Полная версия
The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 18: Return to Naples
"A fine young man, who is a hairdresser, and bears an excellent character, saw me at Momolo's a fortnight ago, and met me at the church door next day and gave me a letter. He declared himself my lover, and said that if I could bring him a dowry of four hundred crowns, he could open a shop, furnish it, and marry me.
"'I am poor,' I answered, 'and I have only a hundred crowns in charity tickets, which my confessor keeps for me.' Now I have two hundred crowns, for if I marry, my mother will willingly give me her share of the money you made us gain. You can therefore make me happy by getting me tickets to the amount of two hundred crowns more. Take the tickets to my confessor, who is a very good man and fond of me; he will not say anything to my mother about it."
"I needn't go about seeking for charity tickets, my angel. I will take two hundred piastres to your confessor to-morrow, and you must manage the rest yourself. Tell me his name, and to-morrow I will tell you what I have done, but not here, as the wind and the cold would be the death of me. You can leave me to find out a room where we shall be at our ease, and without any danger of people suspecting that we have spent an hour together. I will meet you at the church to-morrow at the same hour and when you see me follow me."
Mariuccia told me her confessor's name, and allowed me all the caresses possible in our uncomfortable position. The kisses she gave me in return for mine left no doubt in my mind, as to her love for me. As nine o'clock struck I left her, perishing with cold, but burning with desire; my only thought being where to find a room in which I might possess myself of the treasure the next day.
On leaving the ruined palace, instead of returning to the Piazza di Spagna I turned to the left and passed along a narrow and dirty street only inhabited by people of the lowest sort. As I slowly walked along, a woman came out of her house and asked me politely if I were looking for anybody.
"I am looking for a room to let."
"There are none here, sir, but, you will find a hundred in the square."
"I know it, but I want the room to be here, not for the sake of the expense, but that I may be sure of being able to spend an hour or so of a morning with a person in whom I am interested. I am ready to pay anything."
"I understand what you mean, and you should have a room in my house if I had one to spare, but a neighbour of mine has one on the ground floor, and if you will wait a moment I will go and speak to her."
"You will oblige me very much."
"Kindly step in here."
I entered a poor room, where all seemed wretchedness, and I saw two children doing their lessons. Soon after, the good woman came back and asked me to follow her. I took several pieces of money from my pocket, and put them down on the only table which this poor place contained. I must have seemed very generous, for the poor mother came and kissed my hand with the utmost gratitude. So pleasant is it to do good, that now when I have nothing left the remembrance of the happiness I have given to others at small cost is almost the only pleasure I enjoy.
I went to a neighbouring house where a woman received me in an empty room, which she told me she would let cheaply if I would pay three months in advance, and bring in my own furniture.
"What do you ask for the three months' rent?"
"Three Roman crowns."
"If you will see to the furnishing of the room this very day I will give you twelve crowns."
"Twelve crowns! What furniture do you want?"
"A good clean bed, a small table covered with a clean cloth, four good chairs, and a large brazier with plenty of fire in it, for I am nearly perishing of cold here. I shall only come occasionally in the morning, and I shall leave by noon at the latest."
"Come at three o'clock, then, to-day, and you will find everything to your satisfaction."
From there I went to the confessor. He was a French monk, about sixty, a fine and benevolent-looking man, who won one's respect and confidence.
"Reverend father," I began, "I saw at the house of Abbe Momolo, 'scoptore santissimo', a young girl named Mary, whose confessor you are. I fell in love with her, and offered her money to try and seduce her. She replied that instead of trying to lead her into sin I would do better to get her some charity tickets that she might be able to marry a young man who loved her, and would make her happy. I was touched by what she said, but my passion still remained. I spoke to her again, and said that I would give her two hundred crowns for nothing, and that her mother should keep them.
"'That would be my ruin,' said she; 'my mother would think the money was the price of sin, and would not accept it. If you are really going to be so generous, take the money to my confessor, and ask him to do what he can for my marriage.'"
"Here, then, reverend father, is the sum of money for the good girl; be kind enough to take charge of it, and I will trouble her no more. I am going to Naples the day after to-morrow, and I hope when I come back she will be married."
