Harper's New Monthly Magazine, Volume 1, No. 2, July, 1850.

On leaving the convent in which she had been educated, Charlotte Corday went to reside with her aunt, Madame Coutellier de Bretteville Gouville, an old royalist lady, who inhabited an ancient-looking house in one of the principal streets of Caën. There the young girl, who had inherited a little property, spent several years, chiefly engaged in watching the progress of the Revolution.

A silent reserve characterized this epoch of Charlotte Corday's life; her enthusiasm was not external but inward; she listened to the discussions which were carried on around her without taking a part in them herself. She seemed to feel instinctively that great thoughts are always better nursed in the heart's solitude: that they can only lose their native depth and intensity by being revealed too freely before the indifferent gaze of the world. Those with whom she then occasionally conversed took little heed of the substance of her discourse, and could remember nothing of it when she afterward became celebrated; but all recollected well her voice, and spoke with strange enthusiasm of its pure, silvery sound.

The fall of the Girondists, on the 31st of May, first suggested to Charlotte Corday the possibility of giving an active shape to her hitherto passive feelings. She watched with intense, though still silent interest, the progress of events, concealing her secret indignation and thoughts of vengeance under her habitually calm aspect. Those feelings were heightened in her soul by the presence of the fugitive Girondists, who had found a refuge in Caën, and were urging the Normans to raise an army to march on Paris. She found a pretense to call upon Barbaroux, then with his friends at the Intendance. She came twice, accompanied by an old servant, and protected by her own modest dignity. Péthion saw her in the hall, where she was waiting for the handsome Girondist, and observed with a smile, "So the beautiful aristocrat is come to see republicans." "Citizen Péthion," she replied, "you now judge me without knowing me, but a time will come when you shall learn who I am." With Barbaroux, Charlotte chiefly conversed of the imprisoned Girondists; of Madame Roland and Marat. The name of this man had long haunted her with a mingled feeling of dread and horror. To Marat she ascribed the proscription of the Girondists, the woes of the Republic, and on him she resolved to avenge her ill-fated country. Charlotte was not aware that Marat was but the tool of Danton and Robespierre. "If such actions could be counseled," afterward said Barbaroux, "it is not Marat whom we would have advised her to strike."

While this deadly thought was daily strengthening itself in Charlotte's mind, she received several offers of marriage. She declined them, on the plea of wishing to remain free: but strange indeed must have seemed to her, at that moment, those proposals of earthly love. One of those whom her beauty had enamored, M. de Franquelin, a young volunteer in the cause of the Girondists, died of grief on learning her fate; his last request was, that her portrait, and a few letters he had formerly received from her, might be buried with him in his grave.

For several days after her last interview with Barbaroux, Charlotte brooded silently over her great thought; often meditating on the history of Judith. Her aunt subsequently remembered that, on entering her room one morning, she found an old Bible open on her bed: the verse in which it is recorded that "the Lord had gifted Judith with a special beauty and fairness," for the deliverance of Israel, was underlined with a pencil.

On another occasion Madame de Bretteville found her niece weeping alone; she inquired into the cause of her tears. "They flow," replied Charlotte, "for the misfortunes of my country." Heroic and devoted as she was, she then also wept, perchance, over her own youth and beauty, so soon to be sacrificed forever. No personal considerations altered her resolve: she procured a passport, provided herself with money, and paid a farewell visit to her father, to inform him that, considering the unsettled condition of France, she thought it best to retire to England. He approved of her intention, and bade her adieu. On returning to Caën, Charlotte told the same tale to Madame de Bretteville, left a secret provision for an old nurse, and distributed the little property she possessed among her friends.

It was on the morning of the 9th of July, 1793, that she left the house of her aunt, without trusting herself with a last farewell. Her most earnest wish was, when her deed should have been accomplished, to perish, wholly unknown, by the hands of an infuriated multitude. The woman who could contemplate such a fate, and calmly devote herself to it, without one selfish thought of future renown, had indeed the heroic soul of a martyr.

