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Harper's New Monthly Magazine, Vol IV. No. XX. January, 1852.
Man must be his own helper. He must cultivate his own nature. No man can do this for him. No institution can do it. Possibly a man may get another to do his work for him, but not to do his thinking for him. A man’s best help is in himself – in his own heart, his own soul, his own resolute purpose. The battle can not be fought by proxy. A man’s mind may be roused by another, and his desire to improve and advance himself excited by another; but he must mould his own stuff, quarry his own nature, make his own character. What if a man fails in one effort? Let him try again! Let him try hard, try often, and he can not fail ultimately to succeed. No man can tell what he can do until he tries, and tries with resolution. Difficulties often fall away of themselves, before a determination to overcome them. “There is something in resolution,” says Walker, in the Original, “which has an influence beyond itself, and it marches on like a mighty lord among its slaves. All is prostration where it appears. When bent on good, it is almost the noblest attribute of man; when on evil, the most dangerous. It is only by habitual resolution, that men succeed to any great extent – mere impulses are not sufficient.”
Some are scared from the diligent practice of self-culture and self-help, because they find their progress to be slow. They are in despair, because, having planted their acorn, they do not see it grow up into an oak at once. These must cultivate the virtue of patience – one of the quietest but most valuable of human virtues. They must be satisfied to do their true work, and wait the issues thereof. “How much,” says Carlyle, “grows every where, if we do but wait! Through the swamps one will shape causeways, force purifying drains; we will learn to thread the rocky inaccessibilities, and beaten tracks, worn smooth by mere traveling human feet, will form themselves. Not a difficulty but can transfigure itself into a triumph; not even a deformity, but if our own soul have imprinted worth on it, will grow dear to us.”
Let us have the honesty and the wisdom to do the duty that lies nearest us; and assuredly the first is the culture of ourselves. If we can not accomplish much, we can at least do our best. We can cultivate such powers as have been given to us. We may not have the ten talents, but if we have only the one, let us bring it out and use it, not go bury it in the earth like the unworthy man in the parable. “If there be one thing on earth,” said Dr. Arnold, “which is truly admirable, it is to see God’s wisdom blessing an inferiority of natural powers, when they have been honestly, truly, and zealously cultivated.” Let us strike into the true path, and keep there, working on hopefully, patiently, and resolutely – not turned aside by temptation, nor putting off the work from day to day by vain resolutions to do things that are never done; but DO, with all our might, what the hand findeth to do; and we may safely leave the issues in the hands of Supreme Beneficence; for doubtless the rewards of well-doing will come in their due season.
THE BROTHERS
One fine spring day in 1831, I was walking, accompanied by a physician, in the gardens belonging to the celebrated Lunatic Asylum near Paris, conducted by Dr. B – . At the turn of an alley I suddenly found myself close to an old man, on whose arm leaned a youth, apparently about twenty years of age. The countenance of the first wore an expression of profound sadness, while the young man’s eye gleamed with the wild strange fire of madness.
The aged man saluted me with silent courtesy, but the younger ran to me, seized my hand, and exclaimed, “A glorious day, monsieur; the scaffold is ready on the Plaza Bemposta! Do you see the crowds assembled? And look! chained on yonder cart, that woman with the pale and savage face; that is Queen Carlotta, the wife of Juan VI., the mother of Don Miguel. ’Tis now thy turn to die, tigress! thy turn to bow beneath the ax, and redden the scaffold with thy blood! But adieu,” he added, addressing me, “they are waiting for me – they call me! I am the queen’s executioner!”
I turned toward the old man, but he only shook his head and sighed; then I questioned the physician who accompanied me.
“That young man,” he said, “is one of the most interesting cases we have; his history is a strange one.”
My curiosity was now excited, and I begged of my companion to satisfy it.
“May I, without indiscretion, listen also?” asked a tall man, with a sad and gloomy countenance, who now approached us, and who, as I learned afterward, was under Dr. B – ’s care for a serious affection of the heart.
