Rookwood

"We will discuss that point hereafter," replied Small; adding, as he noticed the growing paleness of his companion, "you are too much exhausted to proceed—you had better defer the remainder of your story to a future period."

"No," replied Ranulph, swallowing a glass of water; "I am exhausted, yet I cannot rest—my blood is in a fever, which nothing will allay. I shall feel more easy when I have made the present communication. I am approaching the sequel of my narrative. You are now in possession of the story of my love—of the motive of my departure. You shall learn what was the occasion of my return.

"I had wandered from city to city during my term of exile—consumed by hopeless passion—with little that could amuse me, though surrounded by a thousand objects of interest to others, and only rendering life endurable by severest study or most active exertion. My steps conducted me to Bordeaux;—there I made a long halt, enchanted by the beauty of the neighboring scenery. My fancy was smitten by the situation of a villa on the banks of the Garonne, within a few leagues of the city. It was an old château, with fine gardens bordering the blue waters of the river, and commanding a multitude of enchanting prospects. The house, which had in part gone to decay, was inhabited by an aged couple, who had formerly been servants to an English family, the members of which had thus provided for them on their return to their own country. I inquired the name. Conceive my astonishment to find that this château had been the residence of the Mowbrays. This intelligence decided me at once—I took up my abode in the house; and a new and unexpected source of solace and delight was opened to me, I traced the paths she had traced; occupied the room she had occupied; tended the flowers she had tended; and, on the golden summer evenings, would watch the rapid waters, tinged with all the glorious hues of sunset, sweeping past my feet, and think how she had watched them. Her presence seemed to pervade the place. I was now comparatively happy, and, anxious to remain unmolested, wrote home that I was leaving Bordeaux for the Pyrenees, on my way to Spain."

"That account arrived," observed Small.

"One night," continued Ranulph—"'tis now the sixth since the occurrence I am about to relate—I was seated in a bower that overlooked the river. It had been a lovely evening—so lovely, that I lingered there, wrapped in the heavenly contemplation of its beauties. I watched each rosy tint reflected upon the surface of the rapid stream—now fading into yellow—now shining silvery white. I noticed the mystic mingling of twilight with darkness—of night with day, till the bright current on a sudden became a black mass of waters. I could scarcely discern a leaf—all was darkness—when lo! another change! The moon was up—a flood of light deluged all around—the stream was dancing again in reflected radiance, and I still lingering at its brink.

"I had been musing for some moments, with my head resting upon my hand, when, happening to raise my eyes, I beheld a figure immediately before me. I was astonished at the sight, for I had perceived no one approach—had heard no footstep advance towards me, and was satisfied that no one besides myself could be in the garden. The presence of the figure inspired me with an undefinable awe! and, I can scarce tell why, but a thrilling presentiment convinced me that it was a supernatural visitant. Without motion—without life—without substance, it seemed; yet still the outward character of life was there. I started to my feet. God! what did I behold? The face was turned to me—my father's face! And what an aspect, what a look! Time can never efface that terrible expression; it is graven upon my memory—I cannot describe it. It was not anger—it was not pain: it was as if an eternity of woe were stamped upon its features. It was too dreadful to behold, I would fain have averted my gaze—my eyes were fascinated—fixed—I could not withdraw them from the ghastly countenance. I shrank from it, yet stirred not—I could not move a limb. Noiselessly gliding towards me, the apparition approached. I could not retreat. It stood obstinately beside me. I became as one half-dead. The phantom shook its head with the deepest despair; and as the word 'Return!' sounded hollowly in my ears, it gradually melted from my view. I cannot tell how I recovered from the swoon into which I fell, but daybreak saw me on my way to England. I am here. On that night—at that same hour, my father died."

"It was, after all, then, a supernatural summons that you received?" said Small.

"Undoubtedly," replied Ranulph.

"Humph!—the coincidence, I own, is sufficiently curious," returned Small, musingly; "but it would not be difficult, I think, to discover a satisfactory explanation of the delusion."

