Roderick Hudson

“Who did it? where did you get it?” Rowland demanded.

“Oh,” said Cecilia, adjusting the light, “it ‘s a little thing of Mr. Hudson’s.”

“And who the deuce is Mr. Hudson?” asked Rowland. But he was absorbed; he lost her immediate reply. The statuette, in bronze, something less than two feet high, represented a naked youth drinking from a gourd. The attitude was perfectly simple. The lad was squarely planted on his feet, with his legs a little apart; his back was slightly hollowed, his head thrown back, and both hands raised to support the rustic cup. There was a loosened fillet of wild flowers about his head, and his eyes, under their drooped lids, looked straight into the cup. On the base was scratched the Greek word Δἱψα, Thirst. The figure might have been some beautiful youth of ancient fable,—Hylas or Narcissus, Paris or Endymion. Its beauty was the beauty of natural movement; nothing had been sought to be represented but the perfection of an attitude. This had been most attentively studied, and it was exquisitely rendered. Rowland demanded more light, dropped his head on this side and that, uttered vague exclamations. He said to himself, as he had said more than once in the Louvre and the Vatican, “We ugly mortals, what beautiful creatures we are!” Nothing, in a long time, had given him so much pleasure. “Hudson—Hudson,” he asked again; “who is Hudson?”

“A young man of this place,” said Cecilia.

“A young man? How old?”

“I suppose he is three or four and twenty.”

“Of this place, you say—of Northampton, Massachusetts?”

“He lives here, but he comes from Virginia.”

“Is he a sculptor by profession?”

“He ‘s a law-student.”

Rowland burst out laughing. “He has found something in Blackstone that I never did. He makes statues then simply for his pleasure?”

Cecilia, with a smile, gave a little toss of her head. “For mine!”

“I congratulate you,” said Rowland. “I wonder whether he could be induced to do anything for me?”

“This was a matter of friendship. I saw the figure when he had modeled it in clay, and of course greatly admired it. He said nothing at the time, but a week ago, on my birthday, he arrived in a buggy, with this. He had had it cast at the foundry at Chicopee; I believe it ‘s a beautiful piece of bronze. He begged me to accept.”

“Upon my word,” said Mallet, “he does things handsomely!” And he fell to admiring the statue again.

“So then,” said Cecilia, “it ‘s very remarkable?”

“Why, my dear cousin,” Rowland answered, “Mr. Hudson, of Virginia, is an extraordinary—” Then suddenly stopping: “Is he a great friend of yours?” he asked.

“A great friend?” and Cecilia hesitated. “I regard him as a child!”

“Well,” said Rowland, “he ‘s a very clever child. Tell me something about him: I should like to see him.”

Cecilia was obliged to go to her daughter’s music-lesson, but she assured Rowland that she would arrange for him a meeting with the young sculptor. He was a frequent visitor, and as he had not called for some days it was likely he would come that evening. Rowland, left alone, examined the statuette at his leisure, and returned more than once during the day to take another look at it. He discovered its weak points, but it wore well. It had the stamp of genius. Rowland envied the happy youth who, in a New England village, without aid or encouragement, without models or resources, had found it so easy to produce a lovely work.

In the evening, as he was smoking his cigar on the veranda, a light, quick step pressed the gravel of the garden path, and in a moment a young man made his bow to Cecilia. It was rather a nod than a bow, and indicated either that he was an old friend, or that he was scantily versed in the usual social forms. Cecilia, who was sitting near the steps, pointed to a neighboring chair, but the young man seated himself abruptly on the floor at her feet, began to fan himself vigorously with his hat, and broke out into a lively objurgation upon the hot weather. “I ‘m dripping wet!” he said, without ceremony.

“You walk too fast,” said Cecilia. “You do everything too fast.”

“I know it, I know it!” he cried, passing his hand through his abundant dark hair and making it stand out in a picturesque shock. “I can’t be slow if I try. There ‘s something inside of me that drives me. A restless fiend!”

Cecilia gave a light laugh, and Rowland leaned forward in his hammock. He had placed himself in it at Bessie’s request, and was playing that he was her baby and that she was rocking him to sleep. She sat beside him, swinging the hammock to and fro, and singing a lullaby. When he raised himself she pushed him back and said that the baby must finish its nap. “But I want to see the gentleman with the fiend inside of him,” said Rowland.

