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Rhoda Fleming - Complete
Rhoda Fleming - Complete

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Rhoda Fleming - Complete

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Titel: Rhoda Fleming — Complete

von Oliver Goldsmith, Samuel Pepys, William Dean Howells, John Burroughs, William Harmon Norton, L. Mühlbach, Franklin Knight Lane, Walter Pater, Jonathan Swift, Augusta J. Evans, Trumbull White, Kathleen Thompson Norris, Matthew Arnold, Charles W. Colby, Shakespeare, James Fenimore Cooper, D. H. Lawrence, James Joyce, Ada Cambridge, Philip E. Muskett, Catherine Helen Spence, Rolf Boldrewood, Ernest Scott, Fergus Hume, H. G. Wells, Victor [pseud.] Appleton, Roald Amundsen, Max Simon Nordau, Henry David Thoreau, E. Phillips Oppenheim, Richard Wagner, Franz Liszt, Charlotte Mary Yonge, Charles Henry Eden, Charles Babbage, T. R. Malthus, Unknown, Joseph Ernest Morris, Robert Southey, Isabella L. Bird, Charles James Fox, Thomas Hariot, Cyrus Thomas, Bart Haley, Christopher Morley, Edgar Saltus, Marie Corelli, Edmund Lester Pearson, Robert Browning, John Aubrey, Benjamin Nathaniel Bogue, John McElroy, John Galsworthy, Henry James, Hamilton Wright Mabie, Mina Benson Hubbard, Elizabeth Cleghorn Gaskell, John Keble, Henry Lindlahr, Richard Henry Dana, Annie Wood Besant, Immanuel Kant, John Habberton, Baron Edward John Moreton Drax Plunkett Dunsany, T. B. Ray, Isabel Ecclestone Mackay, Frank C. Haddock, William John Locke, baron Arthur Léon Imbert de Saint-Amand, Ralph Centennius, United States, Library of Congress. Copyright Office, James Otis, George Hartmann, Sir Arthur Conan Doyle, George Gissing, John Henry Tilden, Thomas Wright, Frederick Samuel Dellenbaugh, Anonymous, J. Clontz, David Hume, Margot Asquith, Elmer Ulysses Hoenshel, Byron J. Rees, Lida B. McMurry, Georges Duhamel, Ramsay Muir, Edith Wharton, Charles Sturt, Lola Ridge, J. M. Stone, Annie Payson Call, Grant Allen, kniaz Petr Alekseevich Kropotkin, Steve Solomon, Isabel Moser, Aleksandr Sergeevich Pushkin, Horace W. C. Newte, Charles Darwin, Maurice Maeterlinck, Walter Bagehot, Henri Bergson, George Randolph Chester, John S. C. Abbott, L. Frank Baum, William T. Sherman, Philip Henry Sheridan, Friedrich Wilhelm Nietzsche, Ambrose Bierce, Ulysses S. Grant, F. Scott Fitzgerald, Alfred Lichtenstein, Abbot of Nogent-sous-Coucy Guibert, Nellie L. McClung, Alice Caldwell Hegan Rice, E. Nesbit, Henri Barbusse, J. M. Synge, Frank Norris, Louis Hémon, Henry Van Dyke, Thomas Guthrie Marquis, Susanna Moodie, Frank Bigelow Tarbell, René Descartes, Kirk Munroe, Francis Hopkinson Smith, Edna St. Vincent Millay, Talbot Mundy, George Meredith

ISBN 978-3-7429-4284-5

Alle Rechte vorbehalten.

Es ist ohne vorherige schriftliche Erlaubnis nicht gestattet, dieses Werk im Ganzen oder in Teilen zu vervielfältigen oder zu veröffentlichen.


