War and Peace

Dólokhov, the bottle of rum still in his hand, jumped onto the window sill. “Listen!” cried he, standing there and addressing those in the room. All were silent.

“I bet fifty imperials”—he spoke French that the Englishman might understand him, but he did not speak it very well—“I bet fifty imperials … or do you wish to make it a hundred?” added he, addressing the Englishman.

“No, fifty,” replied the latter.

“All right. Fifty imperials … that I will drink a whole bottle of rum without taking it from my mouth, sitting outside the window on this spot” (he stooped and pointed to the sloping ledge outside the window) “and without holding on to anything. Is that right?”

“Quite right,” said the Englishman.

Anatole turned to the Englishman and taking him by one of the buttons of his coat and looking down at him—the Englishman was short—began repeating the terms of the wager to him in English.

“Wait!” cried Dólokhov, hammering with the bottle on the window sill to attract attention. “Wait a bit, Kurágin. Listen! If anyone else does the same, I will pay him a hundred imperials. Do you understand?”

The Englishman nodded, but gave no indication whether he intended to accept this challenge or not. Anatole did not release him, and though he kept nodding to show that he understood, Anatole went on translating Dólokhov’s words into English. A thin young lad, an hussar of the Life Guards, who had been losing that evening, climbed on the window sill, leaned over, and looked down.

“Oh! Oh! Oh!” he muttered, looking down from the window at the stones of the pavement.

“Shut up!” cried Dólokhov, pushing him away from the window. The lad jumped awkwardly back into the room, tripping over his spurs.

Placing the bottle on the window sill where he could reach it easily, Dólokhov climbed carefully and slowly through the window and lowered his legs. Pressing against both sides of the window, he adjusted himself on his seat, lowered his hands, moved a little to the right and then to the left, and took up the bottle. Anatole brought two candles and placed them on the window sill, though it was already quite light. Dólokhov’s back in his white shirt, and his curly head, were lit up from both sides. Everyone crowded to the window, the Englishman in front. Pierre stood smiling but silent. One man, older than the others present, suddenly pushed forward with a scared and angry look and wanted to seize hold of Dólokhov’s shirt.

“I say, this is folly! He’ll be killed,” said this more sensible man.

Anatole stopped him.

“Don’t touch him! You’ll startle him and then he’ll be killed. Eh? … What then? … Eh?”

Dólokhov turned round and, again holding on with both hands, arranged himself on his seat.

“If anyone comes meddling again,” said he, emitting the words separately through his thin compressed lips, “I will throw him down there. Now then!”

Saying this he again turned round, dropped his hands, took the bottle and lifted it to his lips, threw back his head, and raised his free hand to balance himself. One of the footmen who had stooped to pick up some broken glass remained in that position without taking his eyes from the window and from Dólokhov’s back. Anatole stood erect with staring eyes. The Englishman looked on sideways, pursing up his lips. The man who had wished to stop the affair ran to a corner of the room and threw himself on a sofa with his face to the wall. Pierre hid his face, from which a faint smile forgot to fade though his features now expressed horror and fear. All were still. Pierre took his hands from his eyes. Dólokhov still sat in the same position, only his head was thrown further back till his curly hair touched his shirt collar, and the hand holding the bottle was lifted higher and higher and trembled with the effort. The bottle was emptying perceptibly and rising still higher and his head tilting yet further back. “Why is it so long?” thought Pierre. It seemed to him that more than half an hour had elapsed. Suddenly Dólokhov made a backward movement with his spine, and his arm trembled nervously; this was sufficient to cause his whole body to slip as he sat on the sloping ledge. As he began slipping down, his head and arm wavered still more with the strain. One hand moved as if to clutch the window sill, but refrained from touching it. Pierre again covered his eyes and thought he would never open them again. Suddenly he was aware of a stir all around. He looked up: Dólokhov was standing on the window sill, with a pale but radiant face.

“It’s empty.”

He threw the bottle to the Englishman, who caught it neatly. Dólokhov jumped down. He smelt strongly of rum.

“Well done! … Fine fellow! … There’s a bet for you! … Devil take you!” came from different sides.

