A Short History of French Literature

Condorcet.

With the name of Turgot that of Condorcet is inseparably connected, and though far less important in the history of thought, it is perhaps more prominent in the history of literature, for the pupil and biographer (in both of which relations Condorcet stood to Turgot) was, though a far less original and vigorous thinker, a better writer than his master and subject. Jean Antoine Nicolas de Caritat, styled Marquis de Condorcet, was born in 1743, near St. Quentin, and early distinguished himself both in mathematics and in the belles lettres. He became Secretary of the Academy in 1777, and he afterwards wrote the Life of Turgot, whose method of dealing with economic questions (a more practical and less abstract one than that of the earlier economists) he had already followed. He took a considerable part in the French Revolution, serving both in the Legislative Assembly and in the Convention. In the latter he became identified with the Girondist party, and shared their troubles. His best known work, the Esquisse des Progrès de l'Esprit Humain, was written while he was a fugitive and in concealment. He was at last discovered and arrested, but the day after he was found dead in his prison at Bourg la Reine, having apparently poisoned himself (March, 1794). Condorcet's works are voluminous, and partake strongly of the philosophe character. He is not remarkable for originality of thought, and may indeed be said to be for the most part a mere exponent of the current ideas of the second stage of the philosophe movement. But his style has great merits, being clear, forcible, and correct, suffering only from the somewhat stereotyped forms, and from the absence of flexibility and colour which distinguish the later eighteenth century in France.

Volney.

One more remarkable name deserves to be mentioned in this place as the last of the Philosophes proper, that is to say, of those writers who carried out the general principles of the Encyclopædist movement with less reference to specialist departments of literature than to a certain general spirit and tendency. This was Constantin François de Chassebœuf, Comte de Volney, by which latter name he is generally known. Volney was born in 1757, at Caron, in Anjou, and was educated at Angers, and afterwards at Paris. He studied both medicine and law, but having a sufficient fortune, practised neither. In 1783 he set out on his travels and journeyed to the East, visiting Egypt and Syria; an account of which journey he published four years later. When he returned to France he was from the beginning a moderate partisan of the Revolution, and, like most such persons, he was arrested during the Terror, though he escaped with no worse fate than imprisonment. Immediately after Thermidor, Volney published his most celebrated work, Les Ruines, a treatise on the rise and fall of empires from a general and philosophical point of view. Shortly after this he visited the United States, whence he returned in 1798. He had known Napoleon in early days, and on the establishment of the Consulate he was appointed a senator; nor was his resignation accepted, though it was tendered when Bonaparte assumed the crown. His countship was Napoleonic, but he was always an opponent of the emperor's policy. Accordingly, after the Restoration, he was nominated by Louis XVIII. as a member of the new House of Peers. He died in 1820. Besides the books already noticed he published some studies in ancient history and many miscellaneous works, including a project of a universal language. Volney was, as has been said, the last of the philosophes, exhibiting, long after a new order of thought had set in, their acute but negative and one-sided criticism, their sterile contempt of Christianity and religion generally, their somewhat theoretic acceptance of generalisations on philosophy and history, and of large plans for dealing with politics and ethics. As a traveller his observation is accurate and his expression vivid; as a philosophical historian his acuteness is perhaps not sufficiently accompanied by real breadth of view.