RHODA FLEMING, Complete


By George Meredith



Contents

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI CHAPTER XXXII CHAPTER XXXIII CHAPTER XXXIV CHAPTER XXXV CHAPTER XXXVI CHAPTER XXXVII CHAPTER XXXVIII CHAPTER XXXIX CHAPTER XI CHAPTER XLI CHAPTER XLII CHAPTER XLIII CHAPTER XLIV CHAPTER XLV CHAPTER XLVI CHAPTER XLVII CHAPTER XLVIII I. THE KENTISH FAMILY II. QUEEN ANNE'S FARM III. SUGGESTS THE MIGHT OF THE MONEY DEMON IV. THE TEXT FROM SCRIPTURE V. THE SISTERS MEET VI. EDWARD AND ALGERNON VII. GREAT NEWS FROM DAHLIA VIII. INTRODUCES MRS. LOVELL IX. ROBERT INTERVENES X. DAHLIA IS NOT VISIBLE XI. AN INDICATIVE DUET IN A MINOR KEY XII. AT THE THEATRE. XIII. THE FARMER SPEAKS XIV. BETWEEN RHODA AND ROBERT XI. A VISIT TO WREXBY HALL XII. AT FAIRLY PARK XVII. A YEOMAN OF THE OLD BREED XVIII. AN ASSEMBLY AT THE PILOT INN XIX. ROBERT SMITTEN LOW XX. MRS. LOVELL SHOWS A TAME BRUTE XXI. GIVES A GLIMPSE OF WHAT POOR VILLANIES THE STORY CONTAINS XXII. EDWARD TAKES HIS COURSE XXIII. MAJOR PERCY WARING XXIV. WARBEACH VILLAGE CHURCH XXV. OF THE FEARFUL TEMPTATION WHICH CAME UPON ANTHONY HACKBUT XXVI. IN THE PARK XXVII. CONTAINS A STUDY OF A FOOL IN TROUBLE XXVIII. EDWARD'S LETTER XXIX. FURTHERMORE OF THE FOOL XXX. THE EXPIATION XXXI. THE MELTING OF THE THOUSAND XXXII. LA QUESTION D'ARGENT XXXIII. EDWARD'S RETURN XXXIV. FATHER AND SON XXXV. THE NIGHT BEFORE XXXVI. EDWARD MEETS HIS MATCH XXXVII. EDWARD TRIES HIS ELOQUENCE XXXVIII. TOO LATE XXXIX. DAHLIA GOES HOME XL. A FREAK OF THE MONEY-DEMON, THAT MAY HAVE BEEN ANTICIPATED XLI. DAHLIA'S FRENZY XLII. ANTHONY IN A COLLAPSE XLIII. RHODA PLEDGES HER HAND XLIV. THE ENEMY APPEARS XLV. THE FARMER IS AWAKENED XLVI. WHEN THE NIGHT IS DARKEST XLVII. DAWN IS NEAR XLVIII. CONCLUSION

CHAPTER I

Remains of our good yeomanry blood will be found in Kent, developing stiff, solid, unobtrusive men, and very personable women. The distinction survives there between Kentish women and women of Kent, as a true South-eastern dame will let you know, if it is her fortune to belong to that favoured portion of the county where the great battle was fought, in which the gentler sex performed manful work, but on what luckless heads we hear not; and when garrulous tradition is discreet, the severe historic Muse declines to hazard a guess. Saxon, one would presume, since it is thought something to have broken them.

My plain story is of two Kentish damsels, and runs from a home of flowers into regions where flowers are few and sickly, on to where the flowers which breathe sweet breath have been proved in mortal fire.

Mrs. Fleming, of Queen Anne's Farm, was the wife of a yeoman-farmer of the county. Both were of sound Kentish extraction, albeit varieties of the breed. The farm had its name from a tradition, common to many other farmhouses within a circuit of the metropolis, that the ante-Hanoverian lady had used the place in her day as a nursery-hospital for the royal little ones. It was a square three-storied building of red brick, much beaten and stained by the weather, with an ivied side, up which the ivy grew stoutly, topping the roof in triumphant lumps. The house could hardly be termed picturesque. Its aspect had struck many eyes as being very much that of a red-coat sentinel grenadier, battered with service, and standing firmly enough, though not at ease. Surrounding it was a high wall, built partly of flint and partly of brick, and ringed all over with grey lichen and brown spots of bearded moss, that bore witness to the touch of many winds and rains. Tufts of pale grass, and gilliflowers, and travelling stone-crop, hung from the wall, and driblets of ivy ran broadening to the outer ground. The royal Arms were said to have surmounted the great iron gateway; but they had vanished, either with the family, or at the indications of an approaching rust. Rust defiled its bars; but, when you looked through them, the splendour of an unrivalled garden gave vivid signs of youth, and of the taste of an orderly, laborious, and cunning hand.

