The Notebooks of Leonardo Da Vinci. Complete

1215

air would be dismembered or rent and broken up with the rending of the air into which it was incorporated.

AS TO WHETHER THE SPIRIT, HAVING TAKEN THIS BODY OF AIR, CAN MOVE OF ITSELF OR NOT.

It is impossible that the spirit infused into a certain quantity of air, should move this air; and this is proved by the above passage where it is said: the spirit rarefies that portion of the air in which it incorporates itself; therefore this air will rise high above the other air and there will be a motion of the air caused by its lightness and not by a voluntary movement of the spirit, and if this air is encountered by the wind, according to the 3rd of this, the air will be moved by the wind and not by the spirit incorporated in it.

AS TO WHETHER THE SPIRIT CAN SPEAK OR NOT.

In order to prove whether the spirit can speak or not, it is necessary in the first place to define what a voice is and how it is generated; and we will say that the voice is, as it were, the movement of air in friction against a dense body, or a dense body in friction against the air,—which is the same thing. And this friction of the dense and the rare condenses the rare and causes resistance; again, the rare, when in swift motion, and the rare in slow motion condense each other when they come in contact and make a noise and very great uproar; and the sound or murmur made by the rare moving through the rare with only moderate swiftness, like a great flame generating noises in the air; and the tremendous uproar made by the rare mingling with the rare, and when that air which is both swift and rare rushes into that which is itself rare and in motion, it is like the flame of fire which issues from a big gun and striking against the air; and again when a flame issues from the cloud, there is a concussion in the air as the bolt is generated. Therefore we may say that the spirit cannot produce a voice without movement of the air, and air in it there is none, nor can it emit what it has not; and if desires to move that air in which it is incorporated, it is necessary that the spirit should multiply itself, and that cannot multiply which has no quantity. And in the 4th place it is said that no rare body can move, if it has not a stable spot, whence it may take its motion; much more is it so when an element has to move within its own element, which does not move of itself, excepting by uniform evaporation at the centre of the thing evaporated; as occurs in a sponge squeezed in the hand held under water; the water escapes in every direction with equal movement through the openings between the fingers of the hand in which it is squeezed.

As to whether the spirit has an articulate voice, and whether the spirit can be heard, and what hearing is, and seeing; the wave of the voice passes through the air as the images of objects pass to the eye.

Nonentity.

1216

Every quantity is intellectually conceivable as infinitely divisible.

[Amid the vastness of the things among which we live, the existence of nothingness holds the first place; its function extends over all things that have no existence, and its essence, as regards time, lies precisely between the past and the future, and has nothing in the present. This nothingness has the part equal to the whole, and the whole to the part, the divisible to the indivisible; and the product of the sum is the same whether we divide or multiply, and in addition as in subtraction; as is proved by arithmeticians by their tenth figure which represents zero; and its power has not extension among the things of Nature.]

[What is called Nothingness is to be found only in time and in speech. In time it stands between the past and future and has no existence in the present; and thus in speech it is one of the things of which we say: They are not, or they are impossible.]

With regard to time, nothingness lies between the past and the future, and has nothing to do with the present, and as to its nature it is to be classed among things impossible: hence, from what has been said, it has no existence; because where there is nothing there would necessarily be a vacuum.

[Footnote: Compare No. 916.]

Reflections on Nature (1217-1219).

1217

EXAMPLE OF THE LIGHTNING IN CLOUDS.

[O mighty and once living instrument of formative nature. Incapable of availing thyself of thy vast strength thou hast to abandon a life of stillness and to obey the law which God and time gave to procreative nature.]

Ah! how many a time the shoals of terrified dolphins and the huge tunny-fish were seen to flee before thy cruel fury, to escape; whilst thy fulminations raised in the sea a sudden tempest with buffeting and submersion of ships in the great waves; and filling the uncovered shores with the terrified and desperate fishes which fled from thee, and left by the sea, remained in spots where they became the abundant prey of the people in the neighbourhood.

[Footnote: The character of the handwriting points to an early period of Leonardo's life. It has become very indistinct, and is at present exceedingly difficult to decipher. Some passages remain doubtful.]

O time, swift robber of all created things, how many kings, how many nations hast thou undone, and how many changes of states and of various events have happened since the wondrous forms of this fish perished here in this cavernous and winding recess. Now destroyed by time thou liest patiently in this confined space with bones stripped and bare; serving as a support and prop for the superimposed mountain.

[Footnote: Compare No. 1339, written on the same sheet.]