"There was no delusion," replied Ranulph, coldly; "the figure was as palpable as your own. Can I doubt, when I behold this result? Could any deceit have been practised upon me, at that distance?—the precise time, moreover, agreeing. Did not the phantom bid me return?—I have returned—he is dead. I have gazed upon a being of another world. To doubt were impious, after that look."

"Whatever my opinions may be, my dear young friend," returned Small, gravely, "I will suspend them for the present. You are still greatly excited. Let me advise you to seek some repose."

"I am easier," replied Ranulph; "but you are right, I will endeavor to snatch a little rest. Something within tells me all is not yet accomplished. What remains?—I shudder to think of it. I will rejoin you at midnight. I shall myself attend the solemnity. Adieu!"

Ranulph quitted the room. Small sighingly shook his head, and having lighted his pipe, was presently buried in a profundity of smoke and metaphysical speculation.

CHAPTER XI

LADY ROOKWOOD

Fran. de Med. Your unhappy husbandIs dead.Vit. Cor.Oh, he's a happy husband!Now he owes nature nothing.Mon.And look upon this creature as his wife.She comes not like a widow—she comes armedWith scorn and impudence. Is this a mourning habit?The White Devil.

The progress of our narrative demands our presence in another apartment of the hall—a large, lonesome chamber, situate in the eastern wing of the house, already described as the most ancient part of the building—the sombre appearance of which was greatly increased by the dingy, discolored tapestry that clothed its walls; the record of the patience and industry of a certain Dame Dorothy Rookwood, who flourished some centuries ago, and whose skilful needle had illustrated the slaughter of the Innocents, with a severity of gusto, and sanguinary minuteness of detail, truly surprising in a lady so amiable as she was represented to have been. Grim-visaged Herod glared from the ghostly woof, with his shadowy legions, executing their murderous purposes, grouped like a troop of Sabbath-dancing witches around him. Mysterious twilight, admitted through the deep, dark, mullioned windows, revealed the antique furniture of the room, which still boasted a sort of mildewed splendor, more imposing, perhaps, than its original gaudy magnificence; and showed the lofty hangings, and tall, hearse-like canopy of a bedstead, once a couch of state, but now destined for the repose of Lady Rookwood. The stiff crimson hangings were embroidered in gold, with the arms and cipher of Elizabeth, from whom the apartment, having once been occupied by that sovereign, obtained the name of the "Queen's Room."

The sole tenant of this chamber was a female, in whose countenance, if time and strong emotion had written strange defeatures, they had not obliterated its striking beauty and classical grandeur of expression. It was a face majestical and severe. Pride was stamped in all its lines; and though each passion was, by turns, developed, it was evident that all were subordinate to the sin by which the angels fell. The contour of her face was formed in the purest Grecian mould, and might have been a model for Medea; so well did the gloomy grandeur of the brow, the severe chiselling of the lip, the rounded beauty of the throat, and the faultless symmetry of her full form, accord with the beau ideal of antique perfection. Shaded by smooth folds of raven hair, which still maintained its jetty dye, her lofty forehead would have been displayed to the greatest advantage, had it not been at this moment knit and deformed by excess of passion, if that passion can be said to deform which only calls forth strong and vehement expression. Her figure, which wanted only height to give it dignity, was arrayed in the garb of widowhood; and if she exhibited none of the desolation of heart which such a bereavement might have been expected to awaken, she was evidently a prey to feelings scarcely less harrowing. At the particular time of which we speak, Lady Rookwood, for she it was, was occupied in the investigation of the contents of an escritoire. Examining the papers which it contained with great deliberation, she threw each aside, as soon as she had satisfied herself of its purport, until she arrived at a little package, carefully tied up with black ribbon, and sealed. This, Lady Rookwood hastily broke open, and drew forth a small miniature. It was that of a female, young and beautiful, rudely, yet faithfully, executed—faithfully, we say, for there was an air of sweetness and simplicity—and, in short, a look of reality and nature about the picture (it is seldom, indeed, that we mistake a likeness, even if we are unacquainted with the original) that attested the artist's fidelity. The face was as radiant with smiles as a bright day with sunbeams. The portrait was set in gold, and behind it was looped a lock of the darkest and finest hair. Underneath the miniature was written, in Sir Piers's hand, the words "Lady Rookwood." A slip of folded paper was also attached to it.

