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Harper's New Monthly Magazine, Vol. 1. No 1, June 1850
Harper's New Monthly Magazine, Vol. 1. No 1, June 1850полная версия

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Harper's New Monthly Magazine, Vol. 1. No 1, June 1850

Язык: Английский
Год издания: 2017
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When first he heard the Statue speak, Mr. Blenkinsop says, he certainly experienced a kind of sudden shock, a momentary feeling of consternation. But this soon abated in a wonderful manner. The Statue's voice was quite mild and gentle – not in the least grim – had no funereal twang in it, and was quite different from the tone a statue might be expected to take by any body who had derived his notions on that subject from having heard the representative of the class in "Don Giovanni."

"Well, what times do you mean by the good old times?" repeated the Statue, quite familiarly. The churchwarden was able to reply with some composure, that such a question coming from such a quarter had taken him a little by surprise.

"Come, come, Mr. Blenkinsop," said the Statue, "don't be astonished. 'Tis half-past twelve, and a moonlight night, as your favorite police, the sleepy and infirm old watchman, says. Don't you know that we statues are apt to speak when spoken to, at these hours? Collect yourself. I will help you to answer my own question. Let us go back step by step; and allow me to lead you. To begin. By the good old times, do you mean the reign of George the Third?"

"The last of them, sir," replied Mr. Blenkinsop, very respectfully, "I am inclined to think, were seen by the people who lived in those days."

"I should hope so," the Statue replied. "Those the good old old times? What! Mr. Blenkinsop, when men were hanged by dozens, almost weekly, for paltry thefts. When a nursing woman was dragged to the gallows with a child at her breast, for shop-lifting, to the value of a shilling. When you lost your American colonies, and plunged into war with France, which, to say nothing of the useless bloodshed it cost, has left you saddled with the national debt. Surely you will not call these the good old times, will you, Mr. Blenkinsop?"

"Not exactly, sir; no, on reflection I don't know that I can," answered Mr. Blenkinsop. He had now – it was such a civil, well-spoken statue – lost all sense of the preternatural horror of his situation, and scratched his head, just as if he had been posed in argument by an ordinary mortal.

"Well then," resumed the Statue, "my dear sir, shall we take the two or three reigns preceding? What think you of the then existing state of prisons and prison discipline? Unfortunate debtors confined indiscriminately with felons, in the midst of filth, vice, and misery unspeakable. Criminals under sentence of death tippling in the condemned cell, with the Ordinary for their pot-companion. Flogging, a common punishment of women convicted of larceny. What say you of the times when London streets were absolutely dangerous, and the passenger ran the risk of being hustled and robbed even in the daytime? When not only Hounslow and Bagshot Heath, but the public roads swarmed with robbers, and a stage-coach was as frequently plundered as a hen-roost. When, indeed, 'the road' was esteemed the legitimate resource of a gentleman in difficulties, and a highwayman was commonly called 'Captain' – if not respected accordingly. When cock-fighting, bear-baiting, and bull-baiting were popular, nay, fashionable amusements. When the bulk of the landed gentry could barely read and write, and divided their time between fox-hunting and guzzling. When duelist was a hero, and it was an honor to have 'killed your man.' When a gentleman could hardly open his mouth without uttering a profane or filthy oath. When the country was continually in peril of civil war; through a disputed succession; and two murderous insurrections, followed by more murderous executions, actually took place. This era of inhumanity, shamelessness, brigandage, brutality, and personal and political insecurity, what say you of it, Mr. Blenkinsop? Do you regard this wig and pigtail period as constituting the good old times, respected friend?"

"There was Queen Anne's golden reign, sir," deferentially suggested Mr. Blenkinsop.

"A golden reign!" exclaimed the Statue. "A reign of favoritism and court trickery at home, and profitless war abroad. The time of Bolingbroke's, and Harley's, and Churchill's intrigues. The reign of Sarah, Duchess of Marlborough and of Mrs. Masham. A golden fiddlestick! I imagine you must go farther back yet for your good old times, Mr. Blenkinsop."

"Well," answered the churchwarden, "I suppose I must, sir, after what you say."

"Take William the Third's rule," pursued the Statue. "War, war again; nothing but war. I don't think you'll particularly call these the good old times. Then what will you say to those of James the Second? Were they the good old times when Judge Jefferies sat on the bench? When Monmouth's rebellion was followed by the Bloody Assize. When the king tried to set himself above the law, and lost his crown in consequence. Does your worship fancy these were the good old times?"

