Absolute Midnight

Over the years many had attempted to find the words to evoke the horrors of Gorgossium. All had failed. The abominations which that island had brought to birth, and nurtured, and sent out often across the islands to do bloody and cruel work defied even the most articulate of souls.

Even Samuel Klepp, who in the most recent edition of Klepp’s Almenak, the standard guide to the islands, had written about Midnight in as brief and offhand a fashion as possible.

There is a great deal more, he had written, which I will not sully the pages of the Almenak by relating, horrors that haunt the Night-Noon Hour that will only go on to trouble our minds the more if their horrid visions are dwelt upon. Gorgossium is like unto a fetid carcass, rotting in its own consumption. Better we do upon these pages what we would do were we to encounter such a thing upon a road. We would avert our eyes from its foulness and go in search of sweeter sights. Then so should I.

There was worse to come, much worse. Whatever the fear-flooded mind might have imagined when it thought of Midnight—the unholy rituals performed there in the name of Chaos and Cruelty, the blank-eyed brutalities that took the sanity or the lives of any innocent who ventured there; the stink out of its gaping graves, and the dead who had climbed from them, raised for mischief’s sake, and left to wander where they would—all this was just the first line in a great book of terror that the two powers who had once ruled Gorgossium, Christopher Carrion and his grandmother, Mater Motley, had begun to write.

But things had changed. In an attempt to track down and finally slaughter Candy Quackenbush (who had caused her endless problems) Mater Motley had stirred up the Sea of Izabella and used their maelstrom to carry her warship, the Wormwood, into the Hereafter. Things had not gone well. The magic she had unleashed in that other world, contained perhaps by laws of matter that had no relevance in the Abarat, had lost its mind. The warship had been torn apart in the water—pieces of the Izabella and countless numbers of her stitchling warriors torn up the same way. Her grandson, Christopher Carrion, had drowned there too. Mater Motley had returned to Gorgossium alone.

Her first edict as the sole power now ruling Midnight was to summon up six thousand stitchlings—monsters filled with the living mud that was only mined on Gorgossium—to begin the labor of demolishing the thirteen towers of the Iniquisit. In their place, she would let it be known, there would be just a single three-spired tower built, far taller than even the tallest of the thirteen. From there she would rule, not only as the Sovereign of Gorgossium, but in time as the Empress of the Abarat.

She was a dangerous potentate.

Even among her hundreds of seamstresses—some of whom had known her for the better part of a century—there were few who trusted her affections. As long as she had need of their services (and at present she did) they were safe from harm, for without seamstresses there were no new stitchlings, and without stitchlings, no new legions to swell her army. But if that situation were to ever change, the women knew, they would be as disposable to the Old Mother as any stitchling.

Her weapon of choice when summarily executing one of her mud-men was her snake-wood rod, a simple but immensely powerful wand made of snake-wood that had been burned, buried, and raised up again on three consecutive midnights. It shot black lightning, destroying its target in an instant.

On several occasions, while surveying the work of demolition, she would catch sight of one of the stitchlings failing to labor as hard as the rest, and would summarily execute the brutish thing where it stood. The lesson: life and death were Mater Motley’s gift to give or take as she saw fit, and only a fool or a suicide walked where she walked without caution.

With such a powerful overseer, work on the demolition and removal of rubble proceeded at great speed, and in a matter of days the plateau where the many towers of the Iniquisit had stood there now stood a monumental structure. A single tower, designed by an architect of genius, incantatrix Jalafeo Mas, who used her knowledge of magic to defy the laws of physics and raise up a tower taller than the sum of the thirteen that had once stood there.

It was here, in the red-walled room at the top of the tower, that Mater Motley assembled the most trusted of her seamstresses: nine of them.

“The years of labor and faith are over,” Mater Motley said. “Midnight approaches.”

One of the nine, Zinda Goam, a seamstress half a thousand years old who had arranged to have her familiars raise her from the grave after her death so that she might continue to serve Mater said, “Are we not at Midnight now?”

“Yes, this is a time called Midnight. But now it’s Absolute. There is a greater Midnight than any in the making. A Midnight that will blind every sun, moon, and star in the heavens.”

Another of the women, whose emaciated body was draped with veils of fine cobwebs, could not silence her incredulity.

