Blackwoods Edinburgh Magazine, Volume 59, No. 366, April, 1846

The fourth Crusade, under Dandolo, when the arms of the Faithful were turned aside from the holy enterprise by the spoils of Constantinople, and the blind Doge leapt from his galleys on the towers of the imperial city, forms the splendid subject of the fourth act. The marvellous spectacle was there exhibited of a band of adventurers, not mustering above twenty thousand combatants, carrying by storm the mighty Queen of the East, subverting the Byzantine empire, and establishing themselves in a durable manner, in feudal sovereignty, over the whole of Greece and European Turkey. The wonderful powers of Gibbon, the luminous pages of Sismondi, have thrown a flood of light on this extraordinary event, and almost brought its principal events before our eyes. The passage of the Dardanelles by the Christian armament; the fears of the warriors at embarking in the mighty enterprise of attacking the imperial city; the imposing aspect of its palaces, domes, and battlements; the sturdy resistance of the Latin squares to the desultory charges of the Byzantine troops; in fine, the storm of the city itself, and overthrow of the empire of the Cæsars, stand forth in the most brilliant light in the immortal pages of these two writers. But great and romantic as this event was, it was an episode in the history of the Crusades, it was a diversion of its forces, a deviation from its spirit. It is an ordinary, though highly interesting and eventful siege; very different from the consecration of the forces of Europe to the rescuing of the Holy Sepulchre.

Very different was the result of the last Crusade, under Saint Louis, which shortly after terminated in the capture of Ptolemais, and the final expulsion of the Christians from the shores of Palestine. Melancholy, however, as are the features of that eventful story, it excites a deeper emotion than the triumphant storm of Constantinople by the champions of the Cross. St Louis was unfortunate, but he was so in a noble cause; he preserved the purity of his character, the dignity of his mission, equally amidst the arrows of the Egyptians on the banks of the Nile, as in the death-bestrodden shores of the Lybian Desert. There is nothing more sublime in history than the death of this truly saint-like prince, amidst his weeping followers. England reappeared with lustre in the last glare of the flames of the crusades, before they sunk for ever; the blood of the Plantagenets proved worthy of itself. Prince Edward again erected the banner of victory before the walls of Acre, and his heroic consort, who sucked the poison of the assassin from his wounds, has passed, like Belisarius or Cœur de Lion, into the immortal shrine of romance. Awful was the catastrophe in which the tragedy terminated; and the storm of Acre, and slaughter of thirty thousand of the Faithful, while it finally expelled the Christians from the Holy Land, awakened the European powers, when too late, to a sense of the ruinous effect of those divisions which had permitted the vanguard of Christendom, the bulwark of the faith, to languish and perish, after an heroic resistance, on the shores of Asia.

Nor was it long before the disastrous consequences of these divisions appeared, and it was made manifest, even to the most inconsiderate, what dangers had been averted from the shores of Europe, by the contest which had so long fixed the struggle on those of Asia. The dreadful arms of the Mahometans, no longer restrained by the lances of the Crusaders, appeared in menacing, and apparently irresistible strength, on the shores of the Mediterranean. Empire after empire sank beneath their strokes. Constantinople, and with it the empire of the East, yielded to the arms of Mahomet II.; Rhodes, with its spacious ramparts and well-defended bastions, to those of Solyman the Magnificent; Malta, the key to the Mediterranean, was only saved by the almost superhuman valour of its devoted knights; Hungary was overrun; Vienna besieged; and the death of Solyman alone prevented him from realizing his threat, of stabling his steed at the high altar of St Peter's. The glorious victory of Lepanto, the raising of the siege of Vienna by John Sobieski, only preserved, at distant intervals, Christendom from subjugation, and possibly the faith of the gospel from extinction on the earth. A consideration of these dangers may illustrate of what incalculable service the Crusades were to the cause of true religion and civilization, by fixing the contest for two centuries in Asia, when it was most to be dreaded in Europe; and permitting the strength of Christendom to grow, during that long period, till, when it was seriously assailed in its own home, it was able to defend itself. It may show us what we owe to the valour of those devoted champions of the Cross, who struggled with the might of Islamism when "it was strongest, and ruled it when it was wildest;" and teach us to look with thankfulness on the dispensations of that over-ruling Providence, which causes even the most vehement and apparently extravagant passions of the human mind to minister to the final good of humanity.