1218

The watery element was left enclosed between the raised banks of the rivers, and the sea was seen between the uplifted earth and the surrounding air which has to envelope and enclose the complicated machine of the earth, and whose mass, standing between the water and the element of fire, remained much restricted and deprived of its indispensable moisture; the rivers will be deprived of their waters, the fruitful earth will put forth no more her light verdure; the fields will no more be decked with waving corn; all the animals, finding no fresh grass for pasture, will die and food will then be lacking to the lions and wolves and other beasts of prey, and to men who after many efforts will be compelled to abandon their life, and the human race will die out. In this way the fertile and fruitful earth will remain deserted, arid and sterile from the water being shut up in its interior, and from the activity of nature it will continue a little time to increase until the cold and subtle air being gone, it will be forced to end with the element of fire; and then its surface will be left burnt up to cinder and this will be the end of all terrestrial nature.

[Footnote: Compare No. 1339, written on the same sheet.]

1219

Why did nature not ordain that one animal should not live by the death of another? Nature, being inconstant and taking pleasure in creating and making constantly new lives and forms, because she knows that her terrestrial materials become thereby augmented, is more ready and more swift in her creating, than time in his destruction; and so she has ordained that many animals shall be food for others. Nay, this not satisfying her desire, to the same end she frequently sends forth certain poisonous and pestilential vapours upon the vast increase and congregation of animals; and most of all upon men, who increase vastly because other animals do not feed upon them; and, the causes being removed, the effects would not follow. This earth therefore seeks to lose its life, desiring only continual reproduction; and as, by the argument you bring forward and demonstrate, like effects always follow like causes, animals are the image of the world.

XX.

Humorous Writings

Just as Michaelangelo's occasional poems reflect his private life as well as the general disposition of his mind, we may find in the writings collected in this section, the transcript of Leonardo's fanciful nature, and we should probably not be far wrong in assuming, that he himself had recited these fables in the company of his friends or at the court festivals of princes and patrons. Era tanto piacevole nella conversazione— so relates Vasari—che tirava a se gli animi delle genti. And Paulus Jovius says in his short biography of the artist: Fuit ingenio valde comi, nitido, liberali, vultu autem longe venustissimo, et cum elegantiae omnis deliciarumque maxime theatralium mirificus inventor ac arbiter esset, ad lyramque scito caneret, cunctis per omnem aetatem principibus mire placuit. There can be no doubt that the fables are the original offspring of Leonardo's brain, and not borrowed from any foreign source; indeed the schemes and plans for the composition of fables collected in division V seem to afford an external proof of this, if the fables themselves did not render it self-evident. Several of them— for instance No. l279—are so strikingly characteristic of Leonardo's views of natural science that we cannot do them justice till we are acquainted with his theories on such subjects; and this is equally true of the 'Prophecies'.

I have prefixed to these quaint writings the 'Studies on the life and habits of animals' which are singular from their peculiar aphoristic style, and I have transcribed them in exactly the order in which they are written in MS. H. This is one of the very rare instances in which one subject is treated in a consecutive series of notes, all in one MS., and Leonardo has also departed from his ordinary habits, by occasionally not completing the text on the page it is begun. These brief notes of a somewhat mysterious bearing have been placed here, simply because they may possibly have been intended to serve as hints for fables or allegories. They can scarcely be regarded as preparatory for a natural history, rather they would seem to be extracts. On the one hand the names of some of the animals seem to prove that Leonardo could not here be recording observations of his own; on the other hand the notes on their habits and life appear to me to dwell precisely on what must have interested him most—so far as it is possible to form any complete estimate of his nature and tastes.

In No. 1293 lines 1-10, we have a sketch of a scheme for grouping the Prophecies. I have not however availed myself of it as a clue to their arrangement here because, in the first place, the texts are not so numerous as to render the suggested classification useful to the reader, and, also, because in reading the long series, as they occur in the original, we may follow the author's mind; and here and there it is not difficult to see how one theme suggested another. I have however regarded Leonardo's scheme for the classification of the Prophecies as available for that of the Fables and Jests, and have adhered to it as far as possible.

Among the humourous writings I might perhaps have included the 'Rebusses', of which there are several in the collection of Leonardo's drawings at Windsor; it seems to me not likely that many or all of them could be solved at the present day and the MSS. throw no light on them. Nor should I be justified if I intended to include in the literary works the well-known caricatures of human faces attributed to Leonardo— of which, however, it may be incidentally observed, the greater number are in my opinion undoubtedly spurious. Two only have necessarily been given owing to their presence in text, which it was desired to reproduce: Vol. I page 326, _and Pl. CXXII. It can scarcely be doubted that some satirical intention is conveyed by the drawing on Pl. LXIV (text No. 688).

My reason for not presenting Leonardo to the reader as a poet is the fact that the maxims and morals in verse which have been ascribed to him, are not to be found in the manuscripts, and Prof. Uzielli has already proved that they cannot be by him. Hence it would seem that only a few short verses can be attributed to him with any certainty._

ISTUDIES ON THE LIFE AND HABITS OF ANIMALS

1220

THE LOVE OF VIRTUE.

