The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 26: Spain

It runs as follows:

"MY LORD,—I hope your highness will either burn this letter after reading it, or else preserve it with the greatest care. It will be better, however, to make a copy in cypher, and to burn the original. My attachment to you is not my only motive in writing; I confess my interest is equally concerned. Allow me to say that I do not wish your highness to esteem me alone for any qualities you may have observed in me; I wish you to become my debtor by the inestimable secret I am going to confide to you. This secret relates to the making of gold, the only thing of which your highness stands in need. If you had been miserly by nature you would be rich now; but you are generous, and will be poor all your days if you do not make use of my secret.

"Your highness told me at Riga that you would like me to give you the secret by which I transmuted iron into copper; I never did so, but now I shall teach you how to make a much more marvellous transmutation. I should point out to you, however, that you are not at present in a suitable place for the operation, although all the materials are easily procurable. The operation necessitates my presence for the construction of a furnace, and for the great care necessary, far the least mistake will spoil all. The transmutation of Mars is an easy and merely mechanical process, but that of gold is philosophical in the highest degree. The gold produced will be equal to that used in the Venetian sequins. You must reflect, my lord, that I am giving you information which will permit you to dispense with me, and you must also reflect that I am confiding to you my life and my liberty.

"The step I am taking should insure your life-long protection, and should raise you above that prejudice which is entertained against the general mass of alchemists. My vanity would be wounded if you refuse to distinguish me from the common herd of operators. All I ask you is that you will wait till we meet before undertaking the process. You cannot do it by yourself, and if you employ any other person but myself, you will betray the secret. I must tell you that, using the same materials, and by the addition of mercury and nitre, I made the tree of projection for the Marchioness d'Urfe and the Princess of Anhalt. Zerbst calculated the profit as fifty per cent. My fortune would have been made long ago, if I had found a prince with the control of a mint whom I could trust. Your character enables me to confide in you. However, we will come to the point.

"You must take four ounces of good silver, dissolve in aqua fortis, precipitate secundum artem with copper, then wash in lukewarm water to separate the acids; dry, mix with half an ounce of sal ammoniac, and place in a suitable vessel. Afterwards you must take a pound of alum, a pound of Hungary crystals, four ounces of verdigris, four ounces of cinnabar, and two ounces of sulphur. Pulverise and mix, and place in a retort of such size that the above matters will only half fill it. This retort must be placed over a furnace with four draughts, for the heat must be raised to the fourth degree. At first your fire must be slow so as to extract the gross phlegm of the matter, and when the spirit begins to appear, place the receiver under the retort, and Luna with the ammoniac salts will appear in it. All the joinings must be luted with the Philosophical Luting, and as the spirit comes, so regulate your furnace, but do not let it pass the third degree of heat.

"So soon as the sublimation begins then boldly open your forth vent, but take heed that that which is sublimed pass not into the receiver where is your Luna, and so you must shut, the mouth of the retort closely, and keep it so for twenty-four hours, and then take off your fastenings, and allow the distillation to go on. Then you must increase your fire so that the spirits may pass, over, until the matter in the retort is quite desiccated. After this operation has been performed three times, then you shall see, the gold appear in the retort. Then draw it forth and melt it, adding your corpus perfectum. Melt with it two ounces of gold, then lay it in water, and you shall find four ounces of pure gold.

"Such my lord, is the gold mine for your mint of Mitau, by which, with the assistance of a manager and four men, you can assure yourself a revenue of a thousand ducats a week, and double, and quadruple that sum, if your highness chooses to increase the men and the furnaces. I ask your highness to make me your manager. But remember it must be a State secret, so burn this letter, and if your highness would give me any reward in advance, I only ask you to give me your affection and esteem. I shall be happy if I have reason to believe that my master will also be my friend. My life, which this letter places in your power, is ever at your service, and I know not what I shall do if I ever have cause to repent having disclosed my secret. I have the honour to be, etc."