Her journey to Paris was marked by no other event than the unwelcome attentions of some Jacobins with whom she traveled. One of them, struck by her modest and gentle beauty, made her a very serious proposal of marriage: she playfully evaded his request, but promised that he should learn who and what she was at some future period. On entering Paris, she proceeded immediately to the Hotel de la Providence, Rue ties Vieux Augustins, not far from Marat's dwelling. Here she rested for two days before calling on her intended victim. Nothing can mark more forcibly the singular calmness of her mind: she felt no hurry to accomplish the deed for which she had journeyed so far, and over which she had meditated so deeply: her soul remained serene and undaunted to the last. The room which she occupied, and which has often been pointed out to inquiring strangers, was a dark and wretched attic, into which light scarcely ever penetrated. There she read again the volume of Plutarch she had brought with her – unwilling to part from her favorite author, even in her last hours – and probably composed that energetic address to the people which was found upon her after her apprehension.

Charlotte perceived that to call on Marat was the only means by which she might accomplish her purpose. She did so on the morning of the 13th of July, having first purchased a knife in the Palais Royal, and written him a note, in which she requested an interview. She was refused admittance. She then wrote him a second note, more pressing than the first, and in which she represented herself as persecuted for the cause of freedom. Without waiting to see what effect this note might produce, she called again at half-past seven the same evening.

Marat then resided in the Rue des Cordeliers, in a gloomy-looking house, which has since been demolished. His constant fears of assassination were shared by those around him; the porter seeing a strange woman pass by his lodge, without pausing to make any inquiry, ran out and called her back. She did not heed his remonstrance, but swiftly ascended the old stone staircase, until she had reached the door of Marat's apartment. It was cautiously opened by Albertine, a woman with whom Marat cohabited, and who passed for his wife. Recognizing the same young and handsome girl who had already called on her husband, and animated, perhaps by a feeling of jealous mistrust, Albertine refused to admit her; Charlotte insisted with great earnestness. The sound of their altercation reached Marat: he immediately ordered his wife to admit the stranger, whom he recognized as the author of the two letters he had received in the course of the day. Albertine obeyed reluctantly; she allowed Charlotte to enter; and after crossing with her an ante chamber, where she had been occupied with a man named Laurent Basse in folding some numbers of the "Ami du Peuple," she ushered her through two other rooms, until they came to a narrow closet where Marat was then in a bath. He gave a look at Charlotte, and ordered his wife to leave them alone: she complied, but allowed the door of the closet to remain half open, and kept within call.

According to his usual custom, Marat wore a soiled handkerchief bound round his head, increasing his natural hideousness. A coarse covering was thrown across the bath; a board, likewise, placed transversely, supported his papers. Laying down his pen, he asked Charlotte the purport of her visit. The closet was so narrow that she touched the bath near which she stood. She gazed on him with ill-disguised horror and disgust, but answered as composedly as she could, that she had come from Caën, in order to give him correct intelligence concerning the proceedings of the Girondists there. He listened, questioned her eagerly, wrote down the names of the Girondists, then added, with a smile of triumph: "Before a week they shall have perished on the guillotine." "These words," afterward said Charlotte, "sealed his fate." Drawing from beneath the handkerchief which covered her bosom the knife she had kept there all along, she plunged it to the hilt in Marat's heart. He gave one loud, expiring cry for help, and sank back dead, in the bath. By an instinctive impulse, Charlotte had instantly drawn out the knife from the breast of her victim, but she did not strike again; casting it down at his feet, she left the closet, and sat down in the neighboring room, thoughtfully passing her hand across her brow: her task was done.

The wife of Marat had rushed to his aid on hearing his cry for help. Laurent Basse, seeing that all was over, turned round toward Charlotte, and, with a blow of a chair, felled her to the floor; while the infuriated Albertine trampled her under her feet. The tumult aroused the other tenants of the house; the alarm spread, and a crowd gathered in the apartment, who learned with stupor that Marat, the Friend of the People, had been murdered. Deeper still was their wonder when they gazed on the murderess. She stood there before them with still disordered garments, and her disheveled hair, loosely bound by a broad green ribbon falling around her; but so calm, so serenely lovely, that those who most abhorred her crime gazed on her with involuntary admiration. "Was she then so beautiful?" was the question addressed, many years afterward, to an old man, one of the few remaining witnesses of this scene. "Beautiful!" he echoed, enthusiastically; adding, with the eternal regrets of old age: "Ay, there are none such now!"

