Harper's New Monthly Magazine, Volume 1, No. 2, July, 1850.

Here Dick, being warmed, continued the story: "We could not stop; we marched all evening and all night, and when the two poor creturs cried for water, as they did most of the night, as often as I could I filled my boots, and gave them to drink. I led the horse, and traveled seventy miles without halting for more than a minute or two. Toward the last they were as helpless as worn-out sheep. I tied them on. We had the luck to fall in with a party traveling just when the old mare was about giving in, and then we must all have died for want of water. Charley Anvils had eighteen wounds, but, except losing two fingers, is none the worse. Poor Jemmy, there, will never be fit for any thing but a hut-keeper; as for me, I had some scratches – nothing to hurt; and the old mare lost an ear. I went back afterward with the police, and squared accounts with the blacks.

"And so, you see, stranger, the old woman thinks I saved her old man's life, although I would have done as much for any one; but I believe there are some gentlemen in Sydney think I ought to have been hung for what I did. Any how, since that scrimmage in the bush, they always call me 'Two-handed Dick.'"

[From Household Words.]

THE USES OF SORROW

Oh, grieve not for the early dead,Whom God himself hath taken;But deck with flowers each holy bed —Nor deem thyself forsaken,When one by one, they fall away,Who were to thee as summer day.Weep for the babes of guilt, who sleepWith scanty rags stretch'd o'er them,On the dark road, the downward steepOf misery; while before themLooms out afar the dreadful tree,And solemn, sad Eternity!Nor weep alone; but when to HeavenThe cords of sorrow bind thee,Let kindest help to such be givenAs God shall teach to find thee;And, for the sake of those above,Do deeds of Wisdom, Mercy, Love.The child that sicken'd on thy knee,Thou weeping Christian mother,Had learn'd in this world, lispingly,Words suited for another.Oh, dost thou think, with pitying mind,On untaught infants left behind?

BENJAMIN WEST

BY LEIGH HUNT

The two principal houses at which I visited, till the arrival of our relations from the West Indies, were Mr. West's (late President of the Royal Academy), in Newman-street, and Mr. Godfrey Thornton's (of the distinguished city family), in Austin-Friars. How I loved the Graces in one, and every thing in the other! Mr. West (who, as I have already mentioned, had married one of my relations) had bought his house, I believe, not long after he came to England; and he had added a gallery at the back of it, terminating in a couple of lofty rooms. The gallery was a continuation of the house-passage, and, together with one of those rooms and the parlor, formed three sides of a garden, very small but elegant, with a grass-plot in the middle, and busts upon stands under an arcade. The gallery, as you went up it, formed an angle at a little distance to the left, then another to the right and then took a longer stretch into the two rooms; and it was hung with the artist's sketches all the way. In a corner between the two angles was a study-door, with casts of Venus and Apollo, on each side of it. The two rooms contained the largest of his pictures; and in the farther one, after stepping softly down the gallery, as if reverencing the dumb life on the walls, you generally found the mild and quiet artist at his work; happy, for he thought himself immortal.

I need not enter into the merits of an artist who is so well known, and has been so often criticised. He was a man with regular, mild features; and, though of Quaker origin, had the look of what he was, a painter to a court. His appearance was so gentlemanly, that, the moment he changed his gown for a coat, he seemed to be full-dressed. The simplicity and self-possession of the young Quaker, not having time enough to grow stiff (for he went early to study at Rome), took up, I suppose, with more ease than most would have done, the urbanities of his new position. And what simplicity helped him to, favor would retain. Yet this man, so well bred, and so indisputably clever in his art (whatever might be the amount of his genius), had received so careless, or so homely an education when a boy, that he could hardly read. He pronounced also some of his words, in reading, with a puritanical barbarism, such as haive for have, as some people pronounce when they sing psalms. But this was perhaps an American custom. My mother, who both read and spoke remarkably well, would say haive, and shaul (for shall), when she sung her hymns. But it was not so well in reading lectures at the Academy. Mr. West would talk of his art all day long, painting all the while. On other subjects he was not so fluent; and on political and religious matters he tried hard to maintain the reserve common with those about a court. He succeeded ill in both. There were always strong suspicions of his leaning to his native side in politics; and daring Bonaparte's triumph, he could not contain his enthusiasm for the Republican chief, going even to Paris to pay him his homage, when First Consul. The admiration of high colors and powerful effects, natural to a painter, was too strong for him. How he managed this matter with the higher powers in England, I can not say. Probably he was the less heedful, inasmuch as he was not very carefully paid. I believe he did a great deal for George the Third with little profit. Mr. West certainly kept his love for Bonaparte no secret; and it was no wonder, for the latter expressed admiration of his pictures. The artist thought the conqueror's smile enchanting, and that he had the handsomest leg he had ever seen. He was present when the "Venus de Medicis" was talked of, the French having just taken possession of her. Bonaparte, Mr. West said, turned round to those about him, and said, with his eyes lit up, "She's coming!" as if he had been talking of a living person. I believe he retained for the emperor the love that he had had for the First Consul, a wedded love, "for better, for worse." However, I believe also that he retained it after the emperor's downfall; which is not what every painter did.

