Lucretia — Complete

“I have been looking over them pretty often,” said he, meaningly: “they have talked of nothing but the game.” Lucretia lifted her head, and glanced round with her furtive eye; the boy divined the search, and with a scarce perceptible gesture pointed her attention to Mainwaring’s retreat. Her vivid smile passed over her lips as she bowed slightly to her lover, and then, withdrawing the hand which Gabriel had taken in his own, she moved on, passed Vernon with a commonplace word or two, and was soon exchanging greetings with the gay merry-makers in the farther part of the room. A few minutes afterwards, the servants entered, the tea-table was removed, chairs were thrust back, a single lady of a certain age volunteered her services at the piano, and dancing began within the ample space which the arch fenced off from the whist-players. Vernon had watched his opportunity, and at the first sound of the piano had gained Lucretia’s side, and with grave politeness pre-engaged her hand for the opening dance.

At that day, though it is not so very long ago, gentlemen were not ashamed to dance, and to dance well; it was no languid saunter through a quadrille; it was fair, deliberate, skilful dancing amongst the courtly,—free, bounding movement amongst the gay.

Vernon, as might be expected, was the most admired performer of the evening; but he was thinking very little of the notice he at last excited, he was employing such ingenuity as his experience of life supplied to the deficiencies of a very imperfect education, limited to the little flogged into him at Eton, in deciphering the character and getting at the heart of his fair partner.

“I wonder you do not make Sir Miles take you to London, my cousin, if you will allow me to call you so. You ought to have been presented.”

“I have no wish to go to London yet.”

“Yet!” said Mr. Vernon, with the somewhat fade gallantry of his day; “beauty even like yours has little time to spare.”

“Hands across, hands across!” cried Mr. Ardworth.

“And,” continued Mr. Vernon, as soon as a pause was permitted to him, “there is a song which the prince sings, written by some sensible old-fashioned fellow, which says,—

“‘Gather your rosebuds while you may, For time is still a flying.”’

“You have obeyed the moral of the song yourself, I believe, Mr. Vernon.”

“Call me cousin, or Charles,—Charley, if you like, as most of my friends do; nobody ever calls me Mr. Vernon,—I don’t know myself by that name.”

“Down the middle; we are all waiting for you,” shouted Ardworth.

And down the middle, with wondrous grace, glided the exquisite nankeens of Charley Vernon.

The dance now, thanks to Ardworth, became too animated and riotous to allow more than a few broken monosyllables till Vernon and his partner gained the end of the set, and then, flirting his partner’s fan, he recommenced,—

“Seriously, my cousin, you must sometimes feel very much moped here.”

“Never!” answered Lucretia. Not once yet had her eye rested on Mr. Vernon. She felt that she was sounded.

“Yet I am sure you have a taste for the pomps and vanities. Aha! there is ambition under those careless curls,” said Mr. Vernon, with his easy, adorable impertinence.

Lucretia winced.

“But if I were ambitious, what field for ambition could I find in London?”

“The same as Alexander,—empire, my cousin.”

“You forget that I am not a man. Man, indeed, may hope for an empire. It is something to be a Pitt, or even a Warren Hastings.”

Mr. Vernon stared. Was this stupidity, or what?

“A woman has an empire more undisputed than Mr. Pitt’s, and more pitiless than that of Governor Hastings.”

“Oh, pardon me, Mr. Vernon—”

“Charles, if you please.”

Lucretia’s brow darkened.

“Pardon me,” she repeated; “but these compliments, if such they are meant to be, meet a very ungrateful return. A woman’s empire over gauzes and ribbons, over tea-tables and drums, over fops and coquettes, is not worth a journey from Laughton to London.”

“You think you can despise admiration?”

“What you mean by admiration,—yes.”

“And love too?” said Vernon, in a whisper.

Now Lucretia at once and abruptly raised her eyes to her partner. Was he aiming at her secret? Was he hinting at intentions of his own? The look chilled Vernon, and he turned away his head.

