The Trufflers

CHAPTER XV – ZANIN MAKES HIMSELF FELT

SUE was in her half-furnished living-room – not curled comfortably on the couch-bed, as she would have been a month or two earlier, but sitting rather stiffly in a chair, a photograph in her listless hand.

Zanin – big, shaggy, sunburnt – walked the floor. “Are you turning conventional, Sue?” he asked. “What is it? You puzzle me.”

“I don’t want that picture used, Jacob.”

He lighted a cigarette, dropped on a wooden chair, tipped it Lack against the wall, twisted his feet around the front legs, drummed on the front of the seat with big fingers.

He reached for the photograph. It was Sue herself, as she would appear in one of the more daring scenes of Nature.

“It’s an honest picture, Sue – right off the film.” She was very quiet. “It’s the singling it out, Jacob. In the film it is all movement, action – it passes. It doesn’t stay before their eyes.” A little feeling crept into her voice. “I agreed to do the film, Jacob. I’m doing it. Am I not?”

“But you’re drawing a rather sharp line, Sue. We’ve got to hit them hard with this thing. I don’t expect Mann to understand. I’ve got to work along with him as best I can and let it go at that. But I count on you.” The legs of the chair came down with a bang. He sprang up and walked the floor again. His cigarette consumed, he lighted another with the butt, which latter he tossed into a corner of the room. Sue’s eyes followed it there. She was still gazing at it when Zanin paused before her. She could feel him looking down at her. She wished it were possible to avoid discussion just now. There had been so many discussions during these crowded two years… She raised her eyes. There were his, fixed on her. He was not tired. His right hand was plunged into his thick hair; his left hand held the cigarette.

“You’re none too fit, Sue.”

She moved her hands in assert.

“And that’s something to be considered seriously. We need you fit.”

She did not answer at once. She would have liked to send him away. She tried to recall the long slow series of events, each dovetailed so intricately into the next that had brought them so close. Her mind – her sense of fairness – told her that he had every right to stand there and talk at her; yet he seemed suddenly and oddly a stranger.

“Suppose,” she said, “we stop discussing me.”

He shook his head. “It’s quite time to begin discussing you. It’s suppressions, Sue. You’ve played the Village game with your mind, but you’ve kept your feelings under. The result is natural enough – your nerves are in a knot. You must let go – trust your emotions.”

“I trust my emotions enough,” said she shortly.

He walked back and forth. “Let’s look at this dispassionately, Sue. We can, you and I. Of course I love you – you know that. There have been women enough in my life, but none of them has stirred my blood as you have. Not one. I want you – desperately – every minute – month in, month out. But” – he stood before her again – “if you can’t let go with me, I’d almost – surely, yes, I can say it, I’d rather it would be somebody else then. But somebody, something. You’re all buttled up. It’s dangerous.”

She stirred restlessly.

“You know that as well as I.” He was merciless.

The worst of it was he really seemed dispassionate. For the moment she could not question his sincerity. He went on – “As lately as last winter you would have carried all this off with a glorious flare. It’s this suppression that has got to your nerves, as it was bound to. You’re dodging, I’m afraid. You’re refusing life.” He lit another cigarette. “It’s damn puzzling. At heart you are, I know, a thoroughbred. I can’t imagine you marrying for a living or to escape love. You’re intelligent – too intelligent for that.” She moved restlessly, picked up the photograph and studied it again.

“You can’t go back to that home of yours…”

“I’m not going back there,” she said.

“And you can’t quit. We’re too deep in.”

“Don’t talk about that, Jacob!” she broke out. “I’m not going to quit.”

He dropped casually on the arm of her chair. One big hand rested on the chair-back, the other took hers and held it, with the picture, a little higher.

She seemed for an instant to shrink away; then, with slightly compressed lips, sat motionless.

“You think I am squeamish,” she said.

“Yes, I do.” They both looked at the photograph.

“Really, Sue – why on earth!.. What is it, anyway? Are you all of a sudden ashamed of your body?”

“Don’t expect me to explain. I know I’m inconsistent.”

He pressed her hand; then his other big hand very quietly stroked her hair, slid down to her forehead, rested slightly on her flushed temple and cheek.

“You poor child,” he said, “you’re almost in a fever. You’ve got to do something. Don’t you see that?”

She was silent.