PEACE

Peace has a dwelling near a riverWhere the darkened waters quiver.Where the ripple we can hearBursting on the pebbly shore,Making music soft and clearFor evermore, for evermore.Peace has a dwelling near a woodWhere the cooing pigeons brood,Where the sweet-voiced nightingaleUnto the moon her song doth pour,And songsters swell the echoing valeFor evermore, for evermore.Peace has a dwelling in the soulThat can its hopes and fears control;In silent wood or city's dinAlike it may be found to dwell;Its dearest home is that withinThe chastened heart's profoundest cell.Peace has a dwelling where no moreThe ear can hear the torrent roar,Or lists the rippling of the river,As softly it turns up its wave,Where never more the moon-beams quiverWithin the silent grave.Peace – oh, thou white-garmentedMaiden, with the flower-decked head,Come, make thy mansion in my heart!A tenant thou shalt freely rest,And thou shalt soothe each bitter smartThat racks the chambers of my breastCharles Dryden.[From Household Words.]

ALCHEMY AND GUNPOWDER

The day-dream of mankind has ever been the Unattainable. To sigh for what is beyond our reach is, from infancy to age, a fixed condition of our nature. To it we owe all the improvement that distinguishes civilized from savage life – to it we are indebted for all the great discoveries which, at long intervals, have rewarded thought.

Though the motives which stimulated the earliest inquiries were frequently undefined, and, if curiously examined, would be found to be sometimes questionable, it has rarely happened that the world has not benefited by them in the end. Thus Astrology, which ascribed to the stars an influence over the actions and destinies of man; Magic, which attempted to reverse the laws of nature, and Alchemy, which aimed at securing unlimited powers of self-reward; all tended to the final establishment of useful science.

Of none of the sciences whose laws are fully understood, is this description truer than of that now called Chemistry, which once was Alchemy. That "knowledge of the substance or composition of bodies," which the Arabic root of both words implies, establishes a fact in place of a chimera. Experimental philosophy has made Alchemy an impossible belief, but the faith in it was natural in an age when reason was seldom appealed to. The credulity which accepted witchcraft for a truth, was not likely to reject the theory of the transmutation of metals, nor strain at the dogma of perpetual youth and health; the concomitants of the Philosopher's Stone.

The Alchemists claim for their science the remotest antiquity possible, but it was not until three or four centuries after the Christian era that the doctrine of transmutation began to spread. It was among the Arabian physicians that it took root. Those learned men, through whom was transmitted so much that was useful in astronomy, in mathematics, and in medicine, were deeply tinctured with the belief in an universal elixir, whose properties gave the power of multiplying gold, of prolonging life indefinitely, and of making youth perpetual. The discoveries which they made of the successful application of mercury in many diseases, led them to suppose that this agent contained within itself the germ of all curative influences, and was the basis of all other metals. An Eastern imagination, ever prone to heighten the effects of nature, was not slow to ascribe a preternatural force to this medicine, but not finding it in its simple state, the practitioners of the new science had recourse to combination, in the hope, by that means, of attaining their object. To fix mercury became their first endeavor, and this fixation they described as "catching the flying bird of Hermes." Once embarked in the illusory experiment, it is easy to perceive how far the Alchemists might be led; nor need it excite any wonder that in pursuit of the ideal, they accidentally hit upon a good deal that was real. The labors, therefore, of the Arabian physicians were not thrown away, though they entangled the feet of science in mazes, from which escape was only effected, after the lapse of centuries of misdirected efforts.

