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Flame Tree Road
Flame Tree Road

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Flame Tree Road

Язык: Английский
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* * *

That night Shibani dreamed of a snake.

She could not see it, but she felt it twisted around her throat in thick damp coils, choking her breath. When she tried to scream, the coils tightened. She woke up drenched in sweat to find her long oily hair freed from the towel wrapped around her neck. Her hand crept instinctively to Shamol’s side of the bed and a small sadness fluttered in her heart when she touched his empty pillow. She lay in bed and thought of him. She hoped he would get some sleep that night. Shamol’s cousins were a big noisy family with several ill-behaved children who ran rumpus over the house. Would he miss her? She smiled. Of course he would. Her husband was a deeply romantic and sentimental man.

Shibani’s heart swelled with gratitude when she thought of him. He was such a caring husband and a good father. Shamol discerned unique qualities in each child and wove them into their self-confidence. She remembered a phase Nitin had gone through when he’d wanted to dress up in girl clothes and play with dolls all the time. Shamol had never once tried to dissuade him or make him feel it was wrong. “The child is only acting out his imagination,” he’d explained to Shibani. “He will grow out of it.” And sure enough, Nitin soon had.

Samir in the meantime had turned around and called Nitin a sissy. He’d done it in a mean-spirited way and Biren had been quick to lash out in defense of his young brother. “You are the sissy,” Biren had shot back. “Imagine a grown-up boy like you riding in a palanquin!”

Shamol, who had overheard their quarrel, had quickly diffused it by telling the boys about the brave Scottish Highlanders in their wool-pleated kilts and Roman emperors who wore togas. He’d gone on to talk about Japanese emperors and brave Samurai warriors who were borne aloft on palanquins because of their exalted status. At the end Shamol had had all three boys keen to wear kilts and togas and ride in palanquins.

Shibani’s fingers caressed her husband’s pillow, remembering. She slipped her small supple hand under it and found a sprig of dried jasmine from the garland of her hair. Her sweet husband must have tucked it there. Breathing in the scent, she drifted off into a dreamless sleep.

* * *

An inky darkness had fallen outside by the time Shamol finished his letter. The rain had ceased and the candles, now reduced to shapeless gobs, spluttered in their pools of wax. Outside the door the jackals howled in a lonely chorus. Shamol quickly folded the letter, gathered together his things and picked up the ledger and keys from the table. Then he blew out the candles one by one. As he stepped off the platform, the keys slipped from his hand and fell with a clatter to the floor. He bent down and felt for them in the dark and bumped up against what he thought was the leg of the table. But it was hard and muscular and writhed against his upper arm. Too late, he realized it was a snake. He jerked back his hand and heard a loud spitting hiss followed by a needling stab on his right wrist. Shamol’s knees buckled; he grabbed the table to steady himself and slowly crumpled to the floor. A milky film floated before his eyes, his tongue twisted to the roof of his mouth and ribbons of white froth dribbled down his chin. The last thing Shamol Roy felt was a tremendous crushing pain in his chest and the sensation of being sucked underwater.

Twenty minutes later, he lay dead in the jute godown, surrounded by the rats and the filth. His hand clutched his pocket that held the six pencil stubs wrapped in a blotting paper he had planned on taking home for his son.


CHAPTER

13

The disheveled man waiting for Biren in the headmaster’s office looked vaguely familiar. His hair was uncombed and he was still in his night pajamas. It finally dawned on Biren he was their neighbor, Apu’s husband, a man he had probably seen five times in his life and never spoken to even once.

“Mr. Bhowmik will take you home,” said the headmaster, fiddling with a bunch of papers on his desk. He did not explain why. From the look on their faces, Biren knew something was wrong. It must be something to do with his granny, he thought. Maybe she had died. Old people died quickly and suddenly after all. Like Kanai’s granny. Kanai said one day she was chewing betel nuts on the front steps and chatting with the neighbors and the next day she was gone.

On the boat ride back home the man turned his face away toward the jute fields and made no attempt at conversation. He was not one to talk much, from what Biren remembered. If Granny had died, why hadn’t his father come to get him? It was not like Father to send a stranger in his place.