The gold-finch is a bird of which it is related that, when it is carried into the presence of a sick person, if the sick man is going to die, the bird turns away its head and never looks at him; but if the sick man is to be saved the bird never loses sight of him but is the cause of curing him of all his sickness.

Like unto this is the love of virtue. It never looks at any vile or base thing, but rather clings always to pure and virtuous things and takes up its abode in a noble heart; as the birds do in green woods on flowery branches. And this Love shows itself more in adversity than in prosperity; as light does, which shines most where the place is darkest.

1221

ENVY.

We read of the kite that, when it sees its young ones growing too big in the nest, out of envy it pecks their sides, and keeps them without food.

CHEERFULNESS.

Cheerfulness is proper to the cock, which rejoices over every little thing, and crows with varied and lively movements.

SADNESS.

Sadness resembles the raven, which, when it sees its young ones born white, departs in great grief, and abandons them with doleful lamentations, and does not feed them until it sees in them some few black feathers.

1222

PEACE.

We read of the beaver that when it is pursued, knowing that it is for the virtue [contained] in its medicinal testicles and not being able to escape, it stops; and to be at peace with its pursuers, it bites off its testicles with its sharp teeth, and leaves them to its enemies.

RAGE.

It is said of the bear that when it goes to the haunts of bees to take their honey, the bees having begun to sting him he leaves the honey and rushes to revenge himself. And as he seeks to be revenged on all those that sting him, he is revenged on none; in such wise that his rage is turned to madness, and he flings himself on the ground, vainly exasperating, by his hands and feet, the foes against which he is defending himself.

1223

GRATITUDE.

The virtue of gratitude is said to be more [developed] in the birds called hoopoes which, knowing the benefits of life and food, they have received from their father and their mother, when they see them grow old, make a nest for them and brood over them and feed them, and with their beaks pull out their old and shabby feathers; and then, with a certain herb restore their sight so that they return to a prosperous state.

AVARICE.

The toad feeds on earth and always remains lean; because it never eats enough:– it is so afraid lest it should want for earth.

1224

INGRATITUDE.

Pigeons are a symbol of ingratitude; for when they are old enough no longer to need to be fed, they begin to fight with their father, and this struggle does not end until the young one drives the father out and takes the hen and makes her his own.

CRUELTY.

The basilisk is so utterly cruel that when it cannot kill animals by its baleful gaze, it turns upon herbs and plants, and fixing its gaze on them withers them up.

1225

GENEROSITY.

It is said of the eagle that it is never so hungry but that it will leave a part of its prey for the birds that are round it, which, being unable to provide their own food, are necessarily dependent on the eagle, since it is thus that they obtain food.

DISCIPLINE.

When the wolf goes cunningly round some stable of cattle, and by accident puts his foot in a trap, so that he makes a noise, he bites his foot off to punish himself for his folly.

1226

FLATTERERS OR SYRENS.

The syren sings so sweetly that she lulls the mariners to sleep; then she climbs upon the ships and kills the sleeping mariners.

PRUDENCE.

The ant, by her natural foresight provides in the summer for the winter, killing the seeds she harvests that they may not germinate, and on them, in due time she feeds.

FOLLY.

The wild bull having a horror of a red colour, the hunters dress up the trunk of a tree with red and the bull runs at this with great frenzy, thus fixing his horns, and forthwith the hunters kill him there.

1227

JUSTICE.

We may liken the virtue of Justice to the king of the bees which orders and arranges every thing with judgment. For some bees are ordered to go to the flowers, others are ordered to labour, others to fight with the wasps, others to clear away all dirt, others to accompagny* and escort the king; and when he is old and has no wings they carry him. And if one of them fails in his duty, he is punished without reprieve.

TRUTH.

Although partridges steal each other's eggs, nevertheless the young born of these eggs always return to their true mother.

1228

FIDELITY, OR LOYALTY.

The cranes are so faithful and loyal to their king, that at night, when he is sleeping, some of them go round the field to keep watch at a distance; others remain near, each holding a stone in his foot, so that if sleep should overcome them, this stone would fall and make so much noise that they would wake up again. And there are others which sleep together round the king; and this they do every night, changing in turn so that their king may never find them wanting.

FALSEHOOD.

The fox when it sees a flock of herons or magpies or birds of that kind, suddenly flings himself on the ground with his mouth open to look as he were dead; and these birds want to peck at his tongue, and he bites off their heads.

1229

LIES.

The mole has very small eyes and it always lives under ground; and it lives as long as it is in the dark but when it comes into the light it dies immediately, because it becomes known;—and so it is with lies.

VALOUR.