“What is a fiend?” Bessie demanded. “It ‘s only Mr. Hudson.”

“Very well, I want to see him.”

“Oh, never mind him!” said Bessie, with the brevity of contempt.

“You speak as if you did n’t like him.”

“I don’t!” Bessie affirmed, and put Rowland to bed again.

The hammock was swung at the end of the veranda, in the thickest shade of the vines, and this fragment of dialogue had passed unnoticed. Rowland submitted a while longer to be cradled, and contented himself with listening to Mr. Hudson’s voice. It was a soft and not altogether masculine organ, and was pitched on this occasion in a somewhat plaintive and pettish key. The young man’s mood seemed fretful; he complained of the heat, of the dust, of a shoe that hurt him, of having gone on an errand a mile to the other side of the town and found the person he was in search of had left Northampton an hour before.

“Won’t you have a cup of tea?” Cecilia asked. “Perhaps that will restore your equanimity.”

“Aye, by keeping me awake all night!” said Hudson. “At the best, it ‘s hard enough to go down to the office. With my nerves set on edge by a sleepless night, I should perforce stay at home and be brutal to my poor mother.”

“Your mother is well, I hope.”

“Oh, she ‘s as usual.”

“And Miss Garland?”

“She ‘s as usual, too. Every one, everything, is as usual. Nothing ever happens, in this benighted town.”

“I beg your pardon; things do happen, sometimes,” said Cecilia. “Here is a dear cousin of mine arrived on purpose to congratulate you on your statuette.” And she called to Rowland to come and be introduced to Mr. Hudson. The young man sprang up with alacrity, and Rowland, coming forward to shake hands, had a good look at him in the light projected from the parlor window. Something seemed to shine out of Hudson’s face as a warning against a “compliment” of the idle, unpondered sort.

“Your statuette seems to me very good,” Rowland said gravely. “It has given me extreme pleasure.”

“And my cousin knows what is good,” said Cecilia. “He ‘s a connoisseur.”

Hudson smiled and stared. “A connoisseur?” he cried, laughing. “He ‘s the first I ‘ve ever seen! Let me see what they look like;” and he drew Rowland nearer to the light. “Have they all such good heads as that? I should like to model yours.”

“Pray do,” said Cecilia. “It will keep him a while. He is running off to Europe.”

“Ah, to Europe!” Hudson exclaimed with a melancholy cadence, as they sat down. “Happy man!”

But the note seemed to Rowland to be struck rather at random, for he perceived no echo of it in the boyish garrulity of his later talk. Hudson was a tall, slender young fellow, with a singularly mobile and intelligent face. Rowland was struck at first only with its responsive vivacity, but in a short time he perceived it was remarkably handsome. The features were admirably chiseled and finished, and a frank smile played over them as gracefully as a breeze among flowers. The fault of the young man’s whole structure was an excessive want of breadth. The forehead, though it was high and rounded, was narrow; the jaw and the shoulders were narrow; and the result was an air of insufficient physical substance. But Mallet afterwards learned that this fair, slim youth could draw indefinitely upon a mysterious fund of nervous force, which outlasted and outwearied the endurance of many a sturdier temperament. And certainly there was life enough in his eye to furnish an immortality! It was a generous dark gray eye, in which there came and went a sort of kindling glow, which would have made a ruder visage striking, and which gave at times to Hudson’s harmonious face an altogether extraordinary beauty. There was to Rowland’s sympathetic sense a slightly pitiful disparity between the young sculptor’s delicate countenance and the shabby gentility of his costume. He was dressed for a visit—a visit to a pretty woman. He was clad from head to foot in a white linen suit, which had never been remarkable for the felicity of its cut, and had now quite lost that crispness which garments of this complexion can as ill spare as the back-scene of a theatre the radiance of the footlights. He wore a vivid blue cravat, passed through a ring altogether too splendid to be valuable; he pulled and twisted, as he sat, a pair of yellow kid gloves; he emphasized his conversation with great dashes and flourishes of a light, silver-tipped walking-stick, and he kept constantly taking off and putting on one of those slouched sombreros which are the traditional property of the Virginian or Carolinian of romance. When this was on, he was very picturesque, in spite of his mock elegance; and when it was off, and he sat nursing it and turning it about and not knowing what to do with it, he could hardly be said to be awkward. He evidently had a natural relish for brilliant accessories, and appropriated what came to his hand. This was visible in his talk, which abounded in the florid and sonorous. He liked words with color in them.