For a long period after their termination, the Crusades were regarded by the world, and treated by historians, as the mere ebullition of frenzied fanaticism – as a useless and deplorable effusion of human blood. It may be conceived with what satisfaction these views were received by Voltaire, and the whole sceptical writers of France, and how completely, in consequence, they deluded more than one generation. Robertson was the first who pointed out some of the important consequences which the Crusades had on the structure of society, and progress of improvement in modern Europe. Guizot and Sismondi have followed in the same track; and the truths they have unfolded are so evident, that they have received the unanimous concurrence of all thinking persons. Certain it is, that so vast a migration of men, so prodigious a heave of the human race, could not have taken place without producing the most important effects. Few as were the warriors who returned from the Holy Wars, in comparison of those who set out, they brought back with them many of the most important acquisitions of time and value, and arts of the East. The terrace cultivation of Tuscany, the invaluable irrigation of Lombardy, date from the Crusades: it was from the warriors or pilgrims that returned from the Holy Land, that the incomparable silk and velvet manufactures, and delicate jewellery of Venice and Genoa, took their rise. Nor were the consequences less material on those who remained behind, and did not share in the immediate fruits of Oriental enterprise. Immense was the impulse communicated to Europe by the prodigious migration. It dispelled prejudice, by bringing distant improvement before the eyes; awakened activity, by exhibiting to the senses the effects of foreign enterprise; it drew forth and expended long accumulated capital; the fitting out so vast a host of warriors stimulated labour, as the wars of the French Revolution did those of the European states six centuries afterwards. The feudal aristocracy never recovered the shock given to their power by the destruction of many families, and the overwhelming debts fastened on others, by these costly and protracted contests. Great part of the prosperity, freedom, and happiness which have since prevailed in the principal European monarchies, is to be ascribed to the Crusades. So great an intermingling of the different faiths and races of mankind, never takes place without producing lasting and beneficial consequences.

These views have been amply illustrated by the philosophic historians of modern times. But there is another effect of far more importance than them all put together, which has not yet attracted the attention it deserves, because the opposite set of evils are only beginning now to rise into general and formidable activity. This is the fixing the mind, and still more the heart of Europe, for so long a period, on generous and disinterested objects. Whoever has attentively considered the constitution of human nature as he feels it in himself, or has observed it in others, – whether as shown in the private society with which he has mingled, or the public concerns of nations he has observed, – will at once admit that SELFISHNESS is its greatest bane. It is at once the source of individual degradation and of public ruin. He knew the human heart well who prescribed as the first of social duties, "to love our neighbour as ourself." Of what incalculable importance was it, then, to have the mind of Europe, during so many generations, withdrawn from selfish considerations, emancipated from the sway of individual desire, and devoted to objects of generous or spiritual ambition! The passion of the Crusades may have been wild, extravagant, irrational, but it was noble, disinterested, and heroic. It was founded on the sacrifice of self to duty; not on the sacrifice, so common in later times, of duty to self. In the individuals engaged in the Holy Wars, doubtless, there was the usual proportion of human selfishness and passion. Certainly they had not all the self-control of St Anthony, or the self-denial of St Jerome. But this is the case with all great movements. The principle which moved the general mind was grand and generous. It first severed war from the passion of lust or revenge, and the thirst for plunder on which it had hitherto been founded, and based it on the generous and disinterested object of rescuing the Holy Sepulchre. Courage was sanctified, because it was exerted in a noble cause: even bloodshed became excusable, for it was done to stop the shedding of blood. The noble and heroic feelings which have taken such hold of the mind of modern Europe, and distinguish it from any other age or quarter of the globe, have mainly arisen from the profound emotions awakened by the mingling of the passions of chivalry with the aspirations of devotion during the Crusades. The sacrifice of several millions of men, however dreadful an evil, was a transient and slight calamity, when set against the incalculable effect of communicating such feelings to their descendants, and stamping them for ever upon the race of Japhet, destined to people and subdue the world.

