The historical and critical essay is a species of literary composition which has arisen, and been brought to perfection, in the lifetime of a single generation. Preceding writers, indeed, had excelled in detached pieces of a lighter and briefer kind; and in the whole annals of thought there is nothing more charming than some of those which graced the age of Queen Anne, and the reigns of the first Georges. But though these delightful essays remain, and will ever remain, models of the purest and most elegant composition, and are always distinguished by just and moral reflections, yet their influence has sensibly declined; and they are turned to, now, rather from the felicity of the expression by which they are graced, than either the information which they contain, the originality by which they are distinguished, or the depth of the views which they unfold. It is still true that "he who would attain an English style, familiar but not coarse, and elegant without being ostentatious, must give his days and his nights to the study of Addison." It is not less true, that he who would appreciate the force of which the English language is capable, and acquire the condensed vigour of expression which enters so largely into the highest kind of composition, will ever study the prose of Johnson; as much as the poet, for similar excellencies, will recur to the Vanity of Human Wishes, or the epistles and satires of Pope.

But, with the advent of the French Revolution, the rise of fiercer passions, and the collision of dearer interests, the elegant and amusing class of essays rendered so popular by Addison and his followers passed away. The incessant recurrence of moralising, the frequent use of allegory, the constant straining after conceits, which appear even in the pages of the Spectator and the Rambler, are scarcely redeemed by the taste of Addison, the fancy of Steele, or the vigour of Johnson. In inferior hands they became insupportable. Men whose minds were stimulated by the Rights of Man – who were entranced by the eloquence of Pitt – who followed the career of Wellington – who were stunned by the thunderbolts of Nelson – could not recur to the Delias, the Chloes, or the Phillises of a slumbering and pacific age. The proclamation of war to the palace, and peace to the cottage, sent the stories of the coquette, the prude, and the woman of sense to the right-about. What was now required was something which could minister to the cravings of an excited and enthusiastic age; which should support or combat the new ideas generally prevalent; which should bring the experience of the past to bear on the visions of the present, and tell men, from the recorded events of history, what they had to hope, and what to fear, from the passion for innovation which had seized possession of so large a portion of the active part of mankind.

The Edinburgh Review was the first journal which gave a decided indication of this change in the temper of the public mind. From the very outset it exhibited that vigour of thought, fearlessness of discussion, and raciness of expression, which bespoke the prevalence of independent feeling, novel yearnings, and original ideas, among the people. There was something refreshing and exhilarating in the change. Its success was immediate and immense. The long-slumbering dominion of the monthly and other reviews, which then had possession of the sceptre of criticism, was at once destroyed. Mediocrity fell into the shade when the light of genius appeared; criticism assumed a bolder and more decided character. Men rejoiced to see the pretensions of authors levelled, their vanity mortified, their errors exposed, their pride pulled down, by the stern hand of the merciless reviewer. The practical application of the maxim, "Judex damnatur cum nocens absolvitur," gave universal satisfaction. Every one felt his own consequence increased, his personal feelings soothed, his vanity flattered, when the self-constituted teachers of mankind were pulled down from their lofty pinnacle.

But it was not merely in literary criticism that the Edinburgh Review opened a new era in our periodical literature. To its early supporters we owe the introduction of the Critical and Historical Essay, which was an entirely new species of composition, and to the frequent use of which the rapid success of that journal is mainly to be ascribed. The essay always had the name of a book prefixed to it: it professed to be a review. But it was generally a review only in name. The author was frequently never once mentioned in its whole extent. His work was made use of merely as a peg on which to hang a long disquisition on the subject of which it treated. This disquisition was not, like the essays of Addison or Johnson, the work of a few hours' writing, and drawn chiefly from the fancy or imagination of the author: it was the elaborate production of a mind imbued with the subject, and the fruit of weeks or months of careful composition. It was sometimes founded on years of previous and laborious study. Thence its great and obvious value. It not only enlarged the circle of our ideas; it added to the stock of our knowledge. Men came to study a paper on a subject in a review, as carefully as they did a regular work of a known and respectable author: they looked to it not only for amusement, but for information. It had this immense advantage – it was shorter than a book, and often contained its essence. It was distilled thought; it was abbreviated knowledge. To say that many of these elaborate and attractive treatises were founded in error – that they were directed to objects of the moment, not of durable interest, and that their authors too often

