Caravan to Vaccares

CARAVAN TO VACCARÈS

Alistair MacLean

Copyright

Published by HarperCollinsPublishers Ltd

1 London Bridge Street,

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by William Collins Sons & Co. Ltd 1970

Copyright © HarperCollinsPublishers 1970

Cover design © HarperCollinsPublishers Ltd 2020

Cover photograph © Stephen Mulcahey

Alistair MacLean asserts the moral right to be identified as the author of this work

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction.

The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008337490

Ebook Edition © 2020 ISBN: 9780007289240

Version: 2020-04-14

Dedication

To Jean-André and Emanuela Charial

Contents

Cover

Title Page

Copyright

Dedication

Prologue

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Epilogue

Keep Reading …

About the Author

By Alistair MacLean

About the Publisher

PROLOGUE

They had come a long way, those gypsies encamped for their evening meal on the dusty greensward by the winding mountain road in Provence. From Transylvania they had come, from the pustas of Hungary, from the High Tatra of Czechoslovakia, from the Iron Gate, even from as far away as the gleaming Rumanian beaches washed by the waters of the Black Sea. A long journey, hot and stifling and endlessly, monotonously repetitive across the already baking plains of Central Europe or slow and difficult and exasperating and occasionally dangerous in the traversing of the great ranges of mountains that had lain in their way. Above all, one would have thought, even for those nomadic travellers par excellence, a tiring journey.

No traces of any such tiredness could be seen in the faces of the gypsies, men, women and children all dressed in their traditional finery, who sat or squatted in a rough semi-circle round two glowing coke braziers, listening in quietly absorbed melancholy to the hauntingly soft and nostalgic tsigane music of the Hungarian steppes. For this apparent lack of any trace of exhaustion there could have been a number of reasons: as the very large, modern, immaculately finished and luxuriously equipped caravans indicated, the gypsies of today travel in a degree of comfort unknown to their forebears who roamed Europe in the horse-drawn, garishly-painted and fiendishly uncomfortable covered-wagon caravans of yesteryear: they were looking forward that night to the certainty of replenishing coffers sadly depleted by their long haul across Europe – in anticipation of this they had already changed from their customary drab travelling clothes: only three days remained until the end of their pilgrimage, for pilgrimage this was: or perhaps they just had remarkable powers of recuperation. Whatever the reason, their faces reflected no signs of weariness, only gentle pleasure and bitter-sweet memories of faraway homes and days gone by.

But one man there was among them whose expression – or lack of it – would have indicated to even the most obtusely unobservant that, for the moment at least, his lack of musical appreciation was total and his thoughts and intentions strictly confined to the present. His name was Czerda and he was sitting on the top of the steps of his caravan, apart from and behind the others, a half-seen shadow on the edge of darkness. Leader of the gypsies and hailing from some unpronounceable village in the delta of the Danube, Czerda was of middle years, lean, tall and powerfully built, with about him that curiously relaxed but instantly identifiable stillness of one who can immediately transform apparent inertia into explosive action. He was dressed all in black and had black hair, black eyes, black moustache and the face of a hawk. One hand, resting limply on his knee, held a long thin smouldering black cigar, the smoke wisping up into his eyes, but Czerda did not seem to notice or care.

His eyes were never still. Occasionally he glanced at his fellow-gypsies, but only briefly, casually, dismissively. Now and again he looked at the range of the Alpilles, their gaunt forbidding limestone crags sleeping palely in the brilliant moonlight under a star-dusted sky, but for the most part he glanced alternately left and right along the line of parked caravans. Then his eyes stopped roving, although no expression came to replace the habitual stillness of that face. Without haste he rose, descended the steps, ground his cigar into the earth and walked soundlessly to the end of the row of caravans.

The man who stood waiting in the shadows was a youthful, scaled-down replica of Czerda himself. Not quite so broad, not quite so tall, his swarthily aquiline features were cast in a mould so unmistakably similar to that of the older man that it was unthinkable that he could be anything other than his son. Czerda, clearly a man not much given to superfluous motion or speech, raised a questioning eyebrow: his son nodded, led him out on to the dusty roadway, pointed and made a downward slicing, chopping motion with his hand.

From where they stood and less than fifty yards away soared an almost vertical outcrop of white limestone rock, but an outcrop which has no parallel anywhere in the world, for its base was honeycombed with enormous rectangular entrances, cut by the hand of man – no feat of nature could possibly have reproduced the sharply geometrical linearity of those apertures in the cliff face: one of those entrances was quite huge, being at least forty feet in height and no less in width.

