The Lost Stradivarius

My brother was nervous apparently in some respects, and would never be left alone even for a few minutes; but in the intervals while Raffaelle was with him I had ample opportunity to examine and appreciate the beauties of the Villa de Angelis. It was built, as I have said, on some rocks jutting into the sea, just before coming to the Capo di Posilipo as you proceed from Naples. The earlier foundations were, I believe, originally Roman, and upon them a modern villa had been constructed in the eighteenth century, and to this again John had made important additions in the past two years. Looking down upon the sea from the windows of the villa, one could on calm days easily discern the remains of Roman piers and moles lying below the surface of the transparent water; and the tufa-rock on which the house was built was burrowed with those unintelligible excavations of a classic date so common in the neighbourhood. These subterraneous rooms and passages, while they aroused my curiosity, seemed at the same time so gloomy and repellent that I never explored them. But on one sunny morning, as I walked at the foot of the rocks by the sea, I ventured into one of the larger of these chambers, and saw that it had at the far end an opening leading apparently to an inner room. I had walking with me an old Italian female servant who took a motherly interest in my proceedings, and who, relying principally upon a very slight knowledge of English, had constituted herself my body-guard. Encouraged by her presence, I penetrated this inner room and found that it again opened in turn into another, and so on until we had passed through no less than four chambers.

They were all lighted after a fashion through vent-holes which somewhere or other reached the outer air, but the fourth room opened into a fifth which was unlighted. My companion, who had been showing signs of alarm and an evident reluctance to proceed further, now stopped abruptly and begged me to return. It may have been that her fear communicated itself to me also, for on attempting to cross the threshold and explore the darkness of the fifth cell, I was seized by an unreasoning panic and by the feeling of undefined horror experienced in a nightmare. I hesitated for an instant, but my fear became suddenly more intense, and springing back, I followed my companion, who had set out to run back to the outer air. We never paused until we stood panting in the full sunlight by the sea. As soon as the maid had found her breath, she begged me never to go there again, explaining in broken English that the caves were known in the neighbourhood as the "Cells of Isis," and were reputed to be haunted by demons. This episode, trifling as it may appear, had so great an effect upon me that I never again ventured on to the lower walk which ran at the foot of the rocks by the sea.

In the house above, my brother had built a large hall after the ancient Roman style, and this, with a dining-room and many other chambers, were decorated in the fashion of those discovered at Pompeii. They had been furnished with the utmost luxury, and the beauty of the paintings, furniture, carpets, and hangings was enhanced by statues in bronze and marble. The villa, indeed, and its fittings were of a kind to which I was little used, and at the same time of such beauty that I never ceased to regard all as a creation of an enchanter's wand, or as the drop-scene to some drama which might suddenly be raised and disappear from my sight. The house, in short, together with its furniture, was, I believe, intended to be a reproduction of an ancient Roman villa, and had something about it repellent to my rustic and insular ideas. In the contemplation of its perfection I experienced a curious mental sensation, which I can only compare to the physical oppression produced on some persons by the heavy and cloying perfume of a bouquet of gardenias or other too highly scented exotics.

In my brother's room was a medieval reproduction in mellow alabaster of a classic group of a dolphin encircling a Cupid. It was, I think, the fairest work of art I ever saw, but it jarred upon my sense of propriety that close by it should hang an ivory crucifix. I would rather, I think, have seen all things material and pagan entirely, with every view of the future life shut out, than have found a medley of things sacred and profane, where the emblems of our highest hopes and aspirations were placed in insulting indifference side by side with the embodied forms of sensuality. Here, in this scene of magical beauty, it seemed to me for a moment that the years had rolled back, that Christianity had still to fight with a living Paganism, and that the battle was not yet won. It was the same all through the house; and there were many other matters which filled me with regret, mingled with vague and apprehensive surmises which I shall not here repeat.