Rowland, who was but a moderate talker, sat by in silence, while Cecilia, who had told him that she desired his opinion upon her friend, used a good deal of characteristic finesse in leading the young man to expose himself. She perfectly succeeded, and Hudson rattled away for an hour with a volubility in which boyish unconsciousness and manly shrewdness were singularly combined. He gave his opinion on twenty topics, he opened up an endless budget of local gossip, he described his repulsive routine at the office of Messrs. Striker and Spooner, counselors at law, and he gave with great felicity and gusto an account of the annual boat-race between Harvard and Yale, which he had lately witnessed at Worcester. He had looked at the straining oarsmen and the swaying crowd with the eye of the sculptor. Rowland was a good deal amused and not a little interested. Whenever Hudson uttered some peculiarly striking piece of youthful grandiloquence, Cecilia broke into a long, light, familiar laugh.

“What are you laughing at?” the young man then demanded. “Have I said anything so ridiculous?”

“Go on, go on,” Cecilia replied. “You are too delicious! Show Mr. Mallet how Mr. Striker read the Declaration of Independence.”

Hudson, like most men with a turn for the plastic arts, was an excellent mimic, and he represented with a great deal of humor the accent and attitude of a pompous country lawyer sustaining the burden of this customary episode of our national festival. The sonorous twang, the see-saw gestures, the odd pronunciation, were vividly depicted. But Cecilia’s manner, and the young man’s quick response, ruffled a little poor Rowland’s paternal conscience. He wondered whether his cousin was not sacrificing the faculty of reverence in her clever protege to her need for amusement. Hudson made no serious rejoinder to Rowland’s compliment on his statuette until he rose to go. Rowland wondered whether he had forgotten it, and supposed that the oversight was a sign of the natural self-sufficiency of genius. But Hudson stood a moment before he said good night, twirled his sombrero, and hesitated for the first time. He gave Rowland a clear, penetrating glance, and then, with a wonderfully frank, appealing smile: “You really meant,” he asked, “what you said a while ago about that thing of mine? It is good—essentially good?”

“I really meant it,” said Rowland, laying a kindly hand on his shoulder. “It is very good indeed. It is, as you say, essentially good. That is the beauty of it.”

Hudson’s eyes glowed and expanded; he looked at Rowland for some time in silence. “I have a notion you really know,” he said at last. “But if you don’t, it does n’t much matter.”

“My cousin asked me to-day,” said Cecilia, “whether I supposed you knew yourself how good it is.”

Hudson stared, blushing a little. “Perhaps not!” he cried.

“Very likely,” said Mallet. “I read in a book the other day that great talent in action—in fact the book said genius—is a kind of somnambulism. The artist performs great feats, in a dream. We must not wake him up, lest he should lose his balance.”

“Oh, when he ‘s back in bed again!” Hudson answered with a laugh. “Yes, call it a dream. It was a very happy one!”

“Tell me this,” said Rowland. “Did you mean anything by your young Water-drinker? Does he represent an idea? Is he a symbol?”

Hudson raised his eyebrows and gently scratched his head. “Why, he ‘s youth, you know; he ‘s innocence, he ‘s health, he ‘s strength, he ‘s curiosity. Yes, he ‘s a good many things.”

“And is the cup also a symbol?”

“The cup is knowledge, pleasure, experience. Anything of that kind!”

“Well, he ‘s guzzling in earnest,” said Rowland.

Hudson gave a vigorous nod. “Aye, poor fellow, he ‘s thirsty!” And on this he cried good night, and bounded down the garden path.

“Well, what do you make of him?” asked Cecilia, returning a short time afterwards from a visit of investigation as to the sufficiency of Bessie’s bedclothes.

“I confess I like him,” said Rowland. “He ‘s very immature,—but there ‘s stuff in him.”

“He ‘s a strange being,” said Cecilia, musingly.

“Who are his people? what has been his education?” Rowland asked.