“It’s tearing you to pieces, this giving the lie to your own beliefs. You’ve got to let go, Sue! For God’s sake, be human! Accept a little happiness. You’re not a small person. You are gifted, big. But you’ve got to live the complete life. It’s the only answer… See here. Peter’s away, isn’t he?”

“He left last Thursday… I had a note…”

“I didn’t,” Zanin smiled grimly. “It’s Tuesday, now. We can’t do those outdoor scenes yet. You come away with me. I’ll take you off into the hills somewhere – over in Pennsylvania or up-state. Let’s have some happiness, Sue. And give me a chance to take a little real care of you. Half my strength is rusting right now because you won’t use it.”

He drew her closer.

Suddenly she sprang up, leaped across the room, whirled against the wall and faced him.

Then she faltered perceptibly, for on his face she saw only frank admiration.

“Fine, Sue!” he cried. “That’s the old fire! Damn it, girl, don’t let’s be childish about this! You and I don’t need to get all of a flutter at the thought of love. If I didn’t stir an emotional response in you do you think I’d want you? But I do.” He rose and came to her. He gripped her shoulders and made her look at him. “Child, for God’s sake, don’t all at once forget everything you know! Where’s your humor? Can’t you see that this is exactly what you’ve got to have – that somebody has got to stir you as I’m stirring you now! If I couldn’t reach you, it would have to be some one else. A little love won’t hurt you any. The real danger I’ve been fearing is that no man would be able to stir you. That would be the tragedy. You’re a live vital girl. You’re an artist. Of course you’ve got to have love. You’ll never do real work without it. You’ll never even grow up without it.”

She could not meet his eyes. And she had a disheartening feeling that he was reasonable and right, granting the premises of their common philosophy.

He took his hands away. She heard him strike a match and light a cigarette, then move about the room. Then his voice —

“What do you say, Sue – will you pack a bag and start off with me? It’ll do both of us good. It’ll give us new life for our job.”

She was shaking her head. “No,” she said. “No.”

“If it was only this,” he said, thoughtfully enough – “but it’s everything. Peter is lying down on me and now you are failing me utterly.”

She dropped on a chair by the door. “That’s the hardest thing you ever said to me, Jacob.”

“It is true. I’m not blaming you. But it is a fact I have to meet… Sue, do you think for one moment I intend being beaten in this enterprise? Don’t you know me better than that? You are failing me. Not in love – that is personal. But in the work. Lately I have feared that Peter had your love. Now, Sue, if I am not to have you I can almost wish he had. When you do accept love it will hurt you. I have no doubt of that. There will be reactions. The conventional in you will stab and stab. But you are not little, and you will feel the triumph of it. It will make you. After all, however it may come, through door or window, love is life.”

She had folded her hands in her lap and was looking down at them. “I have no doubt you are right,” she said slowly and quietly.

He gave a weary sigh. “Of course. Your own intelligence tells you… If you won’t go with me, Sue, I may slip away alone. I’ve got to think. I’ve got to get money. I can get it, and I will. A little more energy, a little more expenditure of personality will do it. It can always be done.”

Her mind roused and seized on this as a momentary diversion. “Do you mean to go outside for it?”

“If it comes to that. Don’t you know, Sue, that we’re too far in with this thing to falter. The way to make money is to spend money. Peter’s a chicken. If he won’t come through, somebody’s got to. Why it would cost more than a thousand dollars – perhaps two thousand – merely to do what I have planned to do with the picture you so suddenly dislike,” He looked about for his hat. “I’m going, Sue. I’ve let myself get stirred up; and that, of course, is foolishness. I’m just tiring you out. You can’t help, I see that – not as you are.”

She rose and leaned against the wall by the door. He took her arm as he reached her side. “Buck up, little girl,” he said; “don’t blame yourself.”

She did not answer, and for a long moment they stood thus. Then she heard him draw in his breath.

His arms were around her. He held her against him.

“Have you got a kiss for me, Sue?” he asked.

She shook her head.

He let her go then, and again she leaned against the walk

“Good-by,” said he. “If you could bring yourself to share the real thrill with me, I could help you. But I’m not going to wear you out with this crude sex-duel stuff. Good-by.”

“Wait,” she said then. She moved over to the table, and fingered the photograph. He stood in the doorway and watched her. She was thinking – desperately thinking. He could see that. The flush was still on her temples and cheeks. Finally she straightened up and faced him.