At one end of the house was a small library, but it contained few works except Latin and Greek classics. I had gone thither one day to look for a book that John had asked for, when in turning out some drawers I found a number of letters written from Worth by my lost Constance to her husband. The shock of being brought suddenly face to face with a handwriting that evoked memories at once so dear and sad was in itself a sharp one; but its bitterness was immeasurably increased by the discovery that not one of these envelopes had ever been opened. While that dear heart, now at rest, was pouring forth her love and sorrow to the ears that should have been above all others ready to receive them, her letters, as they arrived, were flung uncared for, unread, even unopened, into any haphazard receptacle.

The days passed one by one at the Villa de Angelis with but little incident, nor did my brother's health either visibly improve or decline. Though the weather was still more than usually warm, a grateful breeze came morning and evening from the sea and tempered the heat so much as to render it always supportable. John would sometimes in the evening sit propped up with cushions on the trellised balcony looking towards Baia, and watch the fishermen setting their nets. We could hear the melody of their deep-voiced songs carried up on the night air. "It was here, Sophy," my brother said, as we sat one evening looking on a scene like this,—"It was here that the great epicure Pollio built himself a famous house, and called it by two Greek words meaning a 'truce to care,' from which our name of Posilipo is derived. It was his sans-souci, and here he cast aside his vexations; but they were lighter than mine. Posilipo has brought no cessation of care to me. I do not think I shall find any truce this side the grave; and beyond, who knows?"

This was the first time John had spoken in this strain, and he seemed stirred to an unusual activity, as though his own words had suddenly reminded him how frail was his state. He called Raffaelle to him and despatched him on an errand to Naples. The next morning he sent for me earlier than usual, and begged that a carriage might be ready by six in the evening, as he desired to drive into the city. I tried at first to dissuade him from his project, urging him to consider his weak state of health. He replied that he felt somewhat stronger, and had something that he particularly wished me to see in Naples. This done, it would be better to return at once to England: he could, he thought, bear the journey if we travelled by very short stages.

CHAPTER XIV

Shortly after six o'clock in the evening we left the Villa de Angelis. The day had been as usual cloudlessly serene; but a gentle sea-breeze, of which I have spoken, rose in the afternoon and brought with it a refreshing coolness. We had arranged a sort of couch in the landau with many cushions for my brother, and he mounted into the carriage with more ease than I had expected. I sat beside him, with Raffaelle facing me on the opposite seat. We drove down the hill of Posilipo through the ilex-trees and tamarisk-bushes that then skirted the sea, and so into the town. John spoke little except to remark that the carriage was an easy one. As we were passing through one of the principal streets he bent over to me and said, "You must not be alarmed if I show you to-day a strange sight. Some women might perhaps be frightened at what we are going to see; but my poor sister has known already so much of trouble that a light thing like this will not affect her." In spite of his encomiums upon my supposed courage, I felt alarmed and agitated by his words. There was a vagueness in them which frightened me, and bred that indefinite apprehension which is often infinitely more terrifying than the actual object which inspires it. To my inquiries he would give no further response than to say that he had whilst at Posilipo made some investigations in Naples leading to a strange discovery, which he was anxious to communicate to me. After traversing a considerable distance, we had penetrated apparently into the heart of the town. The streets grew narrower and more densely thronged; the houses were more dirty and tumbledown, and the appearance of the people themselves suggested that we had reached some of the lower quarters of the city. Here we passed through a further network of small streets of the name of which I took no note, and found ourselves at last in a very dark and narrow lane called the Via del Giardino. Although my brother had, so far as I had observed, given no orders to the coachman, the latter seemed to have no difficulty in finding his way, driving rapidly in the Neapolitan fashion, and proceeding direct as to a place with which he was already familiar.

In the Via del Giardino the houses were of great height, and overhung the street so as nearly to touch one another. It seemed that this quarter had been formerly inhabited, if not by the aristocracy, at least by a class very much superior to that which now lived there; and many of the houses were large and dignified, though long since parcelled out into smaller tenements. It was before such a house that we at last brought up. Here must have been at one time a house or palace of some person of distinction, having a long and fine façade adorned with delicate pilasters, and much florid ornamentation of the Renaissance period. The ground-floor was divided into a series of small shops, and its upper storeys were evidently peopled by sordid families of the lowest class. Before one of these little shops, now closed and having its windows carefully blocked with boards, our carriage stopped. Raffaelle alighted, and taking a key from his pocket unlocked the door, and assisted John to leave the carriage. I followed, and directly we had crossed the threshold, the boy locked the door behind us, and I heard the carriage drive away.

