Died in the Wool

NGAIO MARSH

Died in the Wool

Copyright

HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

Published by HarperCollinsPublishers 2009

Died in the Wool first published in Great Britain by Collins 1945

Ngaio Marsh asserts the moral right to be identified as the author of these works

Copyright © Ngaio Marsh Ltd 1945

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Source ISBN: 9780006512394

Ebook Edition © OCTOBER 2009 ISBN: 9780007344581

Version: 2017-12-18

Contents

Title Page

Copyright

Cast of Characters

Prologue – 1939–1942

1 Alleyn at Mount Moon

2 According to Ursula Harme

3 According to Douglas Grace

4 According to Fabian Losse

5 According to Terence Lynne

6 According to the Files

7 According to Ben Wilson

8 According to Cliff Johns

9 Attack

10 Night Piece

11 According to Arthur Rubrick

Epilogue – According to Alleyn

Keep Reading

About the Author

Also by the Author

About the Publisher

Cast of Characters

Florence Rubrick Of Mount Moon Arthur Rubrick Her husband Sammy Joseph Wool buyer for Riven Brothers Alf Storeman at Riven Brothers Roderick Alleyn Chief Detective-Inspector, CID Fabian Losse Nephew to Arthur Rubrick Douglas Grace Nephew to Florence Rubrick Ursula Harme Her niece Terence Lynne Her secretary. Later gardener at Mount Moon Mrs Aceworthy Housekeeper at Mount Moon Markins Manservant at Mount Moon Tommy Johns Working manager at Mount Moon Mrs Johns His wife Cliff Johns Their son Ben Wilson Wool sorter Jack Merrywether Presser Albert Black Rouseabout Percy Gould Shearers’ cook

PROLOGUE

1939.

‘I am Mrs Rubrick of Mount Moon,’ said the golden-headed lady. ‘And I should like to come in.’

The man at the stage-door looked down into her face. Its nose and eyes thrust out at him, pale, all of them, and flecked with brown. Seen at close quarters these features appeared to be slightly out of perspective. The rest of the face receded from them, fell away to insignificance. Even the mouth with its slighty projecting, its never quite hidden teeth, was forgotten in favour of that acquisitive nose, those protuberant exacting eyes. ‘I should like to come in,’ Flossie Rubrick repeated.

The man glanced over his shoulder into the hall. ‘There are seats at the back,’ he said. ‘Behind the buyers’ benches.’

‘I know there are. But I don’t want to see the backs of the buyers. I want to watch their faces. I’m Mrs Rubrick of Mount Moon and my wool clip should be coming up in the next half-hour. I want to sit up here somewhere.’ She looked beyond the man at the door, through a pair of scenic book-wings to the stage where an auctioneer in shirt-sleeves sat at a high rostrum, gabbling. ‘Just there,’ said Flossie Rubrick, ‘on that chair by those painted things. That will do quite well.’ She moved past the man at the door. ‘How do you do?’ she said piercingly as she came face-to-face with a second figure. ‘You don’t mind if I come in, do you? I’m Mrs Arthur Rubrick. May I sit down?’

She settled herself on a chair she had chosen, pulling it forward until she could look through an open door in the proscenium and down into the front of the house. She was a tiny creature and it was a tall chair. Her feet scarcely reached the floor. The auctioneer’s clerks who sat below his rostrum, glanced up curiously from their papers.

‘Lot one seven six,’ gabbled the auctioneer. ‘Mount Silver.’

‘Eleven,’ a voice shouted.

In the auditorium two men, their arms stretched rigid, sprang to their feet and screamed. ‘Three!’ Flossie settled her furs and looked at them with interest. ‘Eleven-three,’ said the auctioneer.

