The Last Days of Pompeii

A new actor now appeared; he was clothed from head to foot in a dark robe—his face was concealed—he knelt at the feet of the shadowy Ione—he clasped her hand—he pointed to the throne, as if to invite her to ascend it.

The Neapolitan's heart beat violently. 'Shall the shadow disclose itself?' whispered a voice beside her—the voice of Arbaces.

'Ah, yes!' answered Ione, softly.

Arbaces raised his hand—the spectre seemed to drop the mantle that concealed its form—and Ione shrieked—it was Arbaces himself that thus knelt before her.

'This is, indeed, thy fate!' whispered again the Egyptian's voice in her ear. 'And thou art destined to be the bride of Arbaces.'

Ione started—the black curtain closed over the phantasmagoria: and Arbaces himself—the real, the living Arbaces—was at her feet.

'Oh, Ione!' said he, passionately gazing upon her, 'listen to one who has long struggled vainly with his love. I adore thee! The Fates do not lie—thou art destined to be mine—I have sought the world around, and found none like thee. From my youth upward, I have sighed for such as thou art. I have dreamed till I saw thee—I wake, and I behold thee. Turn not away from me, Ione; think not of me as thou hast thought; I am not that being—cold, insensate, and morose, which I have seemed to thee. Never woman had lover so devoted—so passionate as I will be to Ione. Do not struggle in my clasp: see—I release thy hand. Take it from me if thou wilt—well be it so! But do not reject me, Ione—do not rashly reject—judge of thy power over him whom thou canst thus transform. I, who never knelt to mortal being, kneel to thee. I, who have commanded fate, receive from thee my own. Ione, tremble not, thou art my queen—my goddess—be my bride! All the wishes thou canst form shall be fulfilled. The ends of the earth shall minister to thee—pomp, power, luxury, shall be thy slaves. Arbaces shall have no ambition, save the pride of obeying thee. Ione, turn upon me those eyes—shed upon me thy smile. Dark is my soul when thy face is hid from it: shine over me, my sun—my heaven—my daylight!—Ione, Ione—do not reject my love!'

Alone, and in the power of this singular and fearful man, Ione was not yet terrified; the respect of his language, the softness of his voice, reassured her; and, in her own purity, she felt protection. But she was confused—astonished: it was some moments before she could recover the power of reply.

'Rise, Arbaces!' said she at length; and she resigned to him once more her hand, which she as quickly withdrew again, when she felt upon it the burning pressure of his lips. 'Rise! and if thou art serious, if thy language be in earnest…'

'If!' said he tenderly.

'Well, then, listen to me: you have been my guardian, my friend, my monitor; for this new character I was not prepared—think not,' she added quickly, as she saw his dark eyes glitter with the fierceness of his passion—'think not that I scorn—that I am untouched—that I am not honored by this homage; but, say—canst thou hear me calmly?'

'Ay, though thy words were lightning, and could blast me!'

'I love another!' said Ione, blushingly, but in a firm voice.

'By the gods—by hell!' shouted Arbaces, rising to his fullest height; 'dare not tell me that—dare not mock me—it is impossible!—Whom hast thou seen—whom known? Oh, Ione, it is thy woman's invention, thy woman's art that speaks—thou wouldst gain time; I have surprised—I have terrified thee. Do with me as thou wilt—say that thou lovest not me; but say not that thou lovest another!'

'Alas!' began Ione; and then, appalled before his sudden and unlooked-for violence, she burst into tears.

Arbaces came nearer to her—his breath glowed fiercely on her cheek; he wound his arms round her—she sprang from his embrace. In the struggle a tablet fell from her bosom on the ground: Arbaces perceived, and seized it—it was the letter that morning received from Glaucus. Ione sank upon the couch, half dead with terror.

Rapidly the eyes of Arbaces ran over the writing; the Neapolitan did not dare to gaze upon him: she did not see the deadly paleness that came over his countenance—she marked not his withering frown, nor the quivering of his lip, nor the convulsions that heaved his breast. He read it to the end, and then, as the letter fell from his hand, he said, in a voice of deceitful calmness:

'Is the writer of this the man thou lovest?'

Ione sobbed, but answered not.

'Speak!' he rather shrieked than said.

'It is—it is!

'And his name—it is written here—his name is Glaucus!'

Ione, clasping her hands, looked round as for succour or escape.