In whatever language this letter may have been translated, if its sense run not as above, it is not my letter, and I am ready to give the lie to all the Mirabeaus in the world. I have been called an exile, but wrongfully, for a man who has to leave a country by virtue of a 'lettre de cachet' is no exile. He is forced to obey a despotic monarch who looks upon his kingdom as his house, and turns out of doors anyone who meets with his displeasure.

As soon as my purse swelled to a respectable size, I left Augsburg, The date of my departure was June 14th, 1767. I was at Ulm when a courier of the Duke of Wurtemburg's passed through the town with the news that his highness would arrive from Venice in the course of five or six days. This courier had a letter for me. It had been entrusted to him by Prince Charles of Courland, who had told the courier that he would find me at the "Hotel du Raisin," in Augsburg. As it happened, I had left the day before, but knowing the way by which I had gone he caught me up at Ulm. He gave me the letter and asked me if I were the same Casanova who had been placed under arrest and had escaped, on account of some gambling dispute with three officers. As I was never an adept in concealing the truth, I replied in the affirmative. A Wurtemburg officer who was standing beside us observed to me in a friendly manner that he was at Stuttgart at the time, and that most people concurred in blaming the three officers for their conduct in the matter.

Without making any reply I read the letter, which referred to our private affairs, but as I was reading it I resolved to tell a little lie—one of those lies which do nobody any harm.

"Well, sir," I said to the officer, "his highness, your sovereign, has listened to reason at last, and this letter informs me of a reparation which is in every way satisfactory. The duke has created me his private secretary, with a salary of twelve hundred a year. But I have waited for it a long time. God knows what has become of the three officers!"

"They are all at Louisburg, and– -is now a colonel."

"Well, they will be surprised to hear my news, and they will hear it to-morrow, for I am leaving this place in an hour. If they are at Louisburg, I shall have a triumph; but I am sorry not to be able to accompany you, however we shall see each other the day after tomorrow."

I had an excellent night, and awoke with the beautiful idea of going to Louisburg, not to fight the three officers but to frighten them, triumph over them, and to enjoy a pleasant vengeance for the injury they had done me. I should at the same time see a good many old friends; there was Madame Toscani, the duke's mistress; Baletti, and Vestri, who had married a former mistress of the duke's. I had sounded the depths of the human heart, and knew I had nothing to fear. The duke was on the point of returning, and nobody would dream of impugning the truth of my story. When he actually did arrive he would not find me, for as soon as the courier announced his approach I should go away, telling everybody that I had orders to precede his highness, and everybody would be duped.

I never had so pleasant an idea before. I was quite proud of it, and I should have despised myself if I had failed to carry it into effect. It would be my vengeance on the duke, who could not have forgotten the terrible letter I had written him; for princes do not forget small injuries as they forget great services.

I slept badly the following night, my anxiety was so great, and I reached Louisburg and gave my name at the town gates, without the addition of my pretended office, for my jest must be matured by degrees. I went to stay at the posting-inn, and just as I was asking for the address of Madame Toscani, she and her husband appeared on the scene. They both flung their arms around my neck, and overwhelmed me with compliments on my wounded arm and the victory I had achieved.

"What victory?"

"Your appearance here has filled the hearts of all your friends with joy."

"Well, I certainly am in the duke's service, but how did you find it out?"

"It's the common talk. The courier who gave you the letter has spread it all abroad, and the officer who was present and arrived here yesterday morning confirmed it. But you cannot imagine the consternation of your three foes. However, we are afraid that you will have some trouble with them, as they have kept your letter of defiance given from Furstenberg."

"Why didn't they meet me, then?"

"Two of them could not go, and the third arrived too late."

"Very good. If the duke has no objection I shall be happy to meet them one after another, not three all at once. Of course, the duel must be with pistols; a sword duel is out of the question with my arm in a sling."

"We will speak of that again. My daughter wants to make peace before the duke comes, and you had better consent to arrangements, for there are three of them, and it isn't likely that you could kill the whole three one after the other."