Lady Rookwood scornfully scrutinized the features for a few moments, and then unfolded the paper, at the sight of which she started, and turned pale. "Thank God!" she cried, "this is in my possession—while I hold this, we are safe. Were it not better to destroy this evidence at once? No, no, not now—it shall not part from me. I will abide Ranulph's return. This document will give me a power over him such as I could never otherwise obtain." Placing the marriage certificate, for such it was, within her breast, and laying the miniature upon the table, she next proceeded, deliberately, to arrange the disordered contents of the box.

All outward traces of emotion had, ere this, become so subdued in Lady Rookwood, that although she had, only a few moments previously, exhibited the extremity of passionate indignation, she now, apparently without effort, resumed entire composure, and might have been supposed to be engaged in a matter of little interest to herself. It was a dread calm, which they who knew her would have trembled to behold. "From these letters I gather," exclaimed she, "that their wretched offspring knows not of his fortune. So far, well. There is no channel whence he can derive information, and my first care shall be to prevent his obtaining any clue to the secret of his birth. I am directed to provide for him—ha! ha! I will provide—a grave! There will I bury him and his secret. My son's security and my own wrong demand it. I must choose surer hands—the work must not be half-done, as heretofore. And now, I bethink me, he is in the neighborhood, connected with a gang of poachers—'tis as I could wish it."

At this moment a knock at the chamber-door broke upon her meditations. "Agnes, is it you?" demanded Lady Rookwood.

Thus summoned, the old attendant entered the room.

"Why are my orders disobeyed?" asked the lady, in a severe tone of voice. "Did I not say, when you delivered me this package from Mr. Coates, which he himself wished to present, that I would not be disturbed?"

"You did, my lady, but–"

"Speak out," said Lady Rookwood, somewhat more mildly, perceiving, from Agnes's manner, that she had something of importance to communicate. "What is it brings you hither?"

"I am sorry," returned Agnes, "to disturb your ladyship, but—but–"

"But what?" interrupted Lady Rookwood, impatiently.

"I could not help it, my lady—he would have me come; he said he was resolved to see your ladyship, whether you would or not."

"Would see me, ha! is it so? I guess his errand, and its object—he has some suspicion. No, that cannot be; he would not dare to tamper with these seals. Agnes, I will not see him."

"But he swears, my lady, that he will not leave the house without seeing you—he would have forced his way into your presence, if I had not consented to announce him."

"Insolent!" exclaimed Lady Rookwood, with a glance of indignation; "force his way! I promise you he shall not display an equal anxiety to repeat the visit. Tell Mr. Coates I will see him."

"Mr. Coates! Mercy on us, my lady, it's not he. He'd never have intruded upon you unasked. No such thing. He knows his place too well. No, no; it's not Mr. Coates–"

"If not he, who is it?"

"Luke Bradley; your ladyship knows whom I mean."

"He here—now?–"

"Yes, my lady; and looking so fierce and strange, I was quite frightened to see him. He looked so like his—his–"

"His father, you would say. Speak out."

"No, my lady, his grandfather—old Sir Reginald. He's the very image of him. But had not your ladyship better ring the alarm-bell? and when he comes in, I'll run and fetch the servants—he's dangerous, I'm sure."

"I have no fears of him. He will see me, you say–"

"Ay, will!" exclaimed Luke, as he threw open the door, and shut it forcibly after him, striding towards Lady Rookwood, "nor abide longer delay."

It was an instant or two ere Lady Rookwood, thus taken by surprise, could command speech. She fixed her eyes with a look of keen and angry inquiry upon the bold intruder, who, nothing daunted, confronted her glances with a gaze as stern and steadfast as her own.

"Who are you, and what seek you?" exclaimed Lady Rookwood, after a brief pause, and, in spite of herself, her voice sounded tremulously. "What would you have, that you venture to appear before me at this season and in this fashion?"