"To party gave up what was meant for mankind" – is no impeachment either of the ability with which they were executed, or denial of the beneficial ends to which they ultimately became subservient. What though great part of the talents with which they were written is now seen to have been misdirected – of the views they contained to have been erroneous. It was that talent which raised the counter spirit that righted the public mind; it was those views which ultimately led to their own correction. In an age of intelligence and mental activity, no dread need be entertained of the ultimate sway of error. Experience, the great assertor of truth, is ever at hand to scatter its assailants. It is in an age of mental torpor and inactivity that the chains of falsehood, whether in religion or politics, are abidingly thrown over the human mind.

But, from this very cause, the political essays of the Edinburgh Review have been left behind by the march of the world; they have been stranded on the shoals of time; they have almost all been disproved by the event. Open one of the political essays in the Blue-and-yellow, which were read and admired by all the world thirty or forty years ago, and what do you find? Loud declamations against the continuance of the war, and emphatic assertions of the inability of England to contend at land with the conqueror of continental Europe; continual reproaches of incapacity against the ministry, who were preparing the liberation of Spain and the battle of Waterloo; ceaseless assertions that the misery of Ireland was entirely owing to misgovernment – that nothing but Catholic emancipation, and the curtailment of the Protestant church, were required to make that island the most happy, loyal, and contented realm, and its Celtic inhabitants the most industrious and well-conditioned in Europe; loud denunciations that the power of the crown "had increased, was increasing, and ought to be diminished;" lamentations on the evidently approaching extinction of the liberties of England, under the combined action of a gigantic war expenditure and a corrupt selfish oligarchy; strong recommendations of the speedy abolition of slavery in our West India colonies, as the only mode of enabling our planters to compete with the efforts of the slave-sugar states. Time has enabled the world to estimate these doctrines at their true value. It is not surprising that the political essays of a journal, professing such principles, have, amidst great efforts towards bolstering up, and ceaseless strains of party laudation, been quietly consigned by subsequent times to the vault of all the Capulets.

It is on its literary, critical, and historical essays, therefore, that the reputation of the journal now almost entirely rests. No bookseller has yet ventured on the hazardous step of publishing its political essays together. They will not supplant those of Burke. But it is otherwise with its literary lucubrations. The publication of the collected works of its leading contributors, in a separate form, has enabled the world to form a tolerably correct opinion of their respective merits and deficiencies. Without taking upon ourselves the office of critics, and fully aware of the delicacy which one periodical should feel in discussing the merits of another, we may be permitted to present, in a few words, what appear to us to be the leading characteristics of the principal and well-known contributors to that far-famed journal. This is the more allowable, as some of them have paid the debt of nature, while others are reposing under the shadow of their well-earned laurels, far removed from the heat and bustle of the day. Their names are familiar to every reader; their works have taken a lasting place in English as well as American literature; and their qualities and excellencies are so different as at once to invite and suggest critical discrimination.

The great characteristic of Lord Jeffrey is, with some striking exceptions, the fairness and general justice of the criticism which his works exhibit, the kindly feeling which they evince, and the lively illustrations with which they abound. He had vast powers of application. When in great practice at the bar, and deservedly a leading counsel in jury cases, he contrived to find time to conduct the Edinburgh Review, and to enrich its pages by above a hundred contributions. There is no great extent of learning in them, few original ideas, and little of that earnestness of expression which springs from strong internal conviction, and is the chief fountain of eloquent and overpowering oratory. He rarely quotes classical or Italian literature, and his writings give no token of a mind stored with their imagery. He seldom gives you the feeling that he is serious, or deeply impressed with his subject. He seldom strikes with force, but very often touches with felicity. The feeling which pervades his writings is always excellent, often generous; his taste is correct, his criticism in general just; and it is impossible not to admire the light and airy hand with which he treats of the most difficult subjects, and the happy expressions with which he often illustrates the most abstruse ideas. He deals more in Scotch metaphysics than suits the present age: he made some signal and well-known mistakes in the estimation of contemporary poetry; and laboured, without effect, to write up Ford, Massinger, and the old dramatists, whom their inveterate indecency has justly banished from general popularity. But these faults are amply redeemed by the attractions of his essays in other respects. There are no more charming reviews in our language than some which his collected papers contain: and no one can rise from their perusal with any surprise that the accomplished author of works containing so much just and kindly criticism should deservedly be a most popular and respected judge.

