other secrets might still be hidden in amongst the other boxes she’d left for others to uncover.

Lost in the memory of that dark, dusty attic filled with ghosts, Lucie didn’t realise that Carl had launched into his speech until he mentioned her name again. With a little jump, she resolved to pay more attention, though it was hard to concentrate with so many eyes trained upon her. Mrs Richardson should’ve been there to celebrate the moment, but she and her husband had decided to avoid the limelight and inevitable press intrusion that would follow if the painting came close to achieving the sort of sales figure the valuation team were expecting, and had gone away on holiday. The auction house’s legendary spring fine arts sale had been a calendar fixture for many years, and the Meileau was the star of the show. Lucie couldn’t blame the Richardsons for wanting to stay anonymous.

Carl’s tone increased in volume and enthusiasm as he built up to the finale of his speech. ‘…And without further ado…’ Lucie took the agreed upon cue and moved to the other side of the painting to grip the velvet covering as Carl did the same on his side. ‘Ladies and gentlemen, Witherby’s is proud to share with you the first official unveiling of François Meileau’s Summer’s Eve.’

To a round of applause they lifted the cover, Lucie already turning eagerly to drink in the beauty of the painting. Secured safely in the vaults beneath the auction house, it had been several weeks since she’d last set eyes on it, and the myriad photographs she’d taken couldn’t do it justice. Like a woman relearning the face of a long-lost lover, she let her greedy gaze rove over the entire surface of the work, waiting for the flutter of excitement she got every time she was up close to a masterpiece. And waited.

Whether it was too much excitement, or just plain nerves she wasn’t sure, but the gut-punch of pure emotion she’d come to expect didn’t come. The brushstrokes that had once seemed to dance across the canvas lay dull and flat, the delicacy of the colours she’d so admired missing somehow. Feeling strangely hollow, she edged back from the stand allowing the guests to crowd closer. Heat swept through her, churning her stomach and dampening the base of her spine until the silk of her blouse clung unpleasantly to her skin beneath her jacket. As she backed away from the stand, she watched Carl accept congratulations from one of the guests with a clink of their champagne flutes before they turned to face the painting. Arms waving like a windmill, he rabbited a mile a minute, oblivious to the dread creeping through Lucie. She waited for him to react, to notice what she had within seconds, but he continued to chatter to one person after another.

When a reporter clutching a notepad moved up beside him, Lucie found herself swallowing back a mouthful of bitter bile. Unable to watch anymore, she turned away and locked gazes with Piers. A deep furrow arrowing down between his brows, he worked his way across the room before her. Feeling hunted, Lucie backed up until her shoulders bumped against the dark wood panelling of the far wall.

Stopping barely inches from her, Piers cast a horrified glance towards the painting before fixing his confused stare back on Lucie. ‘What,’ he muttered low enough no one else could hear, ‘the fuck is that?’

His unusual use of the expletive as much as the churning inside told her the worst of all possible truths. She hadn’t been wrong, it hadn’t been a case of first night nerves or over-anticipation. ‘I don’t know.’

Piers’ eyebrows all but disappeared beneath the floppy strands of his fringe. ‘You don’t know?’ There was a disbelieving edge to his tone, as though he was shouting at her even though his voice barely carried across the few inches separating them.

Feeling tears prickling behind her eyes, Lucie blinked hard. ‘It’s not the painting I found. It looks like it, but that’s not the Meileau. I don’t know how this has happened.’ Her last words came out as a low wail and Lucie clamped her hand over her lips to stifle it.

Piers opened his mouth, and she flinched back against the wall expecting a tirade of abuse. Not that he was one to rage and shout, but the enormity of the disaster they were facing surely deserved it. It would be ruinous, not just for her career, but for the auction house as a whole. They’d made a huge song and dance about her discovery, had set the Meileau up as the star of the season and instead unveiled what to Lucie’s eyes looked like a poor man’s facsimile of the original. As though his knees were as weak as hers, Piers slumped against the wall beside her, stunned eyes fixed on hers.

‘What are we going to do?’ she whispered.

‘I don’t know,’ he whispered back.

‘We should tell someone.’

He shook his head. ‘Not now. We can’t. Not in front of this lot. It’s not the way.’

The Witherby’s way. God. Making a scene in public might almost be frowned upon more than the scandal of displaying what Lucie was almost entirely convinced was a fake painting. Almost. She wanted to cry. No, she wanted the ground to open up and swallow her whole. She wanted her mum. But she wasn’t a little girl anymore, and no one was coming to rescue her. ‘Okay, okay. Here’s what we’re going to do. We’re going to grit our teeth, smile and blag our way through the next hour that’s what we’re going to do.’

Piers stared at her for a long moment before throwing the remaining contents of his champagne glass down his throat. ‘Okay, I’ll get us another a drink.’ With a wave, he summoned a server and swapped his empty glass for a new one. When he spotted the glass of water Lucie still clutched between numb fingers, he swiped it from her and thrust a second glass of champagne towards her. ‘Here.’