“I have never understood the Grand Design,” said Aea G’pheet. “It doesn’t seem possible. So many Hours. So many heavens.”

“Do you doubt me, Aea G’pheet?”

The seamstress, though her skin was pale, became paler still. She hurriedly said, “Never, m’lady. Never. I was just astonished is all—overwhelmed, really—and misspoke.”

“Then be careful in the future lest you find yourself without one.”

Aea G’pheet lowered her head, the cobwebs shimmering as they shook.

“Am . . . am I . . . forgiven?”

“Are you dead?”

No, m’lady,” Aea said. “I’m still alive.”

“Then you must have been forgiven,” the Old Mother said without humor. “Now, back to the business of Midnight. There are, as we know, many forms of life that have taken refuge from the light. Even the light of the stars. These creatures will be freed when my Midnight dawns. And they will make such mischief . . .” She paused, smiling at the thought of the fiends unleashed.

“And the people?” said another of the nine.

“Anyone who stands against us will be executed. And it will fall to us to spill their blood when the time comes, without hesitation. And if there is any woman here who is unwilling to fight this war upon those terms let her leave now. No harm will come to her. She has my oath on that. But if you choose to stay, then you will have agreed to do the work before us without fear or compromise.

“The labor of Midnight will be bloody, to be sure, but trust me, when I am Empress of the Abarat, I will raise you so high all thought of what you did to be so elevated will seem like nothing. We are not natural women, henceforth. Perhaps never were. We have no love of love, or of children, or of making bread. We are not made to tend fires and rock cradles. We are the unforgiving something upon which despairing men will break their fragile heads. There is no making peace with them, no husbanding them. They must be beneath our heels or dead and buried beneath the earth upon which we walk.”

There was a ripple of pleasure around the chamber at this remark. Only one of the younger seamstresses murmured something inaudible.

“You have a question,” Mater Motley said, singling her out.

“It was nothing, lady.”

“I said speak, damn you! I won’t have doubters! SPEAK!”

The seamstresses who had been surrounding the young woman now retreated from her.

“I was only wondering about the Twenty-Fifth Hour?” the young woman replied. “Will it also be overtaken by Midnight? Because if not—”

“Our enemies could find sanctuary there? Is that what you’re asking?”

“Yes.”

“It’s the question to which, in truth, I have no answer,” Mater Motley said lightly. “Not yet, at least. You are Mah Tuu Chamagamia, yes?”

“Yes, lady.”

“Well, as long as you are so curious about the state of the Twenty-Fifth, I will put two legions of stitchlings at your disposal.”

“To . . . do what, m’lady?”

“To take the Hour.”

“Take it?”

“Yes. To invade it. In my name.”

“But, lady, I have no skill in military matters. I could not.”

“Could not? You dare say COULD NOT to me?”

She stretched out her left arm, the fingers of her hand outstretched. The killing rod she used against the stitchlings flew from its place against the wall into her hand. She grasped it in a white-knuckled grip and in one sweeping motion pointed it at Mah Tuu Chamagamia.

The young woman opened her mouth to offer some further word of defense, but she had no time to utter it. Black lightning spat from the rod in her direction, and struck her in the middle of her body.

Now she made a sound. Not a word, but a cry of horror as her ghastly undoing spread out from her backbone in all directions turning her flesh and bone to flakes of black ash. Only her head remained untouched, so that she might better witness every moment of her dissolution.

But it was only long enough for her to see what her young beauty had been, and to turn her eyes up toward her destroyer one last time. Lone enough to murmur: “No.”

Then her head went to ashes, and she was gone.

“So dies a doubter,” the Old Mother said. “Any further questions?”

There were none.

Chapter 10 The Sorrows of the Good Son

LAGUNA MUNN CLIMBED DOWN from her chair and called for her second son, her Good Boy.

“Covenantis? Where are you? I have need of you, boy!”

A joyless little voice said, “I’m here, Mother,” and the boy Laguna Munn had reputedly made from all the good in her came into view. He was an unfortunate creature, as gray and dull as his Bad Boy brother had been glamorous and charismatic.

“We have a guest,” said Laguna Munn.

