The Europeans

“What is Schreckenstein?” asked Acton.

“It is a great castle,—the summer residence of the Reigning Prince.”

“Have you ever lived there?”

“I have stayed there,” said the Baroness. Acton was silent; he looked a while at the uncastled landscape before him. “It is the first time you have ever asked me about Silberstadt,” she said. “I should think you would want to know about my marriage; it must seem to you very strange.”

Acton looked at her a moment. “Now you wouldn’t like me to say that!”

“You Americans have such odd ways!” the Baroness declared. “You never ask anything outright; there seem to be so many things you can’t talk about.”

“We Americans are very polite,” said Acton, whose national consciousness had been complicated by a residence in foreign lands, and who yet disliked to hear Americans abused. “We don’t like to tread upon people’s toes,” he said. “But I should like very much to hear about your marriage. Now tell me how it came about.”

“The Prince fell in love with me,” replied the Baroness simply. “He pressed his suit very hard. At first he didn’t wish me to marry him; on the contrary. But on that basis I refused to listen to him. So he offered me marriage—in so far as he might. I was young, and I confess I was rather flattered. But if it were to be done again now, I certainly should not accept him.”

“How long ago was this?” asked Acton.

“Oh—several years,” said Eugenia. “You should never ask a woman for dates.”

“Why, I should think that when a woman was relating history “ Acton answered. “And now he wants to break it off?”

“They want him to make a political marriage. It is his brother’s idea. His brother is very clever.”

“They must be a precious pair!” cried Robert Acton.

The Baroness gave a little philosophic shrug. “Que voulez-vous? They are princes. They think they are treating me very well. Silberstadt is a perfectly despotic little state, and the Reigning Prince may annul the marriage by a stroke of his pen. But he has promised me, nevertheless, not to do so without my formal consent.”

“And this you have refused?”

“Hitherto. It is an indignity, and I have wished at least to make it difficult for them. But I have a little document in my writing-desk which I have only to sign and send back to the Prince.”

“Then it will be all over?”

The Baroness lifted her hand, and dropped it again. “Of course I shall keep my title; at least, I shall be at liberty to keep it if I choose. And I suppose I shall keep it. One must have a name. And I shall keep my pension. It is very small—it is wretchedly small; but it is what I live on.”

“And you have only to sign that paper?” Acton asked.

The Baroness looked at him a moment. “Do you urge it?”

He got up slowly, and stood with his hands in his pockets. “What do you gain by not doing it?”

“I am supposed to gain this advantage—that if I delay, or temporize, the Prince may come back to me, may make a stand against his brother. He is very fond of me, and his brother has pushed him only little by little.”

“If he were to come back to you,” said Acton, “would you—would you take him back?”

The Baroness met his eyes; she colored just a little. Then she rose. “I should have the satisfaction of saying, ‘Now it is my turn. I break with your Serene Highness!’”

They began to walk toward the carriage. “Well,” said Robert Acton, “it’s a curious story! How did you make his acquaintance?”

“I was staying with an old lady—an old Countess—in Dresden. She had been a friend of my father’s. My father was dead; I was very much alone. My brother was wandering about the world in a theatrical troupe.”

“Your brother ought to have stayed with you,” Acton observed, “and kept you from putting your trust in princes.”

The Baroness was silent a moment, and then, “He did what he could,” she said. “He sent me money. The old Countess encouraged the Prince; she was even pressing. It seems to me,” Madame Münster added, gently, “that—under the circumstances—I behaved very well.”

Acton glanced at her, and made the observation—he had made it before—that a woman looks the prettier for having unfolded her wrongs or her sufferings. “Well,” he reflected, audibly, “I should like to see you send his Serene Highness—somewhere!”

Madame Münster stooped and plucked a daisy from the grass. “And not sign my renunciation?”

“Well, I don’t know—I don’t know,” said Acton.

“In one case I should have my revenge; in another case I should have my liberty.”

Acton gave a little laugh as he helped her into the carriage. “At any rate,” he said, “take good care of that paper.”