On the morning of the 17th, she was led before her judges. She was dressed with care, and had never looked more lovely. Her bearing was so imposing and dignified, that the spectators and the judges seemed to stand arraigned before her. She interrupted the first witness, by declaring that it was she who had killed Marat. "Who inspired you with so much hatred against him?" asked the President.

"I needed not the hatred of others, I had enough of my own," she energetically replied; "besides, we do not execute well that which we have not ourselves conceived."

"What, then, did you hate in Marat?"

"His crimes."

"Do you think that you have assassinated all the Marats?"

"No; but now that he is dead, the rest may fear."

She answered other questions with equal firmness and laconism. Her project, she declared, had been formed since the 31st of May. "She had killed one man to save a hundred thousand She was a republican long before the Revolution, and had never failed in energy."

"What do you understand by energy?" asked the President.

"That feeling," she replied, "which induces us to east aside selfish considerations, and sacrifice ourselves for our country."

Fouquier Tinville here observed, alluding to the sure blow she had given, that she must be well practiced in crime. "The monster takes me for an assassin!" she exclaimed, in a tone thrilling with indignation. This closed the debates, and her defender rose. It was not Doulcet de Pontécoulant – who had not received her letter – but Chauveau de la Garde, chosen by the President. Charlotte gave him an anxious look, as though she feared he might seek to save her at the expense of honor. He spoke, and she perceived that her apprehensions were unfounded. Without excusing her crime, or attributing it to insanity, he pleaded for the fervor of her conviction; which he had the courage to call sublime. The appeal proved unavailing. Charlotte Corday was condemned. Without deigning to answer the President, who asked her if she had aught to object to the penalty of death being carried out against her, she rose, and walking up to her defender, thanked him gracefully. "These gentlemen," said she, pointing to the judges, "have just informed me that the whole of my property is confiscated. I owe something in the prison: as a proof of my friendship and esteem, I request you to pay this little debt."

On returning to the conciergerie, she found an artist, named Hauër, waiting for her, to finish her portrait, which he had begun at the tribunal. They conversed freely together, until the executioner, carrying the red chemise destined for assassins, and the scissors with which he was to cut her hair off, made his appearance. "What, so soon!" exclaimed Charlotte Corday, slightly turning pale; but rallying her courage, she resumed her composure, and presented a look of her hair to M. Hauër, as the only reward in her power to offer. A priest came to offer her his ministry. She thanked him and the persons by whom he had been sent, but declined his spiritual aid. The executioner cut her hair, bound her hands, and threw the red chemise over her. M. Hauër was struck with the almost unearthly loveliness which the crimson hue of this garment imparted to the ill-fated maiden. "This toilet of death, though performed by rude hands, leads to immortality," said Charlotte, with a smile.

A heavy storm broke forth as the car of the condemned left the conciergerie for the Place de la Revolution. An immense crowd lined every street through which Charlotte Corday passed. Hootings and execrations at first rose on her path; but as her pure and serene beauty dawned on the multitude, as the exquisite loveliness of her countenance and the sculptural beauty of her figure became more fully revealed, pity and admiration superseded every other feeling. Her bearing was so admirably calm and dignified, as to rouse sympathy in the breasts of those who detested not only her crime, but the cause for which it had been committed. Many men of every party took off their hats and bowed as the cart passed before them. Among those who waited its approach, was a young German, normed Adam Luz, who stood at the entrance of the Rue Saint Honoré, and followed Charlotte to the scaffold. He gazed on the lovely and heroic maiden with all the enthusiasm of his imaginative race. A love, unexampled perhaps in the history of the human heart, took possession of his soul.

