River of Stars

He got down from his horse. He walked over and took his arrows from the bodies of the slain men. The sun was west, shining along the path, under-lighting clouds. A wind was blowing. He remembered feeling chilled, and thinking that might be a reaction to what had just happened.

You’d never killed anyone. Then you had.

He took the arrows from the men behind them first. One of them right next to the trees. Then he went and pulled out four from the outlaws on the road ahead, the ones they’d seen first. Without giving it a great deal of thought, he turned over the body of the largest man and he took the two crossed swords and their leather scabbards from that man’s back.

The swords felt very heavy. He’d been working with bamboo, after all. Earlier today. This same morning. A boy in a grove. He placed the twinned scabbards on his back, removing his quiver to do so then putting the quiver back on and adjusting it and the bow, finding positions for them, balancing himself with the new weight of the swords. It was going to take time to get used to this, he thought, standing in the roadway in the wind, the sun beginning to go down.

Looking back, he realized that he’d already understood, by then, what had happened to him in that place, in those moments.

It had something to do with how easy it had been. How effortless, intuitive: the decision made, then the sequence of movements. Understanding exactly where to shoot first, and next, and next. They were alive, and menacing, those men. They were dead. And how brief the time elapsed. That felt strange. How sharp a rent a handful of moments made in the fabric of a life. This—this world of bow and swords—this was meant to be his element, these moments had shown him that, and he needed to enter a place where he could pursue mastery. You had your dreams. A boy’s dreams, and then …

Birdsong was resuming. The gibbons had never stopped.

He looked back once, he remembered, towards Shengdu, to where his parents were, and then he left his life behind, walking into the woods, entering among the dark trees (darker than his own bamboo grove) exactly where the outlaws had emerged in front of them, so little time ago.

CHAPTER II

There were a great many men in the army of Kitai, but they were not good soldiers and they were not well led. Most of them were farmers, sons of farmers, desperately unhappy to be so far from home—and fighting in northern lands.

They knew millet and wheat, or two-crop rice, vegetable plots, orchard fruits, silk farms, growing and harvesting tea. A number of them worked the salt flats or the salt mines, and for these the army was a better life than the near-slavery and early death they’d known and expected.

Next to none of them had any idea why they were fighting Kislik barbarians, marching through a yellow wind and blowing sand that stung and cut whenever the wind grew strong. Tents and tent pegs blew away in that wind. The Kislik had horses, and they knew these lands, knew the terrain and the weather, could attack and retreat, kill you and be gone.

As far as most of the two hundred thousand men in the Imperial Pacification Army of the Northwest were concerned, the barbarians could keep this bitter place.

But their own sage and illustrious emperor, ruling in Hanjin with the mandate of heaven, had judged the Kislik to be presumptuous and arrogant, needing to be taught a stern lesson. His advisers had seen opportunities here: fame and power, rising within the court hierarchy. For some of them this war was also a test, a preparation for the true enemy, which was the even more presumptuous Xiaolu empire north of Kitai.

There was a treaty with the Xiaolu, had been for two hundred years (broken at intervals, never irreparably). By its terms the steppe people still held the Fourteen Prefectures they had taken, below the Long Wall of Kitai.

The glorious emperor’s father and grandfather had not been able to win them back, by diplomacy or threat of arms, though they had tried both. Not even an offered princess had sufficed. The Xiaolu knew what they had: by holding those hilly lands with their narrow passes they ensured that all the northern cities of Kitai were open to horsemen racing down a wide plain. They held what was left of the Long Wall. It meant nothing now, was only a ruined marker of what Kitai had once been.

To give this back for a princess?

There were seeds in all of this, if one looked closely, and thought about it, for what was coming. Not just in the larger sweep and tumble of time but, very specifically, for the soldiers in the northwest who were to march doggedly through blowing, shifting sands north towards Erighaya, capital city of the Kislik, on the far side of the desert that lay west of the Golden River’s bend.

