The Whaleboat House

Lucy made a comfortable living maintaining the gardens of city people. Out of season she pruned their shrubs, cut back their perennials, planting bulbs and annuals so that their borders, pots and window boxes were ablaze with color come the summer when they took up residence once more. The summer months were her quietest time of the year. She had a team of local boys, headed by her feckless nephew, to weed and water, and mow the lawns.

Lucy must have seen Hollis park up because she appeared on the porch as he made his way towards the house. Slight, slender and effortlessly beautiful, her long dark hair tied back with a ribbon, she was wearing an apron and clutching a wooden spoon. Hollis kissed her on the cheek.

‘You look very …’ He searched for the word.

‘Yes?’

‘Norman friggin’ Rockwell!’ shouted Abel from inside the house.

Hollis laughed. It was true, she was the very picture of benign domesticity, the smiling wife in the gingham apron, pure Saturday Evening Post front cover.

Abel appeared from the house and Lucy struck him with the wooden spoon, a playful but firm blow on the arm.

‘Jesus, Lucy!’

‘Any more of that and you won’t be eating tonight.’

‘Chance would be a fine thing,’ mumbled Abel, wisely backing out of range. Lucy headed inside.

‘I’m sorry,’ said Abel. ‘She insisted.’ He was referring to the fact that Lucy was wearing an apron. She was a woman of many talents; sadly, cooking wasn’t one of them. It was an inescapable truth that Lucy sought unsuccessfully to refute with recipes of ever-increasing ambition and complexity.

In her defense, the dish she’d prepared for them that evening was far better than it sounded. Tomato aspic with cloves and beef tongue was certainly a first for Hollis, and it wasn’t half bad, though there was no question it would have been far more appetizing had Lucy chosen to slice the tongue first. As it was, the pale, muscular appendage, spiked with cloves, lay suspended in its bed of rosy gelatin like some scientific curiosity preserved for posterity.

Abel was uncharacteristically restrained in his comments, even when Lucy cleared the plates and entered the house. They were eating at the table on the back terrace, the garden awash with warm evening light. Abel filled Hollis’ glass with wine.

‘You make any headway on the dead girl?’ he asked.

‘Name’s Lillian Wallace.’ From Abel’s expression, it rang no bells with him. ‘Her father’s some Wall Street whiz. I spoke to him earlier, broke the news. The family’s driving up tonight. There’s a formal identification of the body set for noon tomorrow.’

He didn’t tell Abel that he planned to be at the morgue a good hour earlier to scrutinize the results of Dr Hobbs’ autopsy before the body was released to the custody of the family.

‘Speaking of corpses,’ said Abel, reaching for his pack of cigarettes. ‘Any news from Lydia?’

‘She called a couple of nights back.’

‘Collect?’

Abel had never liked Hollis’ wife, a fact he had half-heartedly attempted to disguise while she’d been around. Now that she was gone, he felt no such compunction.

‘Still with that stoop-shouldered fucker, is she?’

‘Seems so.’

‘What did she want?’

‘A divorce.’

Abel looked at Hollis long and hard, weighing the news. ‘What did you say?’

‘What could I say?’

‘Knowing you – “Come back, dear, all is forgiven.”’

‘I said yes.’

‘You didn’t?’

Hollis nodded.

‘I’m trying not to smile.’

‘I can see that.’

‘Good on you, Tom,’ beamed Abel, raising his glass in a salute. ‘To the stoop-shouldered fucker. May he soon come to know that your loss is not his gain.’

The gentleman in question was a New Jersey artist of Scottish extraction, a competent watercolorist who had summered in East Hampton the previous year at a boarding house on Accabonac Road. Hollis had no idea how Lydia had come to meet Joe McBride. He didn’t wish to know. It pained him to think of the numerous liaisons the pair had doubtless contrived behind his back; and it still puzzled him that he hadn’t read the signs, the clues, he of all people. Hindsight offered no illumination. Even casting his mind back to that time, he could recall nothing out of the ordinary. Had she taken special care over her appearance? Had she been more remote or badtempered with him than usual? Had she shown any undue aversion to sex? Probably, but nothing he could remember. It had simply happened, without his awareness, almost in his very presence.