We found ourselves in a narrow and dark passage, and as soon as my eyes grew accustomed to the gloom I perceived there was at the end of it a low staircase leading to some upper room, and on the right a door which opened into the closed shop. My brother moved slowly along the passage, and began to ascend the stairs. He leant with one hand on Raffaelle's arm, taking hold of the balusters with the other. But I could see that to mount the stairs cost him considerable effort, and he paused frequently to cough and get his breath again. So we reached a landing at the top, and found ourselves in a small chamber or magazine directly over the shop. It was quite empty except for a few broken chairs, and appeared to be a small loft formed by dividing what had once been a high room into two storeys, of which the shop formed the lower. A long window, which had no doubt once formed one of several in the walls of this large room, was now divided across its width by the flooring, and with its upper part served to light the loft, while its lower panes opened into the shop. The ceiling was, in consequence of these alterations, comparatively low, but though much mutilated, retained evident traces of having been at one time richly decorated, with the raised mouldings and pendants common in the sixteenth century. At one end of the loft was a species of coved and elaborately carved dado, of which the former use was not obvious; but the large original room had without doubt been divided in length as Well as in height, as the lath-and-plaster walls at either end of the loft had evidently been no part of the ancient structure.

My brother sat down in one of the old chairs, and seemed to be collecting his strength before speaking. My anxiety was momentarily increasing, and it was a great relief when he began, talking in a low voice as one that had much to say and wished to husband his strength.

"I do not know whether you will recollect my having told you of something Mr. Gaskell once said about the music of Graziani's 'Areopagita' suite. It had always, he used to say, a curious effect upon his imagination, and the melody of the Gagliarda especially called up to his thoughts in some strange way a picture of a certain hall where people were dancing. He even went so far as to describe the general appearance of the room itself, and of the persons who were dancing there."

"Yes," I answered, "I remember your telling me of this;" and indeed my memory had in times past so often rehearsed Mr. Gaskell's description that, although I had not recently thought of it, its chief features immediately returned to my mind.

"He described it," my brother continued, "as a long hall with an arcade of arches running down one side, of the fantastic Gothic of the Renaissance. At the end was a gallery or balcony for the musicians, which on its front carried a coat of arms."

I remembered this perfectly and told John so, adding that the shield bore a cherub's head fanning three lilies on a golden field.

"It is strange," John went on, "that the description of a scene which our friend thought a mere effort of his own imagination has impressed itself so deeply on both our minds. But the picture which he drew was more than a fancy, for we are at this minute in the very hall of his dream."

I could not gather what my brother meant, and thought his reason was failing him; but he continued, "This miserable floor on which we stand has of course been afterwards built in; but you see above you the old ceiling, and here at the end was the musicians' gallery with the shield upon its front."

He pointed to the carved and whitewashed dado which had hitherto so puzzled me. I stepped up to it, and although the lath-and-plaster partition wall was now built around it, it was clear that its curved outline might very easily, as John said, have formed part of the front of a coved gallery. I looked closer at the relief-work which had adorned it. Though the edges were all rubbed off, and the mouldings in some cases entirely removed, I could trace without difficulty a shield in the midst; and a more narrow inspection revealed underneath the whitewash, which had partly peeled away, enough remnants of colour to show that it had certainly been once painted gold and borne a cherub's head with three lilies.

"That is the shield of the old Neapolitan house of Doma-Cavalli," my brother continued; "they bore a cherub's head fanning three lilies on a shield or. It was in the balcony behind this shield, long since blocked up as you see, that the musicians sat on that ball night of which Gaskell dreamt. From it they looked down on the hall below where dancing was going forward, and I will now take you downstairs that you may see if the description tallies."

