The Italian Duke's Virgin Mistress

Raphael, who had been watching her, saw her eyes widen and change colour, her face lifting towards the frescoes with an awed joy that illuminated her features and revealed the true beauty of the delicate bone structure.

His heart slammed into his ribs with a force for which he was totally unprepared. The fresco was one of his personal favourites, and her silent but open homage to it echoed his own private feelings. But how could it be possible that this woman of all people, whose behaviour said that she had no awareness of or respect for artistic beauty, should look at the fresco and react to it with all that he felt for it himself? It shouldn’t have been possible. It should not have happened. But it had, and he had witnessed it. Raphael watched her lift her hand as she took a step towards the nearest fresco, as though unable to stop herself, and then let it fall back. He hadn’t expected it of her. She hadn’t struck him as someone who was capable of feeling, never mind expressing such an emotion, and yet now he could feel her passion filling the distance between them. If he looked at her now he knew he would see her eyes had darkened to that stormy blue-green that had caught his attention earlier, and her lips would be pressed together—soft, sensual pillows of flesh, too full to form a flat line, tempting any man who looked at them to taste them…

Raphael cursed himself under his breath. He had been without a lover for too long. But he couldn’t remember ever seeing anyone react quite so emotionally to the frescoes other than his mother, who had loved them and passed on that love to him. He could still remember how as a small child she had lifted him and held him so that he could see the frescos at close quarters, her voice filled with emotion as she talked to him about them. His life had been so happy then, so filled with love and security—before he had known about his dark inheritance.

So much beauty, Charley thought achingly. Her heart, indeed the very essence of her had gone hungry for such beauty for so long. In her imagination she tried to comprehend what it must have been like to be the pupil of such an artist, to have the privilege of watching him at work, knowing that one’s own best efforts could never hope to match his smallest brushstrokes, feeding off the joy of witnessing such artistry. Only of course the great masters had never taken on female pupils—not even tomboy female pupils.

Once she had dreamed of working amongst great works of art in one of London’s famous museums, as an art historian, but that dream had come to an end with her parents’ death.

Dragging her gaze from the frescoes, she shook her head like someone coming out of a deep dream and said slowly to Raphael, ‘Giovanni Battista Zelotti, the most famous of all fresco painters of his era. He would never tell anyone the recipe he used for his famous blue paint, and the secret died with him.’

Raphael nodded his head. ‘My ancestor commissioned him after he had seen the fresco he painted for the Medicis in Florence.’

He looked at his watch, his movement catching Charley’s attention. His wrists were muscular, and the dark hairs on his arm underlined his maleness, making her stomach muscles tighten into a slow ache that permeated the whole of her lower body. What would it be like to be touched, held by such a man? To know the polished, controlled expertise of his stroke against her skin…? And he would be an expert at knowing what gave a woman the most pleasure…The slow ache flared into something more intense, causing Charley to catch her breath as she tried to hold her own against her body’s attack on her defences. It must be Italy that was making her feel like this—Italy, and the knowledge that she was so close to the cities she had longed to visit and their wonderful art treasures, not Raphael himself. That could not be—must not be.

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