The Englishman took out his purse and began counting out the money. Dólokhov stood frowning and did not speak. Pierre jumped upon the window sill.

“Gentlemen, who wishes to bet with me? I’ll do the same thing!” he suddenly cried. “Even without a bet, there! Tell them to bring me a bottle. I’ll do it… . Bring a bottle!”

“Let him do it, let him do it,” said Dólokhov, smiling.

“What next? Have you gone mad? … No one would let you! … Why, you go giddy even on a staircase,” exclaimed several voices.

“I’ll drink it! Let’s have a bottle of rum!” shouted Pierre, banging the table with a determined and drunken gesture and preparing to climb out of the window.

They seized him by his arms; but he was so strong that everyone who touched him was sent flying.

“No, you’ll never manage him that way,” said Anatole. “Wait a bit and I’ll get round him… . Listen! I’ll take your bet tomorrow, but now we are all going to ——’s.”

“Come on then,” cried Pierre. “Come on! … And we’ll take Bruin with us.”

And he caught the bear, took it in his arms, lifted it from the ground, and began dancing round the room with it.

Chapter X

Prince Vasíli kept the promise he had given to Princess Drubetskáya who had spoken to him on behalf of her only son Borís on the evening of Anna Pávlovna’s soirée. The matter was mentioned to the emperor, an exception made, and Borís transferred into the regiment of Semënov Guards with the rank of cornet. He received, however, no appointment to Kutúzov’s staff despite all Anna Mikháylovna’s endeavors and entreaties. Soon after Anna Pávlovna’s reception Anna Mikháylovna returned to Moscow and went straight to her rich relations, the Rostóvs, with whom she stayed when in the town and where her darling Bóry, who had only just entered a regiment of the line and was being at once transferred to the Guards as a cornet, had been educated from childhood and lived for years at a time. The Guards had already left Petersburg on the tenth of August, and her son, who had remained in Moscow for his equipment, was to join them on the march to Radzivílov.

It was St. Natalia’s day and the name day of two of the Rostóvs—the mother and the youngest daughter—both named Nataly. Ever since the morning, carriages with six horses had been coming and going continually, bringing visitors to the Countess Rostóva’s big house on the Povarskàya, so well-known to all Moscow. The countess herself and her handsome eldest daughter were in the drawing room with the visitors who came to congratulate, and who constantly succeeded one another in relays.

The countess was a woman of about forty-five, with a thin Oriental type of face, evidently worn out with childbearing—she had had twelve. A languor of motion and speech, resulting from weakness, gave her a distinguished air which inspired respect. Princess Anna Mikháylovna Drubetskáya, who as a member of the household was also seated in the drawing room, helped to receive and entertain the visitors. The young people were in one of the inner rooms, not considering it necessary to take part in receiving the visitors. The count met the guests and saw them off, inviting them all to dinner.

“I am very, very grateful to you, mon cher,” or “ma chère”—he called everyone without exception and without the slightest variation in his tone, “my dear,” whether they were above or below him in rank—“I thank you for myself and for our two dear ones whose name day we are keeping. But mind you come to dinner or I shall be offended, ma chère! On behalf of the whole family I beg you to come, mon cher!” These words he repeated to everyone without exception or variation, and with the same expression on his full, cheerful, clean-shaven face, the same firm pressure of the hand and the same quick, repeated bows. As soon as he had seen a visitor off he returned to one of those who were still in the drawing room, drew a chair toward him or her, and jauntily spreading out his legs and putting his hands on his knees with the air of a man who enjoys life and knows how to live, he swayed to and fro with dignity, offered surmises about the weather, or touched on questions of health, sometimes in Russian and sometimes in very bad but self-confident French; then again, like a man weary but unflinching in the fulfillment of duty, he rose to see some visitors off and, stroking his scanty gray hairs over his bald patch, also asked them to dinner. Sometimes on his way back from the anteroom he would pass through the conservatory and pantry into the large marble dining hall, where tables were being set out for eighty people; and looking at the footmen, who were bringing in silver and china, moving tables, and unfolding damask table linen, he would call Dmítri Vasílevich, a man of good family and the manager of all his affairs, and while looking with pleasure at the enormous table would say: “Well, Dmítri, you’ll see that things are all as they should be? That’s right! The great thing is the serving, that’s it.” And with a complacent sigh he would return to the drawing room.