The good confessor took the hundred sequins and gave me a receipt, telling me that in interesting myself on behalf of Mariuccia I was making happy a most pure and innocent dove, whom he had confessed since she was five years old, and that he had often told her that she might communicate without making her confession because he knew she was incapable of mortal sin.
"Her mother," he added, "is a sainted woman, and as soon as I have enquired into the character of the future husband I will soon bring the marriage about. No one shall ever know from whom this generous gift comes."
After putting this matter in order I dined with the Chevalier Mengs, and I willingly consented to go with the whole family to the Aliberti Theatre that evening. I did not forget, however, to go and inspect the room I had taken. I found all my orders executed, and I gave twelve crowns to the landlady and took the key, telling her to light the fire at seven every morning.
So impatient did I feel for the next day to come that I thought the opera detestable, and the night for me was a sleepless one.
Next morning I went to the church before the time, and when Mariuccia came, feeling sure that she had seen me, I went out. She followed me at a distance, and when I got to the door of the lodging I turned for her to be sure that it was I, and then went in and found the room well warmed. Soon after Mariuccia came in, looking timid, confused, and as if she were doubtful of the path she was treading. I clasped her to my arms, and reassured her by my tender embraces; and her courage rose when I shewed her the confessor's receipt, and told her that the worthy man had promised to care for her marriage. She kissed my hand in a transport of delight, assuring me that she would never forget my kindness. Then, as I urged her to make me a happy man, she said,—
"We have three hours before us, as I told my mother I was going to give thanks to God for having made me a winner in the lottery."
This reassured me, and I took my time, undressing her by degrees, and unveiling her charms one by one, to my delight, without the slightest attempt at resistance on her part. All the time she kept her eyes fixed on mine, as if to soothe her modesty; but when I beheld and felt all her charms I was in an ecstasy. What a body; what beauties! Nowhere was there the slightest imperfection. She was like Venus rising from the foam of the sea. I carried her gently to the bed, and while she strove to hide her alabaster breasts and the soft hair which marked the entrance to the sanctuary, I undressed in haste, and consummated the sweetest of sacrifices, without there being the slightest doubt in my mind of the purity of the victim. In the first sacrifice no doubt the young priestess felt some pain, but she assured me out of delicacy that she had not been hurt, and at the second assault she shewed that she shared my flames. I was going to immolate the victim for the third time when the clock struck ten. She began to be restless, and hurriedly put on our clothes. I had to go to Naples, but I assured her that the desire of embracing her once more before her marriage would hasten my return to Rome. I promised to take another hundred crowns to her confessor, advising her to spend the money she had won in the lottery on her trousseau.
"I shall be at Monolo's to-night, dearest, and you must come, too; but we must appear indifferent to each other, though our hearts be full of joy, lest those malicious girls suspect our mutual understanding."
"It is all the more necessary to be cautious," she replied, "as I have noticed that they suspect that we love each other."
Before we parted she thanked me for what I had done for her, and begged me to believe that, her poverty notwithstanding, she had given herself for love alone.
I was the last to leave the house, and I told my landlady that I should be away for ten or twelve days. I then went to the confessor to give him the hundred crowns I had promised my mistress. When the good old Frenchman heard that I had made this fresh sacrifice that Mariuccia might be able to spend her lottery winnings on her clothes, he told me that he would call on the mother that very day and urge her to consent to her daughter's marriage, and also learn where the young man lived. On my return from Naples I heard that he had faithfully carried out his promise.
I was sitting at table with Mengs when a chamberlain of the Holy Father called. When he came in he asked M. Mengs if I lived there, and on that gentleman pointing me out, he gave me, from his holy master, the Cross of the Order of the Golden Spur with the diploma, and a patent under the pontifical seal, which, in my quality as doctor of laws, made me a prothonotary-apostolic 'extra urbem'.