Unconscious of the passionate love she had awakened, Charlotte now stood near the guillotine. She turned pale on first beholding it, but soon resumed her serenity. A deep blush suffused her face when the executioner removed the handkerchief that covered her neck and shoulders, but she calmly laid her head upon the block. The executioner touched a spring and the ax came down. One of Samson's assistants immediately stepped forward, and holding up the lifeless head to the gaze of the crowd, struck it on either cheek. The brutal act only excited a feeling of horror; and it is said that – as though even in death her indignant spirit protested against this outrage – an angry and crimson flush passed over the features of Charlotte Corday.

[From Household Words.]

GREENWICH WEATHER-WISDOM

In England every body notices the weather, and talks about the weather, and suffers by the weather, yet very few of us know any thing about it. The changes of our climate have given us a constant and an insatiable national disease – consumption; the density of our winter fog has gained an European celebrity; while the general haziness of our atmosphere induces an Italian or an American to doubt whether we are ever indulged with a real blue sky. "Good day" has become the national salutation; umbrellas, water-proof clothes, and cough mixtures are almost necessities of English life; yet, despite these daily and hourly proofs of the importance of the weather to each and all of us, it is only within the last ten years that any effectual steps have been taken in England to watch the weather and the proximate elements which regulate its course and variations.

Yet, in those ten years positive wonders have been done, and good hope established that a continuance of patient inquiry will be rewarded by still further discoveries. To take a single result, it may be mentioned, that a careful study of the thermometer has shown that a descent of the temperature of London from forty-five to thirty-two degrees, generally kills about 300 persons. They may not all die in the very week when the loss of warmth takes place, but the number of deaths is found to increase to that extent over the previous average within a short period after the change. The fall of temperature, in truth, kills them as certainly as a well-aimed cannon-shot. Our changing climate, or deficient food and shelter, has prepared them for the final stroke, but they actually die at last of the weather.

Before 1838, several European states, less apt than ourselves to talk about the weather, had taken it up as a study, and had made various contributions to the general knowledge of the subject; but in that year England began to act. The officials who now and then emerge from the Admiralty under the title of the "Board of Visitors," to see what is in progress at the Greenwich Observatory, were reminded by Mr. Airy, the astronomer royal, that much good might be done by pursuing a course of magnetic and meteorological observations. The officials "listened and believed."

The following year saw a wooden fence pushed out behind the Observatory walls, in the direction of Blackheath, and soon afterward a few low-roofed, unpainted, wooden buildings were dotted over the inclosure. These structures are small enough and humble enough to outward view, yet they contain some most beautifully-constructed instruments, and have been the scene of a series of observations and discoveries of the greatest interest and value. The stray holiday visitor to Greenwich Park, who feels tempted to look over the wooden paling, sees only a series of deal sheds, upon a rough grass-plat; a mast some eighty feet high, steadied by ropes, and having a lantern at the top, and a windlass below; and if he looks closer, he perceives a small inner inclosure, surrounded by a dwarf fence; an upright stand, with a movable top, sheltering a collection of thermometers; and here and there a pile of planks and unused partitioning, that helps to give the place an appearance of temporary expediency, an aspect something between a collection of emigrants' cottages and the yard of a dealer in second-hand building materials. But – as was said when speaking of the Astronomical Observatory – Greenwich is a practical place, and not one prepared for show. Science, like virtue, does not require a palace for a dwelling-place. In this collection of deal houses, during the last ten years, Nature has been constantly watched, and interrogated with the zeal and patience which alone can glean a knowledge of her secrets. And the results of those watches, kept at all hours, and in all weathers, are curious in the extreme; but before we ask what they are, let us cross the barrier, and see with what tools the weather-students work.