“Márya Lvóvna Karágina and her daughter!” announced the countess’s gigantic footman in his bass voice, entering the drawing room. The countess reflected a moment and took a pinch from a gold snuffbox with her husband’s portrait on it.

“I’m quite worn out by these callers. However, I’ll see her and no more. She is so affected. Ask her in,” she said to the footman in a sad voice, as if saying: “Very well, finish me off.”

A tall, stout, and proud-looking woman, with a round-faced smiling daughter, entered the drawing room, their dresses rustling.

“Dear Countess, what an age … She has been laid up, poor child … at the Razumóvski’s ball … and Countess Apráksina … I was so delighted …” came the sounds of animated feminine voices, interrupting one another and mingling with the rustling of dresses and the scraping of chairs. Then one of those conversations began which last out until, at the first pause, the guests rise with a rustle of dresses and say, “I am so delighted … Mamma’s health … and Countess Apráksina …” and then, again rustling, pass into the anteroom, put on cloaks or mantles, and drive away. The conversation was on the chief topic of the day: the illness of the wealthy and celebrated beau of Catherine’s day, Count Bezúkhov, and about his illegitimate son Pierre, the one who had behaved so improperly at Anna Pávlovna’s reception.

“I am so sorry for the poor count,” said the visitor. “He is in such bad health, and now this vexation about his son is enough to kill him!”

“What is that?” asked the countess as if she did not know what the visitor alluded to, though she had already heard about the cause of Count Bezúkhov’s distress some fifteen times.

“That’s what comes of a modern education,” exclaimed the visitor. “It seems that while he was abroad this young man was allowed to do as he liked, now in Petersburg I hear he has been doing such terrible things that he has been expelled by the police.”

“You don’t say so!” replied the countess.

“He chose his friends badly,” interposed Anna Mikháylovna. “Prince Vasíli’s son, he, and a certain Dólokhov have, it is said, been up to heaven only knows what! And they have had to suffer for it. Dólokhov has been degraded to the ranks and Bezúkhov’s son sent back to Moscow. Anatole Kurágin’s father managed somehow to get his son’s affair hushed up, but even he was ordered out of Petersburg.”

“But what have they been up to?” asked the countess.

“They are regular brigands, especially Dólokhov,” replied the visitor. “He is a son of Márya Ivánovna Dólokhova, such a worthy woman, but there, just fancy! Those three got hold of a bear somewhere, put it in a carriage, and set off with it to visit some actresses! The police tried to interfere, and what did the young men do? They tied a policeman and the bear back to back and put the bear into the Moyka Canal. And there was the bear swimming about with the policeman on his back!”

“What a nice figure the policeman must have cut, my dear!” shouted the count, dying with laughter.

“Oh, how dreadful! How can you laugh at it, Count?”

Yet the ladies themselves could not help laughing.

“It was all they could do to rescue the poor man,” continued the visitor. “And to think it is Cyril Vladímirovich Bezúkhov’s son who amuses himself in this sensible manner! And he was said to be so well educated and clever. This is all that his foreign education has done for him! I hope that here in Moscow no one will receive him, in spite of his money. They wanted to introduce him to me, but I quite declined: I have my daughters to consider.”

“Why do you say this young man is so rich?” asked the countess, turning away from the girls, who at once assumed an air of inattention. “His children are all illegitimate. I think Pierre also is illegitimate.”

The visitor made a gesture with her hand.

“I should think he has a score of them.”

Princess Anna Mikháylovna intervened in the conversation, evidently wishing to show her connections and knowledge of what went on in society.

“The fact of the matter is,” said she significantly, and also in a half whisper, “everyone knows Count Cyril’s reputation… . He has lost count of his children, but this Pierre was his favorite.”

“How handsome the old man still was only a year ago!” remarked the countess. “I have never seen a handsomer man.”