La Mettrie

Helvétius

Between these philosophers, in the local and temporary sense of the word, who dealt only with what would now be called the sociological side of philosophy in its bearings on politics, religion, ethics, and economics, and the strictly philosophical school of Condillac and his followers, a small but very influential sect of materialists, who were yet not purely philosophical materialists, has to be considered. Three members of this school have importance in literature – La Mettrie, Helvétius, and Holbach. La Mettrie was a native of Britanny: he entered the medical service of the French army, acquired a speedy reputation for heterodoxy and disorderly living, and fled for shelter to the general patron of heterodox Frenchmen, Frederick of Prussia; at whose court he died, at a comparatively early age, it is said in consequence of a practical joke. La Mettrie's chief work is a paradoxical exercise in materialist physics called L'Homme-Machine, in which he endeavours to prove the purely automatic working of the human frame, and the absence of any mind in the spiritualist sense. This he followed by a similar but less original work, called L'Homme-Plante, and by some other minor publications. La Mettrie was a very unequal thinker and writer, but he has, as Voltaire (who disliked him) expressed it, traits de flamme both in thought and style. Claude Adrian Helvétius was of Swiss descent, and of ample fortune. Born in 1715, he was appointed to the high post of Farmer-General when he was little more than twenty-three; but he did not hold this appointment very long, and became Chamberlain to the Queen. He was very popular in society, and was of a benevolent and philanthropic disposition, though he seems to have got into trouble at his country seat of Voré by excessive game preserving. He married, in 1751, the beautiful Mademoiselle de Ligneville, who was long afterwards one of the chief centres of literary society in Paris. In 1758 his book De l'Esprit appeared, and made a great sensation, being condemned as immoral, and burnt by the hangman. Helvétius subsequently travelled in England and Germany, dying in 1771. A second treatise, De l'Homme, which appeared posthumously, is much inferior to De l'Esprit in literary merit. It was even more fiercely assailed than its predecessor, and Diderot himself, the leader of the more active section of the philosophe party, wrote an elaborate refutation of it, which, however, has only recently been published. The book De l'Esprit is wanting in depth, and too anecdotic in style for a serious work of philosophy, though this very characteristic makes it all the more amusing reading. It endeavours to make out a theory of morals based on what is called the selfish system; and it was the naked manner in which this selfish system of ethics, and the materialist metaphysics which it implies, are manifested in the book which gave occasion to its ill repute. As a mere work of literature, however, it is well, and in parts even brilliantly written, and amid much that is desultory, inconclusive, and even demonstrably unsound, views of extreme shrewdness and originality on social abuses and inconsistencies are to be found.

Système de la Nature.

None of the writers hitherto mentioned made open profession of atheism, and it is doubtful whether even Diderot deserves the appellation of a consistent atheist. There was, however, a large anti-theistic school among the philosophes, which increased in numbers and strength towards the outbreak of the Revolution. The most striking work by far of this school (which included Damilaville, Naigeon, and a few other names of no great distinction in literature) was the Système de la Nature, which appeared in 1770. This remarkable book, which even Voltaire and Frederick II. set themselves seriously to refute, contains a complete materialist system in metaphysics and theology. It represents the existence of God as a mere creation of the superstition of men, unable to assign a cause for the evils under which they suffer, and inventing a supernatural entity to satisfy themselves. The book (to consider its literary style only) is extremely unequal, passages of remarkable vigour alternating with long and dreary tracts of inconclusive and monotonous declamation. It appeared under the name of a dead man, Mirabaud, a person of some slight and chiefly official name in science and letters. It is, however, believed, if not certainly known, to be the work of the Baron d'Holbach (who unquestionably wrote various other books of a similar tendency), with the assistance of divers of his friends, and especially of Diderot. The Système is a very singular production, animated by a kind of fanatical, and in parts almost poetical aspiration after the annihilation of all supernatural belief, which is hardly to be found elsewhere except in Lucretius. It had great influence, though that influence was one of repulsion as well as of conversion, and it may be said to be, up to the present day, the furthest step taken in the direction of philosophical as opposed to political Nihilism. It should, however, be observed that in parts there is a strong political tinge observable in it.

Condillac.