“He has had no education, beyond what he has picked up, with little trouble, for himself. His mother is a widow, of a Massachusetts country family, a little timid, tremulous woman, who is always on pins and needles about her son. She had some property herself, and married a Virginian gentleman of good estates. He turned out, I believe, a very licentious personage, and made great havoc in their fortune. Everything, or almost everything, melted away, including Mr. Hudson himself. This is literally true, for he drank himself to death. Ten years ago his wife was left a widow, with scanty means and a couple of growing boys. She paid her husband’s debts as best she could, and came to establish herself here, where by the death of a charitable relative she had inherited an old-fashioned ruinous house. Roderick, our friend, was her pride and joy, but Stephen, the elder, was her comfort and support. I remember him, later; he was an ugly, sturdy, practical lad, very different from his brother, and in his way, I imagine, a very fine fellow. When the war broke out he found that the New England blood ran thicker in his veins than the Virginian, and immediately obtained a commission. He fell in some Western battle and left his mother inconsolable. Roderick, however, has given her plenty to think about, and she has induced him, by some mysterious art, to abide, nominally at least, in a profession that he abhors, and for which he is about as fit, I should say, as I am to drive a locomotive. He grew up a la grace de Dieu, and was horribly spoiled. Three or four years ago he graduated at a small college in this neighborhood, where I am afraid he had given a good deal more attention to novels and billiards than to mathematics and Greek. Since then he has been reading law, at the rate of a page a day. If he is ever admitted to practice I ‘m afraid my friendship won’t avail to make me give him my business. Good, bad, or indifferent, the boy is essentially an artist—an artist to his fingers’ ends.”

“Why, then,” asked Rowland, “does n’t he deliberately take up the chisel?”

“For several reasons. In the first place, I don’t think he more than half suspects his talent. The flame is smouldering, but it is never fanned by the breath of criticism. He sees nothing, hears nothing, to help him to self-knowledge. He ‘s hopelessly discontented, but he does n’t know where to look for help. Then his mother, as she one day confessed to me, has a holy horror of a profession which consists exclusively, as she supposes, in making figures of people without their clothes on. Sculpture, to her mind, is an insidious form of immorality, and for a young man of a passionate disposition she considers the law a much safer investment. Her father was a judge, she has two brothers at the bar, and her elder son had made a very promising beginning in the same line. She wishes the tradition to be perpetuated. I ‘m pretty sure the law won’t make Roderick’s fortune, and I ‘m afraid it will, in the long run, spoil his temper.”

“What sort of a temper is it?”

“One to be trusted, on the whole. It is quick, but it is generous. I have known it to breathe flame and fury at ten o’clock in the evening, and soft, sweet music early on the morrow. It ‘s a very entertaining temper to observe. I, fortunately, can do so dispassionately, for I ‘m the only person in the place he has not quarreled with.”

“Has he then no society? Who is Miss Garland, whom you asked about?”

“A young girl staying with his mother, a sort of far-away cousin; a good plain girl, but not a person to delight a sculptor’s eye. Roderick has a goodly share of the old Southern arrogance; he has the aristocratic temperament. He will have nothing to do with the small towns-people; he says they ‘re ‘ignoble.’ He cannot endure his mother’s friends—the old ladies and the ministers and the tea-party people; they bore him to death. So he comes and lounges here and rails at everything and every one.”

This graceful young scoffer reappeared a couple of evenings later, and confirmed the friendly feeling he had provoked on Rowland’s part. He was in an easier mood than before, he chattered less extravagantly, and asked Rowland a number of rather naif questions about the condition of the fine arts in New York and Boston. Cecilia, when he had gone, said that this was the wholesome effect of Rowland’s praise of his statuette. Roderick was acutely sensitive, and Rowland’s tranquil commendation had stilled his restless pulses. He was ruminating the full-flavored verdict of culture. Rowland felt an irresistible kindness for him, a mingled sense of his personal charm and his artistic capacity. He had an indefinable attraction—the something divine of unspotted, exuberant, confident youth. The next day was Sunday, and Rowland proposed that they should take a long walk and that Roderick should show him the country. The young man assented gleefully, and in the morning, as Rowland at the garden gate was giving his hostess Godspeed on her way to church, he came striding along the grassy margin of the road and out-whistling the music of the church bells. It was one of those lovely days of August when you feel the complete exuberance of summer just warned and checked by autumn. “Remember the day, and take care you rob no orchards,” said Cecilia, as they separated.