A couple of days afterward he asked her to come and see his house. The visit had already been proposed, but it had been put off in consequence of his mother’s illness. She was a constant invalid, and she had passed these recent years, very patiently, in a great flowered arm-chair at her bedroom window. Lately, for some days, she had been unable to see anyone; but now she was better, and she sent the Baroness a very civil message. Acton had wished their visitor to come to dinner; but Madame Münster preferred to begin with a simple call. She had reflected that if she should go to dinner Mr. Wentworth and his daughters would also be asked, and it had seemed to her that the peculiar character of the occasion would be best preserved in a tête-à-tête with her host. Why the occasion should have a peculiar character she explained to no one. As far as anyone could see, it was simply very pleasant. Acton came for her and drove her to his door, an operation which was rapidly performed. His house the Baroness mentally pronounced a very good one; more articulately, she declared that it was enchanting. It was large and square and painted brown; it stood in a well-kept shrubbery, and was approached, from the gate, by a short drive. It was, moreover, a much more modern dwelling than Mr. Wentworth’s, and was more redundantly upholstered and expensively ornamented. The Baroness perceived that her entertainer had analyzed material comfort to a sufficiently fine point. And then he possessed the most delightful chinoiseries—trophies of his sojourn in the Celestial Empire: pagodas of ebony and cabinets of ivory; sculptured monsters, grinning and leering on chimney-pieces, in front of beautifully figured hand-screens; porcelain dinner-sets, gleaming behind the glass doors of mahogany buffets; large screens, in corners, covered with tense silk and embroidered with mandarins and dragons. These things were scattered all over the house, and they gave Eugenia a pretext for a complete domiciliary visit. She liked it, she enjoyed it; she thought it a very nice place. It had a mixture of the homely and the liberal, and though it was almost a museum, the large, little-used rooms were as fresh and clean as a well-kept dairy. Lizzie Acton told her that she dusted all the pagodas and other curiosities every day with her own hands; and the Baroness answered that she was evidently a household fairy. Lizzie had not at all the look of a young lady who dusted things; she wore such pretty dresses and had such delicate fingers that it was difficult to imagine her immersed in sordid cares. She came to meet Madame Münster on her arrival, but she said nothing, or almost nothing, and the Baroness again reflected—she had had occasion to do so before—that American girls had no manners. She disliked this little American girl, and she was quite prepared to learn that she had failed to commend herself to Miss Acton. Lizzie struck her as positive and explicit almost to pertness; and the idea of her combining the apparent incongruities of a taste for housework and the wearing of fresh, Parisian-looking dresses suggested the possession of a dangerous energy. It was a source of irritation to the Baroness that in this country it should seem to matter whether a little girl were a trifle less or a trifle more of a nonentity; for Eugenia had hitherto been conscious of no moral pressure as regards the appreciation of diminutive virgins. It was perhaps an indication of Lizzie’s pertness that she very soon retired and left the Baroness on her brother’s hands. Acton talked a great deal about his chinoiseries; he knew a good deal about porcelain and bric-à-brac. The Baroness, in her progress through the house, made, as it were, a great many stations. She sat down everywhere, confessed to being a little tired, and asked about the various objects with a curious mixture of alertness and inattention. If there had been anyone to say it to she would have declared that she was positively in love with her host; but she could hardly make this declaration—even in the strictest confidence—to Acton himself. It gave her, nevertheless, a pleasure that had some of the charm of unwontedness to feel, with that admirable keenness with which she was capable of feeling things, that he had a disposition without any edges; that even his humorous irony always expanded toward the point. One’s impression of his honesty was almost like carrying a bunch of flowers; the perfume was most agreeable, but they were occasionally an inconvenience. One could trust him, at any rate, round all the corners of the world; and, withal, he was not absolutely simple, which would have been excess; he was only relatively simple, which was quite enough for the Baroness.

Lizzie reappeared to say that her mother would now be happy to receive Madame Münster; and the Baroness followed her to Mrs. Acton’s apartment. Eugenia reflected, as she went, that it was not the affectation of impertinence that made her dislike this young lady, for on that ground she could easily have beaten her. It was not an aspiration on the girl’s part to rivalry, but a kind of laughing, childishly-mocking indifference to the results of comparison. Mrs. Acton was an emaciated, sweet-faced woman of five and fifty, sitting with pillows behind her, and looking out on a clump of hemlocks. She was very modest, very timid, and very ill; she made Eugenia feel grateful that she herself was not like that—neither so ill, nor, possibly, so modest. On a chair, beside her, lay a volume of Emerson’s Essays. It was a great occasion for poor Mrs. Acton, in her helpless condition, to be confronted with a clever foreign lady, who had more manner than any lady—any dozen ladies—that she had ever seen.

