Tales of Terror and Mystery

"Suddenly I was aware of something new. The air in front of me had lost its crystal clearness. It was full of long, ragged wisps of something which I can only compare to very fine cigarette smoke. It hung about in wreaths and coils, turning and twisting slowly in the sunlight. As the monoplane shot through it, I was aware of a faint taste of oil upon my lips, and there was a greasy scum upon the woodwork of the machine. Some infinitely fine organic matter appeared to be suspended in the atmosphere. There was no life there. It was inchoate and diffuse, extending for many square acres and then fringing off into the void. No, it was not life. But might it not be the remains of life? Above all, might it not be the food of life, of monstrous life, even as the humble grease of the ocean is the food for the mighty whale? The thought was in my mind when my eyes looked upwards and I saw the most wonderful vision that ever man has seen. Can I hope to convey it to you even as I saw it myself last Thursday?

"Conceive a jelly-fish such as sails in our summer seas, bell-shaped and of enormous size – far larger, I should judge, than the dome of St. Paul's. It was of a light pink colour veined with a delicate green, but the whole huge fabric so tenuous that it was but a fairy outline against the dark blue sky. It pulsated with a delicate and regular rhythm. From it there depended two long, drooping, green tentacles, which swayed slowly backwards and forwards. This gorgeous vision passed gently with noiseless dignity over my head, as light and fragile as a soap-bubble, and drifted upon its stately way.

"I had half-turned my monoplane, that I might look after this beautiful creature, when, in a moment, I found myself amidst a perfect fleet of them, of all sizes, but none so large as the first. Some were quite small, but the majority about as big as an average balloon, and with much the same curvature at the top. There was in them a delicacy of texture and colouring which reminded me of the finest Venetian glass. Pale shades of pink and green were the prevailing tints, but all had a lovely iridescence where the sun shimmered through their dainty forms. Some hundreds of them drifted past me, a wonderful fairy squadron of strange unknown argosies of the sky – creatures whose forms and substance were so attuned to these pure heights that one could not conceive anything so delicate within actual sight or sound of earth.

"But soon my attention was drawn to a new phenomenon – the serpents of the outer air. These were long, thin, fantastic coils of vapour-like material, which turned and twisted with great speed, flying round and round at such a pace that the eyes could hardly follow them. Some of these ghost-like creatures were twenty or thirty feet long, but it was difficult to tell their girth, for their outline was so hazy that it seemed to fade away into the air around them. These air-snakes were of a very light grey or smoke colour, with some darker lines within, which gave the impression of a definite organism. One of them whisked past my very face, and I was conscious of a cold, clammy contact, but their composition was so unsubstantial that I could not connect them with any thought of physical danger, any more than the beautiful bell-like creatures which had preceded them. There was no more solidity in their frames than in the floating spume from a broken wave.

"But a more terrible experience was in store for me. Floating downwards from a great height there came a purplish patch of vapour, small as I saw it first, but rapidly enlarging as it approached me, until it appeared to be hundreds of square feet in size. Though fashioned of some transparent, jelly-like substance, it was none the less of much more definite outline and solid consistence than anything which I had seen before. There were more traces, too, of a physical organization, especially two vast, shadowy, circular plates upon either side, which may have been eyes, and a perfectly solid white projection between them which was as curved and cruel as the beak of a vulture.

"The whole aspect of this monster was formidable and threatening, and it kept changing its colour from a very light mauve to a dark, angry purple so thick that it cast a shadow as it drifted between my monoplane and the sun. On the upper curve of its huge body there were three great projections which I can only describe as enormous bubbles, and I was convinced as I looked at them that they were charged with some extremely light gas which served to buoy up the misshapen and semi-solid mass in the rarefied air. The creature moved swiftly along, keeping pace easily with the monoplane, and for twenty miles or more it formed my horrible escort, hovering over me like a bird of prey which is waiting to pounce. Its method of progression – done so swiftly that it was not easy to follow – was to throw out a long, glutinous streamer in front of it, which in turn seemed to draw forward the rest of the writhing body. So elastic and gelatinous was it that never for two successive minutes was it the same shape, and yet each change made it more threatening and loathsome than the last.

