False Scent

NGAIO MARSH

False Scent

Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

HarperFiction

HarperCollinsPublishers Ltd.

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www.harpercollins.co.uk

First published in Great Britain by Collins 1960

Copyright © Ngaio Marsh Ltd 1960

Ngaio Marsh asserts the moral right to be identified as the author of this works

A catalogue copy of this book is available from the British Library

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Source ISBN: 9780006155904

Ebook Edition © OCTOBER 2009 ISBN: 9780007344765

Version: 2018-04-17

Dedication

For Jemima with love

Contents

Cover

Title Page

Copyright

Dedication

1 Pardoner’s Place – 9.00 a.m.

2 Preparation for a Party

3 Birthday Honours

4 Catastrophe

5 Questions of Adherence

6 On the Scent

7 Re–entry of Mr Marchant

8 Pattern Completed

Keep Reading

Also by the Author

About the Publisher

CHAPTER 1

Pardoner’s Place – 9.00 A.M.

When she died it was as if all the love she had inspired in so many people suddenly blossomed. She had never, of course, realized how greatly she was loved, never known that she was to be carried by six young men who would ask to perform this last courtesy: to bear her on their strong shoulders, so gently and with such dedication.

Quite insignificant people were there: her Old Ninn, the family nurse, with a face like a boot, grimly crying. And Florence, her dresser, with a bunch of primroses because of all flowers they were the ones she had best loved to see on her make-up table. And George, the stage doorkeeper at the Unicorn, sober as sober and telling anyone who would listen to him that there, if you liked, had been a great lady. Pinky Cavendish in floods and Maurice, very Guardee, with a stiff upper lip. Crowds of people whom she herself would have scarcely remembered but upon whom, at some time, she had bestowed the gift of her charm.

All the Knights and Dames, of course, and The Management, and Timon Gantry, the great producer, who had so often directed her. Bertie Saracen who had created her dresses since the days when she was a bit-part actress and who had, indeed, risen to his present eminence in the wake of her mounting fame. But it was not for her fame that they had come to say goodbye to her. It was because, quite simply, they had loved her.

And Richard? Richard was there, white and withdrawn. And – this was an afterthought – and, of course, Charles.

Miss Bellamy paused, bogged down in her own fantasy. Enjoyable tears started from her eyes. She often indulged herself with plans for her funeral and she never failed to be moved by them. The only catch was the indisputable fact that she wouldn’t live to enjoy it. She would be, as it were, cheated of her own obsequies and she felt there was some injustice in this.

But perhaps, after all, she would know. Perhaps she would hover ambiguously over the whole show, employing her famous gift for making a party go without seeming to do anything about it. Perhaps – ? Feeling slightly uncomfortable, she reminded herself of her magnificent constitution and decided to think about something else.

There was plenty to think about. The new play. Her role: a fat part if ever she saw one. The long speech about keeping the old chin up and facing the future with a wry smile. Richard hadn’t put it quite like that and she did sometimes wish he would write more simply. Perhaps she would choose her moment and suggest to him that a few homely phrases would do the trick much more effectively than those rather involved, rather arid sentences that were so bloody difficult to memorize. What was wanted – the disreputable word ‘gimmick’ rose to the surface and was instantly slapped down – what was wanted, when all was said and done, was the cosy human touch: a vehicle for her particular genius. She believed in humanity. Perhaps this morning would be the right occasion to talk to Richard. He would, of course, be coming to wish her many happy returns. Her birthday! That had to be thought of selectively and with a certain amount of care. She must at all costs exclude that too easy little sum whose answer would provide her age. She had, quite literally and by dint of a yogi-like discipline, succeeded in forgetting it. Nobody else that mattered knew except Florence who was utterly discreet and Old Ninn who, one must face it, was getting a bit garrulous, especially when she’d taken her glass or two of port. Please God she wouldn’t forget herself this afternoon.