‘I wasn’t going to drink tonight.’

He bit off the beginnings of a hysterical laugh. ‘You’re going to need it. And you might as well get something from the company whilst you can.’

Whilst she could? What on earth was that supposed to mean? Oh. ‘They’re going to sack me.’

Piers gave her a sad smile. ‘Well, I don’t think they’re going to invite you to join the board of directors, that’s for sure. Right, drink up and put a smile on your face. This is supposed to be your moment of triumph. If anyone catches you looking like a wet weekend, the game will be up. If one or other of us catches Carl alone, we’ll have to try and warn him.’ Following his own advice, Piers took a long swig from his glass then turned away from her. ‘Ah, Charles, there you are! What do you think of our little masterpiece then?’

*

The hour that followed was one of the longest of Lucie’s life. Fascinated by the backstory as much as the painting itself, one guest after another demanded her version of events from first discovery to finding the bill of sale. Jaw aching from the rictus grin she’d plastered on, Lucie drank and chatted like the life and soul of the party, her eyes never straying far from Piers as he worked the opposite side of the room. Carl maintained his position beside the painting, acting as master of ceremonies and still seemingly oblivious to the impending disaster.

When Piers moved towards him, Lucie feared the champagne churning in her belly would end up spewed all over the antique rug beneath her feet. Like witnessing a slow-motion car crash she watched the colour drain from Carl’s face as Piers muttered into his ear. When Carl’s disbelieving gaze met hers, there was nothing Lucie could do other than nod miserably to confirm the terrible news.

*

‘What the hell happened?’ Carl asked for the dozenth time in the ten minutes since they’d entered his office after ushering out the last guest. Lucie had stopped trying to explain after the first five times he’d asked it. At least he’d stopped yelling. Her eyes strayed to the pile of shattered glass in one corner, the remnants of a Lalique paperweight he’d snatched from his desk and flung against the bookcase in his rage. She’d never seen him out of control and had Piers not stepped in front of her at the first signs of Carl’s temper, she might have been more scared. As though he’d finally blown out the last of his fury, Carl dropped like a stone into the leather chair behind his desk and buried his face in his hands for a few seconds before lifting it to stare at them. ‘We’ll have to cancel the sale. Spin some story about the owner having second thoughts about parting with it. I’ll speak to the publicity department first thing tomorrow.’

Feeling like it was safe to come out from behind Piers now Carl sounded so much calmer, Lucie edged to her right. ‘I’ll see if I can contact Mrs Richardson.’

‘No.’ Carl’s sharp response ricocheted around the room like the bang of a gun. ‘You will gather your things and leave this building immediately. Consider yourself on suspension until further notice. You won’t speak a word to anyone about this other than the internal security team when they contact you.’

Feeling sick, Lucie swayed for a moment before forcing some steel into her spine. She hadn’t done anything wrong. There had to be a logical explanation for this, if she could just stop the panicked swirl of her brain for two minutes, she knew she could fathom it out. ‘I’m happy to cooperate, of course, but I’m sure it’s just some kind of mistake.’

‘Mistake? How can you stand there and tell me the most important artwork of the season has been replaced by a fake whilst it was under your care, and call it nothing more than a mistake? The word you are looking for is fraud.’

The word struck her like a blow, spinning her back almost fifteen years as she watched a team of policemen root through the contents of her bedroom as her mother sobbed in a heap on the landing. ‘You…you can’t…’ Swallowing, she tried again. ‘You can’t possibly think I had anything to do with this?’ She turned from Carl to Piers, hands held out in appeal. ‘Why would I tell you it wasn’t the right painting if I was trying to pull off some kind of scam?’

Piers glanced down at the carpet, clearly uncomfortable. ‘But you didn’t tell me, not until it was obvious I’d spotted there was something wrong with it.’

‘What? No! That’s not how it happened at all! As soon as Carl pulled off the cover I knew it wasn’t right, I told you.’ Frantic, she ran through the events in her head. As soon as she’d realised something was wrong, she’d…oh. She hadn’t said anything, had she? She’d backed away instead of immediately making Carl aware of it. And it had been Piers who’d approached her, not the other way around. ‘I swear to you both, I don’t know anything about this. I swear.’

Piers flushed. ‘I’m not accusing you of anything, not at all, but none of this makes sense.’

‘I trusted you, Lucie.’ The accusation in Carl’s tone cut her to the quick. ‘I should have listened to my instincts when I found out about your background, about the kind of family you come from. Instead, I gave you the benefit of the doubt, and this is how you repay me!’

A wave of nausea swept through her and she pressed a hand to her lips as though to hold it back. He couldn’t be implying… ‘You had my background investigated? Is that even legal?’ Even as she said it, the fight left her. It didn’t matter what she did, how diligently she worked to prove herself, she was never going to escape her name. Her past.