Those troops would carry orders to besiege and destroy Erighaya, and bring Kislik leaders in chains to Hanjin. They were to claim steppe wives and daughters to service and assuage the army, and be slaves, and so humble the barbarians of the northwest before the gathered and glorious might of Kitai and its emperor.

They forgot something, though, heading north. They really did forget something.

In a springtime before that northern march took place, a girl was walking beside her father amid chaos and excitement in a very crowded city.

You could declare it madness, a collective fever, the way in which Yenling, second city of the empire, was transformed during the Peony Festival.

Every spring, for the two weeks when the king of flowers bloomed, it became nearly impossible to move along Yenling streets and lanes, or find a room at an inn.

Houses great and small were filled with returning family and guests from out of town. People offered space, three or four to a bed or a pallet on the floor, to strangers for considerable sums. A place to sleep for a delirious spring interlude, before normal life resumed.

There was nothing resembling normal life during the festival.

Long Life Temple Road all the way down to the principal western gate, and both sides of Moon Dike Road, were crowded with hastily erected tents and pavilions selling peonies.

Yao Yellows (affectionately called “The Palace Lady”) and Wei Reds cost thousands of cash for a single perfect blossom. Those were the most glorious graftings, the celebrated ones, and only the wealthiest could claim them.

But there were less extravagant varieties. Zuo Purple and Hidden Stream Scarlet, Sash Maroon, the Nine Petal Pearl, the exquisite, tiny petals of the Shuoun. Ninety different kinds of peony could be found in Yenling as the sun returned in spring, their blooming an occasion for joy, whatever else might be happening in the empire, on its borders, in the world.

When the first blossoms appeared a postal express began, racing east each morning along the reserved middle lane of the imperial road. There were six stations between Yenling and Hanjin. A fast relay of riders and horses could do it in a day and a night, carrying flowers, so that the Son of Heaven might share in the glorious splendour.

Yenling had been celebrated for its peonies for more than four hundred years, and the peony had been the imperial flower for longer than that.

It was derided by ascetic philosophers, declared to be artificial—peonies were grafted, constructed by man, not natural. It was disdained as gaudy and sensuous, too seductively feminine to justify exaltation, especially compared to the austere, masculine bamboo or flowering plum.

These views were known but they didn’t matter, not even at court. The peony obsession had become a supreme case of popular wisdom (or madness) overriding the reflections of sages.

Everyone who could came to Yenling at festival time.

People walked the streets with flowers pinned to their hats. Aristocrats were carried in their chairs, and so were high-ranking members of the civil service in their long robes. Simple tradesmen crowded the lanes, and farmers pushed into the city to see the flowers and the entertainment.

The more important gardens made a great deal of money for their owners as peonies were sold outside their gates or along the streets.

The Wei family, those artisans of the flower, charged ten cash just to enter their walled garden and take the small boat across to the island in the pond where their best peonies were grown. The family hired guards; you were beaten if you touched a blossom.

There was immense skill to the grafting of the flawless, redolent blossoms. People paid to walk along winding paths to see and smell the profligate profusion. They would line up for hours, then come back to see the changes from one day to the next.

Even women were among them, bright blossoms in their hair. This was a time of year, and a place—Yenling during the Peony Festival—when the increasing restrictions on women’s movements were superseded, simply because they could not be enforced.

It was springtime. There were loud, excited crowds and the heady scent of extravagantly coloured blossoms. There was flute music, singing, dancers in the streets, jugglers, storytellers, men with trained animals. Wine and food were sold in booths, throngs given over to merriment—and to undeniably immoral behaviour in courtyards and lanes and bedchambers (not only in the pleasure district) as twilight descended each day.

Another reason for philosophers to lament the folly and the flower.

WALKING BESIDE HER FATHER, Shan is dizzy with excitement and trying not to show it. That would be undignified, childlike.