The garden was under Mrs. Fleming's charge. The joy of her love for it was written on its lustrous beds, as poets write. She had the poetic passion for flowers. Perhaps her taste may now seem questionable. She cherished the old-fashioned delight in tulips; the house was reached on a gravel-path between rows of tulips, rich with one natural blush, or freaked by art. She liked a bulk of colour; and when the dahlia dawned upon our gardens, she gave her heart to dahlias. By good desert, the fervent woman gained a prize at a flower-show for one of her dahlias, and `Dahlia' was the name uttered at the christening of her eldest daughter, at which all Wrexby parish laughed as long as the joke could last. There was laughter also when Mrs. Fleming's second daughter received the name of 'Rhoda;' but it did not endure for so long a space, as it was known that she had taken more to the solitary and reflective reading of her Bible, and to thoughts upon flowers eternal. Country people are not inclined to tolerate the display of a passion for anything. They find it as intrusive and exasperating as is, in the midst of larger congregations, what we call genius. For some years, Mrs. Fleming's proceedings were simply a theme for gossips, and her vanity was openly pardoned, until that delusively prosperous appearance which her labour lent to the house, was worn through by the enforced confession of there being poverty in the household. The ragged elbow was then projected in the face of Wrexby in a manner to preclude it from a sober appreciation of the fairness of the face.

Critically, moreover, her admission of great poppy-heads into her garden was objected to. She would squander her care on poppies, and she had been heard to say that, while she lived, her children should be fully fed. The encouragement of flaunting weeds in a decent garden was indicative of a moral twist that the expressed resolution to supply her table with plentiful nourishment, no matter whence it came, or how provided, sufficiently confirmed. The reason with which she was stated to have fortified her stern resolve was of the irritating order, right in the abstract, and utterly unprincipled in the application. She said, `Good bread, and good beef, and enough of both, make good blood; and my children shall be stout.' This is such a thing as maybe announced by foreign princesses and rulers over serfs; but English Wrexby, in cogitative mood, demanded an equivalent for its beef and divers economies consumed by the hungry children of the authoritative woman. Practically it was obedient, for it had got the habit of supplying her. Though payment was long in arrear, the arrears were not treated as lost ones by Mrs. Fleming, who, without knowing it, possessed one main secret for mastering the custodians of credit. She had a considerate remembrance and regard for the most distant of her debts, so that she seemed to be only always a little late, and exceptionally wrongheaded in theory. Wrexby, therefore, acquiesced in helping to build up her children to stoutness, and but for the blindness of all people, save artists, poets, novelists, to the grandeur of their own creations, the inhabitants of this Kentish village might have had an enjoyable pride in the beauty and robust grace of the young girls,—fair-haired, black-haired girls, a kindred contrast, like fire and smoke, to look upon. In stature, in bearing, and in expression, they were, if I may adopt the eloquent modern manner of eulogy, strikingly above their class. They carried erect shoulders, like creatures not ashamed of showing a merely animal pride, which is never quite apart from the pride of developed beauty. They were as upright as Oriental girls, whose heads are nobly poised from carrying the pitcher to the well. Dark Rhoda might have passed for Rachel, and Dahlia called her Rachel. They tossed one another their mutual compliments, drawn from the chief book of their reading. Queen of Sheba was Dahlia's title. No master of callisthenics could have set them up better than their mother's receipt for making good blood, combined with a certain harmony of their systems, had done; nor could a schoolmistress have taught them correcter speaking. The characteristic of girls having a disposition to rise, is to be cravingly mimetic; and they remembered, and crooned over, till by degrees they adopted the phrases and manner of speech of highly grammatical people, such as the rector and his lady, and of people in story-books, especially of the courtly French fairy-books, wherein the princes talk in periods as sweetly rounded as are their silken calves; nothing less than angelically, so as to be a model to ordinary men.

The idea of love upon the lips of ordinary men, provoked Dahlia's irony; and the youths of Wrexby and Fenhurst had no chance against her secret Prince Florizels. Them she endowed with no pastoral qualities; on the contrary, she conceived that such pure young gentlemen were only to be seen, and perhaps met, in the great and mystic City of London. Naturally, the girls dreamed of London. To educate themselves, they copied out whole pages of a book called the `Field of Mars,' which was next to the family Bible in size among the volumes of the farmer's small library. The deeds of the heroes of this book, and the talk of the fairy princes, were assimilated in their minds; and as they looked around them upon millers', farmers', maltsters', and tradesmen's sons, the thought of what manner of youth would propose to marry them became a precocious tribulation. Rhoda, at the age of fifteen, was distracted by it, owing to her sister's habit of masking her own dismal internal forebodings on the subject, under the guise of a settled anxiety concerning her sad chance.