Mr. Blenkinsop admitted that he could not very well imagine that they were.

"Were Charles the Second's the good old times?" demanded the Statue. "With a court full of riot and debauchery; a palace much less decent than any modern casino; while Scotch Covenanters were having their legs crushed in the 'Boots,' under the auspices and personal superintendence of His Royal Highness the Duke of York. The time of Titus Oates, Bedloe, and Dangerfield, and their sham plots, with the hangings, drawings, and quarterings, on perjured evidence, that followed them. When Russell and Sidney were judicially murdered. The time of the great plague and fire of London. The public money wasted by roguery and embezzlement, while sailors lay starving in the streets for want of their just pay; the Dutch about the same time burning our ships in the Medway. My friend, I think you will hardly call the scandalous monarchy of the 'Merry Monarch' the good old times."

"I feel the difficulty which you suggest, sir," owned Mr. Blenkinsop.

"Now, that a man of your loyalty," pursued the Statue, "should identify the good old times with Cromwell's Protectorate, is, of course, out of the question."

"Decidedly, sir!" exclaimed Mr. Blenkinsop. "He shall not have a statue, though you enjoy that honor," bowing.

"And yet," said the Statue, "with all its faults, this era was perhaps no worse than any we have discussed yet. Never mind! It was a dreary, cant-ridden one, and if you don't think those England's palmy days, neither do I. There's the previous reign, then. During the first part of it, there was the king endeavoring to assert arbitrary power. During the latter, the Parliament were fighting against him in the open field. What ultimately became of him I need not say. At what stage of King Charles the First's career did the good old times exist, Mr. Alderman? I need barely mention the Star Chamber and poor Prynne; and I merely allude to the fate of Strafford and of Laud. On consideration, should you fix the good old times any where thereabouts?"

"I am afraid not, indeed, sir," Mr. Blenkinsop responded, tapping his forehead.

"What is your opinion of James the First's reign? Are you enamored of the good old times of the Gunpowder Plot? or when Sir Walter Raleigh was beheaded? or when hundreds of poor, miserable old women were burnt alive for witchcraft, and the royal wiseacre on the throne wrote as wise a book, in defense of the execrable superstition through which they suffered?"

Mr. Blenkinsop confessed himself obliged to give up the times of James the First.

"Now, then," continued the Statue, "we come to Elizabeth."

"There I've got you!" interrupted Mr Blenkinsop, exultingly. "I beg your pardon, sir," he added, with a sense of the freedom he had taken; "but everybody talks of the times of Good Queen Bess, you know."

"Ha, ha!" laughed the Statue, not at all like Zamiel, or Don Guzman, or a pavior's rammer, but really with unaffected gayety. "Everybody sometimes says very foolish things. Suppose Everybody's lot had been cast under Elizabeth! How would Everybody have relished being subject to the jurisdiction of the Ecclesiastical Commission, with its power of imprisonment, rack, and torture? How would Everybody have liked to see his Roman Catholic and Dissenting fellow-subjects butchered, fined, and imprisoned for their opinions; and charitable ladies butchered, too, for giving them shelter in the sweet compassion of their hearts? What would Everybody have thought of the murder of Mary Queen of Scots? Would Everybody, would Anybody, would you, wish to have lived in these days, whose emblems are cropped ears, pillory, stocks, thumb-screws, gibbet, ax, chopping-block, and scavenger's daughter? Will you take your stand upon this stage of history for the good old times, Mr. Blenkinsop?"

"I should rather prefer firmer and safer ground, to be sure, upon the whole," answered the worshiper of antiquity, dubiously.

"Well, now," said the Statue, "'tis getting late, and, unaccustomed as I am to conversational speaking, I must be brief. Were those the good old times when Sanguinary Mary roasted bishops, and lighted the fires of Smithfield? When Henry the Eighth, the British Bluebeard, cut his wives heads off, and burnt Catholic and Protestant at the same stake? When Richard the Third smothered his nephews in the Tower? When the Wars of the Roses deluged the land with blood? When Jack Cade marched upon London? When we were disgracefully driven out of France under Henry the Sixth, or, as disgracefully, went marauding there, under Henry the Fifth? Were the good old times those of Northumberland's rebellion? Of Richard the Second's assassination? Of the battles, burnings, massacres, cruel tormentings, and atrocities, which form the sum of the Plantagenet reigns? Of John's declaring himself the Pope's vassal, and performing dental operations on the Jews? Of the Forest Laws and Curfew under the Norman kings? At what point of this series of bloody and cruel annals will you place the times which you praise? Or do your good old times extend over all that period when somebody or other was constantly committing high treason, and there was a perpetual exhibition of heads on London Bridge and Temple Bar?"