Look at the mottoes on the seals of our older nobility, which date from the era of the Crusades, or the ages succeeding it, when their heroic spirit was not yet extinct, and you will see the clearest demonstration of what was the spirit of these memorable contests. They are all founded on the sacrifice of self to duty, of interest to devotion, of life to love. There is little to be seen there about industry amassing wealth, or prudence averting calamity; but much about honour despising danger, and life sacrificed to duty. In an utilitarian or commercial age, such principles may appear extravagant or romantic; but it is from such extravagant romance that all the greatness of modern Europe has taken its rise. We cannot emancipate ourselves from their influence: a fountain of generous thoughts in every elevated bosom is perpetually gushing forth, from the ideas which have come down to us from the Holy Wars. They live in our romances, in our tragedies, in our poetry, in our language, in our hearts. Of what use are such feelings, say the partisans of utility? "Of what use," answers Madame De Staël, "is the Apollo Belvidere, or the poetry of Milton; the paintings of Raphael, or the strains of Handel? Of what use is the rose or the eglantine; the colours of autumn, or the setting of the sun?" And yet what object ever moved the heart as they have done, and ever will do? Of what use is all that is sublime or beautiful in nature, if not to the soul itself? The interest taken in such objects attests the dignity of that being which is immortal and invisible, and which is ever more strongly moved by whatever speaks to its immortal and invisible nature, than by all the cares of present existence.

When such is the magnificence and interest of the subject of the Crusades, it is surprising that no historian has yet appeared in Great Britain who has done justice to the theme. Yet unquestionably none has even approached it. Mill's history is the only one in our language which treats of the subject otherwise than as a branch of general history; and though his work is trustworthy and authentic, it is destitute of the chief qualities requisite for the successful prosecution of so great an undertaking. It is – a rare fault in history – a great deal too short. It is not in two thin octavo volumes that the annals of the conflict of Europe and Asia for two centuries is to be given. It is little more than an abridgement, for the use of young persons, of what the real history should be. It may be true, but it is dull; and dulness is an unpardonable fault in any historian, especially one who had such a subject whereon to exert his powers. The inimitable episode of Gibbon on the storming of Constantinople by the Crusaders, is written in a very different style: the truths of history, and the colours of poetry, are there blended in the happiest proportions together. There is a fragment affording, so far as description goes, a perfect model of what the history of the Crusades should be; what in the hands of genius it will one day become. But it is a model only so far as description goes. Gibbon had greater powers as an historian than any modern writer who ever approached the subject; but he had not the elevated soul requisite for the highest branches of his art, and which was most of all called for in the annalist of the Crusades. He was destitute of enlightened principle; he was without true philosophy; he had the eye of painting, and the powers, but not the soul of poetry in his mind. He had not moral courage sufficient to withstand the irreligious fanaticism of his age. He was benevolent; but his aspirations never reached the highest interests of humanity, – humane, but "his humanity ever slumbered where women were ravished, or Christians persecuted."6