In dress, the wife of the rector of Wrexby was their model. There came once to Squire Blancove's unoccupied pew a dazzling vision of a fair lady. They heard that she was a cousin of his third wife, and a widow, Mrs. Lovell by name. They looked at her all through the service, and the lady certainly looked at them in return; nor could they, with any distinctness, imagine why, but the look dwelt long in their hearts, and often afterward, when Dahlia, upon taking her seat in church, shut her eyes, according to custom, she strove to conjure up the image of herself, as she had appeared to the beautiful woman in the dress of grey-shot silk, with violet mantle and green bonnet, rose-trimmed; and the picture she conceived was the one she knew herself by, for many ensuing years.

Mrs. Fleming fought her battle with a heart worthy of her countrywomen, and with as much success as the burden of a despondent husband would allow to her. William John Fleming was simply a poor farmer, for whom the wheels of the world went too fast:—a big man, appearing to be difficult to kill, though deeply smitten. His cheeks bloomed in spite of lines and stains, and his large, quietly dilated, brown ox-eyes, that never gave out a meaning, seldom showed as if they had taken one from what they saw. Until his wife was lost to him, he believed that he had a mighty grievance against her; but as he was not wordy, and was by nature kind, it was her comfort to die and not to know it. This grievance was rooted in the idea that she was ruinously extravagant. The sight of the plentiful table was sore to him; the hungry mouths, though he grudged to his offspring nothing that he could pay for, were an afflicting prospect. "Plump 'em up, and make 'em dainty," he advanced in contravention of his wife's talk of bread and beef.

But he did not complain. If it came to an argument, the farmer sidled into a secure corner of prophecy, and bade his wife to see what would come of having dainty children. He could not deny that bread and beef made blood, and were cheaper than the port-wine which doctors were in the habit of ordering for this and that delicate person in the neighbourhood; so he was compelled to have recourse to secret discontent. The attention, the time, and the trifles of money shed upon the flower garden, were hardships easier to bear. He liked flowers, and he liked to hear the praise of his wife's horticultural skill. The garden was a distinguishing thing to the farm, and when on a Sunday he walked home from church among full June roses, he felt the odour of them to be so like his imagined sensations of prosperity, that the deception was worth its cost. Yet the garden in its bloom revived a cruel blow. His wife had once wounded his vanity. The massed vanity of a silent man, when it does take a wound, desires a giant's vengeance; but as one can scarcely seek to enjoy that monstrous gratification when one's wife is the offender, the farmer escaped from his dilemma by going apart into a turnip-field, and swearing, with his fist outstretched, never to forget it. His wife had asked him, seeing that the garden flourished and the farm decayed, to yield the labour of the farm to the garden; in fact, to turn nurseryman under his wife's direction. The woman could not see that her garden drained the farm already, distracted the farm, and most evidently impoverished him. She could not understand, that in permitting her, while he sweated fruitlessly, to give herself up to the occupation of a lady, he had followed the promptings of his native kindness, and certainly not of his native wisdom. That she should deem herself `best man' of the two, and suggest his stamping his name to such an opinion before the world, was an outrage.

Mrs. Fleming was failing in health. On that plea, with the solemnity suited to the autumn of her allotted days, she persuaded her husband to advertise for an assistant, who would pay a small sum of money to learn sound farming, and hear arguments in favour of the Corn Laws. To please her, he threw seven shillings away upon an advertisement, and laughed when the advertisement was answered, remarking that he doubted much whether good would come of dealings with strangers. A young man, calling himself Robert Armstrong, underwent a presentation to the family. He paid the stipulated sum, and was soon enrolled as one of them. He was of a guardsman's height and a cricketer's suppleness, a drinker of water, and apparently the victim of a dislike of his species; for he spoke of the great night-lighted city with a horror that did not seem to be an estimable point in him, as judged by a pair of damsels for whom the mysterious metropolis flew with fiery fringes through dark space, in their dreams.

In other respects, the stranger was well thought of, as being handsome and sedate. He talked fondly of one friend that he had, an officer in the army, which was considered pardonably vain. He did not reach to the ideal of his sex which had been formed by the sisters; but Mrs. Fleming, trusting to her divination of his sex's character, whispered a mother's word about him to her husband a little while before her death.