'Then hear me,' said Arbaces, sinking his voice into a whisper; 'thou shalt go to thy tomb rather than to his arms! What! thinkest thou Arbaces will brook a rival such as this puny Greek? What! thinkest thou that he has watched the fruit ripen, to yield it to another! Pretty fool—no! Thou art mine—all—only mine: and thus—thus I seize and claim thee!' As he spoke, he caught Ione in his arms; and, in that ferocious grasp, was all the energy—less of love than of revenge.

But to Ione despair gave supernatural strength: she again tore herself from him—she rushed to that part of the room by which she had entered—she half withdrew the curtain—he had seized her—again she broke away from him—and fell, exhausted, and with a loud shriek, at the base of the column which supported the head of the Egyptian goddess. Arbaces paused for a moment, as if to regain his breath; and thence once more darted upon his prey.

At that instant the curtain was rudely torn aside, the Egyptian felt a fierce and strong grasp upon his shoulder. He turned—he beheld before him the flashing eyes of Glaucus, and the pale, worn, but menacing, countenance of Apaecides. 'Ah,' he muttered, as he glared from one to the other, 'what Fury hath sent ye hither?'

'Ate,' answered Glaucus; and he closed at once with the Egyptian. Meanwhile, Apaecides raised his sister, now lifeless, from the ground; his strength, exhausted by a mind long overwrought, did not suffice to bear her away, light and delicate though her shape: he placed her, therefore, on the couch, and stood over her with a brandishing knife, watching the contest between Glaucus and the Egyptian, and ready to plunge his weapon in the bosom of Arbaces should he be victorious in the struggle. There is, perhaps, nothing on earth so terrible as the naked and unarmed contest of animal strength, no weapon but those which Nature supplies to rage. Both the antagonists were now locked in each other's grasp—the hand of each seeking the throat of the other—the face drawn back—the fierce eyes flashing—the muscles strained—the veins swelled—the lips apart—the teeth set—both were strong beyond the ordinary power of men, both animated by relentless wrath; they coiled, they wound, around each other; they rocked to and fro—they swayed from end to end of their confined arena—they uttered cries of ire and revenge—they were now before the altar—now at the base of the column where the struggle had commenced: they drew back for breath—Arbaces leaning against the column—Glaucus a few paces apart.

'O ancient goddess!' exclaimed Arbaces, clasping the column, and raising his eyes toward the sacred image it supported, 'protect thy chosen—proclaim they vengeance against this thing of an upstart creed, who with sacrilegious violence profanes thy resting-place and assails thy servant.'

As he spoke, the still and vast features of the goddess seemed suddenly to glow with life; through the black marble, as through a transparent veil, flushed luminously a crimson and burning hue; around the head played and darted coruscations of livid lightning; the eyes became like balls of lurid fire, and seemed fixed in withering and intolerable wrath upon the countenance of the Greek. Awed and appalled by this sudden and mystic answer to the prayer of his foe, and not free from the hereditary superstitions of his race, the cheeks of Glaucus paled before that strange and ghastly animation of the marble—his knees knocked together—he stood, seized with a divine panic, dismayed, aghast, half unmanned before his foe! Arbaces gave him not breathing time to recover his stupor: 'Die, wretch!' he shouted, in a voice of thunder, as he sprang upon the Greek; 'the Mighty Mother claims thee as a living sacrifice!' Taken thus by surprise in the first consternation of his superstitious fears, the Greek lost his footing—the marble floor was as smooth as glass—he slid—he fell. Arbaces planted his foot on the breast of his fallen foe. Apaecides, taught by his sacred profession, as well as by his knowledge of Arbaces, to distrust all miraculous interpositions, had not shared the dismay of his companion; he rushed forward—his knife gleamed in the air—the watchful Egyptian caught his arm as it descended—one wrench of his powerful hand tore the weapon from the weak grasp of the priest—one sweeping blow stretched him to the earth—with a loud and exulting yell Arbaces brandished the knife on high. Glaucus gazed upon his impending fate with unwinking eyes, and in the stern and scornful resignation of a fallen gladiator, when, at that awful instant, the floor shook under them with a rapid and convulsive throe—a mightier spirit than that of the Egyptian was abroad!—a giant and crushing power, before which sunk into sudden impotence his passion and his arts. IT woke—it stirred—that Dread Demon of the Earthquake—laughing to scorn alike the magic of human guile and the malice of human wrath. As a Titan, on whom the mountains are piled, it roused itself from the sleep of years, it moved on its tortured couch—the caverns below groaned and trembled beneath the motion of its limbs. In the moment of his vengeance and his power, the self-prized demigod was humbled to his real clay. Far and wide along the soil went a hoarse and rumbling sound—the curtains of the chamber shook as at the blast of a storm—the altar rocked—the tripod reeled, and high over the place of contest, the column trembled and waved from side to side—the sable head of the goddess tottered and fell from its pedestal—and as the Egyptian stooped above his intended victim, right upon his bended form, right between the shoulder and the neck, struck the marble mass! The shock stretched him like the blow of death, at once, suddenly, without sound or motion, or semblance of life, upon the floor, apparently crushed by the very divinity he had impiously animated and invoked!