“You may, certainly,” replied my friend, bowing, and then began: “In the year 1823, one of the first families in Portugal inhabited an old castle not far from Coimbra. The Marquis de San Payo, the head of this house had played an important part in the revolution which, for a short time, removed from the throne Juan VI. and his imperious queen, Carlotta. The attempt, however, having been finally frustrated, the men who had made it fell victims to their temerity, and the marquis, disgraced and distrusted by the reigning powers, was forced to live in his castle, as it were in exile. His wife and his two sons accompanied him thither; the eldest of these, named Manoel, was fifteen years of age, and of an ardent, excitable temperament; his brother, Jacinto, two years younger, was of a tender, melancholy, dreamy disposition. The minds of both were fully nurtured in the political views which had ruined their father’s fortunes, both by his conversation and the instructions imparted to them at the college of Coimbra. That city had become the centre of the Cortes’ revolutionary operations, and the University had not escaped the contagious excitement of the times. The students organized the plan of a new insurrection, and at their head was Manoel; the contest, however, proved an unequal one – a charge of cavalry, a few volleys of shot and shell, two hundred corpses on the field, and all was over. Manoel was taken, and thrown into the prison of Oporto. The rebels were divided into three classes; the first, and least guilty, were condemned to perpetual confinement, the second to transportation, and the third to death; among the latter was Manoel. No allowance was made for his youth and inexperience, for among his judges was the Duca d’Arenas, a former rival of the marquis, first in love and then in ambition, whose cowardly malicious spirit sought to strike the father through the son.”
Here the stranger, who was listening attentively, gave a visible start.
“Imagine,” resumed the doctor, “what must have been the anguish of the poor parents, and of Jacinto. The boy’s energies were roused by his mighty grief; he hastened to the palace of Bemposta, and went straight to the hall, where the queen was giving audience to her favorite d’Arenas. When Jacinto crossed the threshold, he paused; a woman was before him – a cold and haughty woman. No trace of pity or of softness lingered on her features, or beamed in her piercing eyes; no, her heart was ice, her face iron.
“‘Pardon, madam!’ cried the boy, falling on his knees.
“‘Child, we know of naught but justice; who art thou – what dost thou want?’
“‘I am the son of the Marquis de San Payo, and I come to ask pardon for my brother.’
“The Duke d’Arenas looked up, and exchanged glances with the queen. ‘Madam,’ said he, ‘the best clemency in political affairs is shown by the sword of the executioner!’
“‘Manoel is but sixteen years old!’ cried Jacinto, in a voice of agony.
“‘So much the better,’ replied Carlotta; ‘he will go the more surely and speedily to heaven!’4
“Next morning the condemned cart left the prison of Oporto; it contained the two brothers, for Donna Carlotta, with an incredible refinement of cruelty, had ordered that Jacinto should be present at the execution. I shall not try to describe the last scene of this fearful drama; when Manoel bowed his head, Jacinto started upright; and when the fatal blow had fallen, he crouched down on the scaffold; a smile parted his lips – he was struck with madness! Concealed among the crowd, the marquis had witnessed all, but no external emotion betrayed his inward agony; his tearless eyes were fixed on the ax which had hewn down the noblest branch of his house. As to the marchioness, her woe was also silent: eight days afterward, she was found dead, with her eyes fixed on Manoel’s portrait. The marquis, after a time, went to England with Jacinto, where he was during a year and a half under medical treatment, but without benefit. Afterward, they went to Germany, and there, finding science equally powerless, the marquis at length resolved to place his son under the care of Dr. B – ; he is now in a fair way to recover.”
“Are you sure of that!” asked the stranger eagerly.
“I have every reason to believe it.”
We walked toward the house, and again saw Jacinto; he was seated on a grass-plat, leaning forward, with his face buried in his hands. His father was near him, grave, silent, and anxious-looking as before. The stranger followed us, and, as he came near, the eyes of Jacinto were raised, and fixed on him with a wild bright look. Suddenly the youth started up, and shrieked, “the Duke d’Arenas!” Then he fell senseless on the ground.
At the unwonted sound the old man thought that intellect and memory had returned to his child, and, forgetting that his enemy, the murderer of his eldest son, stood before him, he exclaimed, “Oh! thank God he is saved!”
“He is lost,” said the doctor, sadly.
A few moments of awful silence followed; all eyes were fixed on Jacinto, whose mouth was open, and whose eyes were fixed on vacancy. The sudden shock had rendered him a hopeless idiot.
The Duke d’Arenas looked at the marquis with an earnest supplicating expression; and then, falling on his knees before him, exclaimed, “Pardon me, I have suffered!”