“Jacob,” she said, “I can’t let you go like that. This thing has got to be settled. Really settled.”

He slowly nodded.

“Give me till Saturday, Jacob. I promise you I’ll try to think it all out. I’ll go through with the pictures anyway – somehow. As for this photograph, go ahead. Use it. Only please don’t commit yourself in a money way before I see you. Come to tea Saturday, at four. I’ll either tell you finally that we are – well, hardly to be friends beyond the rest of this job of ours, or I’ll – I’ll go along with you, Jacob.”

Her voice faltered over the last of this, but her eyes did not. And her chin was high.

“It’s too bad,” said he. “But you’re right. It isn’t me. You’ve come to the point where you’ve got to find yourself.”

“That’s it,” she said. “I’ve got to try to find out what I am. If my thoughts and feelings have been misleading me – well, maybe I am conventional – maybe I am little – ”

Her voice broke. Her eyes filled. But she fought the tears back and still faced him.

He took a step toward her. She shook her head.

He went out then.

And when the outer door shut she dropped limply on the couch-bed.

CHAPTER XVI – THE WORM PROPOSES MARRIAGE IN GENERAL

TWO days later, on Thursday, the Worm crossed the Square and Sixth Avenue and entered Greenwich Village proper.

He was dressed, at the top, in a soft gray hat from England. Next beneath was a collar that had cost him forty cents. The four-in-hand scarf was an imported foulard, of a flowering pattern in blues and greens; with a jade pin stuck in it. The new, perfectly fitting suit was of Donegal homespun and would cost, when the bill was paid, slightly more than sixty dollars. The shoes, if not custom made, were new. And he carried a slender stick with a curving silver head.

He felt uncomfortably conspicuous. His nerves tingled with an emotional disturbance that ignored his attempts to dismiss it as something beneath him. For the first time in nearly a decade he was about to propose marriage to a young woman. As he neared the street on which the young woman lived, his steps slackened and his mouth became uncomfortably dry… All this was absurd, of course. He and Sue were good friends. “There needn’t be all this excitement,” he told himself with a desperate clutching at the remnants of his sense of humor, “over suggesting to her that we change from a rational to an irrational relationship.”

At the corner, however, he stopped dead. Then with a self-consciousness worthy of Peter himself, he covered his confusion by buying an afternoon paper and walking slowly back toward Sixth Avenue.

Suddenly, savagely, he crumpled the paper into a ball, threw it into the street, strode resolutely to Sue’s apartment-house and rang her bell.

Sue promptly lighted the alcohol lamp under her kettle and they had tea. Over the cups, feeling coldly desperate, the Worm said:

“Been thinking you all over, Sue.” It was a relief to find that his voice sounded fairly natural.

She took the remark rather lightly. “I’m not worth it, Henry… I’ve thought some myself – your idea of the boundary…”

His thoughts were moving on with disconcerting rapidity. He must take the plunge. It was his fate. He knew it.

“We talked marriage,” he said.

She nodded.

“Since then I’ve tried to figure but what I do think, and crystallize it. Sue, I’m not so sure that Betty was wrong.”

“That’s a new slant,” said she thoughtfully.

“Or very old. Just try to look through my eyes for a moment. Betty had tried freedom – had something of a fling at it. Now, it is evident that in her case it didn’t work very well. Isn’t it?”

“In her case, yes,” Sue observed quietly.

“Precisely, in her case. She had reached the boundary. You’ll admit that?”

Sue smiled faintly at his argumentative tone. “Yes, I’ll admit it.”

“Betty isn’t a great soul. A stronger nature would have taken longer to reach the boundary. But doesn’t it indicate that the boundary is there?”

“Well” – Sue hesitated. “All right. For the sake of the argument I’ll admit that, too.”.

“Well, now, just what has Betty done? She doesn’t love this manufacturer she has married.”

“Not a bit.”

“And the marriage may fail. The majority of them, from an idealistic point of view, undoubtedly do fail. Admitting all that, you have let me see that you yourself in a weak moment have considered the same course.”

Sue’s brow clouded. But she nodded slowly.

“Well, then” – he hitched forward in his chair, and to cover his burning eagerness talked, if possible, a shade more stiffly and impersonally – “doesn’t this, Betty’s act and your momentary consideration of the same act, suggest that a sound instinct may be at work there?”