“He is very much altered now,” said Anna Mikháylovna. “Well, as I was saying, Prince Vasíli is the next heir through his wife, but the count is very fond of Pierre, looked after his education, and wrote to the emperor about him; so that in the case of his death—and he is so ill that he may die at any moment, and Dr. Lorrain has come from Petersburg—no one knows who will inherit his immense fortune, Pierre or Prince Vasíli. Forty thousand serfs and millions of rubles! I know it all very well for Prince Vasíli told me himself. Besides, Cyril Vladímirovich is my mother’s second cousin. He’s also my Bóry’s godfather,” she added, as if she attached no importance at all to the fact.

“Prince Vasíli arrived in Moscow yesterday. I hear he has come on some inspection business,” remarked the visitor.

“Yes, but between ourselves,” said the princess, “that is a pretext. The fact is he has come to see Count Cyril Vladímirovich, hearing how ill he is.”

“But do you know, my dear, that was a capital joke,” said the count; and seeing that the elder visitor was not listening, he turned to the young ladies. “I can just imagine what a funny figure that policeman cut!”

And as he waved his arms to impersonate the policeman, his portly form again shook with a deep ringing laugh, the laugh of one who always eats well and, in particular, drinks well. “So do come and dine with us!” he said.

Chapter XI

Silence ensued. The countess looked at her callers, smiling affably, but not concealing the fact that she would not be distressed if they now rose and took their leave. The visitor’s daughter was already smoothing down her dress with an inquiring look at her mother, when suddenly from the next room were heard the footsteps of boys and girls running to the door and the noise of a chair falling over, and a girl of thirteen, hiding something in the folds of her short muslin frock, darted in and stopped short in the middle of the room. It was evident that she had not intended her flight to bring her so far. Behind her in the doorway appeared a student with a crimson coat collar, an officer of the Guards, a girl of fifteen, and a plump rosy-faced boy in a short jacket.

The count jumped up and, swaying from side to side, spread his arms wide and threw them round the little girl who had run in.

“Ah, here she is!” he exclaimed laughing. “My pet, whose name day it is. My dear pet!”

“Ma chère, there is a time for everything,” said the countess with feigned severity. “You spoil her, Ilyá,” she added, turning to her husband.

“How do you do, my dear? I wish you many happy returns of your name day,” said the visitor. “What a charming child,” she added, addressing the mother.

This black-eyed, wide-mouthed girl, not pretty but full of life—with childish bare shoulders which after her run heaved and shook her bodice, with black curls tossed backward, thin bare arms, little legs in lace-frilled drawers, and feet in low slippers—was just at that charming age when a girl is no longer a child, though the child is not yet a young woman. Escaping from her father she ran to hide her flushed face in the lace of her mother’s mantilla—not paying the least attention to her severe remark—and began to laugh. She laughed, and in fragmentary sentences tried to explain about a doll which she produced from the folds of her frock.

“Do you see? … My doll … Mimi … You see …” was all Natásha managed to utter (to her everything seemed funny). She leaned against her mother and burst into such a loud, ringing fit of laughter that even the prim visitor could not help joining in.

“Now then, go away and take your monstrosity with you,” said the mother, pushing away her daughter with pretended sternness, and turning to the visitor she added: “She is my youngest girl.”

Natásha, raising her face for a moment from her mother’s mantilla, glanced up at her through tears of laughter, and again hid her face.

The visitor, compelled to look on at this family scene, thought it necessary to take some part in it.

“Tell me, my dear,” said she to Natásha, “is Mimi a relation of yours? A daughter, I suppose?”

Natásha did not like the visitor’s tone of condescension to childish things. She did not reply, but looked at her seriously.

Meanwhile the younger generation: Borís, the officer, Anna Mikháylovna’s son; Nicholas, the undergraduate, the count’s eldest son; Sónya, the count’s fifteen-year-old niece, and little Pétya, his youngest boy, had all settled down in the drawing room and were obviously trying to restrain within the bounds of decorum the excitement and mirth that shone in all their faces. Evidently in the back rooms, from which they had dashed out so impetuously, the conversation had been more amusing than the drawing-room talk of society scandals, the weather, and Countess Apráksina. Now and then they glanced at one another, hardly able to suppress their laughter.