She is concentrating on seeing everything, taking it in, registering details. Songs succeed (or fail) in the details, she believes. They are more than the pairing of words and music. It is the acuteness of observation that sets a work apart, makes it worth … worth anything, really.

She is seventeen years old this spring. Will be married by this same season next year. A distant thought still, mostly, but not a displeasing one.

But right now she’s in Yenling with her father amid the morning crowds of the festival. Sight, sound, smell (flowers everywhere and a heavy crush of bodies; the glory and the assault, she thinks). She is hardly the only woman here, but she’s aware of people looking at her as she and her father make their way back up Long Life Temple Road from the city wall.

People had begun looking at her about two years ago. One would have to be in love or a poet to name her beautiful, but there seems to be something about the way she walks or stands, the way her gaze moves and then settles on objects or on people, that draws the attention of others back to her. She has wide-set eyes, a long nose, long fingers. She is tall for a woman. She gets the height from her father.

Lin Kuo is an extremely long-limbed man, but so self-effacing he has stood with a slight stoop for as long as his daughter can remember—as if denying any proud assertion of height, or endlessly ready to bow respectfully.

He had passed the jinshi examinations on his third attempt (perfectly honourable) but has never received a posting, even to the provinces. There are many men like that, graduates without a position. He wears the robes and belt of a civil servant and carries the title of court gentleman, which just means he is without office. He claims the monthly salary attached to that title. He writes with perfectly acceptable calligraphy, and has just completed (and had printed) a small book on gardens in Yenling, which is why they are here.

He has no obvious enemies—important these days—and seems to be unaware that he’s considered a figure of amusement by some. His daughter, more observant perhaps, has registered this, however.

He is instinctively kind, a little afraid of the world. His only expression of adventurousness lies in the fact that he has educated his one living child as if she were a boy. Not a trivial decision, not without consequence, if one thinks of individual lives as important.

Shan has read the classics and the poets, major and minor, back to the beginnings of writing in Kitai. She has a very good running hand and an even better formal one. She sings, of course, can play a pipa—most women from good families can do that—but she also writes songs, the new ci form emerging in this Twelfth Dynasty, words grafted (like peonies! she suddenly thinks) to well-known melodies of the countryside or the pleasure districts.

Her father has even had bows made for each of them, with a supply of arrows. They’ve taken lessons together from a retired archer he found, another quiet reaction against the customs of the day, where all well-bred men (let alone their daughters!) loftily disdain all military traditions.

It is not proper for a girl to do any of this, of course. In music they are to pluck a pipa fetchingly, and sing the words men write. The women doing such singing tend to be entertainers and courtesans. It has always been so.

Lin Kuo has betrothed his daughter this past winter, taking care and thought, to a man he believes will accept what she is, and be happy in that. It is more than any daughter can expect.

Shan loves her father without reserve or condition, though also without illusions as to his limitations.

She loves the world, too, this morning, equally without illus-ions—or so she proudly believes. She is very young.

She is wearing a crimson peony in her hair, carrying a yellow one, as they walk towards the home of the man her father has come to visit. They do have an invitation: Lin Kuo would not be going there without one.

Two and a half years have passed, on this bright morning, since the boy, Ren Daiyan, also young but without a similar belief that he understood the world (yet), walked into a forest east of his village, carrying a bow and bloodied arrows, and two swords from a man he’d killed.

THERE WAS NO FIGURE more respected in Kitai than Xi Wengao of Yenling. Craggy-faced and white-haired now (what was left of his hair), he knew his stature, was not above taking pride in it. You lived your life as honourably as you could, were rewarded, in some instances, with recognition in your lifetime.

He was a civil servant and a scholar, the official historian of the dynasty, a poet. He had even written songs when younger, had made the ci form almost acceptable among serious writers. (Others of his circle had followed, pushing the form even further.) He was renowned for his calligraphy, for advancing the careers of disciples at court. He was a celebrated lover of beauty (including the beauty of women) and had held just about every important office there was through the years, including prime minister to the last emperor and then, briefly, to the son who reigned now.

