The Trufflers

He wondered if her heart was jumping as his was.

Surely the electric thrill of this meeting, here among heaps of scenery and properties, must have touched her, too. He could not believe that it began and ended with himself. There was magic in the occasion, such magic as an individual rarely generates alone. But if it touched her, she gave no outward sign. To Zanin’s casual, “Oh, you know each other,” she responded with a quite matter-of-fact smile and nod.

They went out into the audience, and up an aisle to seats in the rear of the hall – Betty first, then Sue and Peter, then Hy.

Peter felt the thrill again in walking just behind her, aware through his very nerve-rips of her grace and charm of movement. When he stood aside to let her pass on to her seat her sleeve brushed his arm; and the arm, his body, his brain, tingled and flamed.

Zanin joined them after the last play and led them to a basement restaurant near the Square. Hy paired off with Betty and made progress. But then, Betty was evidently more Hy’s sort than Sue was.

In the restaurant, Peter, silent, gloomy, watched his chance for a word aside with Sue. When it came, he said: “I’m very glad you told me to come.”

“You liked it then?”

“I liked you.”

This appeared to silence her.

“You have distinction Your performance was really interesting.”

“I’m glad you think that.”

“In some ways you are the most gifted girl I have ever seen. Listen! I must see you again.”

She smiled.

“Let’s have a bite together one of these evenings – at the Parisian or Jim’s. I want to talk with you.”

“That would be pleasant,” said she, after a moment’s hesitation.

“To-morrow evening, perhaps?” Peter suggested.

The question was not answered; for in some way the talk became general just then. Later Peter was sure that Sue herself had a hand in making it general.

Zanin turned suddenly to Peter. He was a big young man, with a strong if peasant-like face and a look of keenness about the eyes. There was exuberant force in the man, over which his Village manner of sophisticated casualness toward all things lay like the thinnest of veneers.

“Well,” he said, “what do you think of Sue here?”

Peter repeated his impressions with enthusiasm.

“We’re going to do big things with her,” said Zanin. “Big things. You wait. Any Street is just a beginning.” And then an impetuous eagerness rushing up in him, his topic shifted from Sue to himself. With a turbulent, passionate egotism he recounted his early difficulties in America, his struggles with the language, heart-breaking summers as a book agent, newspaper jobs in middle-western cities, theatrical press work from Coast to Coast, his plunge into the battle for a higher standard of theatrical art and the resulting fight, most desperate of his life thus far, to attract attention to the Crossroads Theater and widen its influence.

Zarin was vehement now. Words poured in a torrent from his lips. He talked straight at you, gesturing, with a light in his eye and veiled power in his slightly husky voice. Peter felt this power, and something not unlike a hatred of the man took sudden root within him.

“You will think me foolish to give my strength to this struggle. Like you, I know these Americans. You can tell me nothing about them. Oh, I have seen them, lived with them – in the city, in the small village, on the farm. I know that they are ignorant of Art, that they do not care.” He snapped his big fingers. “Vaudeville, baseball, the girl show, the comic supplement, the moving picture – that is what they like! Yet year after year, I go on fighting for the barest recognition. They do not understand. They do not care. They believe in money, comfort, conformity – above all conformity. They are fools. But I know them, I tell you! And I know that they will listen to me yet! I have shown them that I can fight for my ideals. Before we are through I shall show them that I can beat them at their own game. They shall see that I mean business. I shall show them their God Success in his full majesty… And publicity? They are children. When I have finished they – the best of them – will come to me for kindergarten lessons in publicity. I’m hoping to talk with you about it, Mann, I can interest you. I wouldn’t bring it to you unless I knew I could interest you.”

He turned toward Sue. “And this girl shall help me. She has the talent, the courage, the breeding. She will surprise the best of them. They will find her pure gold.”

Hushed with his own enthusiasm, he dropped his hand over one of Sue’s; took hers up in both of his and moved her slender fingers about as he might have played absently with a handkerchief or a curtain string.

Hy, across the table, took this in; and noted too the swift, hot expression that flitted across Peter’s face and the sudden set to his mouth.

Sue, alter a moment, quietly withdrew her hand. But she did not flush, as Betty had flushed in somewhat similar circumstances a few hours earlier.