Czerda nodded, just once, turned and looked down the road to his right. A vague shape detached itself from shadow and lifted an arm. Czerda returned the salute and pointed towards the limestone bluff. There was no acknowledgment and clearly none was necessary, for the man at once disappeared, apparently into the rock face. Czerda turned to his left, located yet another man in the shadows, made a similar gesture, accepted a torch handed him by his son and began to walk quickly and quietly towards the giant entrance in the cliff face. As they went, moonlight glinted on the knives both men held in their hands, very slender knives, long-bladed and curved slightly at the ends. As they passed through the entrance of the cave they could still distinctly hear the vioinists change both mood and tempo and break into the lilting cadences of a gypsy dance.

Just beyond the entrance the interior widened out and heightened until it was like the inside of a great cathedral or a giant tomb of antiquity. Both Czerda and his son switched on their torches, the powerful beams of which failed to penetrate the farthest reaches of this awesome man-made cave, and man-made it unquestionably was, for clearly visible on the towering side-walls were the thousands of vertical and horizontal scores where long-dead generations of Provençals had sawn away huge blocks of the limestone for building purposes.

The floor of this entrance cavern – for, vast though it was, it was no more than that – was pitted with rectangular holes, some of them large enough to hold a motor car, others wide and deep enough to bury a house. Scattered in a few odd corners were mounds of rounded limestone rock but, for the most part, the floor looked as if it had been swept only that day. To the right and left of the entrance cavern led off two other huge openings, the darkness lying beyond them total, impenetrable. A doom-laden place, implacable in its hostility, forebodng, menacing, redolent of death. But Czerda and his son seemed unaware of any of this, quite unmoved: they turned and walked confidently towards the entrance to the right-hand chamber.

Deep inside the heart of this vast warren, a slight figure, a barely distinguishable blur in the pale wash of moonlight filtering down through a crack in the cavern roof, stood with his back to a limestone wall, fingers splayed and pressed hard against the clammy rock behind him in the classically frozen position of the fugitive at bay. A youth, no more than twenty, he was clad in dark trousers and a white shirt. Around his neck he wore a silver crucifix on a slender silver chain. The crucifix rose and fell, rose and fell with metronomic regularity as the air rasped in and out of his throat and his heaving lungs tried vainly to satisfy the demands of a body that couldn’t obtain oxygen quickly enough. White teeth showed in what could have been a smile but was no smile, although frozen lips drawn back in the rictus of terror can look like one. The nostrils were distended, the dark eyes wide and staring, his face as masked in sweat as if it had been smeared with glycerine. It was the face of a boy with two demons riding on his shoulders: almost at the end of his physical resources, the knowledge of the inevitability of death had triggered off the unreasoning and irrecoverable panic that pushes a man over the edge of the abyss into the mindless depths of madness.

Momentarily, the fugitive’s breathing stopped entirely as he caught sight of two dancing pools of light on the floor of the cavern. The wavering beams, steadily strengthening, came from the left-hand entrance. For a moment the young gypsy stood as one petrified, but if reason had deserted him the instinct for survival was still operating independently, for with a harsh sobbing sound he pushed himself off the wall and ran towards the right-hand entrance to the cavern, canvas-soled shoes silent on the rocky floor. He rounded the corner, then slowed down suddenly, reached out groping hands in front of him as he waited for his eyes to become accustomed to the deeper darkness, then moved on slowly into the next cavern, his painfully gasping breathing echoing back in eerie whispers from the unseen walls around him.

Czerda and his son, their torch beams, as they advanced, ceaselessly probing through an arc of 180 degrees, strode off confidently through the archway linking the entrance cavern to the one just vacated by the fugitive. At a gesture from Czerda, both men stopped and deliberately searched out the furthermost recesses of the cavern: it was quite empty. Czerda nodded, almost as if in satisfaction, and gave a peculiar, low-pitched two-tone whistle.

In his hiding-place, which was no hiding-place at all, the gypsy appeared to shrink. His terrified eyes stared in the direction of his imagined source of the whistle. Almost at once, he heard an identical whistle, but one which emanated from another part of this subterranean labyrinth. Automatically, his eyes lined up to search out the source of this fresh menace, then he twisted his head to the right as he heard a third whistle, exactly the same in timbre and volume as the previous two. His staring eyes tried desperately to locate this third danger, but there was nothing to be seen but the all-encompassing darkness and no sound at all to break the brooding silence except the far-off keening of the gypsy violins, a far-off reminder of another safer and saner world that served only to intensify the sinister stillness inside that vaulted place of horror.

For a few moments he stood, fear-crazed now and wholly irresolute, then, within the space of as many seconds, the three double whistles came again, but this time they were all closer, much closer, and when he again saw the faint wash of light emanating from the two torches he had seen earlier, he turned and ran blindly in the only direction which seemed to afford a momentary respite, careless or oblivious of the fact that he might run into a limestone wall at any-moment. Reason should have told him this but he was now bereft of reason: it was but instinct again, the age-old one that told him that a man does not die before he has to.