Passion and reason in equal proportions, it has been well observed, form energy. With equal truth, and for a similar reason, it may be said, that intellect and imagination in equal proportions form history. It is the want of the last quality which is in general fatal to the persons who adventure on that great but difficult branch of composition. It in every age sends ninety-nine hundreds of historical works down the gulf of time. Industry and accuracy are so evidently and indisputably requisite in the outset of historical composition, that men forget that genius and taste are required for its completion. They see that the edifice must be reared of blocks cut out of the quarry; and they fix their attention on the quarriers who loosen them from the rock, without considering that the soul of Phidias or Michael Angelo is required to arrange them in the due proportion in the immortal structure. What makes great and durable works of history so rare is, that they alone, perhaps, of any other production, require for their formation a combination of the most opposite qualities of the human mind, qualities which only are found united in a very few individuals in any age. Industry and genius, passion and perseverance, enthusiasm and caution, vehemence and prudence, ardour and self-control, the fire of poetry, the coldness of prose, the eye of painting, the patience of calculation, dramatic power, philosophic thought, are all called for in the annalist of human events. Mr Fox had a clear perception of what history should be, when he placed it next to poetry in the fine arts, and before oratory. Eloquence is but a fragment of what is enfolded in its mighty arms. Military genius ministers only to its more brilliant scenes. Mere ardour, or poetic imagination, will prove wholly insufficient; they will be deterred at the very threshold of the undertaking by the toil with which it is attended, and turn aside into the more inviting paths of poetry and romance. The labour of writing the "Life of Napoleon" killed Sir Walter Scott. Industry and intellectual power, if unaided by more attractive qualities, will equally fail of success; they will produce a respectable work, valuable as a book of reference, which will slumber in forgotten obscurity in our libraries. The combination of the two is requisite to lasting fame, to general and durable success. What is necessary in an historian, as in the élite of an army, is not the desultory fire of light troops, nor the ordinary steadiness of common soldiers, but the regulated ardour, the burning but yet restrained enthusiasm, which, trained by discipline, taught by experience, keeps itself under control till the proper moment for action arrives, and then sweeps, at the voice of its leader, with "the ocean's mighty swing" on the foe.

Michaud is, in many respects, an historian peculiarly qualified for the great undertaking which he has accomplished, of giving a full and accurate, yet graphic history of the Crusades. He belongs to the elevated class in thought; he is far removed, indeed, from the utilitarian school of modern days. Deeply imbued with the romantic and chivalrous ideas of the olden time, a devout Catholic as well as a sincere Christian, he brought to the annals of the Holy Wars a profound admiration for their heroism, a deep respect for their disinterestedness, a graphic eye for their delineation, a sincere sympathy with their devotion. With the fervour of a warrior, he has narrated the long and eventful story of their victories and defeats; with the devotion of a pilgrim, visited the scenes of their glories and their sufferings. Not content with giving to the world six large octavos for the narrative of their glory, he has published six other volumes, containing his travels to all the scenes on the shores of the Mediterranean which have been rendered memorable by their exploits. It is hard to say which is most interesting. They mutually reflect and throw light on each other: for in the History we see at every step the graphic eye of the traveller; in the Travels we meet in every page with the knowledge and associations of the historian.

Michaud, as might be expected from his turn of mind and favourite studies, belongs to the romantic or picturesque school of French historians; that school of which, with himself, Barante, Michelet, and the two Thierrys are the great ornaments. He is far from being destitute of philosophical penetration, and many of his articles in that astonishing repertory of learning and ability, the Biographie Universelle, demonstrate that he is fully abreast of all the ideas and information of his age. But in his history of the Crusades, he thought, and thought rightly, that the great object was to give a faithful picture of the events and ideas of the time, without any attempt to paraphrase them into the language or thoughts of subsequent ages. The world had had enough of the flippant persiflage with which Voltaire had treated the most heroic efforts and tragic disasters of the human race. Philosophic historians had got into discredit from the rash conclusions and unfounded pretensions of the greater part of their number; though the philosophy of history can never cease to be one of the noblest subjects of human thought. To guard against the error into which they had fallen, the romantic historians recurred with anxious industry to the original and contemporary annals of their events, and discarded every thing from their narrative which was not found to be supported by such unquestionable authority. In thought, they endeavoured to reflect, as in a mirror, the ideas of the age of which they treated, rather than see it through their own: in narrative or description, they rather availed themselves of the materials, how scanty soever, collected by eyewitnesses, in preference to eking out the picture by imaginary additions, and the richer colouring of subsequent ages. This is the great characteristic of the graphic or picturesque school of French history; and there can be no question that in regard to the first requisite of history, trustworthiness, and the subordinate but also highly important object, of rendering the narrative interesting, it is a very great improvement, alike upon the tedious narrative of former learning, or the provoking pretensions of more recent philosophy. Justice can never be done to the actions or thoughts of former times, unless the former are narrated from the accounts of eyewitnesses, and with the fervour which they alone can feel – the latter in the very words, as much as possible, employed by the speakers on the occasions. Nor will imagination ever produce any thing so interesting as the features which actually presented themselves at the moment to the observer. Every painter knows the superior value of sketches, however slight, made on the spot, to the most laboured subsequent reminiscences.