The chairs proper to the front of the hall had been replaced by rows of desks, each of which was labelled with the name of its occupant’s firm. Van Huys. Riven Bros. Dubois. Yen. Steiner. James Ogden. Hartz. Ormerod. Rhodes. Markino. James Barnett. Dressed in business men’s suits woven from good wool, the buyers had come in from the four corners of the world for the summer wool sales. They might have been carefully selected types, so eloquently did they display their nationality. Van Huys’s buyer with his round wooden head and soft hat, Dubois’s, sleek, with a thin moustache and heavy grooves running from his nostrils to the corners of his mouth, old Jimmy Ormerod who bought for himself, screamed like a stallion, and turned purple in the face, Hartz with horn-rimmed glasses who barked, and Mr Kurata Kan of Markino’s with his falsetto yelp. Each buyer held printed lists before him, and from time to time, like a well-trained chorus-ensemble, they would all turn a page. The auctioneer’s recital was uninflected, and monotonous; yet, as if the buyers were marionettes and he their puppet-master, they would twitch into violent action and as suddenly return to their nervously intent immobility. Some holding the papers before their eyes, stood waiting for a particular wool clip to come up. Others wrote at their desks. Each had trained himself to jerk in a flash from watchful relaxation into spreadeagled yelling urgency. Many of them smoked continuously and Flossie Rubrick saw them through drifts of blue tobacco clouds.

In the open doorways and under the gallery stood groups of men whose faces and hands were raddled and creased by the sun and whose clothes were those of the country man in town. They were the wool-growers, the run-holders, the sheep-cockies, the back-countrymen. Upon the behaviour of the buyers their manner of living for the next twelve months would depend. The wool sale was what it all amounted to; long musters over high country, nights spent by shepherds in tin huts on mountain sides, late snows that came down into lambing paddocks, noisy rituals of dipping, crutching, shearing; the final down-country journey of the wool bales – this was the brief and final comment on the sheep man’s working year.

Flossie saw her husband, Arthur Rubrick, standing in a doorway. She waved vigorously. The men who were with Arthur pointed her out. He gave her a dubious nod and began to make his way along a side aisle towards her. As soon as he reached the steps that led from the auditorium up to her doorway she called out in a sprightly manner. ‘Look where I’ve got to! Come up and join me!’ He did so but without enthusiasm.

‘What are you doing up here, Floss?’ he said. ‘You ought to have gone down below.’

‘Down below wouldn’t suit me at all.’

‘Everyone’s looking at you.’

‘That doesn’t embarrass me,’ she said loudly. ‘When will he get to us, darling? Show me.’

‘Ssh!’ said her husband unhappily and handed her his catalogue. Flossie made play with her lorgnette. She flicked it open modishly with white-gloved hand and looked through it at the lists. There was a simultaneous flutter of white paper throughout the hall. ‘Over we go, I see,’ said Flossie and turned a page. ‘Now, where are we?’

Her husband grunted urgently and jerked up his head.

‘Lot one eighty,’ gabbled the auctioneer.

‘Thirteen.’

‘Half!’ yelled old Ormerod.

‘Three!’

‘Fourteen!’

The spectacled Mr Kurata Kan was on his feet, yelping, a fraction of a second quicker than Ormerod.

‘Top price,’ cried Flossie shrilly. ‘Top price! Isn’t it, darling? We’ve got top price, haven’t we? That dear little Jap!’

A ripple of laughter ran through the hall. The auctioneer grinned. The two men near the stage-door moved away, their hands over their mouths. Arthur Rubrick’s face, habitually cyanosed, deepened to a richer purple. Flossie clapped her white gloves together and rose excitedly. ‘Isn’t he too sweet,’ she demanded. ‘Arthur, isn’t he a pet?’

‘Flossie, for God’s sake,’ Arthur Rubrick muttered.

But Flossie made a series of crisp little nods in the direction of Mr Kurata Kan and at last succeeded in attracting his attention. His eyelids creased, his upper lip lifted in a crescent over his long teeth and he bowed.

‘There!’ said Flossie in triumph as she swept out at the stage-door, followed by her discomforted husband. ‘Isn’t that splendid?’