The young men walked away at a steady pace, over hill and dale, through woods and fields, and at last found themselves on a grassy elevation studded with mossy rocks and red cedars. Just beneath them, in a great shining curve, flowed the goodly Connecticut. They flung themselves on the grass and tossed stones into the river; they talked like old friends. Rowland lit a cigar, and Roderick refused one with a grimace of extravagant disgust. He thought them vile things; he did n’t see how decent people could tolerate them. Rowland was amused, and wondered what it was that made this ill-mannered speech seem perfectly inoffensive on Roderick’s lips. He belonged to the race of mortals, to be pitied or envied according as we view the matter, who are not held to a strict account for their aggressions. Looking at him as he lay stretched in the shade, Rowland vaguely likened him to some beautiful, supple, restless, bright-eyed animal, whose motions should have no deeper warrant than the tremulous delicacy of its structure, and be graceful even when they were most inconvenient. Rowland watched the shadows on Mount Holyoke, listened to the gurgle of the river, and sniffed the balsam of the pines. A gentle breeze had begun to tickle their summits, and brought the smell of the mown grass across from the elm-dotted river meadows. He sat up beside his companion and looked away at the far-spreading view. It seemed to him beautiful, and suddenly a strange feeling of prospective regret took possession of him. Something seemed to tell him that later, in a foreign land, he would remember it lovingly and penitently.

“It ‘s a wretched business,” he said, “this practical quarrel of ours with our own country, this everlasting impatience to get out of it. Is one’s only safety then in flight? This is an American day, an American landscape, an American atmosphere. It certainly has its merits, and some day when I am shivering with ague in classic Italy, I shall accuse myself of having slighted them.”

Roderick kindled with a sympathetic glow, and declared that America was good enough for him, and that he had always thought it the duty of an honest citizen to stand by his own country and help it along. He had evidently thought nothing whatever about it, and was launching his doctrine on the inspiration of the moment. The doctrine expanded with the occasion, and he declared that he was above all an advocate for American art. He did n’t see why we should n’t produce the greatest works in the world. We were the biggest people, and we ought to have the biggest conceptions. The biggest conceptions of course would bring forth in time the biggest performances. We had only to be true to ourselves, to pitch in and not be afraid, to fling Imitation overboard and fix our eyes upon our National Individuality. “I declare,” he cried, “there ‘s a career for a man, and I ‘ve twenty minds to decide, on the spot, to embrace it—to be the consummate, typical, original, national American artist! It ‘s inspiring!”

Rowland burst out laughing and told him that he liked his practice better than his theory, and that a saner impulse than this had inspired his little Water-drinker. Roderick took no offense, and three minutes afterwards was talking volubly of some humbler theme, but half heeded by his companion, who had returned to his cogitations. At last Rowland delivered himself of the upshot of these. “How would you like,” he suddenly demanded, “to go to Rome?”

Hudson stared, and, with a hungry laugh which speedily consigned our National Individuality to perdition, responded that he would like it reasonably well. “And I should like, by the same token,” he added, “to go to Athens, to Constantinople, to Damascus, to the holy city of Benares, where there is a golden statue of Brahma twenty feet tall.”

“Nay,” said Rowland soberly, “if you were to go to Rome, you should settle down and work. Athens might help you, but for the present I should n’t recommend Benares.”

“It will be time to arrange details when I pack my trunk,” said Hudson.

“If you mean to turn sculptor, the sooner you pack your trunk the better.”

“Oh, but I ‘m a practical man! What is the smallest sum per annum, on which one can keep alive the sacred fire in Rome?”

“What is the largest sum at your disposal?”

Roderick stroked his light moustache, gave it a twist, and then announced with mock pomposity: “Three hundred dollars!”

“The money question could be arranged,” said Rowland. “There are ways of raising money.”

“I should like to know a few! I never yet discovered one.”

“One consists,” said Rowland, “in having a friend with a good deal more than he wants, and not being too proud to accept a part of it.”

Roderick stared a moment and his face flushed. “Do you mean—do you mean?”.... he stammered. He was greatly excited.

Rowland got up, blushing a little, and Roderick sprang to his feet. “In three words, if you are to be a sculptor, you ought to go to Rome and study the antique. To go to Rome you need money. I ‘m fond of fine statues, but unfortunately I can’t make them myself. I have to order them. I order a dozen from you, to be executed at your convenience. To help you, I pay you in advance.”

Roderick pushed off his hat and wiped his forehead, still gazing at his companion. “You believe in me!” he cried at last.