"Your daughter must have grown into a beauty."

"You must stop with us this evening; you will see her, for she is no longer the duke's mistress. She is going to get married."

"If your daughter can bring about an arrangement I would gladly fall in with it, provided it is an honourable one for me."

"How is it that you are wearing the sling after all these months?"

"I am quite cured, and yet my arm swells as soon as I let it swing loose. You shall see it after dinner, for you must dine with me if you want me to sup with you."

Next came Vestri, whom I did not know, accompanied by my beloved Baletti. With them was an officer who was in love with Madame Toscani's second daughter, and another of their circle, with whom I was also unacquainted. They all came to congratulate me on my honourable position in the duke's service. Baletti was quite overcome with delight. The reader will recollect that he was my chief assistant in my escape from Stuttgart, and that I was once going to marry his sister. Baletti was a fine fellow, and the duke was very fond of him. He had a little country house, with a spare room, which he begged me to accept, as he said he was only too proud that the duke should know him as my best friend. When his highness came, of course I would have an apartment in the palace. I accepted; and as it was still early, we all went to see the young Toscani. I had loved her in Paris before her beauty had reached its zenith, and she was naturally proud to shew me how beautiful she had become. She shewed me her house and her jewels, told me the story of her amours with the duke, of her breaking with him on account of his perpetual infidelities, and of her marriage with a man she despised, but who was forced on her by her position.

At dinner-time we all went to the inn, where we met the offending colonel; he was the first to take off his hat, we returned the salute, and he passed on his way.

The dinner was a pleasant one, and when it was over I proceeded to take up my quarters with Baletti. In the evening we went to Madame Toscani's, where I saw two girls of ravishing beauty, Madame Toscani's daughter and Vestri's wife, of whom the duke had had two children. Madame Vestri was a handsome woman, but her wit and the charm of her manner enchanted me still more. She had only one fault—she lisped.

There was a certain reserve about the manner of Mdlle. Toscani, so I chiefly addressed myself to Madame Vestri, whose husband was not jealous, for he neither cared for her nor she for him. On the day of my arrival the manager had distributed the parts of a little play which was to be given in honour of the duke's arrival. It had been written by a local author, in hopes of its obtaining the favour of the Court for him.

After supper the little piece was discussed. Madame Vestri played the principal part, which she was prevailed upon to recite.

"Your elocution is admirable, and your expression full of spirit," I observed; "but what a pity it is that you do not pronounce the dentals."

The whole table scouted my opinion.

"It's a beauty, not a defect," said they. "It makes her acting soft and delicate; other actresses envy her the privilege of what you call a defect."

I made no answer, but looked at Madame Vestri.

"Do you think I am taken in by all that?" said she.

"I think you are much too sensible to believe such nonsense."

"I prefer a man to say honestly, 'what a pity,' than to hear all that foolish flattery. But I am sorry to say that there is no remedy for the defect."

"No remedy?"

"No."

"Pardon me, I have an infallible remedy for your complaint. You shall give me a good hearty blow if I do not make you read the part perfectly by to-morrow, but if I succeed in making you read it as your husband, for example's sake, might read it you shall permit me to give you a tender embrace."

"Very good; but what must I do?"

"You must let me weave a spell over your part, that is all. Give it to me. To-morrow morning at nine o'clock I will bring it to you to get my blow or my kiss, if your husband has no objection."

"None whatever; but we do not believe in spells."

"You are right, in a general way; but mine will not fail."

"Very good."

Madame Vestri left me the part, and the conversation turned on other subjects. I was condoled with on my swollen hand, and I told the story of my duel. Everybody seemed to delight in entertaining me and feasting me, and I went back to Baletti's in love with all the ladies, but especially with Madame Vestri and Mdlle. Toscani.

Baletti had a beautiful little girl of three years old.

"How did you get that angel?" I asked.

"There's her mother; and, as a proof of my hospitality, she shall sleep with you to-night."

"I accept your generous offer; but let it be to-morrow night."