So saying, he raised himself, and descending the stairs with much less difficulty than he had shown in mounting them, flung open the door which I had seen in the passage and ushered us into the shop on the ground-floor. The evening light had now faded so much that we could scarcely see even in the passage, and the shop having its windows barricaded with shutters, was in complete darkness. Raffaelle, however, struck a match and lit three half-burnt candles in a tarnished sconce upon the wall.

The shop had evidently been lately in the occupation of a wine-seller, and there were still several empty wooden wine-butts, and some broken flasks on shelves. In one corner I noticed that the earth which formed the floor had been turned up with spades. There was a small heap of mould, and a large flat stone was thus exposed below the surface. This stone had an iron ring attached to it, and seemed to cover the aperture of a well, or perhaps a vault. At the back of the shop, and furthest from the street, were two lofty arches separated by a column in the middle, from which the outside casing had been stripped.

To these arches John pointed and said, "That is a part of the arcade which once ran down the whole length of the hall. Only these two arches are now left, and the fine marbles which doubtless coated the outside of this dividing pillar have been stripped off. On a summer's night about one hundred years ago dancing was going on in this hall. There were a dozen couples dancing a wild step such as is never seen now. The tune that the musicians were playing in the gallery above was taken from the 'Areopagita' suite of Graziani. Gaskell has often told me that when he played it the music brought with it to his mind a sense of some impending catastrophe, which culminated at the end of the first movement of the Gagliarda. It was just at that moment, Sophy, that an Englishman who was dancing here was stabbed in the back and foully murdered."

I had scarcely heard all that John had said, and had certainly not been able to take in its import; but without waiting to hear if I should say anything, he moved across to the uncovered stone with the ring in it. Exerting a strength which I should have believed entirely impossible in his weak condition, he applied to the stone a lever which lay ready at hand. Raffaelle at the same time seized the ring, and so they were able between them to move the covering to one side sufficiently to allow access to a small staircase which thus appeared to view. The stair was a winding one, and once led no doubt to some vaults below the ground-floor. Raffaelle descended first, taking in his hand the sconce of three candles, which he held above his head so as to fling a light down the steps. John went next, and then I followed, trying to support my brother if possible with my hand. The stairs were very dry, and on the walls there was none of the damp or mould which fancy usually associates with a subterraneous vault. I do not know what it was I expected to see, but I had an uneasy feeling that I was on the brink of some evil and distressing discovery. After we had descended about twenty steps we could see the entry to some vault or underground room, and it was just at the foot of the stairs that I saw something lying, as the light from the candles fell on it from above. At first I thought it was a heap of dust or refuse, but on looking closer it seemed rather a bundle of rags. As my eyes penetrated the gloom, I saw there was about it some tattered cloth of a faded green tint, and almost at the same minute I seemed to trace under the clothes the lines or dimensions of a human figure. For a moment I imagined it was some poor man lying face downwards and bent up against the wall. The idea of a man or of a dead body being there shocked me violently, and I cried to my brother, "Tell me, what is it?" At that instant the light from. Raffaelle's candles fell in a somewhat different direction. It lighted up the white bowl of a human skull, and I saw that what I had taken for a man's form was instead that of a clothed skeleton. I turned faint and sick for an instant, and should have fallen had it not been for John, who put his arm about me and sustained me with an unexpected strength.

"God help us!" I exclaimed, "let us go. I cannot bear this; there are foul vapours here; let us get back to the outer air."

He took me by the arm, and pointing at the huddled heap, said, "Do you know whose bones those are? That is Adrian Temple. After it was all over, they flung his body down the steps, dressed in the clothes he wore."

At that name, uttered in so ill-omened a place, I felt a fresh access of terror. It seemed as though the soul of that wicked man must be still hovering over his unburied remains, and boding evil to us all. A chill crept over me, the light, the walls, my brother, and Raffaelle all swam round, and I sank swooning on the stairs.

When I returned fully to my senses we were in the landau again making our way back to the Villa de Angelis.