It was allowed by Mr. Blenkinsop that either alternative presented considerable difficulty.

"Was it in the good old times that Harold fell at Hastings, and William the Conqueror enslaved England? Were those blissful years the ages of monkery; of Odo and Dunstan, bearding monarchs and branding queens? Of Danish ravage and slaughter? Or were they those of the Saxon Heptarchy, and the worship of Thor and Odin? Of the advent of Hengist and Horsa? Of British subjugation by the Romans? Or, lastly, must we go back to the ancient Britons, Druidism, and human sacrifices, and say that those were the real, unadulterated, genuine, good old times, when the true-blue natives of this island went naked, painted with woad?"

"Upon my word, sir," said Mr. Blenkinsop, "after the observations that I have heard from you this night, I acknowledge that I do feel myself rather at a loss to assign a precise period to the times in question."

"Shall I do it for you?" asked the Statue.

"If you please, sir. I should be very much obliged if you would," replied the bewildered Blenkinsop, greatly relieved.

"The best times, Mr. Blenkinsop," said the Statue, "are the oldest. They are the wisest; for the older the world grows, the more experience it acquires. It is older now than ever it was. The oldest and best times the world has yet seen are the present. These, so far as we have yet gone, are the genuine good old times, sir."

"Indeed, sir!" ejaculated the astonished alderman.

"Yes, my good friend. These are the best times that we know of – bad as the best may be. But in proportion to their defects, they afford room for amendment. Mind that, sir, in the future exercise of your municipal and political wisdom. Don't continue to stand in the light which is gradually illuminating human darkness. The Future is the date of that happy period which your imagination has fixed in the Past. It will arrive when all shall do what in right; hence none shall suffer what is wrong. The true good old times are yet to come."

"Have you any idea when, sir?" Mr. Blenkinsop inquired, modestly.

"That is a little beyond me," the Statue answered. "I can not say how long it will take to convert the Blenkinsops. I devoutly wish you may live to see them. And with that, I wish you good-night, Mr. Blenkinsop."

"Sir," returned Mr. Blenkinsop, with a profound bow, "I have the honor to wish you the same."

Mr. Blenkinsop returned home an altered man. This was soon manifest. In a few days he astonished the Corporation by proposing the appointment of an Officer of Health to preside over the sanitary affairs of Beetlebury. It had already transpired that he had consented to the introduction of lucifer-matches into his domestic establishment, in which, previously, he had insisted on sticking to the old tinder-box. Next, to the wonder of all Beetlebury, he was the first to propose a great, new school, and to sign a requisition that a county penitentiary might be established for the reformation of juvenile offenders. The last account of him is, that he has not only become a subscriber to the mechanics' institute, but that he actually presided there at, lately, on the occasion of a lecture on Geology.

The remarkable change which has occurred in Mr. Blenkinsop's views and principles, he himself refers to his conversation with the Statue, as above related. That narrative, however, his fellow-townsmen receive with incredulous expressions, accompanied by gestures and grimaces of like import. They hint, that Mr. Blenkinsop had been thinking for himself a little, and only wanted a plausible excuse for recanting his errors. Most of his fellow-aldermen believe him mad; not less on account of his new moral and political sentiments, so very different from their own, than of his Statue story. When it has been suggested to them that he has only had his spectacles cleaned, and has been looking about him, they shake their heads, and say that he had better have left his spectacles alone, and that a little knowledge is a dangerous thing, and a good deal of dirt quite the contrary. Their spectacles have never been cleaned, they say, and any one may see they don't want cleaning.

The truth seems to be, that Mr. Blenkinsop has found an altogether new pair of spectacles, which enable him to see in the right direction. Formerly, he could only look backward; he now looks forward to the grand object that all human eyes should have in view – progressive improvement.

He who can not live well to-day, will be less qualified to live well to-morrow. – Martial.

Men are harassed, not by things themselves but by opinions respecting them. – Epictetus.

[From the Dublin University Magazine.]

MEMOIRS OF THE FIRST DUCHESS OF ORLEANS

While the fortunes of the last Duchess of Orleans are still in uncertainty, it may not be unpleasing to read something of the family and character of the first princess who bore that title. The retrospect will carry us back to stirring times, and make us acquainted with the virtues and sufferings, as well as the crimes, which mark the family history of the great European houses. The story of Valentina Visconti links the history of Milan with that of Paris, and imparts an Italian grace and tenderness to the French annals. Yet although herself one of the gentlest of women, she was sprung from the fiercest of men. The history of the rise and progress of the family of Visconti is, in truth, one of the most characteristic that the Lombardic annalists have preserved.