After all, it was how you felt and how you looked that mattered. She lifted her head from the pillows and turned it. There, across the room, she was, reflected in the tall glass above her dressing-table. Not bad, she thought, not half bad, even at that hour and with no makeup. She touched her face here and there, manipulating the skin above the temples and at the top of the jaw line. To lift or not to lift? Pinky Cavendish was all for it and said that nowadays there was no need for the stretched look. But what about her famous triangular smile? Maintaining the lift, she smiled. The effect was still triangular.

She rang her bell. It was rather touching to think of her little household, oriented to her signal. Florence, Cookie, Gracefield, the parlourmaid, the housemaid and the odd woman: all ready in the kitchen and full of plans for the Great Day. Old Ninn, revelling in her annual holiday, sitting up in bed with her News of the World or perhaps putting the final touch to the bed-jacket she had undoubtedly knitted and which would have to be publicly worn for her gratification. And, of course, Charles. It was curious how Miss Bellamy tended to leave her husband out of her meditations because, after all, she was extremely fond of him. She hurriedly inserted him. He would be waiting for Gracefield to tell him she was awake and had rung. Presently he would appear, wearing a pink scrubbed look and that plum-coloured dressing-gown that did so little to help.

She heard a faint chink and a subdued rumble. The door opened and Florence came in with her tray.

‘Top of the morning, dear,’ said Florence. ‘What’s it feel like to be eighteen again?’

‘You old fool,’ Miss Bellamy said, and grinned at her. ‘It feels fine.’

Florence built pillows up behind her and set the tray across her knees. She then drew back the curtains and lit the fire. She was a pale, small woman with black dyed hair and sardonic eyes. She had been Miss Bellamy’s dresser for twenty-five years and her personal maid for fifteen. ‘Three rousing cheers,’ she said, ‘it’s a handsome-looking morning.’

Miss Bellamy examined her tray. The basket-ends were full of telegrams, a spray of orchids lay across the plate and beside it a parcel in silver wrapping tied with pink ribbon.

‘What’s all this?’ she asked, as she had asked for her last fifteen birthdays, and took up the parcel.

‘The flowers are from the colonel. He’ll be bringing his present later on as per usual, I suppose.’

‘I wasn’t talking about the flowers,’ Miss Bellamy said and opened the parcel. ‘Florrie! Florrie, darling!’

Florence clattered the firearms. ‘Might as well get in early,’ she muttered, ‘or it’d never be noticed.’

It was a chemise, gossamer fine and exquisitely embroidered.

‘Come here!’ Miss Bellamy said, fondly bullying.

Florence walked over to the bed and suffered herself to be kissed. Her face became crimson. For a moment she looked at her employer with a devotion that was painful in its intensity and then turned aside, her eyes filmed with unwilling tears.

‘But it’s out of this world!’ Miss Bellamy marvelled, referring to the chemise. ‘That’s all! It’s just made my day for me.’ She shook her head slowly from side to side, lost in wonderment. ‘I can’t wait,’ she said and, indeed, she was very pleased with it.

‘There’s the usual mail,’ Florence grunted. ‘More, if anything.’

‘Truly?’

‘Outside on the trolley. Will I fetch it in here?’

‘After my bath, darling, may we?’

Florence opened drawers and doors, and began to lay out the clothes her mistress had chosen to wear. Miss Bellamy, who was on a strict diet, drank her tea, ate her toast, and opened her telegrams, awarding each of them some pleased ejaculation. ‘Darling, Bertie! Such a sweet muddled little message. And a cable, Florrie, from the Bantings in New York. Heaven of them!’

‘That show’s folding, I’m told,’ Florence said, ‘and small wonder. Dirty and dull, by all accounts. You mustn’t be both.’

‘You don’t know anything about it,’ Miss Bellamy absentmindedly observed. She was staring in bewilderment at the next telegram. ‘This,’ she said, ‘isn’t true. It’s just not true. My dear Florrie, will you listen.’ Modulating her lovely voice, Miss Bellamy read it aloud. ‘“Her birth was of the womb of morning dew and her conception of the joyous prime.”’

‘Disgusting,’ said Florence.

‘I call it rather touching. But who in the wide world is Octavius Browne?’