This was the saddest indictment of their relationship, the unspoken pact of mutual indifference they had allowed themselves to sign up to. He had been immune to her, even as her heart soared. Could he really blame her for leaving?

One small part of himself clung to the notion that ultimate responsibility lay with Lydia, that things would have been different if she had only supported him in his hour of need, rather than chiding him for destroying his career, and their lives with it, on a matter of principle.

In his heart, however, he knew it was he who had betrayed their childhood dream, hatched in the gloomy passageways of the four-flight walk-up tenement where their families lived, vowing to each other that life would be better for them – no bedbugs, no roaches, no shared hall toilet stinking of CN disinfectant, no El trains hammering past outside, drowning out their whispers, the flat, dead eyes of the passengers staring in on their wretched lives. And so it had proved, their first halting steps on the ladder of selfbetterment against the downdraft of the Depression years, ever upwards, until he had lost his footing, dragging her with him into the void.

At the age of twenty-nine, way before his time, Hollis had already faced the grinning demon all men must confront in their lives, the one who mocks you with the certain knowledge that you’ve climbed as high as you’re ever going to, that you’ve scaled the peak, that from here the only way is down.

They were doomed even before they moved out to Long Island, he knew that now. Life in East Hampton – the village, its people, the cloying parochialism – became just another rod to beat him with. Lydia waxed sentimental about the city they had been forced to leave behind them, the same city she had spent the past twenty years of her life lambasting. She dreamed of Manhattan stores she had never shown any inclination to visit when they lived there: Macy’s, Saks Fifth Avenue, Bonwit Teller. She subscribed to the New York Sunday Times, scouring its innumerable sections. Plaintively, she read aloud the reviews of Broadway plays as if theater were her greatest passion, and yet she showed no desire to attend the capable productions of the local Guild Hall Players.

Hollis had always tried to keep a wall between his work and his home life, to spare Lydia the daily round of depravity he witnessed as a detective. Since moving to East Hampton, he had maintained this wall, though for different reasons – to shield her from the banality of his work, to deny her the tools of further castigation.

As for himself, he had simply become inured to the desperate drudgery. He no longer bothered to return the smiles and waves while out on patrol. When called on to deal with some minor misdemeanor – the theft of a few hay bales or a family feud come to blows – he struggled to muster any concern, professional or otherwise, for the victims. The daily crowings and criticisms from Chief Milligan washed over him where once they had made his blood boil with impotent anger. He became an observer of a world he no longer inhabited although he moved through it: a muted world, clouded, like squinting at a painting.

That had all changed as of today when he saw the earring backstud lying in the sand beside the head of Lillian Wallace. A moment of clarity, a detail, the world unexpectedly thrown into sharp relief. The Devil is in the Details – the note pinned to the wall above his desk in the detective division task room.

‘Have you heard of a fellow called Labarde?’ he asked. ‘Conrad Labarde. He’s a fisherman, in Amagansett.’

‘Why do you ask?’

‘He was the one pulled the girl from the sea.’

‘Sure, I know him, to nod at. We crossed in high school. He got yanked out like most of the fishing kids. We didn’t mix much, the East Hampton boys and the ’Gansetters, you know – a rivalry thing. I remember him, though.’

‘Carries a limp.’

‘A limp?’

‘Left leg.’

Abel shrugged. ‘Not back then. Hell of a ball player, if I remember right. Could be he picked it up in the war.’

‘He’s a veteran?’

‘Not all of us managed to dodge the draft,’ said Abel with a wry smile. He knew this was unfair, that Hollis’ job as a detective had excluded him from military call-up.

‘We all passed through Camp Upton about the same time. I don’t know where he ended up. Come to think of it, maybe he never saw action. He didn’t show at the Memorial Day parade, this year or last.’ Abel stubbed out his cigarette. ‘Why all the questions?’

‘No reason,’ said Hollis.

In truth, the tall Basque with the unsettling gaze had been preying on his mind all day. In the first place, he had also picked up on the woman’s earrings – that was impressive – and then when Hollis feigned uncertainty of their significance he had simply smiled enigmatically, seeing through the front.

How had the fellow got his measure so quickly? And his parting words, the studied weight of the delivery – ‘See you around, Deputy.’ They had never met before, why should they ever see each other again? If it was a message, it was one that Hollis had yet to fathom.