Suddenly, then, in pursuance of a new train of ideas, Lucretia altered her manner to him. She had detected what before she had surmised. This sudden familiarity on his part arose from notions her uncle had instilled,—the visitor had been incited to become the suitor. Her penetration into character, which from childhood had been her passionate study, told her that on that light, polished, fearless nature scorn would have slight effect; to meet the familiarity would be the best means to secure a friend, to disarm a wooer. She changed then her manner; she summoned up her extraordinary craft; she accepted the intimacy held out to her, not to unguard herself, but to lay open her opponent. It became necessary to her to know this man, to have such power as the knowledge might give her. Insensibly and gradually she led her companion away from his design of approaching her own secrets or character, into frank talk about himself. All unconsciously he began to lay bare to his listener the infirmities of his erring, open heart. Silently she looked down, and plumbed them all,—the frivolity, the recklessness, the half gay, half mournful sense of waste and ruin. There, blooming amongst the wrecks, she saw the fairest flowers of noble manhood profuse and fragrant still,—generosity and courage and disregard for self. Spendthrift and gambler on one side the medal; gentleman and soldier on the other. Beside this maimed and imperfect nature she measured her own prepared and profound intellect, and as she listened, her smile became more bland and frequent. She could afford to be gracious; she felt superiority, scorn, and safety.

As this seeming intimacy had matured, Vernon and his partner had quitted the dance, and were conversing apart in the recess of one of the windows, which the newspaper readers had deserted, in the part of the room where Sir Miles and Dalibard, still seated, were about to commence their third game at chess. The baronet’s hand ceased from the task of arranging his pawns; his eye was upon the pair; and then, after a long and complacent gaze, it looked round without discovering the object it sought.

“I am about to task your kindness most improperly, Monsieur Dalibard,” said Sir Miles, with that politeness so displeasing to Ardworth, “but will you do me the favour to move aside that fold of the screen? I wish for a better view of our young people. Thank you very much.”

Sir Miles now discovered Mainwaring, and observed that, far from regarding with self-betraying jealousy the apparent flirtation going on between Lucretia and her kinsman, he was engaged in animated conversation with the chairman of the quarter sessions. Sir Miles was satisfied, and ranged his pawns. All this time, and indeed ever since they had sat down to play, the Provencal had been waiting, with the patience that belonged to his character, for some observation from Sir Miles on the subject which, his sagacity perceived, was engrossing his thoughts. There had been about the old gentleman a fidgety restlessness which showed that something was on his mind. His eyes had been frequently turned towards his niece since her entrance; once or twice he had cleared his throat and hemmed,—his usual prelude to some more important communication; and Dalibard had heard him muttering to himself, and fancied he caught the name of “Mainwaring.” And indeed the baronet had been repeatedly on the verge of sounding his secretary, and as often had been checked both by pride in himself and pride for Lucretia. It seemed to him beneath his own dignity and hers even to hint to an inferior a fear, a doubt, of the heiress of Laughton. Olivier Dalibard could easily have led on his patron, he could easily, if he pleased it, have dropped words to instil suspicion and prompt question; but that was not his object,—he rather shunned than courted any reference to himself upon the matter; for he knew that Lucretia, if she could suppose that he, however indirectly, had betrayed her to her uncle, would at once declare his own suit to her, and so procure his immediate dismissal; while, aware of her powers of dissimulation and her influence over her uncle, he feared that a single word from her would suffice to remove all suspicion in Sir Miles, however ingeniously implanted, and however truthfully grounded. But all the while, under his apparent calm, his mind was busy and his passions burning.

“Pshaw! your old play,—the bishop again,” said Sir Miles, laughing, as he moved a knight to frustrate his adversary’s supposed plan; and then, turning back, he once more contemplated the growing familiarity between Vernon and his niece. This time he could not contain his pleasure. “Dalibard, my dear sir,” he said, rubbing his hands, “look yonder: they would make a handsome couple!”

“Who, sir?” said the Provencal, looking another way, with dogged stupidity.

“Who? Damn it, man! Nay, pray forgive my ill manners, but I felt glad, sir, and proud, sir. Who? Charley Vernon and Lucretia Clavering.”

“Assuredly, yes. Do you think that there is a chance of so happy an event?”

“Why, it depends only on Lucretia; I shall never force her.” Here Sir Miles stopped, for Gabriel, unperceived before, picked up his patron’s pocket-handkerchief.

Olivier Dalibard’s gray eyes rested coldly on his son. “You are not dancing to-night, my boy. Go; I like to see you amused.”