From the period we have last spoken of, until the commencement of the eleventh century, the only Alchemist of note is the Arabian Geber, who, though he wrote on the perfections of metals, of the new-found art of making gold, in a word, on the philosopher's stone, has only descended to our times as the founder of that jargon which passes under the name of "gibberish." He was, however, a great authority in the middle ages, and allusions to "Geber's cooks," and "Geber's kitchen," are frequent among those who at length saw the error of their ways, after wasting their substance in the vain search for the elixir.

A longer interval might have elapsed but for the voice of Peter the Hermit, whose fanatical scheme for the recovery of the Holy Sepulchre was the cause of that gradual absorption, by the nations of the West, of the learning which had so long been buried in the East. The crusaders, or those, rather, who visited the shores of Syria under their protection – the men whose skill in medicine and letters rendered them useful to the invading armies – acquired a knowledge of the Arabian languages, and of the sciences cultivated by Arabian philosophers, and this knowledge they disseminated through Europe. Some part of it, it is true, was derived from the Moors in Spain, but it was all conveyed in a common tongue which began now to be understood. To this era belong the names of Alfonso the Wise, King of Castile; of Isaac Beimiram, the son of Solomon the physician; of Hali Abbas, the scholar of Abimeher Moyses, the son of Sejar; of Aben Sina, better known as Avicenna, and sometimes called Abohali; of Averroes of Cordova, surnamed the Commentator; of Rasis, who is also called Almanzor and Albumasar; and of John of Damascus, whose name has been latinized into Johannes Damascenus. All these, physicians by profession, were more or less professors of alchemy; and besides these were such as Artephius, who wrote alchemical tracts about the year 1130, but who deserves rather to be remembered for the cool assertion which he makes in his "Wisdom of Secrets" that, at the time he wrote he had reached the patriarchal – or fabulous – age of one thousand and twenty-five years!

The thirteenth century came, and with it came two men who stand first, as they then stood alone, in literary and scientific knowledge. One was a German, the other an Englishman; the first was Albertus Magnus, the last Roger Bacon.

Of the former, many wonderful stories are told: such, for instance, as his having given a banquet to the king of the Romans, in the gardens of his cloister at Cologne, when he converted the intensity of winter into a season of summer, full of flowers and fruits, which disappeared when the banquet was over; and his having constructed a marvelous automaton, called "Androïs," which, like the invention of his contemporary, Roger Bacon, was said to be capable of auguring all questions, past, present, and to come.

To know more than the rest of the world in any respect, but particularly in natural philosophy, was a certain method by which to earn the name of a necromancer in the middle ages, and there are few whose occult fame has stood higher than that of Roger Bacon. He was afraid, therefore, to speak plainly – indeed, it was the custom of the early philosophers to couch their knowledge in what Bacon himself calls the "tricks of obscurity;" and in his celebrated "Epistola de Secretis," he adverts to the possibility of his being obliged to do the same thing, through "the greatness of the secrets which he shall handle." With regard to the invention of his greatest secret, we shall give the words in which he speaks of the properties of gunpowder, and afterward show in what terms he concealed his knowledge. "Noyses," he says, "may be made in the aire like thunders, yea, with greater horror than those that come of nature; for a little matter fitted to the quantity of a thimble, maketh a horrible noise and wonderful lightning. And this is done after sundry fashions, whereby any citie or armie may be destroyed." A more accurate description of the explosion of gunpowder could scarcely be given, and it is not to be supposed that Bacon simply confined himself to the theory of his art, when he knew so well the consequences arising from a practical application of it. On this head there is a legend extant, which has not, to our knowledge, been printed before, from which we may clearly see why he contented himself with the cabalistic form in which he conveyed his knowledge of what he deemed a fatal secret.