The main building is built in the form of a cross, with its chief front to the magnetic north. It is formed of wood, all iron and other metals being carefully excluded; for its purpose is to contain three large magnets, which have to be isolated from all influence likely to interfere with their truthful action. In three arms of the cross these magnets are suspended by bands of unwrought, untwisted silk. In the fourth arm is a sort of double window, filled with apparatus for receiving the electricity collected at the top of the mast which stands close by. Thus, in this wooden shed, we find one portion devoted to; electricity – to the detection and registry of the stray lightning of the atmosphere – and the other three to a set of instruments that feel the influence and register the variations of the magnetic changes in the conditions of the air. "True as the needle to the pole," is the burden of an old song, which now shows how little our forefathers knew about this same needle, which, in truth, has a much steadier character than it deserves. Let all who still have faith in the legend go to the magnet-house, and when they have seen the vagaries there displayed, they will have but a poor idea of Mr. Charles Dibdin's sea-heroes, whose constancy is declared to have been as true as their compasses were to the north.

Upon entering the magnet-house, the first object that attracts attention are the jars to which the electricity is brought down. The fluid is collected, as just stated, by a conductor running from the top of the mast outside. In order that not the slightest portion may be lost in its progress down, a lamp is kept constantly burning near the top of the pole, the light of which keeps warm and dry a body of glass that cuts off all communication between the conductor and the machinery which supports it. Another light, for the purpose of collecting the electricity by its flame, is placed above the top of the pole. This light, burning at night, has given rise to many a strange supposition in the neighborhood. It is too high up to be serviceable as a lantern to those below. Besides, who walks in Greenwich Park after the gates are closed? It can light only the birds or the deer. "Then, surely," says another popular legend, "it is to guide the ships on the river, when on their way up at night; a sort of landmark to tell where-abouts the Observatory is when the moon and stars are clouded, and refuse to show where their watchers are."

All these speculations are idle, for the lights burn when the sun is shining, as well as at night; and the object of the lower one is that no trace of moisture, and no approach of cold, shall give the electricity a chance of slipping down the mast, or the ropes, to the earth, but shall leave it no way of escape from the wise men below, who want it, and will have it, whether it likes or no, in their jars, that they may measure its quantity and its quality, and write both down in their journals. It is thus that electricity comes down the wires into those jars on our right as we enter. If very slight, its presence there is indicated by tiny morsels of pendent gold-leaf; if stronger, the divergence of two straws show it; if stronger still, the third jar holds its greater force, while neighboring instruments measure the length of the electric sparks, or mark the amount of the electric force. At the desk, close by, sits the observer, who jots down the successive indications. In his book he registers from day to day, throughout the year, how much electricity has been in the air, and what was its character, even to such particulars as to whether its sparks were blue, violet, or purple in color. At times, however, he has to exercise great care, and it is not always that he even then escapes receiving severe shocks.

Passing on, we approach the magnets. They are three in number; of large size, and differently suspended, to show the various ways in which such bodies are acted upon. All hang by bands of unwrought silk. If the silk were twisted, it would twist the magnets, and the accuracy of their position would be disturbed. Magnets, like telescopes, must be true in their adjustment to the hundredth part of a hair's breadth. One magnet hangs north and south; another east and west; and a third, like a scale-beam, is balanced on knife-edges and agate planes, so beautifully, that when once adjusted and inclosed in its case, it is opened only once a year, lest one grain of dust, or one small spider, should destroy its truth; for spiders are as troublesome to the weather-student as to the astronomer. These insects like the perfect quiet that reigns about the instruments of the philosopher, and with heroic perseverance persist in spinning their fine threads among his machines. Indeed, spiders occasionally betray the magnetic observer into very odd behavior At times he may be seen bowing in the sunshine, like a Persian fire-worshiper; now stooping in this direction, now dodging in that, but always gazing through the sun's rays up toward that luminary. He seems demented, staring at nothing. At last he lifts his hand; he snatches apparently at vacancy to pull nothing down In truth his eye had at last caught the gleam of light reflected from an almost invisible spider line running from the electrical wire to the neighboring planks. The spider who had ventured on the charged wire paid the penalty of such daring with his life long ago, but he had left his web behind him, and that beautifully minute thread has been carrying off to the earth a portion of the electric fluid, before it had been received, and tested, and registered by the mechanism below. Such facts show the exceeding delicacy of the observations.