I felt that I had been highly honoured, and told the bearer that I would go and thank my new sovereign and ask his blessing the next day. The Chevalier Mengs embraced me as a brother, but I had the advantage over him in not being obliged to pay anything, whereas the great artist had to disburse twenty-five Roman crowns to have his diploma made out. There is a saying at Rome, 'Sine efusione sanguinis non fit remissio', which may be interpreted, Nothing without money; and as a matter of fact, one can do anything with money in the Holy City.
Feeling highly flattered at the favour the Holy Father had shewn me, I put on the cross which depended from a broad red ribbon-red being the colour worn by the Knights of St. John of the Lateran, the companions of the palace, 'comites palatini', or count-palatins. About the same time poor Cahusac, author of the opera of Zoroaster, went mad for joy on the receipt of the same order. I was not so bad as that, but I confess, to my shame, that I was so proud of my decoration that I asked Winckelmann whether I should be allowed to have the cross set with diamonds and rubies. He said I could if I liked, and if I wanted such a cross he could get me one cheap. I was delighted, and bought it to make a show at Naples, but I had not the face to wear it in Rome. When I went to thank the Pope I wore the cross in my button-hole out of modesty. Five years afterwards when I was at Warsaw, Czartoryski, a Russian prince-palatine, made me leave it off by saying,—
"What are you doing with that wretched bauble? It's a drug in the market, and no one but an impostor would wear it now."
The Popes knew this quite well, but they continued to give the cross to ambassadors while they also gave it to their 'valets de chambre'. One has to wink at a good many things in Rome.
In the evening Momolo gave me a supper by way of celebrating my new dignity. I recouped him for the expense by holding a bank at faro, at which I was dexterous enough to lose forty crowns to the family, without having the slightest partiality to Mariuccia who won like the rest. She found the opportunity to tell me that her confessor had called on her, that she had told him where her future husband lived, and that the worthy monk had obtained her mother's consent to the hundred crowns being spent on her trousseau.
I noticed that Momolo's second daughter had taken a fancy to Costa, and I told Momolo that I was going to Naples, but that I would leave my man in Rome, and that if I found a marriage had been arranged on my return I would gladly pay the expenses of the wedding.
Costa liked the girl, but he did not marry her then for fear of my claiming the first-fruits. He was a fool of a peculiar kind, though fools of all sorts are common enough. He married her a year later after robbing me, but I shall speak of that again.
Next day, after I had breakfasted and duly embraced my brother, I set out in a nice carriage with the Abbe Alfani, Le Duc preceding me on horseback, and I reached Naples at a time when everybody was in a state of excitement because an eruption of Vesuvius seemed imminent. At the last stage the inn-keeper made me read the will of his father who had died during the eruption of 1754. He said that in the year 1761 God would overwhelm the sinful town of Naples, and the worthy host consequently advised me to return to Rome. Alfani took the thing seriously, and said that we should do well to be warned by so evident an indication of the will of God. The event was predicted, therefore it had to happen. Thus a good many people reason, but as I was not of the number I proceeded on my way.
CHAPTER IX
My Short But Happy Stay at Naples—The Duke de Matalone My Daughter—Donna Lucrezia—My Departure
I shall not, dear reader, attempt the impossible, however much I should like to describe the joy, the happiness, I may say the ecstasy, which I experienced in returning to Naples, of which I had such pleasant memories, and where, eighteen years ago, I had made my first fortune in returning from Mataro. As I had come there for the second time to keep a promise I had made to the Duke de Matalone to come and see him at Naples, I ought to have visited this nobleman at once; but foreseeing that from the time I did so I should have little liberty left me, I began by enquiring after all my old friends.
I walked out early in the morning and called on Belloni's agent. He cashed my letter of credit and gave me as many bank-notes as I liked, promising that nobody should know that we did business together. From the bankers I went to see Antonio Casanova, but they told me he lived near Salerno, on an estate he had bought which gave him the title of marquis. I was vexed, but I had no right to expect to find Naples in the statu quo I left it. Polo was dead, and his son lived at St. Lucia with his wife and children; he was a boy when I saw him last, and though I should have much liked to see him again I had no time to do so.