“If cowardice is an instinct, Henry.”

“How do you know it is cowardice? From what data do you get that conclusion? Betty, after all her philandering, has undertaken a definite contract. It binds her. It is a job. There is discipline in it, a chance for service. It creates new conditions of life which will certainly change her unless she quits. Haven’t you noticed, all your life, what a relief it is to get out of indecision into a definite course, even if it costs you something?”

Again that faint smile of hers. “Turning conservative, Henry?”

He ignored this. “Life moves on in epochs, Sue. If you don’t start getting educated when you’re a youngster, you go most awfully wrong. If you don’t accept the discipline of work as soon as you’ve got a little education and grown up, you’re a slacker and before long you’re very properly rated as a slacker. So with a woman – given this wonderful function of motherhood and the big emotional capacity that goes with it – if she waits too long after her body and Spirit have ripened she goes wrong, emotionally and spiritually. There’s a time with a normal woman when love and maternity are – well, the next thing. Not with every woman of course. But pretty certainly with the woman who reaches that time, refuses marriage, and then is forced to admit that her life isn’t working out. Peter has coined the word for what that woman becomes – a better word than he himself knows… she’s a truffler.”

She was gazing at him. “Henry,” she cried, “what has struck you? Where’s that humorous balance of yours?”

“I’m in earnest, Sue.”

“Yes, I see. But why on earth – ”

“Because I want you to marry – ”

It was at this moment that the Worm’s small courage fled utterly out of his inexperienced heart. And his tongue, as if to play a saturnine trick on that heart, repeated the phrase, unexpectedly to what was left of his brain, with an emphatic downward emphasis that closed the discussion.

“I want you to marry,” he said.

A sudden moisture came to Sue’s eyes, and much of the old frankness as she surveyed him.

“Henry,” she said then, “you are wonderful, coming at me like this, as if you cared – ”

“I do care – ”

“I know. I feel it. Just when I thought friends were – well…” She did not finish this, but sat erect, pushed her teacup aside and gazed at him with something of the old alertness in the green-brown eyes. There was sudden color in her cheeks. “Henry, you’ve roused me – just when I thought no one could. I’ve got to think… You go away. You don’t mind, do you? Just let me be alone. I’ve felt lately as if I was losing – my mind, my will, my perceptions – something. And, Henry – wait!” For he had risen, with a blank face, and was looking for his hat.

“Wait – did Peter leave you his itinerary?”

The Worm felt in his pockets and produced it.

“He sent me one, but I tore it up.” She laughed a little, then colored with a nervous suddenness; and walked after him to the door. “You’ve always had the faculty of rousing me, Henry, and steadying me. To-day you’ve stirred me more than you could possibly know. I don’t know what will come of it – I’m dreadfully; confused – but I can at least try to think it out.”

That was all – all but a few commonplace phrases at the doer.

“Oh,” said he, with a touch of awkwardness, “I meant to tell you that I’ve made a change myself.”

“You?” Again her eyes, recalled to him, ran over his new clothes.

“I start work to-morrow, on The Evening Courier.”

“Oh, Henry, I’m glad. Good luck! It ought to be interesting.”

“At least,” said he heavily, “it will be a slight contact with reality,” and hurried away.

CHAPTER XVII – ENTER GRACE DERRING

THE TRUFFLER opened at Albany. Before ten o’clock of that first evening even the author knew that-something was wrong with the second act.

The company wandered across New York State into Pennsylvania; Peter, by day and night, rewriting that unhappy act. The famous producer, Max Neuerman, fat but tireless, called endless rehearsals. There was hot coffee at one a. m., more hot coffee at five A. m., but it was never so hot as the scalding tears of the leading lady, Miss Trevelyan, who couldn’t, to save her, make Peter’s lines come real.

‘There were, also, dingy Eagle Houses and Hotel Lincolns where soggy food was hurled at you in thick dishes by strong-armed waitresses.

Finally, Neuerman himself dictated a new scene that proved worse than any of Peter’s. The publicity man submitted a new second-act curtain. The stage manager said that you couldn’t blame Miss Trevelyan; she was an emotional actress, and should not be asked to convey the restraint of ironic comedy – in which belief he rewrote the act himself.