‘Search me, love.’ Florence helped Miss Bellamy into a negligee designed by Bertie Saracen, and herself went into the bathroom. Miss Bellamy settled down to some preliminary work on her face.

There was a tap on the door connecting her room with her husband’s and he came in. Charles Templeton was sixty years old, big and fair with a heavy belly. His eyeglass dangled over his dark-red dressing-gown, his hair, thin and babyishly fine, was carefully brushed and his face, which had the florid colouring associated with heart disease, was freshly shaved. He kissed his wife’s hand and forehead and laid a small parcel before her. ‘A very happy birthday to you, Mary, my dear,’ he said. Twenty years ago, when she married him, she had told him that his voice was charming. If it was so, still, she no longer noticed it or, indeed, listened very attentively to much that he said.

But she let her birthday gaiety play about him and was enchanted with her present, a diamond and emerald bracelet. It was, even for Charles, quite exceptionally magnificent and for a fleeting moment she remembered that he, as well as Florence and Old Ninn, knew her age. She wondered if there was any intention of underlining this particular anniversary. There were some numerals that by their very appearance – stodgy and rotund – wore an air of horrid maturity. Five, for instance. She pulled her thoughts up short, and showed him the telegram. ‘I should like to know what in the world you make of that,’ she said and went into the bathroom, leaving the door open. Florence came back and began to make the bed with an air of standing none of its nonsense.

‘Good morning, Florence,’ Charles Templeton said. He put up his eyeglass and walked over to the bow window with the telegram.

‘Good morning, sir,’ Florence woodenly rejoined. Only when she was alone with her mistress did she allow herself the freedom of the dressing-room.

‘Did you,’ Miss Bellamy shouted from her bath, ‘ever see anything quite like it?’

‘But it’s delightful,’ he said, ‘and how very nice of Octavius.’

‘You don’t mean to say you know who he is?’

‘Octavius Browne? Of course I do. He’s the old boy down below in the Pegasus bookshop. Up at the House, but a bit before my time. Delightful fellow.’

‘Blow me down flat!’ Miss Bellamy ejaculated, splashing luxuriously. ‘You mean that dim little place with a fat cat in the window.’

‘That’s it. He specializes in pre-Jacobean literature.’

‘Does that account for the allusion to wombs and conceptions? Of what can he be thinking, poor Mr Browne?’

‘It’s a quotation,’ Charles said, letting his eyeglass drop. ‘From Spenser. I bought a very nice Spenser from him last week. No doubt he supposes you’ve read it.’

‘Then, of course, I must pretend I have. I shall call on him and thank him. Kind Mr Browne!’

‘They’re great friends of Richard’s.’

Miss Bellamy’s voice sharpened a little. ‘Who? They?’

‘Octavius Browne and his niece. A good-looking girl.’ Charles glanced at Florence and after a moment’s hesitation added: ‘She’s called Anelida Lee.’

Florence cleared her throat.

‘Not true!’ The voice in the bathroom gave a little laugh. ‘A-nelly-da! It sounds like a face cream.’

‘It’s Chaucerian.’

‘I suppose the cat’s called Piers Plowman.’

‘No. He’s out of the prevailing period. He’s called Hodge.’

‘I’ve never heard Richard utter her name.’

Charles said: ‘She’s on the stage, it appears.’

‘Oh, God!’

‘In that new club theatre behind Walton Street. The Bonaventure.’

‘You need say no more, my poor Charles. One knows the form.’ Charles was silent and the voice asked impatiently: ‘Are you still there?’

‘Yes, my dear.’

‘How do you know Richard’s so thick with them?’

‘I meet him there occasionally,’ Charles said, and added lightly, ‘I’m thick with them too, Mary.’

There was a further silence and then the voice, delightful and gay, shouted: ‘Florrie! Bring me you know what.’

Florence picked up her own offering and went into the bathroom.