It is impossible to imagine a more thorough contrast to Lord Jeffrey than the writings of Sidney Smith exhibit. Though a reverend and pious divine, the prebendary of St Paul's had very little of the sacerdotal character in him. His conversational talents were great, his success in the highest London society unbounded; but this intoxicating course neither relaxed the vigour of his application, nor deadened the warmth of his feelings. His powers, and they were of no ordinary kind, were always directed, though sometimes with mistaken zeal, to the interests of humanity. His sayings, like those of Talleyrand, were repeated from one end of the empire to the other. These brilliant and sparkling qualities are conspicuous in his writings, and have mainly contributed to their remarkable success both in this country and America. There is scarcely any scholarship, and little information, to be met with in his works. Few take them up to be instructed; many to be amused. He has little of the equanimity of the judge about him, but a great deal of the wit and jocularity of the pleader. He would have made a first-rate jury counsel, for he would alternately have driven them by the force of his arguments, and amused them by the brilliancy of his expressions. There is no more vigorous and forcible diatribe in our language than his celebrated letter on North American repudiation, which roused the attention, and excited the admiration, of the repudiators themselves. He has expressed in a single line a great truth, applicable, it is to be feared, to other nations besides the Americans: "They preferred any load of infamy, however great, to any burden of taxation, however light." But Sidney Smith's blows were expended, and wit lavished, in general, on subjects of passing or ephemeral interest: they were not, like the strokes of Johnson, levelled at the universal frailties and characteristics of human nature. On this account, though their success hitherto has been greater, it is doubtful whether his essays will take so high a lasting place in English literature as those of Lord Jeffrey, which in general treat of works of permanent interest.

Sir James Mackintosh differs as widely from the original pillars of the Edinburgh Review as they do from each other. The publication of his collected essays, with the historical sketch and fragment which he has left, enables us now to form a fair estimate of his powers. That they were great, no one can doubt; but they are of a different kind from what was at first anticipated. Not a shadow of a doubt can now remain, that, though his noble mind had not been in a great degree swallowed up as it was in the bottomless gulf of London society, and he had spent his whole forenoons for the last fifteen years of his life in writing his history, instead of conversing with fashionable or literary ladies, his labours would have terminated in disappointment. The beginning of a history which he has left, is a sufficient proof of this: it is learned, minute, and elaborate, but dull. The Whigs, according to their usual practice with all writers of their own party, hailed its appearance with a flourish of trumpets; but we doubt whether many of them have yet read it through. He had little dramatic power; his writings exhibit no traces of a pictorial eye, and though he had much poetry in his mind, they are not imbued with the poetic character. These deficiencies are fatal to the popularity of any historian: no amount of learning or philosophical acuteness can supply their want in the narrative of events. Guizot is a proof of this: he is, perhaps, one of the greatest writers on the philosophy of history that ever lived; but his history of the English Revolution is lifeless beside the pages of Livy or Gibbon. Sir James Mackintosh was fitted to have been the Guizot of English history. His mind was essentially didactic. Reflection, not action, was both the bent of his disposition and the theatre of his glory. His History of England, written for Lardner's Encyclopedia, can scarcely be called a history; it is rather a series of essays on history. It treats so largely of some events, so scantily of others, that a reader not previously acquainted with the subject, might rise from its perusal with scarcely any idea of the thread of English story. But no one who was already informed on it can do so, without feeling his mind stored with original and valuable reflection, just and profound views. His collected essays from the Edinburgh Review, lately put together, are not so discursive as those of Lord Jeffrey, nor so amusing as those of Sidney Smith; but they are much more profound than either, and treat of subjects more permanently interesting to the human race. Many of them, particularly that on representative governments, abound with views equally just and original. It is impossible not to regret, that a mind so richly stored with historical knowledge, and so largely endowed with philosophic penetration, should have left so few lasting monuments of its great and varied powers.