Peter laid his hands on the table; pushed back his chair; and, lips compressed, got up.

“Oh,” cried Zanin – “not going?”

“I must,” Peter replied, slowly, coldly. “I have work to do. It has been very pleasant. Good night.”

And out he went.

Hy, after some hesitation, followed.

Peter did not speak until they were nearly across the Square. Then he remembered —

“The Walrus asked you where she was, did he?”

“He sure did.”

“Worried about her, I suppose!”

“He’s worried, all right.”

“Humph!” said Peter.

He said nothing more. At the rooms, He partly undressed in silence. Now and again his long face worked in mute expression of conflicting emotions within. Suddenly he stopped undressing and went into the studio (he slept in there, on the couch) and sat by the window, peering out at the sights of the Square.

Hy watched him curiously; then called out a good night, turned off the gas and tumbled into bed. His final remark, the cheery observation – “I’ll tell you this much, my son. Friend Betty is some pippin!” drew forth no response.

CHAPTER IV – A LITTLE JOURNEY IN PARANOIA

HALF an hour later Peter tiptoed over and closed the door. Then he sat down at his typewriter, removed the paper he had left in it, put in a new sheet and struck off a word.

He sat still, then, in a sweat. The noise of the keys fell on his tense ears like the crackling thunder of a machine gun.

He took the paper out and tore it into minute pieces.

He got another sheet, sat down at the desk and wrote a few hurried sentences in longhand.

He sealed it in an envelope, glancing nervously about the room; addressed it; and found a stamp in the desk.

Then he tiptoed down the room, softly opened the door and listened.

Hy was snoring.

He stole into the bedroom, found his clothes in the dark and deliberately dressed, clear to overcoat and hat. He slipped out into the corridor, rang for the elevator and went out across the Square to the mail box. There was a box in the hall down-stairs; but he had found it impossible to post that letter before the eyes of John, the night man.

For a moment he stood motionless, one hand gripping the box, the other holding the letter in air – a statue of a man.

Then he saw a sauntering policeman, shivered, dropped the letter in and almost ran home.

Peter had done the one thing that he himself, twelve hours earlier, would have regarded as utterly impossible.

He had sent an anonymous letter.

It was addressed to the Reverend Hubbell Harkness

Wilde, Scripture House, New York. It conveyed to that vigorous if pietistic gentleman the information that he would find his daughter, on the following evening, Saturday, performing on the stage of the Crossroads Theater, Tenth Street, near Fourth: with the added hint that it might not, even yet be too late to save her.

And Peter, all in a tremor now, knew that he meant to be at the Crossroads Theater himself to see this little drama of surprises come off.

The fact developed when Hy came back from the office on Saturday that he was meditating a return engagement with his new friend Betty. “The subject was mentioned,” he explained, rather self-consciously, to Peter.

The Worm came in then and heard Hy speak of Any Street.

“Oh,” he observed, “that piece of Zanin’s! I’ve meant to see it. You fellows going to-night? I’ll join you.”

So the three Seventh-Story Men ate at the Parisian and set forth for their little adventure; Peter and Hy each with his own set of motives locked up in his breast, the Worm with no motives in particular.

Peter smoked a cigar; the Worm his pipe; and Hy, as always, a cigarette. All carried sticks.

Peter walked in the middle; his face rather drawn; peeking out ahead.

Hy swung his stick; joked about this and that; offered an experimentally humorous eye to every young woman that passed.

The Worm wore the old gray suit that he could not remember to keep pressed, soft black hat, flowing tie, no overcoat. A side pocket bulged with a paper-covered book in the Russian tongue. He had an odd way of walking, the Worm, throwing his right leg out and around and toeing in with his right foot.

As they neared the little theater, Peter’s pulse beat a tattoo against his temples. What if old Wilde hadn’t received the letter! If he had, would he come! If he came, what would happen?

He came.

Peter and the Worm were standing near the inner entrance, Waiting for Hy, who, cigarette drooping from his nether lip, stood in the me at the ticket window.

Suddenly a man appeared – a stranger, from the casually curious glances he drew – elbowing in through the group in the outer doorway and made straight for the young poet who was taking tickets.

Peter did not see him at first. Then the Worm nudged his elbow and whispered – “Good God, it’s the Walrus!”