Attached to Roger Bacon's laboratory, and a zealous assistant in the manifold occupations with which the learned Franciscan occupied himself, was a youthful student, whose name is stated to have been Hubert de Dreux. He was a Norman, and many of the attributes of that people were conspicuous in his character. He was of a quick intelligence, and hasty courage, fertile in invention, and prompt in action, eloquent of discourse, and ready of hand; all excellent qualities, to which was superadded an insatiable curiosity. Docile to receive instruction, and apt to profit by it, Hubert became a great favorite with the philosopher, and to him Bacon expounded many of the secrets – or supposed secrets – of the art which he strove to, bring to perfection. He instructed him also in the composition of certain medicines, which Bacon himself believed might be the means of prolonging life, though not to the indefinite extent dreamed of by those who put their whole faith in the Great Elixir.

But there never yet was an adept in any art or science who freely communicated to his pupil the full amount of his own knowledge; something for experience to gather, or for ingenuity to discover, is always kept in reserve, and the instructions of Roger Bacon stopped short at one point. He was himself engaged in the prosecution of that chemical secret which he rightly judged to be a dangerous one, and, while he experimented with the compound of sulphur, saltpetre, and charcoal, he kept himself apart from his general laboratory, and wrought in a separate cell, to which not even Hubert had access. To know that the friar had a mysterious occupation, which, more than the making of gold or the universal medicine, engrossed him, was enough of itself to rouse the young man's curiosity; but when to this was added the fact, that, from time to time, strange and mysterious noises were heard, accompanied by bright corruscations and a new and singular odor, penetrating through the chinks close to which his eyes were stealthily riveted, Hubert's eagerness to know all that his master concealed had no limit. He resolved to discover the secret, even though he should perish in the attempt; he feared that there was good reason for the accusation of dealing in the Black Art, which, more than all others, the monks of Bacon's own convent countenanced, but this apprehension only stimulated him the more. For some time Hubert waited without an opportunity occurring for gratifying the secret longing of his heart; at last it presented itself.

To afford medical assistance to the sick, was, perhaps, the most useful practice of conventual life, and the monks had always among them practitioners of the healing art, more or less skillful. Of this number, Roger Bacon was the most eminent, not only in the monastery to which he belonged, but in all Oxford.

It was about the hour of noon on a gloomy day toward the end of November, in the year 1282, while the Friar and his pupil were severally employed, the former in his secret cell, and the latter in the general laboratory, that there arrived at the gate of the Franciscan convent a messenger on horseback, the bearer of news from Abingdon, that Walter de Losely, the sheriff of Berkshire, had that morning met with a serious accident by a hurt from a lance, and was then lying dangerously wounded at the hostelry of the Checkers in Abingdon, whither he had been hastily conveyed. The messenger added, that the leech who had been called in was most anxious for the assistance of the skillful Friar, Roger Bacon, and urgently prayed that he would lose no time in coming to the aid of the wounded knight.

Great excitement prevailed among the monks on the receipt of this intelligence, for Walter de Losely was not only a man of power and influence, but moreover, a great benefactor to their order. Friar Bacon was immediately sought and speedily made his appearance, the urgency of the message admitting of no delay. He hastily enjoined Hubert to continue the preparation of an amalgam which he was desirous of getting into a forward state, and taking with him his case of instruments with the bandages and salves which he thought needful, was soon mounted on an easy, ambling palfrey on his way toward Abingdon, the impatient messenger riding before him to announce his approach.

When he was gone, quiet again reigned in the convent, and Hubert de Dreux resumed his occupation. But it did not attract him long. Suddenly he raised his head from the work and his eyes were lit up with a gleam in which joy and fear seemed equally blended. For the first time, for months, he was quite alone. What if he could obtain access to his master's cell and penetrate the mystery in which his labors had been so long enveloped! He cautiously stole to the door of the laboratory, and peeped out into a long passage, at the further extremity of which a door opened into a small court where, detached from the main edifice and screened from all observation, was a small building which the Friar had recently caused to be constructed. He looked about him timorously, fearing lest he might be observed; but there was no cause for apprehension, scarcely any inducement could have prevailed with the superstitious Franciscans to turn their steps willingly in the direction of Roger Bacon's solitary cell.