Charles Templeton stared through the window at a small London square, brightly receptive of April sunshine. He could just see the flower-woman at the corner of Pardoner’s Row, sitting in a galaxy of tulips. There were tulips everywhere. His wife had turned the bow window into an indoor garden and had filled it with them and with a great mass of early-flowering azaleas, brought up in the conservatory and still in bud. He examined these absentmindedly and discovered among them a tin with a spray-gun mechanism. The tin was labelled ‘Slaypest’ and bore alarming captions about the lethal nature of its contents. Charles peered at them through his eyeglass.

‘Florence,’ he said, ‘I don’t think this stuff ought to be left lying about.’

‘Just what I tell her,’ Florence said, returning.

‘There are all sorts of warnings. It shouldn’t be used in enclosed places. Is it used like that?’

‘It won’t be for want of my telling her if it is.’

‘Really, I don’t like it. Could you lose it?’

‘I’d get the full treatment meself if I did,’ Florence grunted.

‘Nevertheless,’ Charles said, ‘I think you should do so.’

Florence shot a resentful look at him and muttered under her breath.

‘What did you say?’ he asked.

‘I said it wasn’t so easy. She knows. She can read. I’ve told her.’ She glowered at him and then said: ‘I take my orders from her. Always have and always will.’

He waited for a moment. ‘Quite so,’ he said. ‘But all the same …’ And hearing his wife’s voice, put the spray-gun down, gave a half-sigh and turned to confront the familiar room.

Miss Bellamy came into it wearing Florence’s gift. There was a patch of sunshine in the room and she posed in it, expectant, unaware of its disobliging candour.

‘Look at my smashing shift!’ she cried. ‘Florrie’s present! A new birthday suit.’

She had ‘made an entrance,’ comic-provocative, skilfully French-farcical. She had no notion at all of the disservice she had done herself.

The voice that she had once called charming said: ‘Marvellous. How kind of Florence.’

He was careful to wait a little longer before he said, ‘Well, darling, I shall leave you to your mysteries,’ and went down to his solitary breakfast.

II

There was no particular reason why Richard Dakers should feel uplifted that morning: indeed, there were many formidable reasons why he should not. Nevertheless, as he made his way by bus and on foot to Pardoner’s Place, he did experience, very strongly, that upward kick of the spirit which lies in London’s power of bestowal. He sat in the front seat at the prow of the bus and felt like a figurehead, cleaving the tide of the King’s Road, masterfully above it, yet gloriously of it. The Chelsea shops were full of tulips and when, leaving the bus, he walked to the corner of Pardoner’s Row, there was his friend the flower-woman with buckets of them, still pouted up in buds.

‘ ’Morning, dear,’ said the flower-woman. ‘Duck of a day, innit?’

‘It’s a day for the gods,’ Richard agreed, ‘and your hat fits you like a halo, Mrs Tinker.’

‘It’s me straw,’ Mrs Tinker said. ‘I usually seem to change to me straw on the second Sat. in April.’

‘Aphrodite on her cockleshell couldn’t say fairer. I’ll take two dozen of the yellows.’

She wrapped them up in green paper. ‘Ten bob to you,’ said Mrs Tinker.

‘Ruin!’ Richard ejaculated, giving her eleven shillings.

‘Destitution! But what the hell!’

‘That’s right, dear, we don’ care, do we? Tulips, lady? Lovely tulips.’

Carrying his tulips and with his dispatch-case tucked under his arm, Richard entered Pardoner’s Place and turned right. Three doors along he came to the Pegasus, a bow-fronted Georgian house that had been converted by Octavius Browne into a bookshop. In the window, tilted and open, lay a first edition of Beijer and Duchartre’s Premières Comédies Italiennes. A little farther back, half in shadow, hung a negro marionette, very grand in striped silks. And in the watery depths of the interior Richard could just make out the shapes of the three beautifully polished old chairs, the lovely table and the vertical strata of rows and rows of books. He could see, too, the figure of Anelida Lee moving about among her uncle’s treasure, attended by Hodge, their cat. In the mornings Anelida, when not rehearsing at her club theatre, helped her uncle. She hoped that she was learning to be an actress. Richard, who knew a good deal about it, was convinced that already she was one.

He opened the door and went in.