He piloted her into a narrow yard. ‘I wish you wouldn’t make me quite so conspicuous, my dear,’ he said. ‘I mean, waving to that Jap. We don’t know him or anything.’

‘No,’ cried Flossie. ‘But we’re going to. You’re going to call on him, darling, and we shall ask him to Mount Moon for the weekend.’

‘Oh, no, Flossie. Why? Why on earth?’

‘I’m all for promoting friendly relations. Besides he’s paid top price for my wool. He’s a sensible man. I want to meet him.’

‘Grinning little pip-squeak. I don’t like ’em, Floss. Do you in the eye for tuppence, the Japs would. Any day. They’re our natural enemies.’

‘Darling, you’re absolutely antediluvian. Before we know where we are you’ll be talking about The Yellow Peril.’

She tossed her head and a lock of hair dyed a brilliant gold slipped down her forehead. ‘Do remember this is 1939,’ said Flossie.

1942.

On a summer’s day in February 1942, Mr Sammy Joseph, buyer for Riven Brothers Textile Manufactory, was going through their wool stores with the storeman. The windows had been blacked out with paint, and the storeman, as they entered, switched on a solitary lamp. This had the effect of throwing into strong relief the square hessian bales immediately under the lamp. Farther down the store they dissolved in shadow. The lamp was high and encrusted with dust: the faces of the two men looked cadaverous. Their voices sounded stifled: there is no echo in a building lined with wool. The air was stuffy and smelt of hessian.

‘When did we start buying dead wool, Mr Joseph?’ asked the storeman.

‘We never buy dead wool,’ Joseph said sharply. ‘What are you talking about?’

‘There’s a bale of it down at the far end.’

‘Not in this store.’

‘I’m good for a bet on it.’

‘What’s biting you? Why d’you say it’s dead?’

‘Gawd, Mr Joseph, I’ve been in the game long enough, haven’t I? Don’t I know dead wool when I smell it? It pongs.’

‘Here!’ said Sammy Joseph. ‘Where is this bale?’

‘Come and see.’

They walked down the aisle between ranks of baled wool. The storeman at intervals switched on more lights and the aisle was extended before them. At the far end he paused and jerked his thumb at the last bale. ‘Take a sniff, Mr Joseph,’ he said.

Sammy Joseph bent towards the bale. His shadow was thrown up on the surface, across stencilled letters, a number and a rough crescent.

‘That’s from the Mount Moon clip,’ he said.

‘I know it is.’ The storeman’s voice rose nervously. ‘Stinks, doesn’t it?’

‘Yes,’ said Joseph. ‘It does.’

‘Dead wool.’

‘I’ve never bought dead wool in my life. Least of all from Mount Moon. And the smell of dead wool goes off after it’s plucked. You know that as well as I do. Dead rat, more likely. Have you looked?’

‘Yes, I have looked, Mr Joseph. I shifted her out the other day. It’s in the bale. You can tell.’

‘Split her up,’ Mr Joseph commanded.

The storeman pulled out a clasp knife, opened it, and dug the blade into the front of the bale. Sammy Joseph watched him in a silence that was broken only by the uneasy sighing of the rafters above their heads.

‘It’s hot in here,’ said Sammy Joseph. ‘There’s a nor’west gale blowing outside. I hate a hot wind.’

‘Oppressive,’ said the storeman. He drew the blade of his knife downwards, sawing at the bale. The strands of sacking parted in a series of tiny explosions. Through the fissure bulged a ridge of white wool.

‘Get a lung full of that,’ said the storeman, straightening himself. ‘It’s something chronic. Try.’

Mr Joseph said: ‘I get it from here, thanks. I can’t understand it. It’s not bellies in that pack, either. Bellies smell a bit but nothing to touch this.’ He opened his cigarette case. ‘Have one?’

‘Ta, Mr Joseph. I don’t mind if I do. It’s not so good, this pong, is it?’

‘It’s coming from inside, all right. They must have baled up something in the press. A rat.’