Maybe he could trick Apu’s husband into conversation.

“I wonder if it will rain tonight,” Biren remarked, peering up at the clouds. “This changing weather is terrible. It is making us all sick. My granny had a high fever last night. She was terribly unwell.”

The man coughed and gave a brief nod but did not say anything. The silence was getting sticky. The boat rowed past the backwaters.

“I went fishing out to the backwaters yesterday,” Biren said brightly. “Kanai the fisherman caught a big chital fish a few days ago. Fifteen kilos, imagine!” Biren cast a sly glance to see if the man was impressed, but he just crossed his arms over his chest. “But it was hopeless for me,” Biren continued. “I did not even catch a two-inch pooty fish! It is this rough weather, you know. When it gets too windy, the fish go down too deep and don’t bite. It was a good thing we decided to come home...” His last few words dribbled off. His pitcher of conversation was running dry.

Finally, as the boat pulled up to Momati Ghat, the man cleared his throat. “You will stay at our house today,” he said. Biren was startled to hear his voice. It was low and throaty. Something warned him not to ask further questions.

They entered Apu’s house through the front door, which had a different street entrance from their own. Nitin was already there, behaving in a manner that would have earned him a sound paddling from Shibani. A half-packed trunk lay open on the floor. Nitin and Apu’s two little girls, Ruby and Ratna, had pulled out an expensive silk sari from the trunk and ran shrieking through the house as they trailed the leaf-green silk behind them. Biren remembered it as the same sari he had delivered the day before.

A toothless granny with collapsed cheeks, her hair coiled into a walnut-size bun, sat on the bed with a string of prayer beads wrapped in her hand. She called after them in a wavery voice, “Careful, careful.”

“Ma!” yelled Apu’s husband loudly in the old woman’s ear. “I am going out. Keep an eye on the children, do you hear? Don’t let them out of the house.”

Biren tugged the man’s hand. “Can I go home?”

“Not now,” said the man. “Your Apumashi will come to get you both later.”

“Where is Apumashi?”

“She’s gone...out,” said the man. “You all stay here. You must not leave the house.”

He turned around and left.

Four-year-old Ruby came running up to Biren and hugged him tightly around the waist. “Oh, my husband! My sweet husband!” she cried. She grabbed his hand and kissed it feverishly.

“I am not your husband,” Biren said gruffly, snatching his hand away. He disengaged her arms from around his waist.

“But of course you are,” Ruby replied in a sugary voice. She gave him a sly, coquettish look. “You are, you are, my handsome husband.” She twirled her skirt and sang. “We are going to get married. I will wear a red sari and we will exchange garlands. Oh, I love my husband! We are getting married.”

“Getting married! Getting married!” shrieked the other two, flinging the folds of the sari up in the air.

“Careful, careful,” chirruped the granny.

It was strange, but there didn’t seem to be another soul in the house.

“Granny!” yelled Biren in the old lady’s ear. “Where is everybody?”

“Everybody?” pondered the granny. “Everybody must be doing puja.”

The puja room was empty, the sandalwood joss sticks burned down to a bed of ash.

Biren grabbed Nitin as he ran by and shook him by the shoulder. “Nitin, who dropped you here? Where is Ma?”

Nitin shrugged off his brother. Reckless and out of control, he ran off screaming behind Ratna.

The kitchen looked as if it had been abandoned in a hurry. On the floor were several brass platters of grated coconut, sesame seeds, mounds of jaggery and a large basin of rice flour batter. Biren turned to the window, which faced the pumpkin patch, beyond which he could see the rooftop of his house in the distance. A small slice of their courtyard was visible. He saw several men in the courtyard but could not make out their faces.

Then he heard a strange sound. What was it? It was between a howl and a moan. Then came another and another. There were waves of them. It sounded like a dying animal in mortal pain. Maybe it was a wounded jackal in the taro patch. Biren made a note to himself to look for the poor creature when he got home.