“I know, Mother,” he said, his voice colorless. “I was listening.”

“That was rude, child.”

“I meant no disrespect, Mother,” the boy replied, his mother’s chiding only serving to increase the sum of hopelessness in his empty eyes.

“Lead her to the Circle of Conjurations, boy. She has come here to do dangerous work. The sooner it’s begun, the sooner it’s safely over.”

“May I stay and watch you teach her?”

“No. You may not. Unless you want to witness something that might well be the death of you.”

“I don’t much mind,” Covenantis said, shrugging.

His whole life was in that shrug. He seemed not to care whether he was alive or dead.

“Where will you be?” Candy asked the incantatrix.

“Right here.”

“So how are you going to help me with the separation?”

Laguna Munn looked at Candy with lazy amusement.

“From a safe distance,” she replied.

“What happens if something goes wrong?

“I’ll have sight of you,” Laguna Munn said. “Don’t worry. If something goes wrong I’ll do what I can to fix it. But the responsibility for the outcome falls on you. Think of yourself as a surgeon delicately separating twins born joined together. Except that you are not only the surgeon—”

“I’m also one of the babies,” Candy said, beginning to understand.

“Exactly.” Laguna looked at Candy with new admiration. “You know, you’re smarter than you look.”

“I look dumb? Is that what you’re saying?”

“No. Not necessarily,” she said, and then raised her hand, which was a fist, and opened it.

Candy put her hand in her pocket and took out the photograph she and Malingo had taken in the market in the port city of Tazmagor, on Qualm Hah. In it, she was wearing the same clothes she was wearing now. She had purchased those clothes on a whim, but now that she took a closer look, she realized that she resembled her mother to an astonishing degree. She quickly put the photo back in her pocket. Laguna Munn was right: when this was all over, she was going to get a change of clothes as quickly as possible. She’d dress like the Nonce, she decided, all color and happiness.

Before she had fully broken from her thoughts, Candy saw something bright move toward her from Laguna Munn’s palm. It came too fast for her to make sense of what it was, but she felt it strike her like a gust of cold wind. There was a flicker of light in her head and by the time it was extinguished Laguna Munn had disappeared, leaving only poor, gray Covenantis at Candy’s side.

“Well, I suppose you’d better come with me then,” he said, showing not the least enthusiasm for the task.

Candy shook the last reverberations of the light from her mind, and followed the boy. As he stepped in front of her, she caught her first glimpse of his lower anatomy. Until now, she had been so caught up by the pitiful expression on his face she hadn’t realized that below the belt, he looked more like a child-sized slug than a boy. His legs were fused into a single, boneless tube of gray-green muscle upon which the upper portion of his body, which was simply that of an ordinary boy, was raised up.

“I know what you’re thinking,” he said without looking back at Candy.

“And what’s that?”

“Can that really be the son she made from the good in her? Because he doesn’t look very good. In fact he looks like a slug.”

“I wasn’t—”

“Yes, you were,” the boy said.

“You’re right, I was.”

“And you’re right. I do look like a slug. I’ve thought a lot about it. In fact it’s really the only thing I think about.”

“And what have you found out, after all that thinking?”

“Not much. Just that Mother never really loved the good in her. She thought it was boring. Worthless.”

“Now, I’m sure—”

“Don’t,” he said, raising his hand to stop her trying to pamper the hurt. “That only makes it worse. My mother’s ashamed of me. That’s the truth, plain and simple. It’s my evil little brother, with his glittering smiles, who gets all the glory. That’s what they call a paradox, isn’t it? I’m made from good, but I’m nothing to her. He’s made of all the evil in her and guess what: she loves him for it. Loves him! So now he’s the good son after all, because of all the love he’s been given. And me, who was made from her compassion and her gentility, was left out in the cold.”

Candy felt a flicker of anxiety run through her. She understood Covenantis’s words all too clearly. She knew the glittering beauty of evil. She’d seen it, and been in some ways attracted by it. Why else had she felt so sympathetic to Carrion?

“Stay here while I light the candles,” Covenantis said.

Candy waited while he moved off into the shadows. It was only when he’d gone that Candy’s thoughts returned to the strange gesture Laguna Munn had made before she had gone from view. And with the memory came other recollections, stirred up by the woman’s gift and Candy realized exactly how many coincidences, instinctual maneuvers, and twists of fate were really pieces of Boa’s magic at work within her.