In all this century of so-called philosophy, France possessed hardly more than one really eminent and considerable metaphysician. This was Étienne Bonnot de Condillac, brother of the Abbé de Mably, who was born in 1715, and died in 1780. Condillac himself was an abbé, and possessing a sufficient benefice, he lived for the most part quietly upon it, and took no part in the political, or even the literary life of the times. In 1746 he published his Essai sur l'Origine des Connoissances Humaines; in 1749 his Traité des Systèmes, a work critical rather than constructive; and in 1754 the Traité des Sensations, his principal work, which completes his theory. The influence of Locke was the most powerful single influence in the philosophe movement of France, and Condillac took up Locke's work at exactly the point where his master had faltered. He set to work to show with great plausibility that, according to Lockeian principles, the addition of ideas of reflection to ideas of sensation is unsustainable, and that all ideas without exception are merely transformed sensations. One of the illustrations which he used to support his views, that of a statue supposed to be endowed with a single sense, and successively developing first the others, and then the powers usually classed as reflection, is famous in the history of philosophy. It concerns us only as giving an instance of the method of Condillac, which is remarkable for vividness and adaptation to the ordinary comprehension. Unlike the style of Locke himself, Condillac's style is not in the least slovenly, but polished and lucid, excellently suited to such a public as that of the eighteenth century, which was at once intelligent enough to understand, and educated enough to demand, finish of manner in discussing abstract points.

After Condillac the history of philosophy in France during the rest of the period is of no great interest to literature. He himself was continued and represented chiefly by Destutt de Tracy. The reaction against the extreme idealist and materialist constructions of Locke respectively, which had been brought about in England by Reid and Stewart, acquired in the last years of the eighteenth century, and the beginning of the nineteenth, a considerable following in France. Its chiefs were Maine de Biran, Royer Collard (who also obtained reputation as an orator and parliamentary politician), and Jouffroy. They belong, however, rather to the history of philosophy than to that of literature.

Joseph de Maistre.

After this long list of writers who advocated, more or less openly, revolution in matters political and religious, but especially in the latter, two authors who with Chateaubriand, but in a definitely philosophical manner, set the example of reaction, and who to a great extent indicated the lines which it was to follow, must be mentioned. These are Joseph de Maistre, and Louis de Bonald. Joseph, Count de Maistre, was born at Chambéry, in 1753, of a noble Savoyard family, which is said to have come originally from Languedoc. His father held important employments in the duchy, and Joseph himself entered its civil service. When, after the French Revolution, Savoy was invaded, and in a short time annexed, he returned to Lausanne, and there wrote Considérations sur la France, his first work of importance. For some years he was employed at Turin in the administration of such of his continental dominions as were left to the King of Sardinia; and then, after the practical annexation of Piedmont, he held a similar employ in the island of Sardinia itself. At the beginning of the present century, he was sent to St. Petersburg to plead the cause of his master. Here he remained till after the overthrow of Napoleon, and wrote, though he did not publish, most of his books. In 1816 he returned to Turin, and died a few years afterwards – in 1821. The three chief works of Joseph de Maistre are Du Pape, 1817, De l'Église Gallicane, and the unfinished Soirées de St. Pétersbourg. The two first compose a complete treatise on the power and position of the pope in relation both to the temporal and to the ecclesiastical form of national government. The author is the most uncompromising of ultramontanes. According to him the pope is the source of all authority on earth, and temporal princes are little more than his delegates. Except in relation to religious error, Joseph de Maistre is not hostile to a certain ordered measure of liberty accorded by their rulers to peoples and individuals. But, strongly impressed by the social and moral, as well as the political and religious anarchy brought about first by the philosophe movement, and then by the Revolution, he sees the only chance of rescue in the establishment of a hierarchy of government culminating in that from which there is no appeal, the single authority of the pope. He is thus a legitimist with a difference. The Soirées de St. Pétersbourg, which are unfinished and not entirely uniform in plan, deal nominally with the providential government of the world, but diverge to a large number of subjects. It is in this book that the author develops the kind of modified terrorism which is often, though not altogether justly, considered to be his chief characteristic, eulogising the executioner as the foundation of society.