The boy obeyed at once, as he always did, the paternal commands. He found a partner, and joined a dance just begun; and in the midst of the dance, Honore Gabriel Varney seemed a new being,—not Ardworth himself so thoroughly entered into the enjoyment of the exercise, the lights, the music. With brilliant eyes and dilated nostrils, he seemed prematurely to feel all that is exciting and voluptuous in that exhilaration which to childhood is usually so innocent. His glances followed the fairest form; his clasp lingered in the softest hand; his voice trembled as the warm breath of his partner came on his cheeks.

Meanwhile the conversation between the chess-players continued.

“Yes,” said the baronet, “it depends only on Lucretia. And she seems pleased with Vernon: who would not be?”

“Your penetration rarely deceives you, sir. I own I think with you. Does Mr. Vernon know that you would permit the alliance?”

“Yes; but—” the baronet stopped short.

“You were saying, but—But what, Sir Miles?”

“Why, the dog affected diffidence; he had some fear lest he should not win her affections. But luckily, at least, they are disengaged.”

Dalibard looked grave, and his eye, as if involuntarily, glanced towards Mainwaring. As ill-luck would have it, the young man had then ceased his conversation with the chairman of the quarter sessions, and with arms folded, brow contracted, and looks, earnest, anxious, and intent, was contemplating the whispered conference between Lucretia and Vernon.

Sir Miles’s eye had followed his secretary’s, and his face changed. His hand fell on the chess board and upset half the men; he uttered a very audible “Zounds!”

“I think, Sir Miles,” said the Provencal, rising, as if conscious that Sir Miles wished to play no more,—“I think that if you spoke soon to Miss Clavering as to your views with regard to Mr. Vernon, it might ripen matters; for I have heard it said by French mothers—and our Frenchwomen understand the female heart, sir—that a girl having no other affection is often prepossessed at once in favour of a man whom she knows beforehand is prepared to woo and to win her, whereas without that knowledge he would have seemed but an ordinary acquaintance.”

“It is shrewdly said, my dear Monsieur Dalibard; and for more reasons than one, the sooner I speak to her the better. Lend me your arm. It is time for supper; I see the dance is over.”

Passing by the place where Mainwaring still leaned, the baronet looked at him fixedly. The young man did not notice the gaze. Sir Miles touched him gently. He started as from a revery.

“You have not danced, Mr. Mainwaring.”

“I dance so seldom, Sir Miles,” said Mainwaring, colouring.

“Ah! you employ your head more than your heels, young gentleman,—very right; I must speak to you to-morrow. Well, ladies, I hope you have enjoyed yourselves? My dear Mrs. Vesey, you and I are old friends, you know; many a minuet we have danced together, eh? We can’t dance now, but we can walk arm-in-arm together still. Honour me. And your little grandson—vaccinated, eh? Wonderful invention! To supper, ladies, to supper!”

The company were gone. The lights were out,—all save the lights of heaven; and they came bright and still through the casements. Moonbeam and Starbeam, they seemed now to have the old house to themselves. In came the rays, brighter and longer and bolder, like fairies that march, rank upon rank, into their kingdom of solitude. Down the oak stairs, from the casements, blazoned with heraldry, moved the rays, creepingly, fearfully. On the armour in the hall clustered the rays boldly and brightly, till the steel shone out like a mirror. In the library, long and low, they just entered, stopped short: it was no place for their play. In the drawing-room, now deserted, they were more curious and adventurous. Through the large window, still open, they came in freely and archly, as if to spy what had caused such disorder; the stiff chairs out of place, the smooth floor despoiled of its carpet, that flower dropped on the ground, that scarf forgotten on the table,—the rays lingered upon them all. Up and down through the house, from the base to the roof, roved the children of the air, and found but two spirits awake amidst the slumber of the rest.