She remembered it all now with uncanny clarity: she remembered the words that had come unbidden into her throat on the Parroto Parroto—Jassassakya-thüm!—and once spoken, they had had driven off the monstrous Zethek; she remembered instincts, when Mama Izabella had come at her across the grasslands, that had allowed her to relax in the grip of the sentient that might well have drowned her if she’d caused any trouble; and she remembered the way she’d fallen into a pattern of bittersweet exchanges with Carrion, who would have slaughtered her in a heartbeat if he hadn’t sensed something inside her that he knew. No, that he loved.

For the first time, Candy realized just how much of Boa there might be in her. A spasm of panic seized Candy.

“Oh no,” she said. “I don’t think I can do this.”

Of course you can. You’ve come this far, haven’t you?

“Do you think it’ll hurt?”

Hurt? Boa replied. HURT? A cut finger hurts, girl. A cracked rib. But this is the end of a union of souls that has defined you since the day you were born. When the connection between us is severed you’ll lose forever pieces of your mind you thought were yours.

“But they were yours. They were you.”

Yes.

“So why would I want them?”

Because it’ll be an unspeakable agony to lose them. You see, I know what it’s like to be alone in my head. I’m used to it. But you . . . you have no idea of what you have invited down upon yourself.

“I know perfectly well, I think,” Candy said.

Do you? Well, for what it’s worth, I doubt you’ll keep your sanity. How could anyone stay sane when you can no longer recognize the face in the mirror?

“That’s my face!” Candy protested. “A Quackenbush face!”

But the eyes.

“What about the eyes?”

You’ll look at your reflection and the mind you’ll see staring back at you won’t be yours. All the memories of glory that you thought belonged to you, all the beautiful mysteries that you believed you’d discovered for yourself, all the ambitions you hold dear—none of them are yours.

“I don’t believe you. You’re lying now the way you lied to Finnegan and Carrion.”

You keep Finnegan out of this, Boa said.

“Oh, feel a bit guilty do you?”

I said—

“I heard you.”

There were a few moments of extremely strained silence between them. Then Boa said: Let. Me. Out. Of. This—PRISON!

Covenantis appeared and looked at Candy with round, terrified eyes.

“Did you hear that?” he said softly. “A human’s voice, I swear. Tell me it’s not just me.”

“No, Covenantis, you’re perfectly sane. Will you get the conjuration underway please, before she gets murderous?”

“It’s already begun. I’m going into the labyrinth to prepare the site of separation. Follow me there. But first repeat the sacred word nineteen times.”

“Abarataraba?”

“Yes.”

“Does that one count?”

“No!”

Then the last thing he said before disappearing into the maze, leaving Candy to feel as though at the very moment she was making a life-changing decision for herself—a very adult thing to do—he’d reduced her to a kid in the school yard.

She smeared the last six Abarataraba into a single Abarrrarababa, and without alerting Covenantis to the fact that she was done counting and was coming, ready or not, she plunged into the maze, entering as Two-in-One and hopefully exiting as simply two.

Chapter 11 Severance

CANDY TOOK FOUR CAUTIOUS steps into the darkened trees, each step delivering her into an even profounder darkness. On the fifth step, however, a flying creature appeared at the periphery of her vision. It buzzed like a big insect, and the brightness of its colors—turquoise and scarlet, speckled with flecks of white gold—defied the darkness.

It darted around her head for a while then sped away. Candy took a fifth cautious step, then a sixth. Suddenly the creature reappeared, accompanied by several hundred identical beasts, which surrounded her with so much color and movement that she felt faintly nauseated.

She closed her eyes to seal off the sight, but the chaotic motion of the creatures continued behind her eyelids.

“What’s happening?” she said, raising her voice above the noise of the buzzing cloud. “Covenantis? Are you still there?”

“Patience!” Candy heard the boy say.

He’s frightened, Boa said, a distinct undercurrent of amusement in her words. This isn’t an easy thing to do. If he messes up, he’ll sacrifice your sanity. She let the laughter surface; there was undisguised malice in it. Wouldn’t that be a pity?