The Sforzias, called Visconti from their hereditary office of Vicecomes, or temporal vicar of the Emperor, were a marked and peculiar race. With the most ferocious qualities, they combined high intellectual refinement, and an elegant and cultivated taste, in all that was excellent in art, architecture, poetry, and classical learning. The founder of the family was Otho, Archbishop of Milan at the close of the 13th century. He extended his vicarial authority into a virtual sovereignty of the Lombard towns, acknowledging only the German Emperor as his feudal lord. This self-constituted authority he transmitted to his nephew Matteo, "Il grande." In the powerful hands of Matteo the Magnificent, Milan became the capital of a virtual Lombardic kingdom. Three of the sons of Matteo were successively "tyrants" of Milan, the designation being probably used in its classical, rather than its modern sense. Galeazzo, the eldest, was succeeded by his son Azzo, the only one of the male representatives of the Visconti who exhibited any of the milder characteristics befitting the character of a virtuous prince. Luchino, his uncle and successor, was, however, a patron of learning, and has had the good fortune to transmit his name to us in illustrious company. At his court, in other respects contaminated by vice, and made infamous by cruelty, the poet Petrarch found a home and a munificent patron. Luchino cultivated his friendship. The poet was not above repaying attentions so acceptable by a no less acceptable flattery. Petrarch's epistle, eulogizing the virtues and recounting the glory of the tyrant, remains a humiliating record of the power of wealth and greatness, and the pliability of genius.

Luchino's fate was characteristic. His wife, Isabella of Fieschi, had frequently suffered from his caprice and jealousy; at length she learned that he had resolved on putting her to death. Forced to anticipate his cruel intent, she poisoned him with the very drugs he had designed for her destruction.

Luchino was succeeded by his brother Giovanni, Archbishop of Milan, the ablest of the sons of Matteo. Under his unscrupulous administration the Milanese territory was extended, until almost the whole of Lombardy was brought under the yoke of the vigorous and subtle tyrant. Although an ecclesiastic, he was as prompt to use the temporal as the spiritual sword. On his accession to power, Pope Clement the Sixth, then resident at Avignon, summoned him to appear at his tribunal to answer certain charges of heresy and schism. The papal legate sent with this commission had a further demand to make on behalf of the Pontiff – the restitution of Bologna, a fief of the church, which had been seized by the Milanese prelate, Giovanni Visconti, as well as the cession, by the latter, of either his temporal or spiritual authority, which the legate declared could not be lawfully united in the person of an archbishop. Giovanni insisted that the legate should repeat the propositions with which he was charged at church on the following Sunday: as prince and bishop he could only receive such a message in the presence of his subjects and the clergy of his province. On the appointed day, the archbishop having celebrated high-mass with unusual splendor, the legate announced the message with which he was charged by his Holiness. The people listened in silence, expecting a great discussion. But their astonishment was not greater than that of the legate, when Archbishop Giovanni stepped forth, with his crucifix in one hand, while with the other he drew from beneath his sacerdotal robes a naked sword, and exclaimed, "Behold the spiritual and temporal arms of Giovanni Visconti! By the help of God, with the one I will defend the other."

The legate could obtain no other answer save that the archbishop declared that he had no intention of disobeying the pontiff's citation to appear at Avignon. He accordingly prepared, indeed, to enter such an appearance as would prevent citations of that kind in future.

He sent, as his precursor, a confidential secretary, with orders to make suitable preparations for his reception. Thus commissioned, the secretary proceeded to hire every vacant house in the city and surrounding neighborhood, within a circuit of several miles; and made enormous contracts for the supply of furniture and provisions for the use of the archbishop and his suite. These astounding preparations soon reached the ears of Clement. He sent for the secretary, and demanded the meaning of these extraordinary proceedings. The secretary replied, that he had instructions from his master, the Archbishop of Milan, to provide for the reception of 12,000 knights and 6,000 foot soldiers, exclusive of the Milanese gentlemen who would accompany their lord when he appeared at Avignon, in compliance with his Holiness's summons. Clement, quite unprepared for such a visit, only thought how he should extricate himself from so great a dilemma. He wrote to the haughty Visconti, begging that he would not put himself to the inconvenience of such a journey: and, lest this should not be sufficient to deter him, proposed to grant him the investiture of Bologna – the matter in dispute between them – for a sum of money: a proposal readily assented to by the wealthy archbishop.