‘When you’re ready,’ said Abel.

‘What’s that?’

‘Come on, Tom, something’s up. I can see you thinking; shit, I can almost hear it.’

Hollis didn’t reply.

‘All I’m saying is … in your own time, if you want to talk about it.’

At that moment Lucy appeared from the house, hurrying towards the table, the oven gloves barely a match for the heat from the glass dish she was carrying. Dropping the dish on the table, she shook out her scalded fingers.

Hollis and Abel stared: patches of ocher-brown paste showing through a husk of dirty white, like snow on a muddy paddock during the spring thaw.

‘Lou, what in God’s name …?’ muttered Abel.

‘Sweet potato and marshmallow surprise,’ she replied proudly.

Six

Conrad found himself counting his steps as he walked – ten paces to every breaking wave, the spume washing around his bare feet. He resisted the urge to hurry ahead, the darkness not descended yet, measured strides over the tide-packed sand at the water’s edge. One-to-ten, one-to-ten. The mental metronome of a route march, memories of the ragged hills east of Cassino invading his thoughts, the sound of the collapsing waves not unlike the hollow report of distant artillery fire, unseen shells reshaping the Italian landscape.

Looking up, he saw a couple coming towards him, arms linked, bodies pressed close, stepping out at twilight. He thought of turning away, veering off towards the dunes to allow them a clear passage along the shore, not wanting to intrude on their moment. But they had seen him now, and a sense of propriety drove them apart.

They approached through the blue-black light, eyes downcast like guilty children.

‘Good evening,’ said the man stiffly as they passed.

A thought occurred to Conrad, and he stopped in his tracks. ‘Excuse me.’

The couple hesitated, turning.

‘Do you walk here every evening?’ asked Conrad.

‘I’m sorry?’

‘I was just wondering if you walked here most evenings.’

‘Why?’ said the man.

‘We’re from Albany,’ said the woman. She uttered the words as if they were some kind of protective incantation.

Conrad took a couple of steps towards them. ‘Last night, were you here around this time?’

‘Look,’ said the man, ‘we’re very late.’

‘It’s important,’ said Conrad.

‘We weren’t even here last night, okay? We got here today. And now we have to go.’ They turned and left, stepping briskly away.

Puzzled by their reaction, Conrad glanced down, taking in his appearance, aware for the first time that he was still in his fishing gear – the shabby twill trousers, patched and stitched and crusted with fish scales, plaid shirt protruding from the tattered hem of his jersey, once white, now stained with fish blood and streaked with tar. No wonder they’d been so anxious, confronted by a ragged, barefoot scrap of humanity.

He tugged the jersey up over his head and set off along the shore. After a few hundred yards, he cut inland, up the steep frontal dune. Beyond lay a tumble of sandhills, a tangled maze of crests and troughs, like an angry cross-sea. Narrowing to a point a few hundred yards beyond the Maidstone Club, this mysterious tract of vacant land extended four miles eastwards into Amagansett, widening considerably as it went, demarcated to the north by the steep inland bluff on which the wealthy had built their summer homes.

It was a world Conrad was well acquainted with, one that hadn’t changed in all the years he’d known it. As kids, this had been their preserve, a private nether world where innumerable battles were fought, where Custer died a thousand deaths, yet, strangely, Jim Bowie and Davy Crockett always seemed to survive the storming of the Alamo.

Back then the old-timers still referred to the place as ‘the Glades’, dim memories handed down of the time when the pockets of freshwater marsh, fringed with phragmites, were deep enough for skiffs, and cranberry bogs abounded. The cranberries were still there, a welcome source of pocket money for Conrad and his friends when they were growing up, though Arthur Bowles, the manager of Roulston’s Store, always screwed them down hard on the price, his plastered smile masking a ruthless business head.

It was ‘down the Glades’ that Conrad first met Rollo, wheeling around, lunging wildly, delightedly groping the air – a game of blind-man’s buff – surrounded by a pack of shrieking kids, too young to know they were laughing at his expense, no sense yet that others saw him as different. That came later. Long summers spent roaming the sandhills in packs, squelching knee-high through the swales, forming tribes, alliances sealed in blood but soon reneged on, building camps thatched with dried reeds and cat-tails, whittling spears with gutting knives filched from unsuspecting fathers.