"And why not to-night?"

"Because I shall be engaged all night in weaving my spell."

"What do you mean? I thought that was a joke."

"No, I am quite serious."

"Are you a little crazy?"

"You shall see. Do you go to bed, and leave me a light and writing materials."

I spent six hours in copying out the part, only altering certain phrases. For all words in which the letter r appeared I substituted another. It was a tiresome task, but I longed to embrace Madame Vestri before her husband. I set about my task in the following manner:

The text ran:

"Les procedes de cet homme m'outragent et me deseparent, je dois penser a me debarrasser."

For this I substituted:

"Cet homme a des facons qui m'offensent et me desolent, il faut que je m'en defasse;" and so on throughout the piece.

When I had finished I slept for three hours, and then rose and dressed. Baletti saw my spell, and said I had earned the curses of the young author, as Madame Vestri would no doubt make him write all parts for her without using the letter 'r'; and, indeed, that was just what she did.

I called on the actress and found her getting up. I gave her the part, and as soon as she saw what I had done she burst out into exclamations of delight; and calling her husband shewed him my contrivance, and said she would never play a part with an 'r' in it again. I promised to copy them all out, and added that I had spent the whole night in amending the present part. "The whole night! Come and take your reward, for you are cleverer than any sorcerer. We must have the author to dinner, and I shall make him promise to write all my parts without the 'r', or the duke will not employ him. Indeed, I don't wonder the duke has made you his secretary. I never thought it would be possible to do what you have done; but I suppose it was very difficult?"

"Not at all. If I were a pretty woman with the like defect I should take care to avoid all words with an 'r; in them."

"Oh, that would be too much trouble."

"Let us bet again, for a box or a kiss, that you can spend a whole day without using an 'r'. Let us begin now."

"All in good time," said she, "but we won't have any stake, as I think you are too greedy."

The author came to dinner, and was duly attacked by Madame Vestri. She began by saying that it was an author's duty to be polite to actresses, and if any of them spoke with a lisp the least he could do was to write their parts without the fatal letter.

The young author laughed, and said it could not be done without spoiling the style. Thereupon Madame Vestri gave him my version of her part, telling him to read it, and to say on his conscience whether the style had suffered. He had to confess that my alterations were positive improvements, due to the great richness of the French language. And he was right, for there is no language in the world that can compare in copiousness of expression with the French.

This trifling subject kept us merry, but Madame Vestri expressed a devout wish that all authors would do for her what I had done. At Paris, where I heard her playing well and lisping terribly, she did not find the authors so obliging, but she pleased the people. She asked me if I would undertake to recompose Zaire, leaving out the r's.

"Ah!" said I, "considering that it would have to be in verse, and inVoltairean verse, I would rather not undertake the task."

With a view to pleasing the actress the young author asked me how I would tell her that she was charming without using an 'r'.

"I should say that she enchanted me, made me in an ecstasy, that she is unique."

She wrote me a letter, which I still keep, in which the 'r' does not appear. If I could have stayed at Stuttgart, this device of mine might have won me her favours; but after a week of feasting and triumph the courier came one morning at ten o'clock and announced that his highness, the duke, would arrive at four.

As soon as I heard the news I told Baletti with the utmost coolness that I thought it would be only polite to meet my lord, and swell his train on his entry into Louisburg; and as I wished to meet him at a distance of two stages I should have to go at once. He thought my idea an excellent one, and went to order post-horses immediately; but when he saw me packing up all my belongings into my trunk, he guessed the truth and applauded the jest. I embraced him and confessed my hardihood. He was sorry to lose me, but he laughed when he thought of the feelings of the duke and of the three officers when they found out the trick. He promised to write to me at Mannheim, where I had decided on spending a week to see my beloved Algardi, who was in the service of the Elector. I had also letters for M. de Sickirigen and Baron Becker, one of the Elector's ministers.

When the horses were put in I embraced Baletti, his little girl, and his pretty housekeeper, and ordered the postillion to drive to Mannheim.