Giovanni Visconti bequeathed to the three sons of his brother Stephano a well-consolidated power; and, for that age, an enormous accumulation of wealth. The Visconti were the most skillful of financiers. Without overburthening their subjects, they had ever a well-filled treasury – frequently recruited, it is true, by the plunder of their enemies, or replenished by the contributions they levied on neighboring cities. The uniform success which attended their negotiations in these respects, encouraged them in that intermeddling policy they so often pursued. We can scarcely read without a smile the proclamations of their generals to the inoffensive cities, of whose affairs they so kindly undertook the unsolicited management.

"It is no unworthy design which has brought us hither," the general would say to the citizens of the towns selected for these disinterested interventions; "we are here to re-establish order, to destroy the dissensions and secret animosities which divide the people (say) of Tuscany. We have formed the unalterable resolution to reform the abuses which abound in all the Tuscan cities. If we can not attain our object by mild persuasions, we will succeed by the strong hand of power. Our chief has commanded us to conduct his armies to the gates of your city, to attack you at our swords' point, and to deliver over your property to be pillaged, unless (solely for your own advantage) you show yourselves pliant in conforming to his benevolent advice."

Giovanni Visconti, as we have intimated, was succeeded by his nephews. The two younger evinced the daring military talent which distinguished their race. Matteo, the eldest, on the contrary, abandoned himself to effeminate indulgences. His brothers, Bernabos and Galeazzo, would have been well pleased that he should remain a mere cipher, leaving the management of affairs in their hands; but they soon found that his unrestrained licentiousness endangered the sovereignty of all. On one occasion a complaint was carried to the younger brothers by an influential citizen. Matteo Visconti, having heard that this citizen's wife was possessed of great personal attractions, sent for her husband, and informed him that he designed her for an inmate of his palace, commanding him, upon pain of death, to fetch her immediately. The indignant burgher, in his perplexity, claimed the protection of Bernabos and Galeazzo. The brothers perceived that inconvenient consequences were likely to ensue. A dose of poison, that very day, terminated the brief career of Matteo the voluptuous.

Of the three brothers, Bernabos was the most warlike and the most cruel; Galeazzo the most subtle and politic. Laboring to cement his power by foreign alliances, he purchased from John, king of France, his daughter, Isabelle de Valois, as the bride of his young son and heir; and procured the hand of Lionel, Duke of Clarence, son of Edward III. of England, for his daughter Violante. While Galeazzo pursued these peaceful modes of aggrandizement, Bernabos waged successful war on his neighbors, subjecting to the most refined cruelties all who questioned his authority. It was he who first reduced the practice of the torture to a perfect system, extending over a period of forty-one days. During this period, every alternate day, the miserable victim suffered the loss of some of his members – an eye, a finger, an ear – until at last his torments ended on the fatal wheel. Pope after pope struggled in vain against these powerful tyrants. They laughed at excommunication, or only marked the fulmination of a papal bull by some fresh act of oppression on the clergy subject to their authority. On one occasion Urban the Fifth sent Bernabos his bull of excommunication, by two legates. Bernabos received the pontifical message unmoved. He manifested no irritation – no resentment; but courteously escorted the legates, on their return, as far as one of the principal bridges in Milan. Here he paused, about to take leave of them. "It would be inhospitable to permit you to depart," he said, addressing the legates, "without some refreshment; choose – will you eat or drink?" The legates, terrified at the tone in which the compliment was conveyed, declined his proffered civility. "Not so," he exclaimed, with a terrible oath; "you shall not leave my city without some remembrance of me; say, will you eat or drink?" The affrighted legates, perceiving themselves surrounded by the guards of the tyrant, and in immediate proximity to the river, felt no taste for drinking. "We had rather eat," said they; "the sight of so much water is sufficient to quench our thirst." "Well, then," rejoined Bernabos, "here are the bulls of excommunication which you have brought to me; you shall not pass this bridge until you have eaten, in my presence, the parchments on which they are written, the leaden seals affixed to them, and the silken cords by which they are attached." The legates urged in vain the sacred character of their offices of embassador and priest: Bernabos kept his word; and they were left to digest the insult as best they might. Bernabos and his brother, after having disposed of Matteo, became, as companions in crime usually do, suspicious of one another. In particular, each feared that the other would poison him. Those banquets and entertainments to which they treated one another must have been scenes of magnificent discomfort.

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