CHAPTER

14

What a damned, wretched day, thought Owen McIntosh, the Scottish owner of Victoria Jute Mills. He sat on the veranda of his bungalow, the pipe in his mouth remained unlit, his cup of tea untouched. After the horrific events of the day before, he felt no desire for the small comforts he looked forward to every evening when he got home.

A dreary darkness had settled around the bungalow compound, and in the distance the jackals howled in chorus. It was around this time yesterday that Shamol Roy had suffered the fatal cobra bite in the jute godown and breathed his last. Owen was horrified to think of the poor man lying in his own vomit all night, surrounded by rats, cockroaches, the jackals wandering in and out of the open doorway. When the laborers found his body in the morning, the jackals had half dragged it out of the doorway and it was a gruesome sight. Owen McIntosh covered his eyes and felt the bile rise to his throat at the memory of what he had seen.

What a fine young man Shamol Roy had been. He’d had so much promise and was undoubtedly one of the best employees of Victoria Jute Mills. Owen believed Roy deserved better. He had been too educated and genteel for the rough work he did in that filthy godown, managing the common laborers, day in and day out. That man had a quiet presence about him, a dignity of carriage, speech and manners that belied his humble village upbringing. From what Owen knew, Shamol Roy had been the only earning member of his joint family. He had accepted the godown job because the pay was slightly higher than the administrative work at the mill office. Owen had had every good intention to promote him to a better paying position in the main office as soon as he could find someone to replace him. At one point, he had even toyed with the idea of grooming Roy as his personal assistant. Now it was too late.

More than just sadness and regret, Owen McIntosh was tortured with guilt. He knew in his heart he had delayed Shamol Roy’s promotion because of his own self-interest. Raw-material management was a critical part of the jute mill business and Owen had yet to find someone as responsible and capable as Roy. Roy had had a gentle way of dealing with the rough laborers. He had known each laborer by name and often asked after their families. Shamol Roy had been meticulous about his job and never acted bossy or condescending toward his assistant. Because he’d managed the godown operation so faultlessly, Owen had let him run it. He had not tried hard enough to find a substitute, and the soft-spoken young man never once complained.

Shamol Roy had elected not to live in the jute mill quarters provided free to employees. Rather, each day, he traveled up and down by boat from his village to work. Most other workers went home only on weekends. A cluster of cheap wine shops and brothels had sprung up around the jute mill area to cater to these men. Many showed up to work red-eyed and hungover in the mornings, but Shamol Roy had always arrived impeccably dressed, never absent or late. He had to return home every night to tutor his children, he’d explained, to help them with their schoolwork, as he did not want them falling behind in their studies. Owen also knew he had collected the discarded pencil stubs from the office to take home to his son.

He had once met the older boy at the office of Saraswati Puja. Held in the jute mill compound during early spring, the puja was a joyous occasion celebrated with the beating of drums and blowing of conch horns. Employees brought their wives and children from the villages, dressed in bright new clothes to see the bedecked Goddess of Learning seated on her snow-white lotus, holding a stringed vina in her hands.

Owen had been in his office when Shamol Roy had walked in with his eight-year-old son. A bold and curious child, he was intelligent beyond his years. The boy had sat on the edge of his chair and knew more about jute manufacturing than most of the employees at the mill. Thoroughly charmed, Owen had, with mock gravity, offered the lad a job. To his surprise the young fellow piped up, “Thank you, sir, but I must complete my education first.”

“And did you make a special wish to the goddess Saraswati today?” Owen had inquired gently. “What do you want to be when you grow up, young man?”

“I want to be a lawyer,” the boy had replied without hesitation.

“Indeed! And why not a doctor, may I ask?”

“Because...” The boy’s soulful eyes had deepened. “Because if I am a doctor, I can only make my living if people fall sick, but if I am a lawyer I can make my living by fighting for what is right.”

Owen had been astounded by his sage-like answer. What was more remarkable, Shamol Roy had let his young son take center stage, never once chiding or belittling the boy in front of his boss. He had treated his son respectfully like an adult and as a result the boy stood tall and felt entitled to speak his mind.