Much as these very eminent men differ from each other, Mr Macaulay is, perhaps, still more clearly distinguished from either. Both his turn of mind and style of writing are peculiar, and exhibit a combination rarely if ever before witnessed in English, or even modern literature. Unlike Lord Jeffrey, he is deeply learned in ancient and modern lore; his mind is richly stored with the poetry and history both of classical and Continental literature. Unlike Mackintosh, he is eminently dramatic and pictorial; he alternately speaks poetry to the soul and pictures to the eye. Unlike Sidney Smith, he has avoided subjects of party contention and passing interest, and grappled with the great questions, the immortal names, which will for ever attract the interest and command the attention of man. Milton, Bacon, Machiavelli, first awakened his discriminating and critical taste; Clive, Warren Hastings, Frederick the Great, called forth his dramatic and historic powers. He has treated of the Reformation and the Catholic reaction in his review of Ranke; of the splendid despotism of the Popedom in that of Hildebrand; of the French Revolution in that of Barère. There is no danger of his essays being forgotten, like many of those of Addison; nor of pompous uniformity of style being complained of, as in most of those of Johnson. His learning is prodigious; and perhaps the chief defects of his composition arise from the exuberant riches of the stores from which they are drawn. When warmed in his subject he is thoroughly in earnest, and his language, in consequence, goes direct to the heart. In many of his writings – and especially the first volume of his history, and his essay on the Reformation – there are reflections equally just and original, which never were surpassed in the philosophy of history. That he is imbued with the soul of poetry need be told to none who have read his Battle of the Lake Regillus; that he is a great biographer will be disputed by none who are acquainted with the splendid biographies of Clive and Hastings, by much the finest productions of the kind in the English language.

Macaulay's style, like other original things, has already produced a school of imitators. Its influence may distinctly be traced, both in the periodical and daily literature of the day. Its great characteristic is the shortness of the sentences, which often equals that of Tacitus himself, and the rapidity with which new and distinct ideas or facts succeed each other in his richly-stored pages. He is the Pope of English prose: he often gives two sentiments and facts in a single line. No preceding writer in prose, in any modern language with which we are acquainted, has carried this art of abbreviation, or rather cramming of ideas, to such a length; and to its felicitous use much of the celebrity which he has acquired is to be ascribed. There is no doubt that it is a most powerful engine for the stirring of the mind, and when not repeated too often, or carried too far, has a surprising effect. Its introduction forms an era in historical composition. To illustrate our meaning, and at the same time adorn our pages with passages of exquisite, almost redundant beauty, we gladly transcribe two well-known ones, taken from the most perfect of his historical essays. Of Lord Clive he says —