When we reached Mannheim I heard that the Court was at Schwetzingen, and I bade the postillion drive on. I found everyone I had expected to see. Algardi had got married, M. de Sickingen was soliciting the position of ambassador to Paris, and Baron Becker introduced me to the Elector. Five or six days after my arrival died Prince Frederic des Deux Ponts, and I will here relate an anecdote I heard the day before he died.

Dr. Algardi had attended on the prince during his last illness. I was supping with Veraci, the poet-laureate, on the eve of the prince's death, and in the course of supper Algardi came in.

"How is the prince?" said I.

"The poor prince—he cannot possibly live more than twenty-four hours."

"Does he know it?"

"No, he still hopes. He grieved me to the heart by bidding me tell him the whole truth; he even bade me give my word of honour that I was speaking the truth. Then he asked me if he were positively in danger of death."

"And you told him the truth?"

"Certainly not. I told him his sickness was undoubtedly a mortal one, but that with the help of nature and art wonders might be worked."

"Then you deceived him, and told a lie?"

"I did not deceive him; his recovery comes under the category of the possible. I did not want to leave him in despair, for despair would most certainly kill him."

"Yes, yes; but you will confess that you told him a lie and broke your word of honour."

"I told no lie, for I know that he may possibly be cured."

"Then you lied just now?"

"Not at all, for lie will die to-morrow."

"It seems to me that your reasoning is a little Jesuitical."

"No, it is not. My duty was to prolong my patient's life and to spare him a sentence which would most certainly have shortened it, possibly by several hours; besides, it is not an absolute impossibility that he should recover, therefore I did not lie when I told him that he might recover, nor did I lie just now when I gave it as my opinion (the result of my experience) that he would die to-morrow. I would certainly wager a million to one that he will die to-morrow, but I would not wager my life."

"You are right, and yet for all that you deceived the poor man; for his intention in asking you the question was not to be told a commonplace which he knew as well as you, but to learn your true opinion as to his life or death. But again I agree with you that as his physician you were quite right not to shorten his few remaining hours by telling him the terrible truth."

After a fortnight I left Schwetzingen, leaving some of my belongings under the care of Veraci the poet, telling him I would call for them some day; but I never came, and after a lapse of thirty-one years Veraci keeps them still. He was one of the strangest poets I have ever met. He affected eccentricity to make himself notorious, and opposed the great Metastasio in everything, writing unwieldy verses which he said gave more scope for the person who set them to music. He had got this extravagant notion from Jumelli.

I traveled to Mayence and thence I sailed to Cologne, where I looked forward to the pleasure of meeting with the burgomaster's wife who disliked General Kettler, and had treated me so well seven years ago. But that was not the only reason which impelled me to visit that odious town. When I was at Dresden I had read in a number of the Cologne Gazette that "Master Casanova has returned to Warsaw only to be sent about his business again. The king has heard some stories of this famous adventurer, which compel him to forbid him his Court."

I could not stomach language of this kind, and I resolved to pay Jacquet, the editor, a visit, and now my time had come.

I made a hasty dinner and then called on the burgomaster, whom I found sitting at table with his fair Mimi. They welcomed me warmly, and for two hours I told them the story of my adventures during the last seven years. Mimi had to go out, and I was asked to dine with them the next day.

I thought she looked prettier than ever, and my imagination promised me some delicious moments with her. I spent an anxious and impatient night, and called on my Amphitryon at an early hour to have an opportunity of speaking to his dear companion. I found her alone, and began with an ardent caress which she gently repelled, but her face froze my passion in its course.

"Time is an excellent doctor," said she, "and it has cured me of a passion which left behind it the sting of remorse."

"What! The confessional . . . ."

"Should only serve as a place wherein to confess our sins of the past, and to implore grace to sin no more."

"May the Lord save me from repentance, the only source of which is a prejudice! I shall leave Cologne to-morrow."

"I do not tell you to go."

"If there is no hope, it is no place for me. May I hope?"