“I have heard a great deal about you,” she said, softly, to the Baroness.

“From your son, eh?” Eugenia asked. “He has talked to me immensely of you. Oh, he talks of you as you would like,” the Baroness declared; “as such a son must talk of such a mother!”

Mrs. Acton sat gazing; this was part of Madame Münster’s “manner.” But Robert Acton was gazing too, in vivid consciousness that he had barely mentioned his mother to their brilliant guest. He never talked of this still maternal presence,—a presence refined to such delicacy that it had almost resolved itself, with him, simply into the subjective emotion of gratitude. And Acton rarely talked of his emotions. The Baroness turned her smile toward him, and she instantly felt that she had been observed to be fibbing. She had struck a false note. But who were these people to whom such fibbing was not pleasing? If they were annoyed, the Baroness was equally so; and after the exchange of a few civil inquiries and low-voiced responses she took leave of Mrs. Acton. She begged Robert not to come home with her; she would get into the carriage alone; she preferred that. This was imperious, and she thought he looked disappointed. While she stood before the door with him—the carriage was turning in the gravel-walk—this thought restored her serenity.

When she had given him her hand in farewell she looked at him a moment. “I have almost decided to dispatch that paper,” she said.

He knew that she alluded to the document that she had called her renunciation; and he assisted her into the carriage without saying anything. But just before the vehicle began to move he said, “Well, when you have in fact dispatched it, I hope you will let me know!”

CHAPTER VII

Felix Young finished Gertrude’s portrait, and he afterwards transferred to canvas the features of many members of that circle of which it may be said that he had become for the time the pivot and the centre. I am afraid it must be confessed that he was a decidedly flattering painter, and that he imparted to his models a romantic grace which seemed easily and cheaply acquired by the payment of a hundred dollars to a young man who made “sitting” so entertaining. For Felix was paid for his pictures, making, as he did, no secret of the fact that in guiding his steps to the Western world affectionate curiosity had gone hand in hand with a desire to better his condition. He took his uncle’s portrait quite as if Mr. Wentworth had never averted himself from the experiment; and as he compassed his end only by the exercise of gentle violence, it is but fair to add that he allowed the old man to give him nothing but his time. He passed his arm into Mr. Wentworth’s one summer morning—very few arms indeed had ever passed into Mr. Wentworth’s—and led him across the garden and along the road into the studio which he had extemporized in the little house among the apple trees. The grave gentleman felt himself more and more fascinated by his clever nephew, whose fresh, demonstrative youth seemed a compendium of experiences so strangely numerous. It appeared to him that Felix must know a great deal; he would like to learn what he thought about some of those things as regards which his own conversation had always been formal, but his knowledge vague. Felix had a confident, gayly trenchant way of judging human actions which Mr. Wentworth grew little by little to envy; it seemed like criticism made easy. Forming an opinion—say on a person’s conduct—was, with Mr. Wentworth, a good deal like fumbling in a lock with a key chosen at hazard. He seemed to himself to go about the world with a big bunch of these ineffectual instruments at his girdle. His nephew, on the other hand, with a single turn of the wrist, opened any door as adroitly as a horse-thief. He felt obliged to keep up the convention that an uncle is always wiser than a nephew, even if he could keep it up no otherwise than by listening in serious silence to Felix’s quick, light, constant discourse. But there came a day when he lapsed from consistency and almost asked his nephew’s advice.

“Have you ever entertained the idea of settling in the United States?” he asked one morning, while Felix brilliantly plied his brush.

“My dear uncle,” said Felix, “excuse me if your question makes me smile a little. To begin with, I have never entertained an idea. Ideas often entertain me; but I am afraid I have never seriously made a plan. I know what you are going to say; or rather, I know what you think, for I don’t think you will say it—that this is very frivolous and loose-minded on my part. So it is; but I am made like that; I take things as they come, and somehow there is always some new thing to follow the last. In the second place, I should never propose to settle. I can’t settle, my dear uncle; I’m not a settler. I know that is what strangers are supposed to do here; they always settle. But I haven’t—to answer your question—entertained that idea.”