“I curse thee! Duke d’Arenas.”
“Behold me at thy feet, Marquis de San Payo!”
“Begone!” cried the old man, sternly; “there are between us the corpses of my wife and of my eldest son, besides this other ruin, whose destruction you have just achieved; I am now childless!”
The Duke d’Arenas fixed on the marquis a look so filled with sorrow and despair, that it might have sufficed to satisfy his vengeance.
“And I,” he said, bending his head, “can never again know repose, except in the grave!”
SKETCH OF THE LIFE OF M. THIERS
M. Thiers is one of the notable celebrities of our day. Though a Frenchman, his name is well known in England as the author of the famous History of the French Revolution. But in his own country, he is also known as a distinguished orator and statesman; indeed it is not too much to say, that Thiers is the cleverest man in France.
You enter the Chamber of Deputies on some day of grand debate. A speaker has possession of the ear of the house. You see little more than his head above the marble of the tribune, but the head is a good one – large, well-formed, and intelligent. His eyes, the twinkle of which you can discern behind those huge spectacles he wears, are keen and piercing. His face is short, and rather disfigured by a grin, but when he speaks, it is lively, volatile, and expressive in a remarkable degree. His thin nervous lips, curled like Voltaire’s, are characterized by a smile, by turns the most winning, sarcastic, and subtle, that can possibly be imagined.
Listen to him. He speaks with a nasal twang and a provincial accent. He has no melody in his voice. It is loud and ear-piercing – that of a vixen. Sometimes it rises to a screech, as that of Sheil’s did. And yet all ears hang listening to that voice, which pours forth a succession of words embodying ideas as clear as crystal, copious almost to excess, but never tiresome. His exuberant thoughts flow from him without effort; he is perfectly easy, frank, familiar, and colloquial, in his style; his illustrations are most happy, often exceedingly brilliant. Be his theme ever so unpopular, he is invariably listened to with interest. His diminutive figure, his grim face, his screeching voice, are all forgotten in the brilliancy of his eloquence, and in the felicitous dexterity of his argument. That speaker is M. Thiers.
Such as his position is, he has made it himself. He has worked his way upward from obscure poverty. He owes nothing to birth, but every thing to labor. His father was a poor locksmith of Marseilles, where Adolphe was born in the year 1797. Through the interest of some of his mother’s relations, the boy obtained admission to the free school of Marseilles, where he distinguished himself by his industry, and achieved considerable success. From thence, at eighteen, he went to study law at the town of Aix. Here it was that he formed his friendship with Mignet, afterward the distinguished historian. These two young men, in the intervals of their dry labors in the study of law, directed their attention to literary, historical, and political subjects. Thiers even led a political party of the students of Aix, and harangued them against the government of the restoration. He was practicing his eloquence for the tribune, though he then knew it not. He thus got into disgrace with the professors and the police, but the students were ardently devoted to him. He competed for a prize essay, and though his paper was the best, the professors refused to adjudge the prize to “the little Jacobin.” The competition was adjourned till next year. Thiers sent in his paper again “next year,” but meanwhile, a production arrived from Paris, which eclipsed all the others. To this the prize was speedily adjudged by the professors. But great was their dismay, when, on opening the sealed letter containing the name of the competitor, it was found to be no other than that of M. Thiers himself!
The young lawyer commenced practice in the town of Aix, but finding it up-hill work, and not at all productive, he determined to remove, in company with his friend Mignet, to seek his fortune in Paris. Full of talents, but light in pocket, the two friends entered the capital, and took lodgings in one of its obscurest and dirtiest quarters – a room on the fourth floor of a house in the dark Passage Montesquieu, of which a deal chest of drawers, a walnut-wood bedstead, two chairs, and a small black table somewhat rickety, constituted the furniture. There the two students lodged, working for the future. They did not wait with their hands folded. Thiers was only twenty-four, but he could already write with brilliancy and power, as his prize essay had proved. He obtained an introduction to Manuel, then a man of great influence in Paris, who introduced Thiers to Lafitte, the banker, and Lafitte got him admitted among the editors of the Constitutionelle, then the leading journal. It was the organ of Les Epiciers, or “grocers,” in other words, of the rising middle classes of France. At the same time, Mignet obtained a similar engagement on the Courrier.