CHAPTER XV

The next morning my health and strength were entirely restored to me, but my brother, on the contrary, seemed weak and exhausted from his efforts of the previous night. Our return journey to the Villa de Angelis had passed in complete silence. I had been too much perturbed to question him on the many points relating to the strange events as to which I was still completely in the dark, and he on his side had shown no desire to afford me any further information. When I saw him the next morning he exhibited signs of great weakness, and in response to an effort on my part to obtain some explanation of the discovery of Adrian Temple's body, avoided an immediate reply, promising to tell me all he knew after our return to Worth Maltravers.

I pondered over the last terrifying episode very frequently in my own mind, and as I thought more deeply of it all, it seemed to me that the outlines of some evil history were piece by piece developing themselves, that I had almost within my grasp the clue that would make all plain, and that had eluded me so long. In that dim story Adrian Temple, the music of the Gagliarda, my brother's fatal passion for the violin, all seemed to have some mysterious connection, and to have conspired in working John's mental and physical ruin. Even the Stradivarius violin bore a part in the tragedy, becoming, as it were, an actively malignant spirit, though I could not explain how, and was yet entirely unaware of the manner in which it had come into my brother's possession.

I found that John was still resolved on an immediate return to England. His weakness, it is true, led me to entertain doubts as to how he would support so long a journey; but at the same time I did not feel justified in using any strong efforts to dissuade him from his purpose. I reflected that the more wholesome air and associations of England would certainly re-invigorate both body and mind, and that any extra strain brought about by the journey would soon be repaired by the comforts and watchful care with which we could surround him at Worth Maltravers.

So the first week in October saw us once more with our faces set towards England. A very comfortable swinging-bed or hammock had been arranged for John in the travelling carriage, and we determined to avoid fatigue as much as possible by dividing our journey into very short stages. My brother seemed to have no intention of giving up the Villa de Angelis. It was left complete with its luxurious furniture, and with all his servants, under the care of an Italian maggior-duomo. I felt that as John's state of health forbade his entertaining any hope of an immediate return thither, it would have been much better to close entirely his Italian house. But his great weakness made it impossible for him to undertake the effort such a course would involve, and even if my own ignorance of the Italian tongue had not stood in the way, I was far too eager to get my invalid back to Worth to feel inclined to import any further delay, while I should myself adjust matters which were after all comparatively trifling. As Parnham was now ready to discharge his usual duties of valet, and as my brother seemed quite content that he should do so, Raffaelle was of course to be left behind. The boy had quite won my heart by his sweet manners, combined with his evident affection to his master, and in making him understand that he was now to leave us, I offered him a present of a few pounds as a token of my esteem. He refused, however, to touch this money, and shed tears when he learnt that he was to be left in Italy, and begged with many protestations of devotion that he might be allowed to accompany us to England. My heart was not proof against his entreaties, supported by so many signs of attachment, and it was agreed, therefore, that he should at least attend us as far as Worth Maltravers. John showed no surprise at the boy being with us; indeed I never thought it necessary to explain that I had originally purposed to leave him behind.

Our journey, though necessarily prolonged by the shortness of its stages, was safely accomplished. John bore it as well as I could have hoped, and though his body showed no signs of increased vigour, his mind, I think, improved in tone, at any rate for a time. From the evening on which he had shown me the terrible discovery in the Via del Giardino he seemed to have laid aside something of his care and depression. He now exhibited little trace of the moroseness and selfishness which had of late so marred his character; and though he naturally felt severely at times the fatigue of travel, yet we had no longer to dread any relapse into that state of lethargy or stupor which had so often baffled every effort to counteract it at Posilipo. Some feeling of superstitious aversion had prompted me to give orders that the Stradivarius violin should be left behind at Posilipo. But before parting my brother asked for it, and insisted that it should be brought with him, though I had never heard him play a note on it for many weeks. He took an interest in all the petty episodes of travel, and certainly appeared to derive more entertainment from the journey than was to have been anticipated in his feeble state of health.