But while this is perfectly true on the one hand, it is equally clear on the other, that this recurrence to ancient and contemporary authority must be for the facts, events, and outline of the story only; and that the filling up must be done by the hand of the artist who is engaged in producing the complete work. If this is not done, history ceases to be one of the fine arts. It degenerates into a mere collection of chronicles, records, and ballads, without any connecting link to unite, or any regulating mind to arrange them. History then loses the place assigned it by Mr Fox, next to poetry and before oratory; it becomes nothing more than a magazine of antiquarian lore. Such a magazine may be interesting to antiquaries; it may be valuable to the learned in ecclesiastical disputes, or the curious in genealogy or family records; but these interests are of a very partial and transient description. It will never generally fascinate the human race. Nothing ever has, or ever can do so, but such annals as, independent of local or family interest, or antiquarian curiosity, are permanently attractive by the grandeur and interest of the events they recount, and the elegance or pathos of the language in which they are delivered. Such are the histories of Herodotus and Thucydides, the annals of Sallust and Tacitus, the narratives of Homer, Livy, and Gibbon. If instead of aiming at producing one uniform work of this description, flowing from the same pen, couched in the same style, reflecting the same mind, the historian presents his readers with a collection of quotations from chronicles, state papers, or jejune annalists, he has entirely lost sight of the principles of his art. He has not made a picture, but merely put together a collection of original sketches; he has not built a temple, but only piled together the unfinished blocks of which it was to be composed.

This is the great fault into which Barante, Sismondi, and Michelet have fallen. In their anxiety to be faithful, they have sometimes become tedious; in their desire to recount nothing that was not true, they have narrated much that was neither material nor interesting. Barante, in particular, has utterly ruined his otherwise highly interesting history of the Dukes of Burgundy by this error. We have bulls of the Popes, marriage-contracts, feudal charters, treaties of alliance, and other similar instruments, quoted ad longum in the text of the history, till no one but an enthusiastic antiquary or half-cracked genealogist can go on with the work. The same mistake is painfully conspicuous in Sismondi's Histoire des Français. Fifteen out of his valuable thirty volumes are taken up with quotations from public records or instruments. It is impossible to conceive a greater mistake, in a composition which is intended not merely for learned men or antiquaries, but for the great body of ordinary readers. The authors of these works are so immersed in their own ideas and researches, they are so enamoured of their favourite antiquities, that they forget that the world in general is far from sharing their enthusiasm, and that many things, which to them are of the highest possible interest and importance, seem to the great bulk of readers immaterial or tedious. The two Thierrys have, in a great measure, avoided this fatal error; for, though their narratives are as much based on original and contemporary authorities as any histories can be, the quotations are usually given in an abbreviated form in the notes, and the text is, in general, an unbroken narrative, in their own perspicuous and graphic language. Thence, in a great measure, the popularity and interest of their works. Michaud indulges more in lengthened quotations in his text from the old chronicles, or their mere paraphrases into his own language; their frequency is the great defect of his valuable history. But the variety and interest of the subjects render this mosaic species of composition more excusable, and less repugnant to good taste, in the account of the Crusades, than it would be, perhaps, in the annals of any other human transactions.