The lion is never afraid, but rather fights with a bold spirit and savage onslaught against a multitude of hunters, always seeking to injure the first that injures him.

FEAR OR COWARDICE.

The hare is always frightened; and the leaves that fall from the trees in autumn always keep him in terror and generally put him to flight.

1230

MAGNANIMITY.

The falcon never preys but on large birds; and it will let itself die rather than feed on little ones, or eat stinking meat.

VAIN GLORY.

As regards this vice, we read that the peacock is more guilty of it than any other animal. For it is always contemplating the beauty of its tail, which it spreads in the form of a wheel, and by its cries attracts to itself the gaze of the creatures that surround it.

And this is the last vice to be conquered.

1231

CONSTANCY.

Constancy may be symbolised by the phoenix which, knowing that by nature it must be resuscitated, has the constancy to endure the burning flames which consume it, and then it rises anew.

INCONSTANCY.

The swallow may serve for Inconstancy, for it is always in movement, since it cannot endure the smallest discomfort.

CONTINENCE.

The camel is the most lustful animal there is, and will follow the female for a thousand miles. But if you keep it constantly with its mother or sister it will leave them alone, so temperate is its nature.

1232

INCONTINENCE.

The unicorn, through its intemperance and not knowing how to control itself, for the love it bears to fair maidens forgets its ferocity and wildness; and laying aside all fear it will go up to a seated damsel and go to sleep in her lap, and thus the hunters take it.

HUMILITY.

We see the most striking example of humility in the lamb which will submit to any animal; and when they are given for food to imprisoned lions they are as gentle to them as to their own mother, so that very often it has been seen that the lions forbear to kill them.

1233

PRIDE.

The falcon, by reason of its haughtiness and pride, is fain to lord it and rule over all the other birds of prey, and longs to be sole and supreme; and very often the falcon has been seen to assault the eagle, the Queen of birds.

ABSTINENCE.

The wild ass, when it goes to the well to drink, and finds the water troubled, is never so thirsty but that it will abstain from drinking, and wait till the water is clear again.

GLUTTONY.

The vulture is so addicted to gluttony that it will go a thousand miles to eat a carrion [carcase]; therefore is it that it follows armies.

1234

CHASTITY.

The turtle-dove is never false to its mate; and if one dies the other preserves perpetual chastity, and never again sits on a green bough, nor ever again drinks of clear water.

UNCHASTITY.

The bat, owing to unbridled lust, observes no universal rule in pairing, but males with males and females with females pair promiscuously, as it may happen.

MODERATION.

The ermine out of moderation never eats but once in the day; it will rather let itself be taken by the hunters than take refuge in a dirty lair, in order not to stain its purity.

1235

THE EAGLE.

The eagle when it is old flies so high that it scorches its feathers, and Nature allowing that it should renew its youth, it falls into shallow water *[Footnote 5: The meaning is obscure.]. And if its young ones cannot bear to gaze on the sun *[Footnote 6: The meaning is obscure.]—; it does not feed them with any bird, that does not wish to die. Animals which much fear it do not approach its nest, although it does not hurt them. It always leaves part of its prey uneaten.

LUMERPA,—FAME.

This is found in Asia Major, and shines so brightly that it absorbs its own shadow, and when it dies it does not lose this light, and its feathers never fall out, but a feather pulled out shines no longer.

1236

THE PELICAN.

This bird has a great love for its young; and when it finds them in its nest dead from a serpent's bite, it pierces itself to the heart, and with its blood it bathes them till they return to life.

THE SALAMANDER.

This has no digestive organs, and gets no food but from the fire, in which it constantly renews its scaly skin.

The salamander, which renews its scaly skin in the fire,—for virtue.

THE CAMELEON.

This lives on air, and there it is the prey of all the birds; so in order to be safer it flies above the clouds and finds an air so rarefied that it cannot support the bird that follows it.

At that height nothing can go unless it has a gift from Heaven, and that is where the chameleon flies.

1237

THE ALEPO, A FISH.

The fish alepo does not live out of water.

THE OSTRICH.

This bird converts iron into nourishment, and hatches its eggs by its gaze;—Armies under commanders.

THE SWAN.

The swan is white without any spot, and it sings sweetly as it dies, its life ending with that song.

THE STORK.

This bird, by drinking saltwater purges itself of distempers. If the male finds his mate unfaithful, he abandons her; and when it grows old its young ones brood over it, and feed it till it dies.

H.1 14a]

1238

THE GRASSHOPPER.

This silences the cuckoo with its song. It dies in oil and revives in vinegar. It sings in the greatest heats

THE BAT.

The more light there is the blinder this creature becomes; as those who gaze most at the sun become most dazzled.—For Vice, that cannot remain where Virtue appears.