Peter wheeled about. He had met the man only once or twice, a year back; now he took him in – a big man, heavy in the shoulders and neck, past middle age, with a wide thin orator’s mouth surrounded by deep lines. He had a big hooked nose (a strong nose!) and striking vivid eyes of a pale green color. They struck you, those eyes, with their light hard surface. There were strips of whiskers on each cheek, narrow and close-clipped, tinged with gray. His clothes, overcoat and hat were black; his collar a low turnover; his tie a loosely knotted white bow.

He made an oddly dramatic figure in that easy, merry Bohemian setting; a specter from an old forgotten world of Puritanism.

The intruder addressed the young poet at the door in a low but determined voice.

“I wish to see Miss Susan Wilde.”

“I’m afraid you can’t now, sir. She will be in costume by this time.”

“In costume, eh?” Doctor Wilde was frowning. And the poet eyed him with cool suspicion.

“Yes, she is in the first play.”

Still the big man frowned and compressed that wide mobile mouth. Peter, all alert., sniffing out the copy trail, noted that he was nervously clasping his hands.

Now Doctor Wilde spoke, with a sudden ring in his voice that gave a fleeting hint of inner suppressions. “Will you kindly send word to Miss Wilde that her father is here and must see her at once?”

The poet, surprised, sent the message.

Peter heard a door open, down by the stage. He pressed forward, peering eagerly. A ripple of curiosity and friendly interest ran through that part of the audience that was already seated. A young man called, “What’s your hurry, Sue?” and there was laughter.

Then he saw her, coming lightly, swiftly up the side aisle; in the boy costume – the knickerbockers, the torn stockings, the old coat and ragged hat, the tom shirt, open at the neck. She seemed hardly to hear the noise. Her lips were compressed, and Peter suddenly saw that she in her fresh young way looked not unlike the big man at the door, the nervously intent man who stood waiting for her with a scowl that wavered into an expression of utter unbelief as his eyes took in her costume.

Hy came up just then with the tickets, and Peter hurried in after Doctor Wilde; then let Hy and the Worm move on without him to their seats, lingering shamelessly. His little drama was on. He had announced that he would vivisect this girl!

He studied her. But she saw nothing but the big gray man there with the deeply lined face and the pale eyes – her father! Peter noted now that she had her make-up on; an odd effect around those deep blazing eyes.

Then the two were talking – low, tense. Some late comers crowded in, chatting and laughing. Peter edged closer.

“But you shouldn’t have come here like this,” he heard her saying. “It isn’t fair!”

“I am not here to argue. Once more, will you put on your proper clothes and come home with me?”

“No, I will not.”

“You have no shame then – appearing like this?”

“No – none.”

“And the publicity means nothing to you?”

“You are causing it by coming here.”

“It is nothing to you that your actions are a public scandal?” With which he handed her a folded paper.

She did not look at it; crumpled in in her hand.

“You feel, then, no concern for the position you put me in?”

Doctor Wilde was raising his voice.

The girl broke out with – “Listen, father! I came out here to meet you and stop this thing, settle it, once and for all. It is the best way. I will not go with you. I have my own life to live, You must not try to speak to me again!”

She turned away, her eyes darkly alight in her printed face, her slim body quivering.

“Sue! Wait!”

Wilde’s voice had been trembling with anger; now, Peter thought, it was suddenly near to breaking. He reached out one uncertain hand. And a wave of sympathy for the man flooded Peter’s thoughts. “This is where their ‘freedom,’ their ‘self-expression’ leads them,” he thought bitterly. Egotism! Selfishness! Spiritual anarchy! It was all summed up, that revolt, in the girl’s outrageous costume as she stood there before that older man, a minister, her own father!

She caught the new note in her father’s voice, hesitated the merest instant, but then went straight down the aisle, lips tight, eyes aflame, seeing and hearing nothing.

The stage door opened. She ran up the steps, and Peter caught a glimpse of the hulking Zanin reaching out with a familiar hand to take her arm and draw her within… He turned back in time to see Doctor Wilde, beaten, walking rapidly out to the street, and the poet at the door looking after him with an expression of sheer uncomprehending irritation on his keen young face. “There you have it again!” thought Peter. “There you have the bachelor girl – and her friends!”