Reassured by the silence, Hubert stole noiselessly onward, and tremblingly approached the forbidden spot. His quick eye saw at a glance that the key was not in the door, and his countenance fell. The Friar's treasure was locked up! He might see something, however, if he could not enter the chamber. He knelt down, therefore, at the door, and peered through the keyhole. As he pressed against the door, in doing so, it yielded to his touch. In the haste with which Friar Bacon had closed the entrance, the bolt had not been shot. Herbert rose hastily to his feet, and the next moment he was in the cell, looking eagerly round upon the crucibles and alembics, which bore witness to his master's labors. But beyond a general impression of work in hand, there was nothing to be gleaned from this survey. An open parchment volume, in which the Friar had recently been writing, next caught his attention. If the secret should be there in any known language. Hubert knew something of the Hebrew, but nothing yet of Arabic. He was reassured; the characters were familiar to him; the language Latin. He seized the volume, and read the few lines which the Friar had just traced on the last page.

They ran thus:

"Videas tamen utrum loquar in ænigmate vel secundum veritatem." And, further (which we translate): "He that would see these things shall have the key that openeth and no man shutteth, and when he shall shut no man is able to open again."

"But the secret – the secret!" cried Hubert, impatiently, "let me know what 'these things' are!"

He hastily turned the leaf back and read again. The passage was that one in the "Epistola de Secretis" which spoke of the artificial thunder and lightning, and beneath it was the full and precise receipt for its composition. This at once explained the strange noises and the flashes of light which he had so anxiously noticed. Surprising and gratifying as this discovery might be, there was, Hubert thought, something beyond. Roger Bacon, he reasoned, was not one to practice an experiment like this for mere amusement. It was, he felt certain, a new form of invocation, more potent, doubtless, over the beings of another world, than any charm yet recorded. Be it as it might, he would try whether, from the materials around him, it were not in his power to produce the same result.

"Here are all the necessary ingredients," he exclaimed; "this yellowish powder is the well known sulphur, in which I daily bathe the argent-vive; this bitter, glistening substance is the salt of the rock, the salis petræ; and this black calcination, the third agent. But the proportions are given, and here stands a glass cucurbit in which they should be mingled. It is of the form my master mostly uses – round, with a small neck and a narrow mouth, to be luted closely, without doubt. He has often told me that the sole regenerating power of the universe is heat; yonder furnace shall supply it, and then Hubert de Dreux is his master's equal!"

The short November day was drawing to a close, when, after carefully tending the wounded sheriff, and leaving such instructions with the Abingdon leech as he judged sufficient for his patient's well-doing, Roger Bacon again mounted his palfrey, and turned its head in the direction of Oxford. He was unwilling to be a loiterer after dark, and his beast was equally desirous to be once more comfortably housed, so that his homeward journey was accomplished even more rapidly than his morning excursion; and barely an hour had elapsed when the Friar drew the rein at the foot of the last gentle eminence, close to which lay the walls of the cloistered city. To give the animal breathing-space, he rode quietly up the ascent, and then paused for a few moments before he proceeded, his mind intent on subjects foreign to the speculations of all his daily associations.

Suddenly, as he mused on his latest discovery and calculated to what principal object it might be devoted, a stream of fiery light shot rapidly athwart the dark, drear sky, and before he had space to think what the meteor might portend, a roar as of thunder shook the air, and simultaneous with it, a shrill, piercing scream, mingled with the fearful sound; then burst forth a volume of flame, and on the wind came floating a sulphurous vapor which, to him alone, revealed the nature of the explosion he had just witnessed.

"Gracious God!" he exclaimed, while the cold sweat poured like rain-drops down his forehead, "the fire has caught the fulminating powder! But what meant that dreadful cry? Surely nothing of human life has suffered! The boy Hubert – but, no – he was at work at the further extremity of the building. But this is no time for vain, conjecture – let me learn the worst at once!"