‘You will have your rat, sir, won’t you?’

‘Let’s have some of that wool out.’ Mr Joseph glanced at his neat worsted suit. ‘You’re in your working clothes,’ he added.

The storeman pulled at a tuft of wool. ‘Half a sec’, Mr Joseph. She’s packed too solid.’ He moved away to the end wall. Sammy Joseph looked at the rent in the bale, reached out his hand and drew it back again. The storeman returned wearing a gauntleted canvas glove on his right hand and carrying one of the iron hooks used for shifting wool bales. He worked it into the fissure and began to drag out lumps of fleece.

‘Phew!’ whispered Sammy Joseph.

‘I’ll have to hand it to you in one respect, sir. She’s not dead wool.’

Mr Joseph picked a lock from the floor, looked at it, and dropped it. He turned away and wiped his hand vigorously on a bale. ‘It’s frightful,’ he said. ‘It’s a godalmighty stench. What the hell’s wrong with you?’

The storeman had sworn with violence and extreme obscenity. Joseph turned to look at him. His gloved hand had disappeared inside the fissure. The edge of the gauntlet showed and no more. His face turned towards Joseph. The eyes and mouth were wide open.

‘I’m touching something.’

‘With the hook?’

The storeman nodded. ‘I won’t look any more,’ he said loudly.

‘Why not?’

‘I won’t look.’

‘Why the hell?’

‘It’s the Mount Moon clip.’

‘I know that. What of it?’

‘Don’t you read the papers?’

Sammy Joseph changed colour. ‘You’re mad,’ he said. ‘God, you’re crazy.’

‘It’s three weeks, isn’t it, and they can’t find her? I was in the last war. I know what that stink reminds me of – Flanders.’

‘Go to hell,’ said Mr Joseph, incredulous but violent. ‘What do you think you are? A radio play or what?’

The storeman plucked his arm from the bale. Locks of fleece were sticking to the canvas glove. With a violent movement he jerked them free and they lay on the floor, rust coloured and wet.

‘You’ve left the hook in the bale.’

‘– the hook.’

‘Get it out, Alf.’

‘–!’

‘Come on. What’s wrong with you. Get it out.’

The storeman looked at Sammy Joseph as if he hated him. A loose sheet of galvanized iron on the roof rattled in the wind and the store was filled momentarily with a vague soughing.

‘Come on,’ Sammy Joseph said again. ‘It’s only a rat.’

The storeman plunged his hand into the fissure. His bare arm twisted and worked. He braced the palm of his left hand against the bale and wrenched out the hook. With an air of incredulity he held the hook out, displaying it.

‘Look!’ he said. With an imperative gesture he waved Mr Joseph aside. The iron hook fell at Sammy Joseph’s feet. A strand of metallic-gold hair was twisted about it.

CHAPTER ONE ALLEYN AT MOUNT MOON

I

May 1943.

A service car pulled out of the township below the Pass. It mounted a steep shingled road until its passengers looked down on the iron roof of the pub and upon a child’s farm-animal design of tiny horses tethered to veranda posts, upon specks that were sheep dogs and upon a toy sulky with motor car wheels that moved slowly along the road, down country. Beyond this a system of foothills, gorges, and clumps of pinus insignis stepped down into a plain fifty miles wide, a plain that rose slowly as its horizon mounted with the eyes of the mounting passengers.

Though their tops were shrouded by a heavy mask of cloud, the hills about the Pass grew more formidable. The intervals between cloud-roof and earth-floor lessened. The Pass climbed into the sky. A mountain rain now fell.

‘Going into bad weather?’ suggested the passenger on the front seat.

‘Going out of it, you mean,’ rejoined the driver.

‘Do I?’

‘Take a look at the sky, sir.’

The passenger wound down his window for a moment and craned out. ‘Jet black and lowering,’ he said, ‘but there’s a good smell in the air.’

‘Watch ahead.’