Owen thought about his own two children. Alan, his son, was the same age as this boy, maybe a wee bit older, and his daughter, Margie, was six, but both his children seemed like toddlers compared to Shamol Roy’s boy.

Owen’s heart was filled with despair. What would become of Shamol Roy’s young sons? Who would tutor them, who would give them the confidence to strive higher? Their education would be cut short and they would be sucked back into their village life. What a waste of potential. The more Owen thought about the two boys, the more wretched he felt. He blamed himself in part for Shamol Roy’s death. How was he ever going to live with himself?

Another thing bothered him. A few years ago Roy had approached his office, stood shyly outside the door and asked to speak with him on a private matter. He had explained to Owen about his family situation. His brother was unable to work because of an injury sustained a few years ago, so the responsibility for his aging parents, his brother’s family as well as his own, was on him. As Roy had talked, Owen McIntosh had begun to suspect he was going to ask for a loan, but he was wrong.

Roy had said he had been thinking about the future of his boys. To make sure there would be sufficient funds for their college education, he wanted to set aside a portion of his salary every month. Unfortunately, he would have to do this without the knowledge of his family. His older brother, who managed the funds of the family, was childless and did not put the same value on education as Shamol did. Shamol Roy himself had missed the opportunity to finish college. He did not want his sons to suffer the same fate. He had asked if Mr. McIntosh could deduct a small portion of his salary every month and put it aside in a separate fund for him.

Owen McIntosh had been deeply moved by his story. He said he would not only be glad to do that, but every month he would add a small bonus to compensate him for his hard work.

Shamol Roy was now dead at the age of thirty-four. The fund, meanwhile, had grown to a sizable amount. The question was, what to do with the money? If Owen handed the money over to Roy’s joint family, chances were the boys would never see it. It became increasingly clear: he had a moral responsibility to protect the two boys.

Now there was Roy’s final letter where he had asked, rather timidly, if Owen could help his sons get admission in an English missionary school. It had never occurred to Owen to do that for any employee, as it meant assuming full guardianship for the boys. But Roy was dead and Owen had his letter as proof. He decided he would do everything in his power to make Roy’s last wishes come true.

Having come to that decision, Owen McIntosh felt better. He called for the bearer to make him a fresh pot of tea, and finally lit his pipe. He could only hope Shamol Roy’s family would agree to his plans.


CHAPTER

15

Biren remembered very little of what happened in the next few days. He was told his father had died from a cobra bite in the jute mill. The house was full of strange people. They huddled in clusters; the women beat their breasts and wailed. Granny’s potted marigolds all died because nobody watered them. Bunches of tuberose lay discolored and rotting, still wrapped in newspaper and string. Granny took to bed and cried day and night, Uncle disappeared and Grandpa retreated into a stony silence while the gloomy aunt did her best to manage the chaotic household. As for Shibani, she was nowhere to be seen.

Bewildered, Biren wandered around the house looking for his mother. He had seen her last on the morning before he left for school. She’d looked fine and had been getting ready to wash her hair. That night he and Nitin had fallen asleep in Apumashi’s house. Somebody had carried them home late at night and they had woken up to find both their mother and father gone and the house full of crying people.

All he knew was his father had died and his mother had disappeared and nobody talked about her. There was a different bedspread on her bed. He looked for her sewing basket, which was full of needles, buttons and colored threads wrapped around bamboo spools. He often rummaged in this basket looking for tacking pins to bend into fishing hooks. Her basket was nowhere. Panic set in. He began to fear his mother had abandoned him and his brother. Maybe they were bad boys and she didn’t want them anymore.

Everything that belonged to his mother was gone. Her trunk of saris, her comb, her bangles, the brass container of vermillion she used for the part of her hair. Oddly, his father’s things remained exactly where they were before he had died. His lungi and vest were folded neatly over the clotheshorse. His books, English calendar, wooden clogs and even his comb with a few black hairs still stuck to them. It almost felt as if his mother had died and his father had gone away. Something was just not adding up, but Biren could not put a finger on it.