The position of Thiers was a good one to start from, and he did not fail to take advantage of it. He possessed a lively and brilliant style, admirably suited for polemical controversy; and he soon attracted notice by the boldness of his articles. He ventured to write on all subjects, and in course of time he learned something of them. Art, politics, literature, philosophy, religion, history, all came alike ready to his hand. In France, the literary man is a much greater person than he is in England. He is a veritable member of the fourth estate, which in France overshadows all others. Thiers became known, invited, courted, and was a frequenter of the most brilliant salons of the opposition. But newspaper writing was not enough to satisfy the indefatigable industry of the man. He must write history too, and his theme was neither more nor less than the great French Revolution. Our readers must know the book well enough. It is remarkably rapid, brilliant, stylish – full of interest in its narrative, though not very scrupulous in its morality – decidedly fatalistic, recognizing heroism only in the conqueror, and unworthiness only in the vanquished – in short, the history of M. Thiers is a deification of success. But ordinary readers did not look much below the surface; the brilliant narrative, which ministered abundantly to the national appetite for “glory,” fascinated all readers; and M. Thiers at once took his place among the most distinguished literary and political leaders of France.
He became a partner in the Constitutionelle; descended from his garret, turned dandy, and frequented Tortoni’s. Nothing less than a handsome hotel could now contain him. Thiers has grown a successful man, and to such nothing is denied. Liberalism had thriven so well with him, that he must go a little further, he must be democratic; the drift of opinion was then in that direction, so he set on foot the National, the organ of the revolutionary party. The war which this paper waged against the government of Charles X. and the Polignac ministry, was of the most relentless kind. The National it was, that stung the government into the famous Ordonnances, which issued in the “Three Days’” Revolution of 1830. Thiers was, throughout, the soul of this ardent, obstinate, brilliant struggle against the old Bourbon government.
The National had only been seven months in existence, when the event referred to occurred. The Ordonnances against the Press appeared on the morning of the 26th of July. In the course of the day, the leaders of the Opposition Press, and several members of the Chamber of Deputies, met at the office of the National. M. Thiers at once propounded the course that was to be adopted at this juncture.
“Well,” said he, “what’s to be done now, as to opposition in the journals – in our articles? Come! we must perform an act.”
“And what mean you by an act?”
“A signal of disobedience to a law which is no law! A protest!”
“Well – do it then!” was the reply.
A committee was named, on the spur of the moment, composed of Thiers, Chatelain, and Cauchois-Lemaire. Thiers drew up the protest: he inserted the leading idea – “The writers of journals, called upon the first to obey, ought to give the first example of resistance.” This was the signal of revolution! Some said, “Good! We shall insert the protest as a leading article in our journals.” “Not only that,” said Thiers, “we must put our names under it, and our heads under it.” The protest was agreed to, after considerable discussion; it was published; and the people of Paris indorsed the protest in the streets of Paris the very next day. Thus Thiers performed the initial act, which led to the expulsion from France of the elder branch of the Bourbon family. But it ought to be added that, after having signed the protest, which was published next morning, Thiers returned to muse in the shades of Montmorency, and did not return to Paris until the 29th, after the decisive battle of the barricades had been fought.
Of course, Thiers was now a man of greater mark than ever. The new government of the Citizen King at once secured him; and the son of the Marseilles locksmith, the poor law student of Aix, the newspaper writer of the garret, was now appointed Counselor of State and Secretary-General of Finance. It is said that the Citizen King even offered him the Portfolio of Finance, which he declined on the ground of inexperience; but he afterward accepted the office of Under-Secretary of State, and mainly directed that important part of the administration through a crisis of great financial difficulty. He was sent into the Chamber of Deputies as member for Aix, at whose college he had studied.
Thiers was no favorite when he entered the Chamber; he was very generally disliked, and he did much to alarm the timid by his style of dressing à-la-Danton, as well as by his high-flown phrases in favor of democratizing Europe, saving Poland, delivering Belgium, and passing the Rhine. His eloquence was then bluster, but as he grew older, he became more polished, more cautious, and more politic. When the Lafitte ministry fell, of which he had been a member, Thiers at once deserted that party, and attached himself to the Casimir-Perier administration. He fell foul of his old comrades, who proclaimed him a renegade. Never mind! Thiers was a clever fellow, who knew what cards he was playing. He who was for passing the Rhine, was now all for repose and peace; he would have no more innovations, nor propagandism; before, the advocate of equality and democracy, he now became the defender of conservatism, the peerage, and the old institutions of France. He stood almost alone in defending the peerage, but it fell nevertheless, and the revolution went on.