It was her prayer to heaven that she might save a doctor's bill. She died, without lingering illness, in her own beloved month of June; the roses of her tending at the open window, and a soft breath floating up to her from the garden. On the foregoing May-day, she had sat on the green that fronted the iron gateway, when Dahlia and Rhoda dressed the children of the village in garlands, and crowned the fairest little one queen of May: a sight that revived in Mrs. Fleming's recollection the time of her own eldest and fairest taking homage, shy in her white smock and light thick curls. The gathering was large, and the day was of the old nature of May, before tyrannous Eastwinds had captured it and spoiled its consecration. The mill-stream of the neighbouring mill ran blue among the broad green pastures; the air smelt of cream-bowls and wheaten loaves; the firs on the beacon-ridge, far southward, over Fenhurst and Helm villages, were transported nearer to see the show, and stood like friends anxious to renew acquaintance. Dahlia and Rhoda taught the children to perceive how they resembled bent old beggar-men. The two stone-pines in the miller's grounds were likened by them to Adam and Eve turning away from the blaze of Paradise; and the saying of one receptive child, that they had nothing but hair on, made the illustration undying both to Dahlia and Rhoda.

The magic of the weather brought numerous butterflies afield, and one fiddler, to whose tuning the little women danced; others closer upon womanhood would have danced likewise, if the sisters had taken partners; but Dahlia was restrained by the sudden consciousness that she was under the immediate observation of two manifestly London gentlemen, and she declined to be led forth by Robert Armstrong. The intruders were youths of good countenance, known to be the son and the nephew of Squire Blancove of Wrexby Hall. They remained for some time watching the scene, and destroyed Dahlia's single-mindedness. Like many days of gaiety, the Gods consenting, this one had its human shadow. There appeared on the borders of the festivity a young woman, the daughter of a Wrexby cottager, who had left her home and but lately returned to it, with a spotted name. No one addressed her, and she stood humbly apart. Dahlia, seeing that every one moved away from her, whispering with satisfied noddings, wished to draw her in among the groups. She mentioned the name of Mary Burt to her father, supposing that so kind a man would not fail to sanction her going up to the neglected young woman. To her surprise, her father became violently enraged, and uttered a stern prohibition, speaking a word that stained her cheeks. Rhoda was by her side, and she wilfully, without asking leave, went straight over to Mary, and stood with her under the shadow of the Adam and Eve, until the farmer sent a messenger to say that he was about to enter the house. Her punishment for the act of sinfulness was a week of severe silence; and the farmer would have kept her to it longer, but for her mother's ominously growing weakness. The sisters were strangely overclouded by this incident. They could not fathom the meaning of their father's unkindness, coarseness, and indignation. Why, and why? they asked one another, blankly. The Scriptures were harsh in one part, but was the teaching to continue so after the Atonement? By degrees they came to reflect, and not in a mild spirit, that the kindest of men can be cruel, and will forget their Christianity toward offending and repentant women.




CHAPTER II

Mrs. Fleming had a brother in London, who had run away from his Kentish home when a small boy, and found refuge at a Bank. The position of Anthony Hackbut in that celebrated establishment, and the degree of influence exercised by him there, were things unknown; but he had stuck to the Bank for a great number of years, and he had once confessed to his sister that he was not a beggar. Upon these joint facts the farmer speculated, deducing from them that a man in a London Bank, holding money of his own, must have learnt the ways of turning it over—farming golden ground, as it were; consequently, that amount must now have increased to a very considerable sum. You ask, What amount? But one who sits brooding upon a pair of facts for years, with the imperturbable gravity of creation upon chaos, will be as successful in evoking the concrete from the abstract. The farmer saw round figures among the possessions of the family, and he assisted mentally in this money-turning of Anthony's, counted his gains for him, disposed his risks, and eyed the pile of visionary gold with an interest so remote, that he was almost correct in calling it disinterested. The brothers-in-law had a mutual plea of expense that kept them separate. When Anthony refused, on petition, to advance one hundred pounds to the farmer, there was ill blood to divide them. Queen Anne's Farm missed the flourishing point by one hundred pounds exactly. With that addition to its exchequer, it would have made head against its old enemy, Taxation, and started rejuvenescent. But the Radicals were in power to legislate and crush agriculture, and "I've got a miser for my brother-in-law," said the farmer. Alas! the hundred pounds to back him, he could have sowed what he pleased, and when it pleased him, partially defying the capricious clouds and their treasures, and playing tunefully upon his land, his own land. Instead of which, and while too keenly aware that the one hundred would have made excesses in any direction tributary to his pocket, the poor man groaned at continuous falls of moisture, and when rain was prayed for in church, he had to be down on his knees, praying heartily with the rest of the congregation. It was done, and bitter reproaches were cast upon Anthony for the enforced necessity to do it.

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