It may be imagined that I did not forget the advocate, Castelli, husband of my dear Lucrezia, whom I had loved so well at Rome and Tivoli. I longed to see her face once more, and I thought of the joy with which we should recall old times that I could never forget. But Castelli had been dead for some years, and his widow lived at a distance of twenty miles from Naples. I resolved not to return to Rome without embracing her. As to Lelio Caraffa, he was still alive and residing at the Matalone Palace.
I returned, feeling tired with my researches, dressed with care, and drove to the Matalone Palace, where they told me that the duke was at table. I did not care for that but had my name sent in, and the duke came out and did me the honour of embracing me and thouing me, and then presented me to his wife, a daughter of the Duke de Bovino, and to the numerous company at table. I told him I had only come to Naples in fulfillment of the promise I had made him at Paris.
"Then," said he, "you must stay with me;" and, without waiting for my answer, ordered my luggage to be brought from the inn, and my carriage to be placed in his coach-house. I accepted his invitation.
One of the guests, a fine-looking man, on hearing my name announced, said gaily,—
"If you bear my name, you must be one of my father's bastards."
"No," said I, directly, "one of your mother's."
This repartee made everybody laugh, and the gentleman who had addressed me came and embraced me, not in the least offended. The joke was explained to me. His name was Casalnovo, not Casanova, and he was duke and lord of the fief of that name.
"Did you know," said the Duke de Matalone, "that I had a son?"
"I was told so, but did not believe it, but now I must do penance for my incredulity, for I see before me an angel capable of working this miracle."
The duchess blushed, but did not reward my compliment with so much as a glance; but all the company applauded what I had said, as it was notorious that the duke had been impotent before his marriage. The duke sent for his son, I admired him, and told the father that the likeness was perfect. A merry monk, who sat at the right hand of the duchess, said, more truthfully, that there was no likeness at all. He had scarcely uttered the words when the duchess coolly gave him a box on the ear, which the monk received with the best grace imaginable.
I talked away to the best of my ability, and in half an hour's time I had won everybody's good graces, with the exception of the duchess, who remained inflexible. I tried to make her talk for two days without success; so as I did not care much about her I left her to her pride.
As the duke was taking me to my room he noticed my Spaniard, and asked where my secretary was, and when he saw that it was the Abbe Alfani, who had taken the title so as to escape the notice of the Neapolitans, he said,—
"The abbe is very wise, for he has deceived so many people with his false antiques that he might have got into trouble."
He took me to his stables where he had some superb horses, Arabs, English, and Andalusians; and then to his gallery, a very fine one; to his large and choice library; and at last to his study, where he had a fine collection of prohibited books.
I was reading titles and turning over leaves, when the duke said,—
"Promise to keep the most absolute secrecy on what I am going to shew you."
I promised, without making any difficulty, but I expected a surprise of some sort. He then shewed me a satire which I could not understand, but which was meant to turn the whole Court into ridicule. Never was there a secret so easily kept.
"You must come to the St. Charles Theatre," said he, "and I will present you to the handsomest ladies in Naples, and afterwards you can go when you like, as my box is always open to my friends. I will also introduce you to my mistress, and she, I am sure, will always be glad to see you."
"What! you have a mistress, have you?"
"Yes, but only for form's sake, as I am very fond of my wife. All the same, I am supposed to be deeply in love with her, and even jealous, as I never introduce anyone to her, and do not allow her to receive any visitors."
"But does not your young and handsome duchess object to your keeping a mistress?"
"My wife could not possibly be jealous, as she knows that I am impotent—except, of course, with her."
"I see, but it seems strange; can one be said to have a mistress whom one does not love?"
"I did not say I loved her not; on the contrary, I am very fond of her; she has a keen and pleasant wit, but she interests my head rather than my heart."
"I see; but I suppose she is ugly?"
"Ugly? You shall see her to-night, and you can tell me what you think of her afterwards. She is a handsome and well-educated girl of seventeen."
"Can she speak French?"
"As well as a Frenchwoman."
"I am longing to see her."