Joseph de Maistre is unquestionably one of the greatest thinkers and writers of the eighteenth century. Paradoxical and strained as his system frequently appears, it is rigorously logical. An ordered theocracy seems to him the only polity capable of giving peace and true prosperity to the world, and he shapes all his theories so as to fit in with this central conception. On detached subjects his thoughts are always vigorous, and often strikingly original. His reading was great, and his skill in polemics of the very highest. No one possesses in larger measure the art of hostile criticism without descending to actual abuse. These merits of themselves imply purely literary accomplishments, clearness, distinctness, forcible expression, in a rare kind and degree. But Joseph de Maistre is more than this as a writer. He possesses, though he only occasionally exercises it, a brilliant faculty of rhetoric. His phrase is more than merely clear and forcible; it has a peculiar incisiveness and sharpness of outline which impress it on the memory, while, sparing as he is of ornament, his rare passages of description and fancy have great merit. The surest testimony to his value is the fact that, though both in his own day and since by far the larger number of writers and thinkers have held views more or less opposed to his, no one whose opinion is itself of the least importance has ever spoken of him without respect and even admiration. Those who, like Lamartine, qualify their admiration with a certain depreciation, show inability to recognise fully the beauty of strength undisguised by conventional elegance and grace of form.

Bonald.

Louis Gabriel Ambroise, Vicomte de Bonald, who is usually named with Joseph de Maistre as the leader of the Catholic-monarchist reaction, was a weaker thinker, and a writer of less accomplishment, though in both respects he has perhaps been somewhat unfairly criticised. Born at Milhaud, in the district of Rouergue, in 1754, he discharged various civil and military employments in his native province during his youth; was elected in 1790 member of the Departmental Assembly, but emigrated next year; served in Condé's army, and then established himself at Heidelberg. His first work was seized by the Directory, but he returned to France soon afterwards, and was not molested. He published a good deal during the first years of the century, and, like many other royalists, received overtures from Napoleon through Fontanes. These he did not exactly reject, but he availed himself of them very sparingly. The Restoration, on the contrary, aroused him to vigour. It was owing to him chiefly that the law of divorce was altered. He entered the Academy, and in 1823 was made a peer; an honour which he resigned at the revolution of July. He died in 1840.

Bonald's principal work is his Législation Primitive. He also wrote a book on divorce, and a considerable number of miscellaneous political and metaphysical works. His chief subjects of discussion were, first, the theory of the revelation of language; and secondly, the theory of causality: in respect of both of which he combated the materialist school of the eighteenth century. In politics Bonald was a thoroughgoing legitimist and monarchist of the patriarchal school. Although an orthodox and devout Catholic, he does not lay the stress on the temporal power of the pope that the author of Du Pape does. With him the king is the immediate instrument of God in governing. He has been accused of reducing things too much to formulas, and of repeating his formulas too often. But this itself was in great part the effect of reaction against the vague declamation of the philosophes.

CHAPTER VII

SCIENTIFIC WRITERS

As the sciences divide and subdivide themselves more and more, the works which treat of them become less and less the subject of strictly literary history. Besides this truth, it is necessary to remember the fact that a large number of treatises, scientific in subject, were in the eighteenth century professedly popularised and addressed to unprofessional audiences. Fontenelle, D'Alembert, and many other authors already mentioned, were savants, but their manner of handling their subjects was far from being strictly or wholly scientific. Yet there remain a certain number of writers, who, their reputation being derived wholly or mainly from their treatment of subjects of science and erudition, are better dealt with separately.

Buffon.