On Marshal Soult assuming the direction of affairs in 1831, Thiers was appointed Minister of the Interior. La Vendée was in flames at the time, Belgium was menaced, and excitement generally prevailed. Thiers acted with great energy under the circumstances; by means of gold, a traitor was found who secured the arrest of the Duchess de Berri, and the rebellion in Vendée was extinguished. A French army was sent against Antwerp, the citadel was taken, and the independence of Belgium secured. In the Chambers, Thiers obtained a credit for a hundred millions of francs, for the completion of public works. The statue of Napoleon was replaced on the Place Vendôme; public works were every where proceeded with; roads were formed; canals dug; and industry began generally to revive. The Minister of the Interior was successful.
But a storm was brewing. The republicans were yet a powerful party, and the government brought to bear upon them the terrors of the law. Secret associations were put down, and an explosion took place. Insurrections broke out at Paris and Lyons; Thiers went to the latter place, where he was less sparing of his person than he had been during the three days of Paris; for at Lyons two officers fell at his side, killed by musket-shots aimed at the minister himself. At length the insurrection was got under; dissensions occurred in the ministry; Thiers retired, but soon after took office under Marshal Mortier; the fêtes of July, 1835, arrived; the Fieschi massacre took place, Thiers being by the king’s side at the time of the explosion. Laws against the liberty of the Press followed this diabolic act, and now M. Thiers was found on the side of repression of free speech. The laws against the Press were enforced by him with rigor. He was now on the high road to power. He became President of the Council, and Minister of Foreign Affairs. But the Spanish intervention question occurred. Thiers was in favor of intervention, and the majority of the ministry were opposed to it. Thiers resigned office, and bided his time. He went to Rome and kissed the Pope’s toe, bringing home with him leather trunks of the middle ages, Roman medals, and a store of new arguments against democracy.
A coalition ministry was formed in 1838, and Thiers, “the Mirabeau gadfly,” as a pungent lady styled him about this time, became the leader of the party. Thiers failed in his assaults on the ministry; Molé reigned, then Guizot; and the brilliant Thiers was reduced to the position of a simple deputy on the seats of the opposition. But again did M. Thiers find himself in power, after the failure of the ministry on the Dotation Bill of the Duke of Nemours. The ministry of March 1st, 1840, was formed, and Thiers was the President of the Council. Louis Philippe confided all to him; but, though Louis trusted Thiers, and perhaps owed his crown to him, this statesman seemed really to be his evil genius. The Thiers ministry brought the government of France into imminent danger from foreign powers, and was replaced, as a matter of urgency, by that of Guizot, in October. Thiers again relapsed into violent opposition. Years passed, during which he proceeded with his completion of the History of the Consulate and the Empire, which brought him in large gains. The fatal year of 1848 arrived; and when Guizot was driven from power, Louis Philippe again, and for the last time, charged M. Thiers with the formation of a ministry. It did not last an hour. The revolution of 1848 was already consummated.
The career of Thiers since then is well known. For a time he disappeared from France; haunted Louis Philippe’s foot-steps – still protesting undying love for that branch of the Bourbon family. He returned to the Chamber of Deputies, where he is again in opposition; though what he is, and what the principles he holds, it is difficult to say. Principles, indeed, seem to stick to Thiers but lightly. One day he is the bitter enemy of socialism, the next he is its defender. He is a Free-trader to-day, a Protectionist to-morrow. He is a liberal and a conservative by turns. In short, he is a man “too clever by half,” and seems constantly tempted, like many skillful speakers, to show how much can be said on both sides of a question. He is greatest in an attack; he is a capital puller-down: when any thing is to be built up, you will not find Thiers among the constructors. He is a thoroughly dextrous man – sagacious, subtle, scheming, and indefatigable. Few trust him, and yet, see how he is praised! “Have you read Thiers’ speech? Ah! there is a transcendent orator!” “Bah!” says another, “who believes in what Thiers says? The little stinging dwarf – he is only the roué of the tribune!”