That “briefly” told its tale, of course.

In his garden, awaiting guests, he sipped Szechen tea from a green celadon cup—that gorgeous green, in honour of the season. One of those visiting this morning was a source of great sorrow, another promised to be a diversion. In late-morning light he thought about emperors and court factions and the arc of a man’s life. You could live too long, he thought, as well as not long enough.

Some lives didn’t actually have an arc, not in the eyes of the world. Yes, everyone could pass from tottering child to vigorous man and then become someone for whom a change in the weather or a walk as far as the gazebo in his garden brought an ache in knees and back, but that wasn’t a career arc. A farmer didn’t arc, he passed through good or bad years, depending on the weather, on locusts, on whether a son was drafted into the army and marched away to war at sowing time.

But a civil servant in Kitai could rise and fall—and rise and fall again, depending on the mood at court, on whether a battle had been lost in the west or a comet seen in the sky, frightening an emperor. He could even be exiled—a greater fall, like a celestial object hurtling to the earth.

That kind of fall could kill you if you were sent all the way south to the lands of sickness and decay.

He had friends down there now. If they were still alive. Letters came infrequently from towards the pearl divers’ sea. It was a grief. These were men he had loved. The world was a hard place. One needed to learn that.

He was exiled himself, of course, but only this far, only to Yenling, his family home. A distance from court, from influence, but not a hardship.

He was too well known, too widely admired for even Hang Dejin and his followers to ask the emperor to do more. Even a prime minister set on changing the ways of a thousand years knew better than to push too hard on that.

In fairness, it was unlikely that Prime Minister Hang wanted him dead. They had exchanged letters and even a poetry sequence once. Years ago, but still. They had debated policies with courtesy before the last emperor, though not in front of the son, the current one. Times changed. Arcs. His old rival Hang was … old now, too. It was said his eyesight was failing. There were others, younger, colder, near the throne now.

Still, he had only been ordered away from Hanjin, from palace and office. He was allowed his own house and garden, books and brush, ink stone and paper. He hadn’t been driven ten thousand li south to a place from which men did not return.

They didn’t execute out-of-favour civil servants in the Twelfth Dynasty of Kitai under the Emperor Wenzong. That, he thought wryly, would have been barbaric, and theirs was an emperor of exquisite cultivation. They just sent members of the disgraced faction away, sometimes so far that their ghosts couldn’t even return to threaten anyone.

One of the two men coming to him today was on his way to a savage exile: across the Great River and the rice-rich lands, over two mountain ranges, through thick, wet forests, all the way to the low-lying, poisonous island that was only nominally part of the empire.

Lingzhou was where the very worst political offenders were sent. They were expected to write their last letters or poems in the steaming heat and die.

He’d been a pupil once, the one going there now, a follower, though he’d moved far beyond that. Another man he loved. Perhaps (probably?) the one he’d loved most of all of them. It would be important today, Master Xi told himself sternly, to preserve equanimity. He would break a willow twig in farewell, the old custom, but he must not shame himself or weaken the other with an old man’s tears.

It was a reason he’d invited the second visitor. To change the tone and mood. Impose the restraint that preserved dignity, the illusion that this was not a final meeting. He was old, his friend was banished. Truth was, they were never going to climb again to a high place on the Ninth of Ninth Festival and celebrate friendship with too much wine.

It was important not to think about that.

Old men wept too easily.

He saw one of his woman servants, the young one, coming from the house and through the garden. He preferred messages to be brought by the women, not his steward. It was unusual, but he was in his own home, could devise his own protocols, and he so much enjoyed the sight of this one—in blue silk today, her hair elegantly pinned (both things also unusual, she was only a servant)—as she approached along the curved pathway to the gazebo where he sat. He had curved all the paths when he designed his small garden, just as they were curved or angled at court. Demons could only travel a straight line.