“You intend to return to Europe and resume your irregular manner of life?” Mr. Wentworth inquired.

“I can’t say I intend. But it’s very likely I shall go back to Europe. After all, I am a European. I feel that, you know. It will depend a good deal upon my sister. She’s even more of a European than I; here, you know, she’s a picture out of her setting. And as for ‘resuming,’ dear uncle, I really have never given up my irregular manner of life. What, for me, could be more irregular than this?”

“Than what?” asked Mr. Wentworth, with his pale gravity.

“Well, than everything! Living in the midst of you, this way; this charming, quiet, serious family life; fraternizing with Charlotte and Gertrude; calling upon twenty young ladies and going out to walk with them; sitting with you in the evening on the piazza and listening to the crickets, and going to bed at ten o’clock.”

“Your description is very animated,” said Mr. Wentworth; “but I see nothing improper in what you describe.”

“Neither do I, dear uncle. It is extremely delightful; I shouldn’t like it if it were improper. I assure you I don’t like improper things; though I dare say you think I do,” Felix went on, painting away.

“I have never accused you of that.”

“Pray don’t,” said Felix, “because, you see, at bottom I am a terrible Philistine.”

“A Philistine?” repeated Mr. Wentworth.

“I mean, as one may say, a plain, God-fearing man.” Mr. Wentworth looked at him reservedly, like a mystified sage, and Felix continued, “I trust I shall enjoy a venerable and venerated old age. I mean to live long. I can hardly call that a plan, perhaps; but it’s a keen desire—a rosy vision. I shall be a lively, perhaps even a frivolous old man!”

“It is natural,” said his uncle, sententiously, “that one should desire to prolong an agreeable life. We have perhaps a selfish indisposition to bring our pleasure to a close. But I presume,” he added, “that you expect to marry.”

“That too, dear uncle, is a hope, a desire, a vision,” said Felix. It occurred to him for an instant that this was possibly a preface to the offer of the hand of one of Mr. Wentworth’s admirable daughters. But in the name of decent modesty and a proper sense of the hard realities of this world, Felix banished the thought. His uncle was the incarnation of benevolence, certainly; but from that to accepting—much more postulating—the idea of a union between a young lady with a dowry presumptively brilliant and a penniless artist with no prospect of fame, there was a very long way. Felix had lately become conscious of a luxurious preference for the society—if possible unshared with others—of Gertrude Wentworth; but he had relegated this young lady, for the moment, to the coldly brilliant category of unattainable possessions. She was not the first woman for whom he had entertained an unpractical admiration. He had been in love with duchesses and countesses, and he had made, once or twice, a perilously near approach to cynicism in declaring that the disinterestedness of women had been overrated. On the whole, he had tempered audacity with modesty; and it is but fair to him now to say explicitly that he would have been incapable of taking advantage of his present large allowance of familiarity to make love to the younger of his handsome cousins. Felix had grown up among traditions in the light of which such a proceeding looked like a grievous breach of hospitality. I have said that he was always happy, and it may be counted among the present sources of his happiness that he had as regards this matter of his relations with Gertrude a deliciously good conscience. His own deportment seemed to him suffused with the beauty of virtue—a form of beauty that he admired with the same vivacity with which he admired all other forms.

“I think that if you marry,” said Mr. Wentworth presently, “it will conduce to your happiness.”

“Sicurissimo!” Felix exclaimed; and then, arresting his brush, he looked at his uncle with a smile. “There is something I feel tempted to say to you. May I risk it?”

Mr. Wentworth drew himself up a little. “I am very safe; I don’t repeat things.” But he hoped Felix would not risk too much.

Felix was laughing at his answer.

“It’s odd to hear you telling me how to be happy. I don’t think you know yourself, dear uncle. Now, does that sound brutal?”

The old man was silent a moment, and then, with a dry dignity that suddenly touched his nephew: “We may sometimes point out a road we are unable to follow.”

“Ah, don’t tell me you have had any sorrows,” Felix rejoined. “I didn’t suppose it, and I didn’t mean to allude to them. I simply meant that you all don’t amuse yourselves.”