When we got to the theatre I was introduced to several ladies, but none of them pleased me. The king, a mere boy, sat in his box in the middle of the theatre, surrounded by his courtiers, richly but tastefully dressed. The pit was full and the boxes also. The latter were ornamented with mirrors, and on that occasion were all illuminated for some reason or other. It was a magnificent scene, but all this glitter and light put the stage into the background.
After we had gazed for some time at the scene, which is almost peculiar to Naples, the duke took me to his private box and introduced me to his friends, who consisted of all the wits in the town.
I have often laughed on hearing philosophers declare that the intelligence of a nation is not so much the result of the climate as of education. Such sages should be sent to Naples and then to St. Petersburg, and be told to reflect, or simply to look before them. If the great Boerhaave had lived at Naples he would have learnt more about the nature of sulphur by observing its effects on vegetables, and still more on animals. In Naples, and Naples alone, water, and nothing but water, will cure diseases which are fatal elsewhere, despite the doctors' efforts.
The duke, who had left me to the wits for a short time, returned and took me to the box of his mistress, who was accompanied by an old lady of respectable appearance. As he went in he said, "'Leonilda mia, ti presento il cavalier Don Giacomo Casanova, Veneziano, amico mio'."
She received me kindly and modestly, and stopped listening to the music to talk to me.
When a woman is pretty, one recognizes her charms instantaneously; if one has to examine her closely, her beauty is doubtful. Leonilda was strikingly beautiful. I smiled and looked at the duke, who had told me that he loved her like a daughter, and that he only kept her for form's sake. He understood the glance, and said,—
"You may believe me."
"It's credible," I replied.
Leonilda no doubt understood what we meant, and said, with a shy smile,—
"Whatever is possible is credible."
"Quite so," said I, "but one may believe, or not believe, according to the various degrees of possibility."
"I think it's easier to believe than to disbelieve. You came to Naples yesterday; that's true and yet incredible."
"Why incredible?"
"Would any man suppose that a stranger would come to Naples at a time when the inhabitants are wishing themselves away?"
"Indeed, I have felt afraid till this moment, but now I feel quite at my ease, since, you being here, St. Januarius will surely protect Naples."
"Why?"
"Because I am sure he loves you; but you are laughing at me."
"It is such a funny idea. I am afraid that if I had a lover like St.Januarius I should not grant him many favours."
"Is he very ugly, then?"
"If his portrait is a good likeness, you can see for yourself by examining his statue."
Gaiety leads to freedom, and freedom to friendship. Mental graces are superior to bodily charms.
Leonilda's frankness inspired my confidence, and I led the conversation to love, on which she talked like a past mistress.
"Love," said she, "unless it leads to the possession of the beloved object, is a mere torment; if bounds are placed to passion, love must die."
"You are right; and the enjoyment of a beautiful object is not a true pleasure unless it be preceded by love."
"No doubt if love precedes it accompanies, but I do not think it necessarily follows, enjoyment."
"True, it often makes love to cease."
"She is a selfish daughter, then, to kill her father; and if after enjoyment love still continue in the heart of one, it is worse than murder, for the party in which love still survives must needs be wretched."
"You are right; and from your strictly logical arguments I conjecture that you would have the senses kept in subjection: that is too hard!"
"I would have nothing to do with that Platonic affection devoid of love, but I leave you to guess what my maxim would be."
"To love and enjoy; to enjoy and love. Turn and turn about."
"You have hit the mark."
With this Leonilda burst out laughing, and the duke kissed her hand. Her governess, not understanding French, was attending to the opera, but I was in flames.
Leonilda was only seventeen, and was as pretty a girl as the heart could desire.
The duke repeated a lively epigram of Lafontaine's on "Enjoyment," which is only found in the first edition of his works. It begins as follows:—
"La jouissance et les desirsSont ce que l'homme a de plus rare;Mais ce ne sons pas vrais plaisirsDes le moment qu'on les separe."I have translated this epigram into Italian and Latin; in the latter language I was almost able to render Lafontaine line for line; but I had to use twenty lines of Italian to translate the first ten lines of the French. Of course this argues nothing as to the superiority of the one language over the other.