"I knew that it meant mischief. Every purple flush of its hideous body told me so. The vague, goggling eyes which were turned always upon me were cold and merciless in their viscid hatred. I dipped the nose of my monoplane downwards to escape it. As I did so, as quick as a flash there shot out a long tentacle from this mass of floating blubber, and it fell as light and sinuous as a whip-lash across the front of my machine. There was a loud hiss as it lay for a moment across the hot engine, and it whisked itself into the air again, while the huge, flat body drew itself together as if in sudden pain. I dipped to a vol-pique, but again a tentacle fell over the monoplane and was shorn off by the propeller as easily as it might have cut through a smoke wreath. A long, gliding, sticky, serpent-like coil came from behind and caught me round the waist, dragging me out of the fuselage. I tore at it, my fingers sinking into the smooth, glue-like surface, and for an instant I disengaged myself, but only to be caught round the boot by another coil, which gave me a jerk that tilted me almost on to my back.

"As I fell over I blazed off both barrels of my gun, though, indeed, it was like attacking an elephant with a pea-shooter to imagine that any human weapon could cripple that mighty bulk. And yet I aimed better than I knew, for, with a loud report, one of the great blisters upon the creature's back exploded with the puncture of the buck-shot. It was very clear that my conjecture was right, and that these vast, clear bladders were distended with some lifting gas, for in an instant the huge, cloud-like body turned sideways, writhing desperately to find its balance, while the white beak snapped and gaped in horrible fury. But already I had shot away on the steepest glide that I dared to attempt, my engine still full on, the flying propeller and the force of gravity shooting me downwards like an aerolite. Far behind me I saw a dull, purplish smudge growing swiftly smaller and merging into the blue sky behind it. I was safe out of the deadly jungle of the outer air.

"Once out of danger I throttled my engine, for nothing tears a machine to pieces quicker than running on full power from a height. It was a glorious, spiral vol-plane from nearly eight miles of altitude – first, to the level of the silver cloud-bank, then to that of the storm-cloud beneath it, and finally, in beating rain, to the surface of the earth. I saw the Bristol Channel beneath me as I broke from the clouds, but, having still some petrol in my tank, I got twenty miles inland before I found myself stranded in a field half a mile from the village of Ashcombe. There I got three tins of petrol from a passing motor-car, and at ten minutes past six that evening I alighted gently in my own home meadow at Devizes, after such a journey as no mortal upon earth has ever yet taken and lived to tell the tale. I have seen the beauty and I have seen the horror of the heights – and greater beauty or greater horror than that is not within the ken of man.

"And now it is my plan to go once again before I give my results to the world. My reason for this is that I must surely have something to show by way of proof before I lay such a tale before my fellow-men. It is true that others will soon follow and will confirm what I have said, and yet I should wish to carry conviction from the first. Those lovely iridescent bubbles of the air should not be hard to capture. They drift slowly upon their way, and the swift monoplane could intercept their leisurely course. It is likely enough that they would dissolve in the heavier layers of the atmosphere, and that some small heap of amorphous jelly might be all that I should bring to earth with me. And yet something there would surely be by which I could substantiate my story. Yes, I will go, even if I run a risk by doing so. These purple horrors would not seem to be numerous. It is probable that I shall not see one. If I do I shall dive at once. At the worst there is always the shot-gun and my knowledge of. "

Here a page of the manuscript is unfortunately missing. On the next page is written, in large, straggling writing:

"Forty-three thousand feet. I shall never see earth again. They are beneath me, three of them. God help me; it is a dreadful death to die!"