In the evenings Biren felt the urge to walk down the road to meet his father, only to realize with a stab of pain that his father would never come home again. He wished he could talk to Apumashi. She would explain everything. He wanted to go to her house, but Granny would not allow him. “We are in mourning,” she said. “You don’t visit other people in their homes for thirteen days.” In desperation he imitated his mother and rooster called to Apu across the pumpkin patch but there was no answering call back.

Nitin behaved strangely. He walked around with his hair uncombed and sucked his thumb. He started to wet his bed and after a while he stopped talking entirely. One day Biren saw him put a blue marble inside his mouth. The next thing he knew, Nitin had gulped. Biren rushed over and forced Nitin’s mouth open. He stuck his finger inside and moved it around but the marble was gone.

“Granny!” screamed Biren, dragging Nitin to Granny’s room. “Nitin swallowed a marble!” To his shock, Granny did not seem to care.

Biren wandered around in a daze holding Nitin tightly by the hand. His father and mother had both disappeared; now Nitin had swallowed a marble and was surely going to die and nobody cared. What was going on?

Then out of the blue Nitin fell on the ground and threw a tantrum. He screamed and begged and promised never to play with his mother’s sari again. Nobody, except Biren, knew what the hysteria was about. Biren knew for certain their mother had not gone away because Nitin had spoiled her expensive sari. Finally, he could stand it no longer.

“Where is my ma?” he asked his morose aunt.

“She will be here soon,” said the aunt.

“Where is Ma’s sewing basket?” he persisted. “Where are all her things?”

“They have been disposed of,” said the aunt. “They are contaminated.”

He heaved a sigh of relief. So that was the problem. His mother had caught an infectious disease and she was in quarantine, which is why nobody was allowed to see her. It was probably measles or chicken pox. Why didn’t they just say so? She would soon recover, and Apumashi would come to wash her hair again and they would laugh and eat chili tamarind in the sun.

For now, he would have to take care of his younger brother. Biren invented little games for them to play and tried to teach Nitin his ABCs. Nitin solemnly chanted in a singsong with his finger on each letter: “A for pipra, B for cheley,” substituting the Bengali words for ant and boy, and Biren did not have the heart to correct him.

The next day he combed Nitin’s hair, holding him firmly by the chin just as his mother used to do, and took him for a walk down the road.

“Is Baba coming home today?” Nitin’s small face was bright with hope.

“Not today,” said Biren. He wondered how much longer he would have to lie to his little brother. How could he explain anything when he was so baffled himself?

A neighbor they only vaguely knew hurried down the road on her way home from the fish market. She stopped to ask how they were doing, but made no mention of their mother.

“My mother is getting better,” he called after her. “Come and see her soon.” The neighbor just nodded and hurried along.

Three days passed in a blur. The house was sickly with the smell of incense and dying tuberoses. Most nights Biren dropped off to sleep from exhaustion. In his dreams he saw black twisted smoke, and smelled burning ghee. He started awake with a great choking sensation, unable to breathe, unable to cry. Every sound was amplified in the night. The soft wheezing snore from his grandfather’s room, the rustle of a mouse scrambling on the thatch. One night, late, he heard a sound. It was same sound he had heard from Apu’s house the day his father had died: the low, moaning sound of an animal in pain.

He crept out of bed, tiptoed out into the courtyard and stood beside the holy basil plant and listened. There it was again, louder this time. The sound came from the direction of the old woodshed next to the taro patch. He walked toward the shed and could see the flickering yellow glow of a diya lamp through the slatted wooden walls. There was somebody inside. The sound was a singsong moan, rising and falling, regular and monotonous, almost mechanical. Biren inched up to the papaya tree, not daring to go any farther. Someone was quarantined in the shed, and she was in a lot of pain.

Ma!

He ran across the undergrowth to the shed. The door was locked.

He rattled the lock. “Ma!” he whispered urgently. “Ma! It’s me.”

The moaning stopped. He peeped through the slats and froze in terror. It was not his mother at all but a bald old man dressed in a white cloth sitting on the floor with his back turned.

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