"I might have chosen a fitter opportunity," returned Luke, "were it needed. My business will not brook delay—you must be pleased to overlook this intrusion on your privacy, at a season of sorrow like the present. As to the fashion of my visit, you must be content to excuse it. I cannot help myself. I may amend hereafter. Who I am, you are able, I doubt not, to divine. What I seek, you shall hear, when this old woman has left the room, unless you would have a witness to a declaration that concerns you as nearly as myself."

An indefinite feeling of apprehension had, from the first instant of Luke's entrance crossed Lady Rookwood's mind. She, however, answered, with some calmness:

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1

See the celebrated recipe for the Hand of Glory in "Les Secrets du Petit Albert."

2

The seven planets, so called by Mercurius Trismegistus.

3

Payne Knight, the scourge of Repton and his school, speaking of the license indulged in by the modern landscape-gardeners, thus vents his indignation:

But here, once more, ye rural muses weepThe ivy'd balustrade, and terrace steep;Walls, mellowed into harmony by time,On which fantastic creepers used to climb;While statues, labyrinths, and alleys pentWithin their bounds, at least were innocent!—Our modern taste—alas!—no limit knows;O'er hill, o'er dale, through wood and field it flows;Spreading o'er all its unprolific spawn,In never-ending sheets of vapid lawn.The Landscape, a didactic Poem,addressed to Uvedale Price, Esq.

4

Mason's English Garden.

5

Cowley.

6

Query, Damocles?—Printer's Devil.

7

James Hind—the "Prince of Prigs"—a royalist captain of some distinction, was hanged, drawn, and quartered, in 1652. Some good stories are told of him. He had the credit of robbing Cromwell, Bradshaw, and Peters. His discourse to Peters is particularly edifying.

8

See Du-Val's life by Doctor Pope, or Leigh Hunt's brilliant sketch of him in The Indicator.

9

We cannot say much in favor of this worthy, whose name was Thomas Simpson. The reason of his sobriquet does not appear. He was not particularly scrupulous as to his mode of appropriation. One of his sayings is, however, on record. He told a widow whom he robbed, "that the end of a woman's husband begins in tears, but the end of her tears is another husband." "Upon which," says his chronicler, "the gentlewoman gave him about fifty guineas."

10

Tom was a sprightly fellow, and carried his sprightliness to the gallows; for just before he was turned off he kicked Mr. Smith, the ordinary, and the hangman out of the cart—a piece of pleasantry which created, as may be supposed, no small sensation.

11

Many agreeable stories are related of Holloway. His career, however, closed with a murder. He contrived to break out of Newgate but returned to witness the trial of one of his associates; when, upon the attempt of a turnkey, one Richard Spurling, to seize him, Will knocked him on the head in the presence of the whole court. For this offence he suffered the extreme penalty of the law in 1712.

12

Wicks's adventures with Madame Toly are highly diverting. It was this hero—not Turpin, as has been erroneously stated—who stopped the celebrated Lord Mohun. Of Gettings and Grey, and "the five or six," the less said the better.

13

One of Jack's recorded mots. When a Bible was pressed upon his acceptance by Mr. Wagstaff, the chaplain, Jack refused it, saying, "that in his situation one file would be worth all the Bibles in the world." A gentleman who visited Newgate asked him to dinner; Sheppard replied, "that he would take an early opportunity of waiting upon him." And we believe he kept his word.

14

The word Tory, as here applied, must not be confounded with the term of party distinction now in general use in the political world. It simply means a thief on a grand scale, something more than "a snapper-up of unconsidered trifles," or petty-larceny rascal. We have classical authority for this:—Tory: "An advocate for absolute monarchy; also, an Irish vagabond, robber, or rapparee."—Grose's Dictionary.

15

A trio of famous High-Tobygloaks. Swiftneck was a captain of Irish dragoons, by-the-bye.