While he was thus indulging his emotions, the curtain went up on Zanin’s little play.

He stood there near the door, trying to listen. He was too excited to sit down. Turbulent emotions were rioting within him, making consecutive thought impossible. He caught bits of Zanin’s rough dialogue. He saw Sue make her entrance, heard the shout of delighted approval that greeted her, the prolonged applause, the cries of “Bully for you, Sue!”… “You’re all right, Sue!”

Then Peter plunged out the door and walked feverishly about the Village streets. He stopped at a saloon and had a drink.

But the Crossroads Theater fascinated him. He drifted back there and looked in. The first play was over. Hy was in a dim corner of the lobby, talking confidentially with Betty Deane.

Then Sue came out with the Worm, of all persons, at her elbow. So he had managed to meet her, too? She wore her street dress and looked amazingly calm.

Peter dodged around the corner. “The way to get on with women,” he reflected savagely, “is to have no feelings, no capacity for emotion, be perfectly cold blooded!”

He walked up to Fourteenth Street and dropped aimlessly into a moving-picture show.

Toward eleven he went back to Tenth Street. He even ran a little, breathlessly, for fear he might be too late, too late for what, he did not know.

But he was not. Glancing in at the door, he saw Sue, with Betty, Hy, the Worm, Zanin and a few others.

Hurriedly, on an impulse, he found an envelope in his pocket, tore off the back, and scribbled, in pencil —

“May I walk back with you? I want vary much to talk with you. If you could slip away from these people.”

He went in then, grave and dignified, bowing rather stiffly. Sue appeared not to see him.

He moved to her side and spoke low. She did not reply.

The blood came rushing to Peter’s face. Anger stirred. He slipped the folded envelope into her hand. It was some satisfaction that she had either to take it or let them all see it drop. She took it; but Still ignored him. Her intent to snub him was clear now, even to the bewildered Peter.

He mumbled something, he did not know what, and rushed away as erratically as he had come. What had he wanted to say to her, anyway!

At the corner he turned and came part way back, slowly and uncertainly. But what he saw checked him. The Worm was talking apart with her now. And she was looking up into his face with an expression of pleased interest, frankly smiling. While Peter watched, the two moved off along the street.

Peter walked the streets, in a fever of spirit. One o’clock found him out on the high curve of the Williamsburg bridge where he could lean on the railing and look down on the river with its colored splashes of light or up and across at the myriad twinkling towers of the great city.

“I’ll use her!” he muttered. “She is fair game, I tell you! She will find yet that she must listen to me!” And turning about on the deserted bridge, Peter clenched his fist and shook it at the great still city on the island.

“You will all listen to me yet!” he cried aloud. “Yes, you will – you’ll listen!”

CHAPTER V – PETER TREADS THE HEIGHTS

HE walked rapidly back to the rooms. For his bachelor girl play was swiftly, like magic, working itself out all new in his mind, actually taking form from moment to moment, arranging and rearranging itself nearer and nearer to a complete dramatic story. The big scene was fairly tumbling into form. He saw it as clearly as if it were being enacted before his eyes… Father and daughter – the two generations; the solid Old, the experimental selfish New.

He could see that typical bachelor girl, too. If she looked like Sue Wilde that didn’t matter. He would teach her a lesson she would never forget – this “modern” girl who forgets all her parents have done in giving and developing her life and thinks only of her own selfish freedom. It should be like an outcry from the old hearthstone.

And he saw the picture as only a nerve-racked, soul-weary bachelor can see it. There were pleasant lawns in Peter’s ideal home and crackling fireplaces and merry children and smiling perfect parents – no problems, excepting that one of the unfilial child.

Boys had to strike out, of course. But the girl should either marry or stay at home. He was certain about this.

On those who did neither – on the bachelor girls, with their “freedom,” their “truth,” their cigarettes, their repudiation of all responsibility – on these he would pour the scorn of his genius. Sue Wilde, who so plainly thought him uninteresting, should be his target.

He would write straight at her, every minute, and a world should hear him!

In the dark corridor, on the apartment door, a dim square of white caught his eye – the Worm’s little placard. An inner voice whispered to light a match and read it again. He did so. For he was all inner voices now.