The two young men, the student and the officer, friends from childhood, were of the same age and both handsome fellows, though not alike. Borís was tall and fair, and his calm and handsome face had regular, delicate features. Nicholas was short with curly hair and an open expression. Dark hairs were already showing on his upper lip, and his whole face expressed impetuosity and enthusiasm. Nicholas blushed when he entered the drawing room. He evidently tried to find something to say, but failed. Borís on the contrary at once found his footing, and related quietly and humorously how he had known that doll Mimi when she was still quite a young lady, before her nose was broken; how she had aged during the five years he had known her, and how her head had cracked right across the skull. Having said this he glanced at Natásha. She turned away from him and glanced at her younger brother, who was screwing up his eyes and shaking with suppressed laughter, and unable to control herself any longer, she jumped up and rushed from the room as fast as her nimble little feet would carry her. Borís did not laugh.

“You were meaning to go out, weren’t you, Mamma? Do you want the carriage?” he asked his mother with a smile.

“Yes, yes, go and tell them to get it ready,” she answered, returning his smile.

Borís quietly left the room and went in search of Natásha. The plump boy ran after them angrily, as if vexed that their program had been disturbed.

Chapter XII

The only young people remaining in the drawing room, not counting the young lady visitor and the countess’s eldest daughter (who was four years older than her sister and behaved already like a grown-up person), were Nicholas and Sónya, the niece. Sónya was a slender little brunette with a tender look in her eyes which were veiled by long lashes, thick black plaits coiling twice round her head, and a tawny tint in her complexion and especially in the color of her slender but graceful and muscular arms and neck. By the grace of her movements, by the softness and flexibility of her small limbs, and by a certain coyness and reserve of manner, she reminded one of a pretty, half-grown kitten which promises to become a beautiful little cat. She evidently considered it proper to show an interest in the general conversation by smiling, but in spite of herself her eyes under their thick long lashes watched her cousin who was going to join the army, with such passionate girlish adoration that her smile could not for a single instant impose upon anyone, and it was clear that the kitten had settled down only to spring up with more energy and again play with her cousin as soon as they too could, like Natásha and Borís, escape from the drawing room.

“Ah yes, my dear,” said the count, addressing the visitor and pointing to Nicholas, “his friend Borís has become an officer, and so for friendship’s sake he is leaving the university and me, his old father, and entering the military service, my dear. And there was a place and everything waiting for him in the Archives Department! Isn’t that friendship?” remarked the count in an inquiring tone.

“But they say that war has been declared,” replied the visitor.

“They’ve been saying so a long while,” said the count, “and they’ll say so again and again, and that will be the end of it. My dear, there’s friendship for you,” he repeated. “He’s joining the hussars.”

The visitor, not knowing what to say, shook her head.

“It’s not at all from friendship,” declared Nicholas, flaring up and turning away as if from a shameful aspersion. “It is not from friendship at all; I simply feel that the army is my vocation.”

He glanced at his cousin and the young lady visitor; and they were both regarding him with a smile of approbation.

“Schubert, the colonel of the Pávlograd hussars, is dining with us today. He has been here on leave and is taking Nicholas back with him. It can’t be helped!” said the count, shrugging his shoulders and speaking playfully of a matter that evidently distressed him.

“I have already told you, Papa,” said his son, “that if you don’t wish to let me go, I’ll stay. But I know I am no use anywhere except in the army; I am not a diplomat or a government clerk.—I don’t know how to hide what I feel.” As he spoke he kept glancing with the flirtatiousness of a handsome youth at Sónya and the young lady visitor.

The little kitten, feasting her eyes on him, seemed ready at any moment to start her gambols again and display her kittenish nature.

“All right, all right!” said the old count. “He always flares up! This Buonaparte has turned all their heads; they all think of how he rose from an ensign and became emperor. Well, well, God grant it,” he added, not noticing his visitor’s sarcastic smile.

The elders began talking about Bonaparte. Julie Karágina turned to young Rostóv.

“What a pity you weren’t at the Arkharovs’ on Thursday. It was so dull without you,” said she, giving him a tender smile.