Such in its entirety is the Joyce-Armstrong Statement. Of the man nothing has since been seen. Pieces of his shattered monoplane have been picked up in the preserves of Mr. Budd-Lushington upon the borders of Kent and Sussex, within a few miles of the spot where the note-book was discovered. If the unfortunate aviator's theory is correct that this air-jungle, as he called it, existed only over the south-west of England, then it would seem that he had fled from it at the full speed of his monoplane, but had been overtaken and devoured by these horrible creatures at some spot in the outer atmosphere above the place where the grim relics were found. The picture of that monoplane skimming down the sky, with the nameless terrors flying as swiftly beneath it and cutting it off always from the earth while they gradually closed in upon their victim, is one upon which a man who valued his sanity would prefer not to dwell. There are many, as I am aware, who still jeer at the facts which I have here set down, but even they must admit that Joyce-Armstrong has disappeared, and I would commend to them his own words: "This note-book may explain what I am trying to do, and how I lost my life in doing it. But no drivel about accidents or mysteries, if you please."

Tale 2. The leather funnel

My friend, Lionel Dacre, lived in the Avenue de Wagram, Paris. His house was that small one, with the iron railings and grass plot in front of it, on the left-hand side as you pass down from the Arc de Triomphe. I fancy that it had been there long before the avenue was constructed, for the grey tiles were stained with lichens, and the walls were mildewed and discoloured with age. It looked a small house from the street, five windows in front, if I remember right, but it deepened into a single long chamber at the back. It was here that Dacre had that singular library of occult literature, and the fantastic curiosities which served as a hobby for himself, and an amusement for his friends. A wealthy man of refined and eccentric tastes, he had spent much of his life and fortune in gathering together what was said to be a unique private collection of Talmudic, cabalistic, and magical works, many of them of great rarity and value. His tastes leaned toward the marvellous and the monstrous, and I have heard that his experiments in the direction of the unknown have passed all the bounds of civilization and of decorum. To his English friends he never alluded to such matters, and took the tone of the student and virtuoso; but a Frenchman whose tastes were of the same nature has assured me that the worst excesses of the black mass have been perpetrated in that large and lofty hall, which is lined with the shelves of his books, and the cases of his museum.

Dacre's appearance was enough to show that his deep interest in these psychic matters was intellectual rather than spiritual. There was no trace of asceticism upon his heavy face, but there was much mental force in his huge, dome-like skull, which curved upward from amongst his thinning locks, like a snowpeak above its fringe of fir trees. His knowledge was greater than his wisdom, and his powers were far superior to his character. The small bright eyes, buried deeply in his fleshy face, twinkled with intelligence and an unabated curiosity of life, but they were the eyes of a sensualist and an egotist. Enough of the man, for he is dead now, poor devil, dead at the very time that he had made sure that he had at last discovered the elixir of life. It is not with his complex character that I have to deal, but with the very strange and inexplicable incident which had its rise in my visit to him in the early spring of the year '82.

I had known Dacre in England, for my researches in the Assyrian Room of the British Museum had been conducted at the time when he was endeavouring to establish a mystic and esoteric meaning in the Babylonian tablets, and this community of interests had brought us together. Chance remarks had led to daily conversation, and that to something verging upon friendship. I had promised him that on my next visit to Paris I would call upon him. At the time when I was able to fulfil my compact I was living in a cottage at Fontainebleau, and as the evening trains were inconvenient, he asked me to spend the night in his house.

"I have only that one spare couch," said he, pointing to a broad sofa in his large salon; "I hope that you will manage to be comfortable there."

It was a singular bedroom, with its high walls of brown volumes, but there could be no more agreeable furniture to a bookworm like myself, and there is no scent so pleasant to my nostrils as that faint, subtle reek which comes from an ancient book. I assured him that I could desire no more charming chamber, and no more congenial surroundings.

"If the fittings are neither convenient nor conventional, they are at least costly," said he, looking round at his shelves. "I have expended nearly a quarter of a million of money upon these objects which surround you. Books, weapons, gems, carvings, tapestries, images – there is hardly a thing here which has not its history, and it is generally one worth telling."

He was seated as he spoke at one side of the open fire-place, and I at the other. His reading-table was on his right, and the strong lamp above it ringed it with a very vivid circle of golden light. A half-rolled palimpsest lay in the centre, and around it were many quaint articles of bric-a-brac. One of these was a large funnel, such as is used for filling wine casks. It appeared to be made of black wood, and to be rimmed with discoloured brass.