'The Earth has preserved her children,' said Glaucus, staggering to his feet. 'Blessed be the dread convulsion! Let us worship the providence of the gods!' He assisted Apaecides to rise, and then turned upward the face of Arbaces; it seemed locked as in death; blood gushed from the Egyptian's lips over his glittering robes; he fell heavily from the arms of Glaucus, and the red stream trickled slowly along the marble. Again the earth shook beneath their feet; they were forced to cling to each other; the convulsion ceased as suddenly as it came; they tarried no longer; Glaucus bore Ione lightly in his arms, and they fled from the unhallowed spot. But scarce had they entered the garden than they were met on all sides by flying and disordered groups of women and slaves, whose festive and glittering garments contrasted in mockery the solemn terror of the hour; they did not appear to heed the strangers—they were occupied only with their own fears. After the tranquillity of sixteen years, that burning and treacherous soil again menaced destruction; they uttered but one cry, 'THE EARTHQUAKE! THE EARTHQUAKE!' and passing unmolested from the midst of them, Apaecides and his companions, without entering the house, hastened down one of the alleys, passed a small open gate, and there, sitting on a little mound over which spread the gloom of the dark green aloes, the moonlight fell on the bended figure of the blind girl—she was weeping bitterly.

BOOK THE THIRD

Chapter I

THE FORUM OF THE POMPEIANS. THE FIRST RUDE MACHINERY BY WHICH THE NEW ERA OF THE WORLD WAS WROUGHT.

IT was early noon, and the forum was crowded alike with the busy and the idle. As at Paris at this day, so at that time in the cities of Italy, men lived almost wholly out of doors: the public buildings, the forum, the porticoes, the baths, the temples themselves, might be considered their real homes; it was no wonder that they decorated so gorgeously these favorite places of resort—they felt for them a sort of domestic affection as well as a public pride. And animated was, indeed, the aspect of the forum of Pompeii at that time! Along its broad pavement, composed of large flags of marble, were assembled various groups, conversing in that energetic fashion which appropriates a gesture to every word, and which is still the characteristic of the people of the south. Here, in seven stalls on one side the colonnade, sat the money-changers, with their glittering heaps before them, and merchants and seamen in various costumes crowding round their stalls. On one side, several men in long togas were seen bustling rapidly up to a stately edifice, where the magistrates administered justice—these were the lawyers, active, chattering, joking, and punning, as you may find them at this day in Westminster. In the centre of the space, pedestals supported various statues, of which the most remarkable was the stately form of Cicero. Around the court ran a regular and symmetrical colonnade of Doric architecture; and there several, whose business drew them early to the place, were taking the slight morning repast which made an Italian breakfast, talking vehemently on the earthquake of the preceding night as they dipped pieces of bread in their cups of diluted wine. In the open space, too, you might perceive various petty traders exercising the arts of their calling. Here one man was holding out ribands to a fair dame from the country; another man was vaunting to a stout farmer the excellence of his shoes; a third, a kind of stall-restaurateur, still so common in the Italian cities, was supplying many a hungry mouth with hot messes from his small and itinerant stove, while—contrast strongly typical of the mingled bustle and intellect of the time—close by, a schoolmaster was expounding to his puzzled pupils the elements of the Latin grammar.' A gallery above the portico, which was ascended by small wooden staircases, had also its throng; though, as here the immediate business of the place was mainly carried on, its groups wore a more quiet and serious air.