The passenger dutifully peered through the rain-blinded windscreen and saw nothing to justify the driver’s prediction but only a confusion of black cones whose peaks were cut off by the curtain of the sky. The head of the Pass was lost in a blur of rain. The road now hung above a gorge through whose bed hurried a stream, its turbulence seen but not heard at that height. The driver changed down and the engine whined and roared. Pieces of shingle banged violently on the underneath of the car.

‘Hallo!’ said the passenger. ‘Is this the top!’ And a moment later: ‘Good God, how remarkable!’

The mountain tops had marched away to left and right. The head of the Pass was an open square of piercing blue. As they reached it the black cloud drew back like a curtain. In a moment it was behind them and they looked down into another country.

It was a great plateau, high itself, but ringed about with mountains that were crowned in perpetual snow. It was laced with rivers of snow water. Three lakes of a strange milky green lay across its surface. It stretched bare and golden under a sky that was brilliant as a paladin’s mantle. Upon the plateau and the foothills, up to the level of perpetual snow, grew giant tussocks, but there were no forests. Many miles apart, patches of pinus radiata or lombardy poplars could be seen and these marked the solitary homesteads of the sheep farmers. The air was clear beyond belief, unbreathed, one would have said, newly poured out from the blue chalice of the sky.

The passenger again lowered the window, which was still wet but steaming now, in the sun. He looked back. The cloud curtain lolled a little way over the mountain barrier and that was all there was to be seen of it.

‘It’s a new world,’ he said.

The driver stretched out his hand to a pigeon-hole in the dashboard where his store of loose cigarettes joggled together. His leather coat smelt unpleasantly of fish oil. The passenger wished that his journey was over and that he could enter into this new world of which, remaining in the car, he was merely a spectator. He looked at the mountain ring that curved sickle-wise to right and left of the plateau. ‘Where is Mount Moon?’ he asked. The driver pointed sweepingly to the left. ‘They’ll pick you up at the forks.’

The road, a pale stripe in the landscape, pointed down the centre of the plateau and then, far ahead, forked towards the mountain ramparts. The passenger could see a car, tiny but perfectly clear, standing at the forks. ‘That’ll be Mr Losse’s car,’ said the driver. The passenger thought of the letter he carried in his wallet. Phrases returned to his memory. ‘… the situation has become positively Russian, or, if you prefer the allusion, a setting for a modern crime story … We continue here together in an atmosphere that twangs with stretched nerves. One expects them to relax with time, but no … it’s over a year ago … I should not have ventured to make the demand upon your time if there had not been this preposterous suggestion of espionage … refuse to be subjected any longer to this particular form of torment …’ And, in a pointed irritable calligraphy the signature: ‘Fabian Losse.’

The bus completed its descent and with a following cloud of dust began to travel across the plateau. Against some distant region of cloud a system of mountains revealed, glittering spear upon spear. One would have said that these must be the ultimate expression of loftiness but soon the clouds parted and there, remote from them, was the shining horn of the great peak, the cloud piercer, Aorangi. The passenger was so intent upon this unfolding picture that he had no eyes for the road and they were close upon the forks before he saw the sign post with its two arms at right-angles. The car pulled up beside them and he read their legends: ‘Main South Road’ and ‘Mount Moon’.

The air was lively with the sound of grasshoppers. Its touch was fresh and invigorating. A tall young man wearing a brown jacket and grey trousers, came round the car to meet him. ‘Mr Alleyn? I’m Fabian Losse.’ He took a mail bag from the driver who had already begun to unload Alleyn’s luggage and a large box of stores for Mount Moon. The service car drove away to the south in its attendant cloud of dust. Alleyn and Losse took the road to Mount Moon.

II

‘It’s a relief to me that you’ve come, sir,’ said Losse after they had driven in silence for some minutes. ‘I hope I haven’t misled you with my dark hints of espionage. They had to be dark, you know, because they are based entirely on conjecture. Personally I find the whole theory of espionage dubious, indeed I don’t believe in it for a moment. But I used it as bait.’