In that tower to the east, in the tapestry chamber with the large gilded bed in the recess, came the rays, tamed and wan, as if scared by the grosser light on the table. By that table sat a girl, her brow leaning on one hand; in the other she held a rose,—it is a love-token: exchanged with its sister rose, by stealth, in mute sign of reproach for doubt excited,—an assurance and a reconciliation. A love-token!—shrink not, ye rays; there is something akin to you in love. But see,—the hand closes convulsively on the flower; it hides it not in the breast; it lifts it not to the lip: it throws it passionately aside. “How long!” muttered the girl, impetuously,—“how long! And to think that will here cannot shorten an hour!” Then she rose, and walked to and fro, and each time she gained a certain niche in the chamber she paused, and then irresolutely passed on again. What is in that niche? Only books. What can books teach thee, pale girl? The step treads firmer; this time it halts more resolved. The hand that clasped the flower takes down a volume. The girl sits again before the light. See, O rays! what is the volume? Moon and Starbeam, ye love what lovers read by the lamp in the loneliness. No love-ditty this; no yet holier lesson to patience, and moral to hope. What hast thou, young girl, strong in health and rich in years, with the lore of the leech,—with prognostics and symptoms and diseases? She is tracing with hard eyes the signs that precede the grim enemy in his most sudden approach,—the habits that invite him, the warnings that he gives. He whose wealth shall make her free has twice had the visiting shock; he starves not, he lives frae! She closes the volume, and, musing, metes him out the hours and days he has to live. Shrink back, ye rays! The love is disenhallowed; while the hand was on the rose, the thought was on the charnel.

Yonder, in the opposite tower, in the small casement near the roof, came the rays. Childhood is asleep. Moon and Starbeam, ye love the slumbers of the child! The door opens, a dark figure steals noiselessly in. The father comes to look on the sleep of his son. Holy tenderness, if this be all! “Gabriel, wake!” said a low, stern voice, and a rough hand shook the sleeper.

The sharpest test of those nerves upon which depends the mere animal courage is to be roused suddenly, in the depth of night, by a violent hand. The impulse of Gabriel, thus startled, was neither of timidity nor surprise. It was that of some Spartan boy not new to danger; with a slight cry and a fierce spring, the son’s hand clutched at the father’s throat. Dalibard shook him off with an effort, and a smile, half in approval, half in irony, played by the moonlight over his lips.

“Blood will out, young tiger,” said he. “Hush, and hear me!”

“Is it you, Father?” said Gabriel. “I thought, I dreamed—”

“No matter; think, dream always that man should be prepared for defence from peril!”

“Gabriel,” and the pale scholar seated himself on the bed, “turn your face to mine,—nearer; let the moon fall on it; lift your eyes; look at me—so! Are you not playing false to me? Are you not Lucretia’s spy, while you are pretending to be mine? It is so; your eye betrays you. Now, heed me; you have a mind beyond your years. Do you love best the miserable garret in London, the hard fare and squalid dress, or your lodgment here, the sense of luxury, the sight of splendour, the atmosphere of wealth? You have the choice before you.”

“I choose, as you would have me, then,” said the boy, “the last.”

“I believe you. Attend! You do not love me,—that is natural; you are the son of Clara Varney! You have supposed that in loving Lucretia Clavering you might vex or thwart me, you scarce knew how; and Lucretia Clavering has gold and gifts and soft words and promises to bribe withal. I now tell you openly my plan with regard to this girl: it is my aim to marry her; to be master of this house and these lands. If I succeed, you share them with me. By betraying me, word or look, to Lucretia, you frustrate this aim; you plot against our rise and to our ruin. Deem not that you could escape my fall; if I am driven hence,—as you might drive me,—you share my fate; and mark me, you are delivered up to my revenge! You cease to be my son,—you are my foe. Child! you know me.”

The boy, bold as he was, shuddered; but after a pause so brief that a breath scarce passed between his silence and his words, he replied with emphasis,—

“Father, you have read my heart. I have been persuaded by Lucretia (for she bewitches me) to watch you,—at least, when you are with Sir Miles. I knew that this was mixed up with Mr. Mainwaring. Now that you have made me understand your own views, I will be true to you,—true without threats.”

The father looked hard on him, and seemed satisfied with the gaze. “Remember, at least, that your future rests upon your truth; that is no threat,—that is a thought of hope. Now sleep or muse on it.” He dropped the curtain which his hand had drawn aside, and stole from the room as noiselessly as he had entered. The boy slept no more. Deceit and cupidity and corrupt ambition were at work in his brain. Shrink back, Moon and Starbeam! On that child’s brow play the demons who had followed the father’s step to his bed of sleep.