Every now and then the crowd below respectfully gave way as some senator swept along to the Temple of Jupiter (which filled up one side of the forum, and was the senators' hall of meeting), nodding with ostentatious condescension to such of his friends or clients as he distinguished amongst the throng. Mingling amidst the gay dresses of the better orders you saw the hardy forms of the neighboring farmers, as they made their way to the public granaries. Hard by the temple you caught a view of the triumphal arch, and the long street beyond swarming with inhabitants; in one of the niches of the arch a fountain played, cheerily sparkling in the sunbeams; and above its cornice rose the bronzed and equestrian statue of Caligula, strongly contrasting the gay summer skies. Behind the stalls of the money-changers was that building now called the Pantheon; and a crowd of the poorer Pompeians passed through the small vestibule which admitted to the interior, with panniers under their arms, pressing on towards a platform, placed between two columns, where such provisions as the priests had rescued from sacrifice were exposed for sale.

At one of the public edifices appropriated to the business of the city, workmen were employed upon the columns, and you heard the noise of their labor every now and then rising above the hum of the multitude: the columns are unfinished to this day!

All, then, united, nothing could exceed in variety the costumes, the ranks, the manners, the occupations of the crowd—nothing could exceed the bustle, the gaiety, the animation—where pleasure and commerce, idleness and labor, avarice and ambition, mingled in one gulf their motley rushing, yet harmonius, streams.

Facing the steps of the Temple of Jupiter, with folded arms, and a knit and contemptuous brow, stood a man of about fifty years of age. His dress was remarkably plain—not so much from its material, as from the absence of all those ornaments which were worn by the Pompeians of every rank—partly from the love of show, partly, also, because they were chiefly wrought into those shapes deemed most efficacious in resisting the assaults of magic and the influence of the evil eye. His forehead was high and bald; the few locks that remained at the back of the head were concealed by a sort of cowl, which made a part of his cloak, to be raised or lowered at pleasure, and was now drawn half-way over the head, as a protection from the rays of the sun. The color of his garments was brown, no popular hue with the Pompeians; all the usual admixtures of scarlet or purple seemed carefully excluded. His belt, or girdle, contained a small receptacle for ink, which hooked on to the girdle, a stilus (or implement of writing), and tablets of no ordinary size. What was rather remarkable, the cincture held no purse, which was the almost indispensable appurtenance of the girdle, even when that purse had the misfortune to be empty!

It was not often that the gay and egotistical Pompeians busied themselves with observing the countenances and actions of their neighbors; but there was that in the lip and eye of this bystander so remarkably bitter and disdainful, as he surveyed the religious procession sweeping up the stairs of the temple, that it could not fail to arrest the notice of many.

'Who is yon cynic?' asked a merchant of his companion, a jeweller.

'It is Olinthus,' replied the jeweller; 'a reputed Nazarene.'

The merchant shuddered. 'A dread sect!' said he, in a whispered and fearful voice. 'It is said that when they meet at nights they always commence their ceremonies by the murder of a new-born babe; they profess a community of goods, too—the wretches! A community of goods! What would become of merchants, or jewellers either, if such notions were in fashion?'

'That is very true,' said the jeweller; 'besides, they wear no jewels—they mutter imprecations when they see a serpent; and at Pompeii all our ornaments are serpentine.'

'Do but observe,' said a third, who was a fabricant of bronze, 'how yon Nazarene scowls at the piety of the sacrificial procession. He is murmuring curses on the temple, be sure. Do you know, Celcinus, that this fellow, passing by my shop the other day, and seeing me employed on a statue of Minerva, told me with a frown that, had it been marble, he would have broken it; but the bronze was too strong for him. "Break a goddess!" said I. "A goddess!" answered the atheist; "it is a demon—an evil spirit!" Then he passed on his way cursing. Are such things to be borne? What marvel that the earth heaved so fearfully last night, anxious to reject the atheist from her bosom?—An atheist, do I say? worse still—a scorner of the Fine Arts! Woe to us fabricants of bronze, if such fellows as this give the law to society!'

'These are the incendiaries that burnt Rome under Nero,' groaned the jeweller.

While such were the friendly remarks provoked by the air and faith of the Nazarene, Olinthus himself became sensible of the effect he was producing; he turned his eyes round, and observed the intent faces of the accumulating throng, whispering as they gazed; and surveying them for a moment with an expression, first of defiance and afterwards of compassion, he gathered his cloak round him and passed on, muttering audibly, 'Deluded idolaters!—did not last night's convulsion warn ye? Alas! how will ye meet the last day?'