He had taken no more than half-a-dozen steps when a powerful torch snapped on less than ten yards ahead of him. The fugitive stopped abruptly, staggering but not falling, lowered the forearm that he had flung up in automatic reflex to protect his eyes and stared for the first time, with narrowed eyes, in a barely conscious attempt to identify the extent and immediacy of this fresh danger confronting him, but all his shrinking eyes could make out was the vaguely discernible bulk of the shapeless figure of the man behind the torch. Then slowly, very slowly, the man’s other hand came forward until it was brightly lit by the beam of the torch: the hand held an evilly curved knife that glittered brilliantly in the torch-light. Knife and torch began to move slowly forward.

The fugitive whirled around, took two steps, then stopped as abruptly as he had before. Two other torches, knives again showing in their powerful beams, were scarcely further away than the man behind him. What was so terrifying, so nerve-destroying, about the measured advances of all three was the unhurriedly remorseless certainty.

‘Come now, Alexandre,’ Czerda said pleasantly. ‘We’re all old friends, aren’t we? Don’t you want to see us any more?’

Alexandre sobbed and flung himself to his right in the direction where the light from the three torches showed the entrance to yet another cavern. Panting as a deer does just before the hounds drag it down, he half-tumbled, half-ran through the entrance. None of his three pursuers made any attempt to cut him off or run after him: they merely followed, again walking with that same purposeful lack of haste.

Inside this third cavern, Alexandre stopped and looked wildly around. A small cavern this time, small enough to let him see that all the walls here were solid, hostilely and uncompromisingly solid, without as much as the tiniest aperture to offer any hope of furtherflight. The only exit was by the way he had come in and this was the end of the road.

Then the realization gradually penetrated his mind, numbed though it was, that there was something different about this particular cavern. His pursuers with their torches were not yet in sight, so how was it that he could see so well? Not clearly, there wasn’t enough light for that, but well enough in contrast with the Stygian darkness of the cavern he had just left behind.

Almost at his feet there lay a huge pile of rock and rubble, clearly the result of some massive fall or cave-in in the past. Instinctively, Alexandre glanced upwards. The rubble, piled at an angle of about forty degrees from the horizontal, didn’t seem to have a summit. It just stretched on and on and Alexandre’s gradually lifting eyes could see that it stretched upwards for a vertical height of at least sixty feet before it ended. And where it ended it had to end – for there, at the very top, was a circular patch of star-studded sky. That was where the light came from, he dimly realized, from some roof collapse of long ago.

His body was already beyond exhaustion but now some primeval drive had taken over and the body was no longer its own master, in much the same way as his mind had lost control of it. Without a glance to see whether his pursuers were in sight or not, Alexandre flung himself at the great rock pile and began to claw his way upwards.

The rock pile was unstable and dangerous to a degree, a secure footing impossible to obtain, he slid a foot backwards for every eighteen inches of upward progress made, but for all that the momentum induced by his frenzied desperation overcame the laws of gravity and friction co-efficients and he made steady if erratic progress up that impossibly crumbling slope that no man in his normal senses would ever have attempted.

About one third of the way up, conscious of an increase in the amount of illumination beneath him, he paused briefly and looked downwards. There were three men standing at the foot of the rubble now, lit torches still in their hands. They were gazing up towards him but making no attempt to follow. Oddly enough, their torch beams were not pointing up towards him but were directed towards the floor at their feet. Even had his confused mind been able to register this oddity Alexandre had no time to consider it, for he felt his precarious hand- and foot-holds giving way beneath him and started scrabbling his way upwards again.

His knees ached abominably, his shins were flayed, his fingernails broken, the palms of his bleeding hands open almost to the bone. But still Alexandre climbed on.

About two-thirds of the way up he was forced to pause a second time not because he chose to but because, for the moment, his bleeding limbs and spent muscles could take him no farther. He glanced downwards and the three men at the foot of the rockfall were as they had been before, immobile, their torches still pointed at their feet, all three gazing upwards. There was an intensity in their stillness, a curious aura of expectancy. Vaguely, somewhere deep in the befogged recesses of what little was left of his mind, Alexandre wondered why. He turned his head and looked up to the starry sky above and then he understood.

A man, highlit under the bright moon, was seated on the rim of the rockfall. His face was partly in shadow but Alexandre had little difficulty in making out the bushy moustache, the gleam of white teeth. He looked as if he was smiling. Maybe he was smiling. The knife in his left hand was as easily visible as the torch in his right. The man pressed the button of his torch as he came sliding over the rim.