Anelida had been dusting and wore her black smock, an uncompromising garment. Her hair was tied up in a white scarf. He had time to reflect that there was a particular beauty that most pleased when it was least adorned and that Anelida was possessed of it.

‘Hallo,’ he said. ‘I’ve brought you some tulips. Good morning, Hodge.’ Hodge stared at him briefly, jerked his tail, and walked away.

‘How lovely! But it’s not my birthday.’

‘Never mind. It’s because it’s a nice morning and Mrs Tinker was wearing her straw.’

‘I couldn’t be better pleased,’ said Anelida. ‘Will you wait while I get a pot for them? There’s a green jug.’

She went into a room at the back. He heard a familiar tapping noise on the stairs. Her Uncle Octavius came down, leaning on his black stick. He was a tall man of about sixty-three with a shock of grey hair and a mischievous face. He had a trick of looking at people out of the corners of his eyes as if inviting them to notice what a bad boy he was. He was rather touchy, immensely learned and thin almost to transparency.

‘Good morning, my dear Dakers,’ he said, and seeing the tulips touched one of them with the tip of a bluish finger. ‘Ah,’ he said, ‘“Art could not feign more simple grace, Nor Nature take a line away.” How very lovely and so pleasantly uncomplicated by any smell. We have found something for you, by the way. Quite nice and I hope in character, but it may be a little too expensive. You must tell us what you think.”

He opened a parcel on his desk and stood aside for Richard to look at the contents.

‘A tinsel picture, as you see,’ he said, ‘of Madame Vestris en travesti in jockey’s costume.’ He looked sideways at Richard. ‘Beguiling little breeches, don’t you think? Do you suppose it would appeal to Miss Bellamy?’

‘I don’t see how it could fail.’

‘It’s rare-ish. The frame’s contemporary. I’m afraid it’s twelve guineas.’

‘It’s mine,’ Richard said. ‘Or rather, it’s Mary’s.’

‘You’re sure? Then, if you’ll excuse me for a moment, I’ll get Nell to make a birthday parcel of it. There’s a sheet of Victorian tinsel somewhere. Nell, my dear! Would you – ?’

He tapped away and presently Anelida returned with the green jug and his parcel, beautifully wrapped.

Richard put his hand on his dispatch-case. ‘What do you suppose is in there?’ he asked.

‘Not – ? Not the play? Not Husbandry in Heaven?’

‘Hot from the typist.’ He watched her thin hands arrange the tulips. ‘Anelida, I’m going to show it to Mary.’

‘You couldn’t choose a better day,’ she said warmly and, when he didn’t answer, ‘What’s the matter?’

‘There isn’t a part for her in it,’ he blurted out.

After a moment she said: ‘Well, no. But does that matter?’

‘It might. If, of course, it ever comes to production. And, by the way, Timmy Gantry’s seen it and makes agreeable noises. All the same, it’s tricky about Mary.’

‘But why? I don’t see –’

‘It’s not all that easy to explain,’ he mumbled.

‘You’ve already written a new play for her and she’s delighted with it, isn’t she? This is something quite different.’

‘And better? You’ve read it.’

‘Immeasurably better. In another world. Everybody must see it.’

‘Timmy Gantry likes it.’

‘Well, there you are! It’s special. Won’t she see that?’

He said: ‘Anelida, dear, you don’t really know the theatre yet, do you? Or the way actors tick over?’

‘Well, perhaps I don’t. But I know how close you are to each other and how wonderfully she understands you. You’ve told me.’

‘That’s just it,’ Richard said, and there followed a long silence.

‘I don’t believe,’ he said at last, ‘that I’ve ever told you exactly what she and Charles did?’

‘No,’ she agreed. ‘Not exactly. But –’

‘My parents, who were Australians, were friends of Mary’s. They were killed in a car smash on the Grande Corniche when I was rising two. They were staying with Mary at the time. There was no money to speak of. She had me looked after by her own old nanny, the celebrated Ninn, and then, after she had married Charles, they took me over, completely. I owe everything to her. I like to think that, in a way, the plays have done something to repay. And now – you see what I go and do.’