16

Redmond O'Hanlon was the Rob Roy of Ireland, and his adventures, many of which are exceedingly curious, would furnish as rich materials for the novelist, as they have already done for the ballad-mongers: some of them are, however, sufficiently well narrated in a pleasant little tome, published at Belfast, entitled The History of the Rapparees. We are also in possession of a funeral discourse, preached at the obsequies of the "noble and renowned" Henry St. John, Esq., who was unfortunately killed by the Tories—the Destructives of those days—in the induction to which we find some allusion to Redmond. After describing the thriving condition of the north of Ireland, about 1680, the Rev. Lawrence Power, the author of the sermon, says, "One mischief there was, which indeed in a great measure destroyed all, and that was a pack of insolent bloody outlaws, whom they here call Tories. These had so riveted themselves in these parts, that by the interest they had among the natives, and some English, too, to their shame be it spoken, they exercise a kind of separate sovereignty in three or four counties in the north of Ireland. Redmond O'Hanlon is their chief, and has been these many years; a cunning, dangerous fellow, who, though proclaimed an outlaw with the rest of his crew, and sums of money set upon their heads, yet he reigns still, and keeps all in subjection, so far that 'tis credibly reported he raises more in a year by contributions à-la-mode de France than the king's land taxes and chimney-money come to, and thereby is enabled to bribe clerks and officers, if not their masters, (!) and makes all too much truckle to him." Agitation, it seems, was not confined to our own days—but the "finest country in the world" has been, and ever will be, the same. The old game is played under a new color—the only difference being, that had Redmond lived in our time, he would, in all probability, not only have pillaged a county, but represented it in parliament. The spirit of the Rapparee is still abroad—though we fear there is little of the Tory left about it. We recommend this note to the serious consideration of the declaimers against the sufferings of the "six millions."

17

Here Titus was slightly in error. He mistook the cause for the effect. "They were called Rapparees," Mr. Malone says, "from being armed with a half-pike, called by the Irish a rapparee."—Todd's Johnson.

18

Tory, so called from the Irish word Toree, give me your money.—Todd's Johnson.

19

As he was carried to the gallows, Jack played a fine tune of his own composing on the bagpipe, which retains the name of Macpherson's tune to this day.—History of the Rapparees.

20

"Notwithstanding he was so great a rogue, Delany was a handsome, portly man, extremely diverting in company, and could behave himself before gentlemen very agreeably. He had a political genius—not altogether surprising in so eminent a Tory—and would have made great proficiency in learning if he had rightly applied his time. He composed several songs, and put tunes to them; and by his skill in music gained the favor of some of the leading musicians in the country, who endeavored to get him reprieved."—History of the Rapparees. The particulars of the Songster's execution are singular:—"When he was brought into court to receive sentence of death, the judge told him that he was informed he should say 'that there was not a rope in Ireland sufficient to hang him. But,' says he, 'I'll try if Kilkenny can't afford one strong enough to do your business; and if that will not do, you shall have another, and another.' Then he ordered the sheriff to choose a rope, and Delany was ordered for execution the next day. The sheriff having notice of his mother's boasting that no rope could hang her son—and pursuant to the judge's desire—provided two ropes, but Delany broke them one after the other! The sheriff was then in a rage, and went for three bed-cords, which he plaited threefold together, and they did his business! Yet the sheriff was afraid he was not dead; and in a passion, to make trial, stabbed him with his sword in the soles of his feet, and at last cut the rope. After he was cut down, his body was carried into the courthouse, where it remained in the coffin for two days, standing up, till the judge and all the spectators were fully satisfied that he was stiff and dead, and then permission was given to his friends to remove the corpse and bury it."-History of the Rapparees.

21

Highwaymen, as contradistinguished from footpads.

22

Since Mr. Coates here avows himself the writer of this diatribe against Sir Robert Walpole, attacked under the guise of Turpin in the Common Sense of July 30, 1737, it is useless to inquire further into its authorship. And it remains only to refer the reader to the Gents. Mag., vol. vii. p. 438, for the article above quoted; and for a reply to it from the Daily Gazetteer contained in p. 499 of the same volume.