Alexandre’s face showed no reaction for he had nothing left to react with. For a few moments he remained immobile as the man with the moustache came sliding down towards him, triggering off a small avalanche of boulders as he came, then tried to fling himself despairingly to one side to avoid the impact and the knife of his pursuer, but because of his frantic haste and the fact that he was now being severely buffeted about the body by the bounding limestone rocks he lost his footing and began to slide helplessly downwards, rolling over and over quite uncontrollably with no hope in the world of stopping himself. So treacherously loose had the surface of the rockfall become that even his pursuer was able to preserve his balance only by taking huge bounding leaps down the rockfall and the volume of the torrent of stones now crashing on to the floor of the cavern was indicated clearly enough by the alacrity with which the three men at the foot of the rockfall moved back at least ten paces. As they did so they were joined by a fourth man who had just come through the cavern entrance, then immediately afterwards by Alexandre’s pursuer, whose great leaping steps had taken him past the still tumbling boy.

Alexandre landed heavily on the floor, arms instinctively clutched over his head to protect it from the cascading stones that continued to strike his body for a period of several seconds until the rain of rocks ceased. For as long again he remained dazed, uncomprehending, then he propped himself to his hands and knees before rising shakily to his feet. He looked at the semi-circle of five men, each with a knife in hand, closing in inexorably on him and now his mind was no longer uncomprehending. But he no longer had the look of a hunted animal, for he had already been through all the terrors of death and he was now beyond that. Now, unafraid, for there was nothing left of which to be afraid, he could look into the face of death. He stood there quietly and waited for it to come to him.

Czerda stooped, laid a final limestone rock on top of the mound that had now grown at the foot of the rockfall, straightened, looked at the handiwork of his men and himself, nodded in apparent satisfaction and gestured towards the others to leave the cavern. They left. Czerda took one last look at the oblong mound of stones, nodded again, and followed.

Once outside the entrance cave and into what now appeared to be the intolerably harsh glare of bright moonlight that bathed the Alpilles, Czerda beckoned to his son who slowed his pace and let the others precede them.

Czerda asked quietly: ‘Any more would-be informers amongst us, do you think, Ferenc?’

I don’t know.’ Ferenc shrugged his doubt. ‘Josef and Pauli I do not trust. But who can be sure?’

‘But you will watch them, Ferenc, won’t you? As you watched poor Alexandre.’ Czerda crossed himself. ‘God rest his soul.’

‘I will watch them, Father.’ Ferenc dismissed the answer to the question as being too obvious for further elaboration. ‘We’ll be at the hotel inside the hour. Do you think we shall make much money tonight?’

‘Who cares what pennies the idle and foolish rich throw our way? Our paymaster is not in that damned hotel, but that damned hotel we have visited for a generation and must keep on visiting.’ Czerda sighed heavily. ‘Appearances are all, Ferenc, my son, appearances are all. That you must never forget.’

‘Yes, Father,’ Ferenc said dutifully. He hastily stuck his knife out of sight.

Unobtrusively, unseen, the five gypsies made their way back to the encampment and sat down, at a discreet distance from one another, just outside the perimeter of an audience still lost in the sadly-happy rapture of nostalgia as the volume and pace of the violin music mounted to a crescendo. The braziers were burning low now, a faint red glow barely visible in the bright moonlight. Then, abruptly and with a splendid flourish, the music ceased, the violinists bowed low and the audience called out their appreciation and clapped enthusiastically, none more so than Czerda who buffeted his palms together as if he had just heard Heifetz giving of his best in the Carnegie Hall. But even as he clapped, his eyes wandered, away from the violinists, away from the audience and the gypsy camp, until he was gazing again at the honeycombed face of the limestone cliffs where a cave had so lately become a tomb.

CHAPTER 1

‘The cliff battlements of Les Baux, cleft and rent as by a giant axe, and the shattered, gaunt and terrible remnants of the ancient fortress itself are the most awesomely desolate of all ruins in Europe.’ Or so the local guide-book said. It went on: ‘Centuries after its death Les Baux is still an open tomb, a dreadful and dreadfully fitting memorial to a medieval city that lived most violently and perished in agony: to look upon Les Baux is to look upon the face of death imperishably carved in stone.’

Well, it was pitching it a bit high, perhaps, guide-books do tend towards the hyperbolic, but the average uncertified reader of the guide would take the point and turn no somersaults if some wealthy uncle had left him the place in his will. It was indisputably the most inhospitable, barren and altogether uninviting collection of fractured and misshapen masonry in western Europe, a total and awesome destruction that was the work of seventeenth-century demolition squads who had taken a month and heaven alone knew how many tons of gunpowder to reduce Les Baux to its present state of utter devastation: one would have been equally prepared to believe that the same effect had been achieved in a couple of seconds that afternoon with the aid of an atom bomb: the annihilation of the old fortress was as total as that. But people still lived up there, lived and worked and died.