Sometimes they ventured beyond the southern frontier on to the beach, little Edmund Tyler – always Edmund, with his cherub face and see-no-evil eyes – coyly approaching a group of bathers, ‘Watch out for the sand snakes, it’s their feeding hour’, the others flat on their bellies in the beach grass at the top of the dune, howling with laughter as the city people snatched up their belongings and scampered to safety.

One time, venturing further still, into the west, to the Maidstone Club – the playground of the rich – the club itself too closely patrolled to risk an incursion despite the imagined lure of naked female flesh around the swimming pool, striking out across the golf course instead, sticking to cover, the eighth hole – par three, partially blind approach – Conrad racing from the scrub, staying low, scooping up a ball from the edge of the green and dropping it in the hole, not staying to witness the celebration of the hole-in-one, knowing their laughter would give them away and ruin the prank, the unwitting victim still dining out on that magnificent drive from the tee, no doubt.

Conrad smiled, remembering. Then it occurred to him that four of the six boys present that day were now dead.

He banished the memories, pinched the burning end from his cigarette and drove the stub into the sand with his finger.

It was night now, time to go.

Only fifty yards or so separated the wind-trimmed holly tree where he’d been sitting from the sandy bluff, and he could see the lights of the houses glinting through the oaks standing sentinel along the crest.

The moon lit his path as he picked his way across the sandhills and up the slope. He slipped the latch of the gate in the iron fence and stepped into the garden.

The air was cool and moist, rich with earthy scents where the borders had been watered. Somewhere out there in the night a dog barked and another returned its call. A low hum emanated from the small hut that housed the swimming pool’s filtration system.

There were patches of water on the pool’s flagstone surround, and a part-smoked cigarette in an ashtray beside a lounge chair. The cushions bore the moist impression of a person not-so-long gone.

He was right to have waited a while.

He strayed as close to the house as he dared, positioning himself beneath the boughs of a tree at the edge of the lawn. From here he waited and watched, the figures moving behind the windows like marionettes on a nursery stage, until the lights were extinguished. A lone bedroom light was still burning bright behind the curtains when Conrad finally slipped away through the shadows.

He stopped as he passed by the swimming pool.

Crouching down, he dipped his fingers into the water and raised them to his lips.

Seven

‘You’re early,’ said Dr Hobbs, dropping the liver on to the tray of the hanging scales with a loud slap.

‘I just wanted to make sure the paperwork’s in order before the family get here,’ lied Hollis.

‘Five pounds, four ounces,’ said Hobbs, reading off the weight of the organ to his assistant who was taking notes at a table. A sign on the wall read: This is the Place Where Death Rejoices to Teach Those Who Live. The maxim was accompanied by an image of the Grim Reaper standing beside a blackboard, scythe in one hand, stick of chalk in the other.

The cadaver on the autopsy table was that of an elderly woman. Her large breasts, laced with veins, were splayed across her torso, hanging down over her arms so that they gathered on the enameled surface like wax at the base of a candle. There was a gaping Y-shaped hole in her abdomen where Dr Hobbs had been at work.

Hollis’ natural curiosity drove him towards the body, Dr Hobbs evidently intrigued by his lack of squeamishness. ‘Want to hazard a guess at the cause of death?’ he asked.

Hollis glanced at the weighing scales. ‘The shape of the liver, its color, weight …’

‘Its weight?’

‘Almost twice as heavy as it should be.’

Dr Hobbs raised an eyebrow.

‘I don’t know,’ continued Hollis. ‘Liver failure brought on by chronic alcoholism? The contusions on her knees and forehead suggest she collapsed forward on to the ground; the lividity in her face and neck that she lay there for some time.’

Hollis regretted the words as soon as they had left his mouth. As a rule, he played his cards close to his chest, finding it far more advantageous to be underestimated by his colleagues and associates. It was a sign of how low he’d sunk that he felt the need to impress the likes of Dr Cornelius Hobbs.