"That is a curious thing," I remarked. "What is the history of that?"

"Ah!" said he, "it is the very question which I have had occasion to ask myself. I would give a good deal to know. Take it in your hands and examine it."

I did so, and found that what I had imagined to be wood was in reality leather, though age had dried it into an extreme hardness. It was a large funnel, and might hold a quart when full. The brass rim encircled the wide end, but the narrow was also tipped with metal.

"What do you make of it?" asked Dacre.

"I should imagine that it belonged to some vintner or maltster in the Middle Ages," said I. "I have seen in England leathern drinking flagons of the seventeenth century – 'black jacks' as they were called – which were of the same colour and hardness as this filler."

"I dare say the date would be about the same," said Dacre, "and, no doubt, also, it was used for filling a vessel with liquid. If my suspicions are correct, however, it was a queer vintner who used it, and a very singular cask which was filled. Do you observe nothing strange at the spout end of the funnel."

As I held it to the light I observed that at a spot some five inches above the brass tip the narrow neck of the leather funnel was all haggled and scored, as if someone had notched it round with a blunt knife. Only at that point was there any roughening of the dead black surface.

"Someone has tried to cut off the neck."

"Would you call it a cut?"

"It is torn and lacerated. It must have taken some strength to leave these marks on such tough material, whatever the instrument may have been. But what do you think of it? I can tell that you know more than you say."

Dacre smiled, and his little eyes twinkled with knowledge.

"Have you included the psychology of dreams among your learned studies?" he asked.

"I did not even know that there was such a psychology."

"My dear sir, that shelf above the gem case is filled with volumes, from Albertus Magnus onward, which deal with no other subject. It is a science in itself."

"A science of charlatans "

"The charlatan is always the pioneer. From the astrologer came the astronomer, from the alchemist the chemist, from the mesmerist the experimental psychologist. The quack of yesterday is the professor of tomorrow. Even such subtle and elusive things as dreams will in time be reduced to system and order. When that time comes the researches of our friends on the bookshelf yonder will no longer be the amusement of the mystic, but the foundations of a science."

"Supposing that is so, what has the science of dreams to do with a large, black, brass-rimmed funnel?"

"I will tell you. You know that I have an agent who is always on the look-out for rarities and curiosities for my collection. Some days ago he heard of a dealer upon one of the Quais who had acquired some old rubbish found in a cupboard in an ancient house at the back of the Rue Mathurin, in the Quartier Latin. The dining-room of this old house is decorated with a coat of arms, chevrons, and bars rouge upon a field argent, which prove, upon inquiry, to be the shield of Nicholas de la Reynie, a high official of King Louis XIV. There can be no doubt that the other articles in the cupboard date back to the early days of that king. The inference is, therefore, that they were all the property of this Nicholas de la Reynie, who was, as I understand, the gentleman specially concerned with the maintenance and execution of the Draconic laws of that epoch."

"What then?"

"I would ask you now to take the funnel into your hands once more and to examine the upper brass rim. Can you make out any lettering upon it?"

There were certainly some scratches upon it, almost obliterated by time. The general effect was of several letters, the last of which bore some resemblance to a B.

"You make it a B?"

"Yes, I do."

"So do I. In fact, I have no doubt whatever that it is a B."

"But the nobleman you mentioned would have had R for his initial."

"Exactly! That's the beauty of it. He owned this curious object, and yet he had someone else's initials upon it. Why did he do this?"

"I can't imagine; can you?"

"Well, I might, perhaps, guess. Do you observe something drawn a little farther along the rim?"

"I should say it was a crown."

"It is undoubtedly a crown; but if you examine it in a good light, you will convince yourself that it is not an ordinary crown. It is a heraldic crown – a badge of rank, and it consists of an alternation of four pearls and strawberry leaves, the proper badge of a marquis. We may infer, therefore, that the person whose initials end in B was entitled to wear that coronet."

"Then this common leather filler belonged to a marquis?"

Dacre gave a peculiar smile.