Back to his own room, close at hand, crept Olivier Dalibard. The walls were lined with books,—many in language and deep in lore. Moon and Starbeam, ye love the midnight solitude of the scholar! The Provencal stole to the casement, and looked forth. All was serene,—breathless trees and gleaming sculpture and whitened sward, girdled by the mass of shadow. Of what thought the man? Not of the present loveliness which the scene gave to his eye, nor of the future mysteries which the stars should whisper to the soul. Gloomily over a stormy and a hideous past roved the memory, stored with fraud and foul with crime,—plan upon plan, schemed with ruthless wisdom, followed up by remorseless daring, and yet all now a ruin and a blank; an intellect at war with good, and the good had conquered! But the conviction neither touched the conscience nor enlightened the reason; he felt, it is true, a moody sense of impotence, but it brought rage, not despondency. It was not that he submitted to Good as too powerful to oppose, but that he deemed he had not yet gained all the mastery over the arsenal of Evil. And evil he called it not. Good and evil to him were but subordinate genii at the command of Mind; they were the slaves of the lamp. But had he got at the true secret of the lamp itself? “How is it,” he thought, as he turned impatiently from the casement, “that I am baffled here where my fortunes seemed most assured? Here the mind has been of my own training, and prepared by nature to my hand; here all opportunity has smiled. And suddenly the merest commonplace in the vulgar lives of mortals,—an unlooked-for rival; rival, too, of the mould I had taught her to despise; one of the stock gallants of a comedy, no character but youth and fair looks,—yea, the lover of the stage starts up, and the fabric of years is overthrown.” As he thus mused, he placed his hand upon a small box on one of the tables. “Yet within this,” resumed his soliloquy, and he struck the lid, that gave back a dull sound,—“within this I hold the keys of life and death! Fool! the power does not reach to the heart, except to still it. Verily and indeed were the old heathens mistaken? Are there no philters to change the current of desire? But touch one chord in a girl’s affection, and all the rest is mine, all, all, lands, station, power, all the rest are in the opening of this lid!”

Hide in the cloud, O Moon! shrink back, ye Stars! send not your holy, pure, and trouble-lulling light to the countenance blanched and livid with the thoughts of murder.

CHAPTER III. CONFERENCES

The next day Sir Miles did not appear at breakfast,—not that he was unwell, but that he meditated holding certain audiences, and on such occasions the good old gentleman liked to prepare himself. He belonged to a school in which, amidst much that was hearty and convivial, there was much also that nowadays would seem stiff and formal, contrasting the other school immediately succeeding him, which Mr. Vernon represented, and of which the Charles Surface of Sheridan is a faithful and admirable type. The room that Sir Miles appropriated to himself was, properly speaking, the state apartment, called, in the old inventories, “King James’s chamber;” it was on the first floor, communicating with the picture-gallery, which at the farther end opened upon a corridor admitting to the principal bedrooms. As Sir Miles cared nothing for holiday state, he had unscrupulously taken his cubiculum in this chamber, which was really the handsomest in the house, except the banquet-hall, placed his bed in one angle with a huge screen before it, filled up the space with his Italian antiquities and curiosities; and fixed his favourite pictures on the faded gilt leather panelled on the walls. His main motive in this was the communication with the adjoining gallery, which, when the weather was unfavourable, furnished ample room for his habitual walk. He knew how many strides by the help of his crutch made a mile, and this was convenient. Moreover, he liked to look, when alone, on those old portraits of his ancestors, which he had religiously conserved in their places, preferring to thrust his Florentine and Venetian masterpieces into bedrooms and parlours, rather than to dislodge from the gallery the stiff ruffs, doublets, and farthingales of his predecessors. It was whispered in the house that the baronet, whenever he had to reprove a tenant or lecture a dependant, took care to have him brought to his sanctum, through the full length of this gallery, so that the victim might be duly prepared and awed by the imposing effect of so stately a journey, and the grave faces of all the generations of St. John, which could not fail to impress him with the dignity of the family, and alarm him at the prospect of the injured frown of its representative. Across this gallery now, following the steps of the powdered valet, strode young Ardworth, staring now and then at some portrait more than usually grim, more often wondering why his boots, that never creaked before, should creak on those particular boards, and feeling a quiet curiosity, without the least mixture of fear or awe as to what old Squaretoes intended to say to him. But all feeling of irreverence ceased when, shown into the baronet’s room, and the door closed, Sir Miles rose with a smile, and cordially shaking his hand, said, dropping the punctilious courtesy of Mister: “Ardworth, sir, if I had a little prejudice against you before you came, you have conquered it. You are a fine, manly, spirited fellow, sir; and you have an old man’s good wishes,—which are no bad beginning to a young man’s good fortune.”