“Covenantis,” Candy said. “Stay calm. Take your time.”

“He never was very good at that, were you, brother?” said Jollo B’gog.

“Stay out of here!” Covenantis said. “Mother! Mother!”

“She was the one who said I could come and help,” the Bad Boy replied.

“I don’t believe you,” Candy said, opening her eyes again.

As she did so she saw the Bad Boy run through a wall of the colored creatures, who had assembled ahead of her in an intricate jigsaw of wings, limbs and heads. He yelled as he ran, scattering the assembled creatures. They rose up in front of her, the motion of their wings causing a gust of wind to come at her face, tasting of metal on her tongue.

“Stop that!” Covenantis yelled, his voice shrill with anger.

The Bad Boy just laughed.

“I’ll tell Mama!”

“Mama won’t stop me. Mama loves everything I do.”

“Well, aren’t you lucky?” Covenantis said, unable to entirely disguise his envy.

“Mama says I’m a genius!” the Bad Boy crowed.

“You are, darling, you are,” Laguna Munn said, entering the space as little more than a shadow of herself. “But this isn’t the time or the place to fool around.”

All it took was the sound of Laguna Munn’s voice and the creatures that had been scattered by the Bad Boy’s cavorting came back down on the instant, knitting themselves together—wing to claw to beak to coxcomb to fanning tail—forming a small prison around Candy.

“Better,” Laguna Munn said, her voice all-forgiving. “Pale Child?”

“Yes, Mama?” Covenantis said.

“Have you secured all the locks?”

Oh yes, Boa said. Got to have plenty of locks. I like the sound of that.

“What are the locks for?” Candy said aloud. “What are you keeping out?”

“Nothing’s being kept out—” Covenantis said, stopping only when his mother yelled his name, and dropping the last part of his reply to a whisper. “It’s you she’s keeping in.”

“Covenantis!”

“I’m coming, Mama!”

“Quickly now. I haven’t got much time.”

“I’ve got to go,” the Good Boy said to Candy. “I’ll be right outside.”

He pointed to a narrow slit of a door in between the wings and claws of the big bugs, and for the first time Candy realized that a solid little chamber had formed around her. The walls were draining of color even as she watched, and every last crack or flaw in the knitted forms sealed. What had been a colorful room made of flittering wings was becoming a silent concrete cell.

“Why are you locking me in?” Candy said.

“Conjurations this strong are unstable,” Covenantis said.

“What do you mean?”

“They can go wrong,” he whispered.

“Covenantis!” Laguna Munn shouted.

“Yes, Mama!”

“Stop talking to the girl. You can’t help her.”

“No, Mama!”

“She’ll probably be dead in under a minute.”

“I’m coming, Mama,” Covenantis said. He gave Candy a little shrug, and slipped out through the door, which closed, leaving no trace of its presence, not a crack.

Well . . . Boa said softly. You got us here. Better finish it. If you’ve got what it takes.

“I’ve got what it doesn’t take,” Candy replied, without hesitation.

Oh? And what’s that?

“Don’t be stupid,” Candy said. “You.”

And suddenly, the fear drained from Candy and she turned on the spot, addressing the cold, gray walls.

“I’m ready,” she told them. “Do whatever you have to do. Just get it over with. If you can avoid spilling blood, that’d be great. But if you can’t, you can’t.”

She didn’t have to wait very long for the cell to respond. Six shudders passed through its walls, ceiling and floor, like tides of life moving in its dead matter, resurrecting it. She understood now why she’d been given a peripheral glimpse of what the cell had been in its last incarnation: the flock of winged beings. She saw them haunting the gray walls still. One life inside another.

Was the lesson here that she would have been gray and lifeless as the walls if Boa’s soul had not come into her? Was she being warned that the life she was choosing would be a cell: gray and cold?

She didn’t believe it. And said so.

“I’m more than that,” she told the shimmering gray. “I’m not dead matter.”

Not yet, Boa crowed.

“Are you ready to do this?” Candy said and thought to both wall and Princess. “Because I’m getting bored with all these stupid threats.”

Stupid? Boa raged.

“Just do it,” Laguna Munn said, her voice quickening the powers in the walls. “Quick and clean.”