‘Local woman, Anne Hamel, notorious lush,’ confirmed Hobbs, ‘bottle and a half of gin a day. Neighbor found her on the bathroom floor.’ He removed the liver from the scales. ‘I can see you’re something of a dark horse, Hollis. I’m going to have to keep my eye on you.’

Yes, he should have kept his mouth shut.

‘As for the paperwork on your girl,’ continued Hobbs, ‘I can’t complete the Death Certificate or body-release form before identification by next-of-kin. But then I figure you already know that, so you must be here to cast an eye over the autopsy report.’

Hollis shrugged. ‘Just out of curiosity.’

‘Go ahead, it’s on my desk, last office on the right down the hall.’ Hobbs couldn’t resist a parting shot as Hollis left through the swing doors. ‘You’ll let me know if I missed anything.’

The office was small, immaculately tidy, with windows on to the parking lot at the side of the building. There were graduation photos of two youngsters on the desk – gowns and caps, black tassels dangling – instantly recognizable as Hobbs’ son and daughter, something that must have been a source of considerable consternation to the girl.

The autopsy report sat beside the phone, a sheet of ruled paper pinned to the front on which someone, Hobbs presumably, had written in a neat, cursive hand: Lillian Wallace (to be confirmed). Death by Misadventure: death from drowning.

Hollis settled into the chair at the desk and picked up the report. He paused a moment before starting to read. What was he looking for? He wasn’t sure. Maybe he was still grasping at straws. He admonished himself for thinking that way, cleared his head and started again. Discrepancies. Yes, discrepancies between the report and what little he knew of Lillian Wallace and the last hours of her life.

The few scraps he had to work with had been provided by the maid, Rosa, the previous day. After breaking the news, Hollis had sat with her for ten minutes while she tried to choke back the shock and grief, tears pouring down her face.

When her sobbing had subsided, he gently prized his hand free of hers and went and made a cup of tea for her. She joined him in the kitchen, a room larger than the footprint of his whole house, with a cathedral-cold stone floor. They sat at a table and she answered his questions while he took notes in his memo pad.

Lillian Wallace had been twenty-six years old, the youngest child of George and Martha Wallace, sister to Gayle and Manfred. Her mother had died four years previously from a cancer of the throat. Her father had not remarried. Ordinarily, Lillian lived at her apartment in New York, but she had been staying at the house in East Hampton since January, following a separation from her fiancé, the engagement broken off.

When asked if Lillian was depressed, Rosa replied that she’d been very low at first, but within a month or so she was her old self again – spirited, full of life and humor. She said this in such a way as to warn him off the notion that Lillian might have taken her own life.

For much of the time Lillian had been alone in the house. Rosa lived with her husband and three children on the other side of town and only stayed in the house on Friday and Saturday nights during the season, when the whole family came out for the weekend. Since Lillian had taken up residence though, Rosa would come in for a few hours every morning to air the rooms, clean a little, make Lillian’s bed, and prepare an evening meal for her.

Lillian kept herself pretty much to herself during the week, although Rosa said she played tennis with friends at the Maidstone Club every now and then. She read a lot, walked a lot, and swam whenever she could, in the swimming pool out back and in the sea.

Her evening dip in the ocean had been an established ritual. Even weekends, when her family was around, while the others indulged in pre-prandial cocktails on the terrace Lillian would head off to the beach, out of the back gate in the garden and across the dunes. Rosa’s eyes misted over again as she described this daily pilgrimage, the one that Lillian had never returned from.

Hollis had asked if he could take a look at Lillian’s bedroom, and Rosa accompanied him upstairs. He would have preferred to inspect the room on his own, taking his time, but Rosa loitered protectively at the door.

There was nothing overtly feminine about the room, very little besides the clothes in the closet to suggest the gender of its occupant. The walls were painted cream and were hung with prints and etchings – a cart passing down a country lane, Montauk Lighthouse, an abstract female nude by some well-known European artist whose name Hollis couldn’t recall.

On the wall beside the bed was a framed photo showing a group of young women gathered on a stage. The caption on the matt read: The Experimental Theatre, Vassar College 1942. Lillian Wallace stood out like a beacon, her beauty and the breadth of her smile animating the photo, lending life to those around her. The image was in stark contrast to Hollis’ first sight of her, face frozen with rigor mortis, pinkish foam oozing from her blue lips.