“Amuse ourselves? We are not children.”

“Precisely not! You have reached the proper age. I was saying that the other day to Gertrude,” Felix added. “I hope it was not indiscreet.”

“If it was,” said Mr. Wentworth, with a keener irony than Felix would have thought him capable of, “it was but your way of amusing yourself. I am afraid you have never had a trouble.”

“Oh, yes, I have!” Felix declared, with some spirit; “before I knew better. But you don’t catch me at it again.”

Mr. Wentworth maintained for a while a silence more expressive than a deep-drawn sigh. “You have no children,” he said at last.

“Don’t tell me,” Felix exclaimed, “that your charming young people are a source of grief to you!”

“I don’t speak of Charlotte.” And then, after a pause, Mr. Wentworth continued, “I don’t speak of Gertrude. But I feel considerable anxiety about Clifford. I will tell you another time.”

The next time he gave Felix a sitting his nephew reminded him that he had taken him into his confidence. “How is Clifford today?” Felix asked. “He has always seemed to me a young man of remarkable discretion. Indeed, he is only too discreet; he seems on his guard against me—as if he thought me rather light company. The other day he told his sister—Gertrude repeated it to me—that I was always laughing at him. If I laugh it is simply from the impulse to try and inspire him with confidence. That is the only way I have.”

“Clifford’s situation is no laughing matter,” said Mr. Wentworth. “It is very peculiar, as I suppose you have guessed.”

“Ah, you mean his love affair with his cousin?”

Mr. Wentworth stared, blushing a little. “I mean his absence from college. He has been suspended. We have decided not to speak of it unless we are asked.”

“Suspended?” Felix repeated.

“He has been requested by the Harvard authorities to absent himself for six months. Meanwhile he is studying with Mr. Brand. We think Mr. Brand will help him; at least we hope so.”

“What befell him at college?” Felix asked. “He was too fond of pleasure? Mr. Brand certainly will not teach him any of those secrets!”

“He was too fond of something of which he should not have been fond. I suppose it is considered a pleasure.”

Felix gave his light laugh. “My dear uncle, is there any doubt about its being a pleasure? C’est de son âge, as they say in France.”

“I should have said rather it was a vice of later life—of disappointed old age.”

Felix glanced at his uncle, with his lifted eyebrows, and then, “Of what are you speaking?” he demanded, smiling.

“Of the situation in which Clifford was found.”

“Ah, he was found—he was caught?”

“Necessarily, he was caught. He couldn’t walk; he staggered.”

“Oh,” said Felix, “he drinks! I rather suspected that, from something I observed the first day I came here. I quite agree with you that it is a low taste. It’s not a vice for a gentleman. He ought to give it up.”

“We hope for a good deal from Mr. Brand’s influence,” Mr. Wentworth went on. “He has talked to him from the first. And he never touches anything himself.”

“I will talk to him—I will talk to him!” Felix declared, gayly.

“What will you say to him?” asked his uncle, with some apprehension.

Felix for some moments answered nothing. “Do you mean to marry him to his cousin?” he asked at last.

“Marry him?” echoed Mr. Wentworth. “I shouldn’t think his cousin would want to marry him.”

“You have no understanding, then, with Mrs. Acton?”

Mr. Wentworth stared, almost blankly. “I have never discussed such subjects with her.”

“I should think it might be time,” said Felix. “Lizzie Acton is admirably pretty, and if Clifford is dangerous....”

“They are not engaged,” said Mr. Wentworth. “I have no reason to suppose they are engaged.”

“Par exemple!” cried Felix. “A clandestine engagement? Trust me, Clifford, as I say, is a charming boy. He is incapable of that. Lizzie Acton, then, would not be jealous of another woman.”

“I certainly hope not,” said the old man, with a vague sense of jealousy being an even lower vice than a love of liquor.

“The best thing for Clifford, then,” Felix propounded, “is to become interested in some clever, charming woman.” And he paused in his painting, and, with his elbows on his knees, looked with bright communicativeness at his uncle. “You see, I believe greatly in the influence of women. Living with women helps to make a man a gentleman. It is very true Clifford has his sisters, who are so charming. But there should be a different sentiment in play from the fraternal, you know. He has Lizzie Acton; but she, perhaps, is rather immature.”