The head and chief of these is beyond all question Buffon. George Louis Leclerc, who was made Count de Buffon by Louis XV., was born at Montbard in Burgundy, on Sept. 7, 1707; his father was a man of wealth and of position in the noblesse de robe. Buffon was destined for the law, but early showed an inclination towards science. He became acquainted with a young English nobleman, Lord Kingston, who with his tutor was taking the then usual grand tour, and was permitted by his father to accompany him through France and Italy, and to visit England. On the English language he spent considerable pains, translating Newton, Hales, and Tull the agriculturist. When he returned to France he devoted himself to scientific experiments, and in 1739 he was appointed intendant or director of the Jardin du Roi, which practically gave him command of the national collections in zoology, botany, and mineralogy. He was thus enabled to observe and experiment to his heart's content, and to collect a sufficient number of facts for his vast Natural History. Buffon, however, was only half a man of science. He was at least as anxious to write pompous descriptions and to indulge in showy hypotheses, as to confine himself to plain scientific enquiry. He accordingly left the main part of the hack-work of his Histoire Naturelle (a vast work extending to thirty-six volumes) to assistants, of whom the chief was Daubenton, himself contributing only the most striking and rhetorical passages. The book was very remarkable for its time, as the first attempt since Pliny at a collection of physical facts at once exhaustive, and in a manner systematised, and though there was much alloy mixed with its metal, it was of real value. Buffon's life was long, and he outlived all the other chiefs of the philosophe party (to which in an outside sort of fashion he belonged), dying at Paris in the year 1788. It is perhaps easier to condemn Buffon's extremely rhetorical style than to do justice to it. To a modern reader it too frequently seems to verge on the ridiculous, and to do more than verge on the trivial. It is necessary, however, to take the point of view of the time. Buffon found natural science in a position far below that assigned to literary erudition and to the arts in general estimation. He also found it customary that these arts and letters should be treated in pompous éloges. His real interest in science led him to think that the shortest way to raise it was to treat it in the same manner, and there is little doubt that his method was effectual in its degree. It is perhaps curious that he, the author of the phrase 'Le style c'est l'homme,' should have so completely exemplified it. Many authors of elaborate prose have been perfectly simple and unpretentious in private life. Buffon was as pompous and inflated as his style. Anecdotes respecting him are numerous; but perhaps the most instructive is that which tells how, having heard some one speak of the style of Montesquieu, he asked, 'Si M. de Montesquieu avait un style?' It is needless to say that from any just standpoint, even of purely literary criticism, the hollow pomp of the Histoire Naturelle sinks into insignificance beside the nervous and solid yet graceful vigour of the Esprit des Lois.

Lesser Scientific Writers.

No single scientific writer equals the fame of Buffon, but there are not a few who deserve to be mentioned after him. Pierre Louis Moreau de Maupertuis, a Breton by birth, who was a considerable mathematician and a physicist of more eccentricity than merit, owes most of his literary celebrity to the patronage of Frederick the Second, and the pitiless raillery of Voltaire, who quarrelled with him on his visit to Berlin, where Maupertuis was president of the Academy. Maupertuis' chief scientific performance was his mission to Lapland to determine the measurement of a degree of longitude in 1736. Of this mission he published an account. At the same time a similar mission was sent to South America under La Condamine, who underwent considerable hardship, and, like Maupertuis, published his adventures when he came back. Mathematics were indeed the favourite study of the time. Clairaut, De Moivre, Euler, Laplace, all wrote in French, or belonged to French-speaking and French-descended races; while Voltaire's own contributions to the reception of Newton's principles in France were not small, and his beloved Madame du Châtelet was an expert mathematician. Voltaire also devoted much attention to chemistry, which was the special subject of such of the Baron d'Holbach's labours as were not devoted to the overthrow of Christianity. It was not, however, till the eve of the Revolution that the most important discoveries in this science were made by Lavoisier and others. The Empire was a much more favourable time for science than for literature. Bonaparte was fond of the society of men of science, and pleased by their usual indifference to politics. Monge, Berthollet, Champollion, were among his favourites. Geoffroy St. Hilaire and Cuvier were, however, the chief men of science of this period, and Cuvier at least had no mean command of a literary style sufficient for his purposes. His chief work of a literary-scientific character was his discourse Sur les Révolutions de la Surface du Globe. Earlier than this the physician Cabanis, in his Rapports de Physique et de Morale, composed a semi-materialist work of great excellence according to eighteenth-century standards. Bichat's La Vie et la Mort, the work of an anatomist of the greatest talent, who died young, also belongs to literature.