By this time, the second act had lost whatever threads of connecting interest it may have had with the first and third; so Neuerman suggested that Peter do those over. Peter began this – locked up over Sunday in a hotel room.

Then Neuerman made this announcement:

“Well – got one more string to my bow. Trevelyan can’t do your play, and she’s not good enough to swing it on personality. We’re going to try some one that can.”

“Who, for instance?” muttered Peter weakly.

“Grace Derring.”

We have spoken of Grace Derring. It was not a year since that tumultuous affair had brought Peter to the brink of self-destruction. And that not because of any coldness between them. Not exactly. You see – well, life gets complicated at times. You are not to think harshly of Peter; for your city bachelor does not inhabit a vacuum. There have usually been – well, episodes. Nor are you to feel surprise that Peter’s face, in the space of a moment, assumed an appearance of something near helpless pain.

So Grace Herring was to be whirled back into his life – caught up out of the nowhere, just as his devotion to Sue had touched exalted heights!

The voice of the fat manager was humming in his ears.

“She made good for us in The Buzzard. Of course her work in The Gold Heart has put her price up. But she has the personality. I guess we’ve got to pay her.”

Peter started to protest, quite blindly. Then, telling himself that he was too tired to think (which was true), he subsided.

“Can you get her?” he asked cautiously.

“She’s due here at five-thirty.”

Peter slipped away. Neuerman had acted without consulting him. It seemed to him that he should be angry. But he was merely dazed.

He walked the streets, a solitary, rather elegant figure, conspicuously a New Yorker, swinging his stick savagely and occasionally muttering to himself. He roved out to the open country. Maple buds were sprouting. New grass was pushing upward into the soft air. The robins were singing. But there were neither buds nor robins in Peter’s heart. He decided to be friendly with Grace, but reserved.

It was nearly six when he entered the barnlike office of the hotel, his eyes on the floor, full of himself. Then he saw her, registering at the desk.

He had stopped short. He could not very well turn and go out. She might see him.. And he was not afraid.

She did see him. He raised his hat, Their hands met – he extremely dignified, she smiling a very little.

“Well, Peter!”

“You’re looking well, Grace.”

“Am I?”

They moved, tacitly, into the adjoining parlor and stood by the window.

“I thought – ” he began.

“What did you think, Peter?” Then, before he could reply, she went on to say: “I’ve been working through the Middle West. Closed in Cincinnati last week.”

“Had a hard season?”

“Hard – yes.” She glanced down at a large envelope held under her arm. “Mr. Neuerman sent your play. I’ve just read it – on the train.”

“Oh, you’ve read it?”

“Yes.” Again that hint of a smile. Peter’s eyes wandered about the room. “It’s funny,” she murmured.

“What’s funny?” said he severely.

“I was thinking of this play.” She took it out of the envelope and rapidly turned the typewritten pages. “So bachelor women are – what you call ‘trufflers,’ Peter!”

“It is quite impersonal, Grace.”

“Oh, of course – a work of art – ”

Not clear what that twisted little smile of hers meant, he kept silent.

“Oh, Peter!” she said then, and left him. Everything considered, he felt that he had handled it rather well.

This was Tuesday. It was arranged that Miss Derring should make her first appearance Thursday night. Meantime, she was to get up her part and watch the play closely with the idea of possible suggestions. Peter kept austerely aloof, working day and night on the revision of Acts I and III. Neuerman and Miss Derring consulted together a good deal. On Thursday, Peter caught them at the luncheon table, deep in a heap of scribbled sheets of paper that appeared to be in Grace’s large hand.

They urged him to join them, but he shook his head. He did agree, however, to sit through the rehearsal, later in the afternoon.

Thus it was that he found himself seated next to Grace in one of the rear rows of a dim empty theater, all but lost in the shadows under the balcony. Neuerman left them, and hurried down to the stage to pull his jaded company together.

It seemed to Peter that they were very close, he and Grace, there in the shadow. He could feel her sleeve against his arm. He wished Neuerman would come back.

Unexpectedly to himself, Peter started nervously. His hat slipped from his knees. He caught it. His hand brushed Grace’s skirt, then her hand. Slowly their fingers interlocked.

They sat there, minute after minute, without a sound, her fingers tight in his. Then, suddenly, he threw an arm about her shoulders and tried to kiss her. With a quick little rustle, she pressed him back.

“Don’t,” she whispered. “Not here.”