"From Clive's second visit to India dates the political ascendency of the English in that country. His dexterity and resolution realised, in the course of a few months, more than all the gorgeous visions which had floated before the imagination of Dupleix. Such an extent of cultivated territory, such an amount of revenue, such a multitude of subjects, was never added to the dominion of Rome by the most successful proconsul. Nor were such wealthy spoils ever borne under arches of triumph, down the Sacred Way, and through the crowded forum, to the threshold of Tarpeian Jove. The fame of those who subdued Antiochus and Tigranes grows dim, when compared with the splendour of the exploits which the young English adventurer achieved, at the head of an army not equal in numbers to one-half of a Roman legion. From Clive's third visit to India, dates the purity of the administration of our eastern empire. He first made dauntless and unsparing war on that gigantic system of oppression, extortion, and corruption, which had previously prevailed in India. In that war he manfully put to hazard his ease, his fame, and his splendid fortune. The same sense of justice which forbids us to conceal or extenuate the faults of his earlier days, compels us to admit that those faults were nobly repaired. If the reproach of the Company and its servants has been taken away; if in India the yoke of foreign masters, elsewhere the heaviest of all yokes, has been found lighter than that of any native dynasty; if to that gang of public robbers which formerly spread terror through the whole of Bengal, has succeeded a body of functionaries not more highly distinguished by ability and diligence, than by integrity, disinterestedness, and public spirit; if we now see such men as Munro, Elphinstone, and Metcalfe, after leading victorious armies, after making and deposing kings, return proud of their honourable poverty from a land which once held to every greedy factor the hope of boundless wealth, – the praise is in no small degree due to Clive. His name stands high on the roll of conquerors; but it is found in a better list – in the list of those who have done and suffered much in the cause of mankind. To the warrior, history will assign a place in the same rank with Lucullus and Trajan; nor will she deny to the reformer a share of that veneration with which France cherishes the memory of Turgot, and with which the latest generation of Hindoos will contemplate the statue of Lord William Bentinck."1

The well-known description of Hastings' trial is as follows: —

"The place was worthy of such a trial. It was the great hall of William Rufus – the hall which had resounded with acclamations at the inauguration of thirty kings; the hall which had witnessed the just sentence of Bacon, and the just absolution of Somers; the hall where the eloquence of Strafford had for a moment awed and melted a victorious party, inflamed with just resentment; the hall where Charles had confronted the High Court of Justice with the placid courage which has half redeemed his fame. Neither military nor civil pomp was wanting. The avenues were lined with grenadiers; the streets were kept clear by cavalry; the peers, robed in gold and ermine, were marshalled by the heralds, under the Garter king-at-arms. The judges, in their vestments of state, attended to give advice on points of law. Near a hundred and seventy lords, three-fourths of the Upper House, as the Upper House then was, walked in solemn order from their usual place of assembling to the tribunal. The junior baron present led the way – George Eliott, Lord Heathfield, recently ennobled for his memorable defence of Gibraltar against the fleets and armies of France and Spain. The long procession was closed by the Duke of Norfolk, earl-marshal of the realm, by the great dignitaries, and by the brothers and sons of the king. Last of all came the Prince of Wales, conspicuous by his fine person and noble bearing. The gray old walls were hung with scarlet. The long galleries were crowded by an audience, such as has rarely excited the fears or the emulation of an orator. There were gathered together, from all parts of a great, free, enlightened, and prosperous empire, grace and female loveliness, wit and learning, the representatives of every science and of every art. There were seated round the queen the fair-haired young daughters of the house of Brunswick. There the ambassadors of great kings and commonwealths gazed with admiration on a spectacle which no other country in the world could present. There Siddons, in the prime of her majestic beauty, looked with emotion on a scene surpassing all the imitations of the stage. There the historian of the Roman Empire thought of the days when Cicero pleaded the cause of Sicily against Verres, and when, before a senate which still retained some show of freedom, Tacitus thundered against the oppressor of Africa. There were seen, side by side, the greatest painter and the greatest scholar of the age. The spectacle had allured Reynolds from that easel which has preserved to us the thoughtful foreheads of so many writers and statesmen, and the sweet smiles of so many noble matrons. It had induced Parr to suspend his labours in that dark and profound mine from which he had extracted a vast treasure of erudition – a treasure too often buried in the earth, too often paraded with injudicious and inelegant ostentation, but still precious, massive, and splendid. There appeared the voluptuous charms of her to whom the heir of the throne had in secret plighted his faith. There, too, was she, the beautiful mother of a beautiful race, the Saint Cecilia whose delicate features, lighted up by love and music, art has rescued from the common decay. There were the members of that brilliant society which quoted, criticised, and exchanged repartees under the rich peacock hangings of Mrs Montague. And there the ladies, whose lips, more persuasive than those of Fox himself, had carried Westminster against Palace and Treasury, shone round Georgiana Duchess of Devonshire."2

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