"Or to some member of the family of a marquis," said he. "So much we have clearly gathered from this engraved rim."

"But what has all this to do with dreams?" I do not know whether it was from a look upon Dacre's face, or from some subtle suggestion in his manner, but a feeling of repulsion, of unreasoning horror, came upon me as I looked at the gnarled old lump of leather.

"I have more than once received important information through my dreams," said my companion in the didactic manner which he loved to affect. "I make it a rule now when I am in doubt upon any material point to place the article in question beside me as I sleep, and to hope for some enlightenment. The process does not appear to me to be very obscure, though it has not yet received the blessing of orthodox science. According to my theory, any object which has been intimately associated with any supreme paroxysm of human emotion, whether it be joy or pain, will retain a certain atmosphere or association which it is capable of communicating to a sensitive mind. By a sensitive mind I do not mean an abnormal one, but such a trained and educated mind as you or I possess."

"You mean, for example, that if I slept beside that old sword upon the wall, I might dream of some bloody incident in which that very sword took part?"

"An excellent example, for, as a matter of fact, that sword was used in that fashion by me, and I saw in my sleep the death of its owner, who perished in a brisk skirmish, which I have been unable to identify, but which occurred at the time of the wars of the Frondists. If you think of it, some of our popular observances show that the fact has already been recognized by our ancestors, although we, in our wisdom, have classed it among superstitions."

"For example?"

"Well, the placing of the bride's cake beneath the pillow in order that the sleeper may have pleasant dreams. That is one of several instances which you will find set forth in a small brochure which I am myself writing upon the subject. But to come back to the point, I slept one night with this funnel beside me, and I had a dream which certainly throws a curious light upon its use and origin."

"What did you dream?"

"I dreamed – " He paused, and an intent look of interest came over his massive face. "By Jove, that's well thought of," said he. "This really will be an exceedingly interesting experiment. You are yourself a psychic subject – with nerves which respond readily to any impression."

"I have never tested myself in that direction."

"Then we shall test you tonight. Might I ask you as a very great favour, when you occupy that couch tonight, to sleep with this old funnel placed by the side of your pillow?"

The request seemed to me a grotesque one; but I have myself, in my complex nature, a hunger after all which is bizarre and fantastic. I had not the faintest belief in Dacre's theory, nor any hopes for success in such an experiment; yet it amused me that the experiment should be made. Dacre, with great gravity, drew a small stand to the head of my settee, and placed the funnel upon it. Then, after a short conversation, he wished me good night and left me.

I sat for some little time smoking by the smouldering fire, and turning over in my mind the curious incident which had occurred, and the strange experience which might lie before me. Sceptical as I was, there was something impressive in the assurance of Dacre's manner, and my extraordinary surroundings, the huge room with the strange and often sinister objects which were hung round it, struck solemnity into my soul. Finally I undressed, and turning out the lamp, I lay down. After long tossing I fell asleep. Let me try to describe as accurately as I can the scene which came to me in my dreams. It stands out now in my memory more clearly than anything which I have seen with my waking eyes. There was a room which bore the appearance of a vault. Four spandrels from the corners ran up to join a sharp, cup-shaped roof. The architecture was rough, but very strong. It was evidently part of a great building.

Three men in black, with curious, top-heavy, black velvet hats, sat in a line upon a red-carpeted dais. Their faces were very solemn and sad. On the left stood two long-gowned men with port-folios in their hands, which seemed to be stuffed with papers. Upon the right, looking toward me, was a small woman with blonde hair and singular, light-blue eyes – the eyes of a child. She was past her first youth, but could not yet be called middle-aged. Her figure was inclined to stoutness and her bearing was proud and confident. Her face was pale, but serene. It was a curious face, comely and yet feline, with a subtle suggestion of cruelty about the straight, strong little mouth and chubby jaw. She was draped in some sort of loose, white gown. Beside her stood a thin, eager priest, who whispered in her ear, and continually raised a crucifix before her eyes. She turned her head and looked fixedly past the crucifix at the three men in black, who were, I felt, her judges.