The crowd that heard these boding words gave them different interpretations, according to their different shades of ignorance and of fear; all, however, concurred in imagining them to convey some awful imprecation. They regarded the Christian as the enemy of mankind; the epithets they lavished upon him, of which 'Atheist' was the most favored and frequent, may serve, perhaps, to warn us, believers of that same creed now triumphant, how we indulge the persecution of opinion Olinthus then underwent, and how we apply to those whose notions differ from our own the terms at that day lavished on the fathers of our faith.

As Olinthus stalked through the crowd, and gained one of the more private places of egress from the forum, he perceived gazing upon him a pale and earnest countenance, which he was not slow to recognize.

Wrapped in a pallium that partially concealed his sacred robes, the young Apaecides surveyed the disciple of that new and mysterious creed, to which at one time he had been half a convert.

'Is he, too, an impostor? Does this man, so plain and simple in life, in garb, in mien—does he too, like Arbaces, make austerity the robe of the sensualist? Does the veil of Vesta hide the vices of the prostitute?'

Olinthus, accustomed to men of all classes, and combining with the enthusiasm of his faith a profound experience of his kind, guessed, perhaps, by the index of the countenance, something of what passed within the breast of the priest. He met the survey of Apaecides with a steady eye, and a brow of serene and open candour.

'Peace be with thee!' said he, saluting Apaecides.

'Peace!' echoed the priest, in so hollow a tone that it went at once to the heart of the Nazarene.

'In that wish,' continued Olinthus, 'all good things are combined—without virtue thou canst not have peace. Like the rainbow, Peace rests upon the earth, but its arch is lost in heaven. Heaven bathes it in hues of light—it springs up amidst tears and clouds—it is a reflection of the Eternal Sun—it is an assurance of calm—it is the sign of a great covenant between Man and God. Such peace, O young man! is the smile of the soul; it is an emanation from the distant orb of immortal light. PEACE be with you!'

'Alas!' began Apaecides, when he caught the gaze of the curious loiterers, inquisitive to know what could possibly be the theme of conversation between a reputed Nazarene and a priest of Isis. He stopped short, and then added in a low tone: 'We cannot converse here, I will follow thee to the banks of the river; there is a walk which at this time is usually deserted and solitary.'

Olinthus bowed assent. He passed through the streets with a hasty step, but a quick and observant eye. Every now and then he exchanged a significant glance, a slight sign, with some passenger, whose garb usually betokened the wearer to belong to the humbler classes; for Christianity was in this the type of all other and less mighty revolutions—the grain of mustard-seed was in the heart of the lowly. Amidst the huts of poverty and labor, the vast stream which afterwards poured its broad waters beside the cities and palaces of earth took its neglected source.

Chapter II

THE NOONDAY EXCURSION ON THE CAMPANIAN SEAS

'BUT tell me, Glaucus,' said Ione, as they glided down the rippling Sarnus in their boat of pleasure, 'how camest thou with Apaecides to my rescue from that bad man?'

'Ask Nydia yonder,' answered the Athenian, pointing to the blind girl, who sat at a little distance from them, leaning pensively over her lyre; 'she must have thy thanks, not we. It seems that she came to my house, and, finding me from home, sought thy brother in his temple; he accompanied her to Arbaces; on their way they encountered me, with a company of friends, whom thy kind letter had given me a spirit cheerful enough to join. Nydia's quick ear detected my voice—a few words sufficed to make me the companion of Apaecides; I told not my associates why I left them—could I trust thy name to their light tongues and gossiping opinion?—Nydia led us to the garden gate, by which we afterwards bore thee—we entered, and were about to plunge into the mysteries of that evil house, when we heard thy cry in another direction. Thou knowest the rest.'

Ione blushed deeply. She then raised her eyes to those of Glaucus, and he felt all the thanks she could not utter. 'Come hither, my Nydia,' said she, tenderly, to the Thessalian.

'Did I not tell thee that thou shouldst be my sister and friend? Hast thou not already been more?—my guardian, my preserver!'

'It is nothing,' answered Nydia coldly, and without stirring.

'Ah! I forgot,' continued Ione, 'I should come to thee'; and she moved along the benches till she reached the place where Nydia sat, and flinging her arms caressingly round her, covered her cheeks with kisses.