There it was:

DO NOT FEED OR ANNOYBOLBOCERAS AMERICANUS MULSHABITAT HERE!

He studied it while his match burned out. He knit his brows, puzzled, groping after blind thoughts, little moles of thoughts deep in dark burrows.

He let himself in. The others were asleep.

The Worm, in his odd humors, never lacked point or meaning. The placard meant something, of course… something that Peter could use…

The Worm had been reading – that rather fat book lying even now on the arm of the Morris ‘chair It was Fabre, on Insect Life.

He snatched it up and turned the pages. He sought the index for that word. There it was – Bolbuceras, page 225. Back then to page 225!

He read:

“… a pretty little black beetle, with a pale, velvety abdomen… Its official title is Bulbuceras Gallicus Muls.”

He looked up, in perplexity. This was hardly self-explanatory. He read on. The bolboceras, it began to appear, was a hunter of truffles. Truffles it would, must have. It would eat no common food but wandered about sniffing out its vegetable prey in the sandy soil and digging for each separate morsel, then moving on in its quest. It made no permanent home for itself.

Peter raised his eyes and stared at the bookcase in the corner. Very slowly a light crept into his eyes, an excited smile came to the corners of his mouth. There was matter here! And Peter, like Homer, felt no hesitation about taking his own where he found it.

He read on, a description of the burrows as explored by the hand of the scientist:

“Often the insect will be found at the bottom of its burrow; sometimes a male, sometimes a female, but always alone. The two sexes work apart without collaboration. This is no family mansion for the rearing of offspring; it is a temporary dwelling, made by each insect for its own benefit.”

Peter laid the book down almost reverently and stood gazing out the window at the Square. He quite forgot to consider what the Worm had been thinking of when he printed out the little placard and tacked it on the door. He could see it only as a perfect characterization of the bachelor girls. Every one of those girls and women was a Bolboceras, a confirmed seeker of pleasures and delicacies in the sober game of life, utterly self-indulgent, going it alone – a truffle hunter.

He would call his play, The Bolboceras.

But no. “Buyers from Shreveport would fumble it,” he thought, shrewdly practical. “You’ve got to use words of one syllable on Broadway.”

He paced the room – back and forth, back and forth. The Truffle-Hunter, perhaps.

Pretty good, that!

But no – wait! He stood motionless in the middle of the long room, eyes staring, the muscles of his face strained out of shape, hands clenched tightly..He was about to create a new thing.

“The Truffler!”

The words burst from his lips; so loud that he tiptoed to the door and listened.

“The Truffler,” he repeated. “The Trifler– no The Truffler.”

He was riding high, far above all worldly irritations, tolerant even toward the little person, Sue Wilde, who had momentarily annoyed him.

“I had to be stirred,” he thought, “that was all. Something had to happen to rouse me and set my creative self working. New people had to come into my life to freshen me. It did happen; they did come, and now I an myself again. I shall not have time for them now, these selfish bachelor women and there self-styled Jew geniuses. But still I am grateful to them all. They have helped me.”

He dropped into the chair by the desk, pulled out his manuscript from a drawer and fell to work. It was five in the morning before he crept into bed.

Four days later, his eyes sunken perceptibly, face drawn, color off, Peter sat for two hours within a cramped disorderly office, reading aloud to a Broadway theatrical manager who wore his hat tipped down over his eyes, kept his feet on the mahogany desk, smoked panatelas end on end and who, like Peter, was deeply conservative where women were concerned.

At five-thirty on this same afternoon, Peter, triumphant, acting on a wholly unconsidered impulse, rushed around the corner of Broadway and Forty-second Street and into the telephone room of a glittering hotel. He found Betty Deane’s name in the telephone book, and called up the apartment.

A feminine voice sounded in his ear. He thought it was Sue Wilde.

It was Sue Wilde.

He asked if she could not dine with him.

There was a long silence at the other end of the wire.

“Are you there?” he called anxiously. “Hello! Hello!”

“Yes, I’m here,” came the voice. “You rather surprised me, Mr. Mann. I have an engagement for this evening.”

“Oh, then I can’t see you!”

“I have an engagement.”

He tried desperately to think up conversation; but failed.