She bowed twice, announced his first visitor. The amusing one, as it turned out. He wasn’t really in a mood for that, but he didn’t want to be desperately sad when the other one came. There were too many memories, called back by a springtime morning.

Then he saw that Lin Kuo had someone with him, and his mood did change a little. It was a source of immediate inward wryness. He had always been able to laugh at himself. A saving feature in a powerful man. But how was it that even today, at his age, the sight of a very young girl, fresh-faced to face the world, graceful and awkward at the same time (she was tall for a woman, he saw), poised on the threshold of life, could still enchant him so much?

Once, a long time ago—another memory, a different kind—his enemies had tried to drive him from power by claiming he’d incestuously seduced a young cousin. There had been a trial. The accusation had been a lie and they had failed, but they’d been clever with it, and there was an interval when his friends had feared for him. This had been in the years when the faction ugliness at court had begun to claim lives.

His accusers had presented a song at the trial, purporting to be something he’d written to her. It was even a good song. You needed to respect your foes at this court. But the real cleverness had been that they’d chosen to attack him this way, given his well-known love of women.

All his life. His too-long life.

That sweet, shy cousin had died years ago, a wife and mother. His own wives had died, both of them. He’d liked the second one better. Two concubines were gone, and mourned. He hadn’t taken another. Two sons were dead. Three emperors he’d known. Too many friends (too many enemies) to name or number.

And still the girl approaching beside the long, eager figure of Lin Kuo caused him to set down his green cup and rise (despite his knees) to greet the two of them on his feet. It was a good thing, he told himself. You could be dead while alive, lose all taste for life, and he didn’t want to do that.

He had strong opinions on where Hang Dejin and his followers were leading the emperor with their New Policies, and he was vain enough to believe his views might matter, even now. He loathed the long, foolish war against the Kislik, for one thing.

Lin Kuo bowed three times, stopping and advancing, which was flattering but excessive from another jinshi scholar and an invited guest. His daughter stayed a proper two steps behind and performed a proper two bows. Then, after hesitating, she offered a third.

Xi Wengao stroked his narrow beard and kept a smile from his face: she was matching her father’s manners, out of respect, to be in step with him, but clearly she had been inclined to stop after the proper level of salutation.

Not a word spoken, already an interesting girl. Not formally beautiful, he noted, but an alert, curious face. He saw her glance at his celadon teacup and the lacquered tray, take in details of the gazebo. He’d had the upper panels painted by San Tsai in the style of Chang Shao of the Seventh Dynasty.

Tsai was also dead. Last year. Another friend gone.

“Councillor, it is a very great honour to see you again,” said Lin Kuo. He had a light, pleasant voice. Wengao wasn’t an imperial councillor any more, but he didn’t mind being called one.

“The honour is surely mine,” he said formally, “that you grace a sad exile’s home with your esteemed presence. And bringing …?”

“My daughter, councillor. Her name is Shan. I have long wished to show her the Peony Festival, and have presumed to bring her with me to meet your excellence.”

“No presumption at all. You are welcome, child.” He smiled this time.

She didn’t smile back; a watchful face. “It is a privilege for me, sir, to be in the presence of the man instrumental in elevating the status of written songs in our time. I have read your essay on the ci form, with profit and illumination.”

Xi Wengao blinked. This is a good thing, he told himself again. Something to be cherished. That life could still surprise you.

Even from a man, the words would have been assured, a supremely confident thing to say as a first remark. This was, of course, a girl. A young woman, obviously unmarried, a peony in her hair, another in her hand, and she stood in his garden, specifying that among all he’d done …

He sat down, motioned Lin Kuo to a chair. The tall man sat with another bow. The daughter remained standing, moving a little behind him. Wengao looked at her. “I will confess that essay is not what I normally expect to be saluted for.”