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Blackwood's Edinburgh Magazine, Vol. 67, No. 416, June 1850
Blackwood's Edinburgh Magazine, Vol. 67, No. 416, June 1850полная версия

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Blackwood's Edinburgh Magazine, Vol. 67, No. 416, June 1850

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Although I most perseveringly perambulated Mauseloch and its vicinity, I saw nothing more that day of the too fascinating Theresa. I ascertained, however, that the following morning was fixed for a grand shooting party in the ducal preserves, and that there I might confidently expect to obtain a view of my enchantress. Accordingly, at an early hour I mingled with the sportsmen and idlers who were thronging to the scene of action, and had not very long to wait before the party from the castle drove through the park gates. At first I had no eyes but for the lovely Theresa, who stepped lightly from her carriage, more beautiful than ever, her sweet face and graceful form shown to the utmost advantage by a closely-fitted hunting dress, in which she might have been taken for the queen of the Amazons, or for Cynthia herself newly descended from Olympus to hunt a boar in Klein Fleckenberg. Bright was her glance, gay and graceful her smile, as she alighted on the turf whose blades her fairy foot scarce bent. There was a murmur of admiration amongst the bystanders as she bowed cheerfully and kindly around, and again I thought her eye rested half a second's space on me, as I stood a little in the background, in the shadow of the trees. The duke and duchess were with her, and the three were attended by their little court, amongst whose members I recognised my inquisitive friend of the previous day.

The kind of park in which the battue was to take place, was a romantic tract of forest land, veined and dotted with rows and clusters of trees, abounding in excellent cover, and interspersed with grassy glades and lawns, whose delightful freshness was preserved by the meanderings of two rivulets, feeders of a neighbouring river, which flowed shallow and rapid over beds of white sand, and between banks gorgeous with wild flowers. The sport began. There was no lack of beaters. Besides a certain number of peasants, whose duty it was to attend when their lord went a-hunting, half the idlers of the duchy were at hand, eager to volunteer their services; and soon began a shouting and clamour, a thrashing of bushes and rummaging of brushwood, which drove the terrified game headlong from form and harbour, across the open ground, in full view and under the muzzles of the sportsmen. Loud then rang rifle and fowling-piece, and cheerily clanged the horns, arousing the echoes of the woods, and reverberated back from the clefts and ravines of the neighbouring mountains, whilst the lusty cries of German woodcraft were on every side repeated. So gay and inspiriting was the scene, that for a moment it had almost diverted my thoughts from Theresa, when I was suddenly accosted by my friend the Spy. With a low bow he offered me a double-barrelled gun and a hunting-knife. "His highness," he said, in a tone of the utmost ceremony and respect, "was far from seeking to dispel the strict incognito I thought fit to maintain, but he trusted I would be pleased to take post, and share in the sports of the day." Having said thus much, he made another profound bow, wished me good sport, then bowed again, and retreated, leaving me so astonished and perplexed, that I was scarce able to reply to his civility, and to stammer out something about "a mistake under which his highness laboured," words which elicited only a bland and respectful smile, and another obeisance deeper than before. I was utterly confounded; puzzled and anxious to see how the mistake, of which I was evidently the subject, would ultimately be cleared up; whilst at the same time I could not help caressing a sweet presentiment that the misapprehension of the court would afford me opportunity of nearer acquaintance with the princess. Before these thoughts had passed through my mind, the gun was in my grasp, the hunting-knife by my side, and I was alone and without choice but to stand like an advanced sentry in the open ground, or to take post in the line of sportsmen stationed around the skirt of an adjacent cover. I chose the latter; but truly neither hare nor roebuck had much to fear from me. I had been too recently shot through the heart myself to be a very formidable foe to the startled creatures that scampered and scudded in all directions. I had made but slight addition to the stock of venison, when an end was put to this part of the day's sport, and a respite given to the smaller game by the appearance of a huge wild boar. The bristly monarch of the German forest had been tracked and driven upon a previous day into a sau-garten, an enclosure allotted for the purpose, and was now let out into the duke's chase. With eyes inflamed with fury, bristles erect, and white tusks protruding from under the blood-red wrinkles of his lip, he now dashed along, pursued by a few stanch mastiffs, more than one of which, when pressing too closely on the monster, atoned for his temerity with his life. Thus escorted, the fierce animal came careering down a long green alley, when one of the duke's counsellors, seized suddenly with a perilous ardour, brandished a boar-spear, planted himself in the middle of the path, and awaited the onset. In appearance he was not much of a Nimrod, being chiefly remarkable for the shortness of his legs and rotundity of his body, which seemed but ill at ease in a tight green hunting-coat, whilst the picturesque low-crowned hat and bunch of cock's feathers sat oddly enough above a jolly rubicund visage that might have belonged to Falstaff himself. The comical twinkle in his eye, which seemed to indicate his vocation to be that of court-jester in the drawing-room, rather than court-champion in the hunting-field, was quenched and replaced by a stare of visible uneasiness as the wild pig came bowling along, squinting ominously at him from under its shaggy eyebrows, and evidently wondering what manner of man thus rashly awaited its formidable charge. The worthy privy counsellor already puffed and perspired with his exertions, but still he manfully stood his ground, and, greeting his antagonist with the customary defiant cry of Hui Sau! he lowered his broad, keen spear-point, and prepared for a deadly thrust. But the dangerous contest required a firmer and prompter hand than his. Evading the weapon, the boar darted forward, thrust himself between the legs of the portly sportsman, and, without injuring him, carried him fairly off, astride upon his back. At this moment a char-à-banc, containing the duchess, the Princess Theresa, and two other ladies, and escorted by the duke and some gentlemen on horseback, drove out of a cross-road, and the cavalcade obtained a full view of the scene. The piteous mien of the fat counsellor astride upon the pig, whose curly tail he grasped with a vehemence that augmented the indignation of the furious animal, was irresistibly ludicrous. There was a peal of laughter from the spectators, the duke swayed to and fro in his saddle with excess of mirth, and even the ladies caught the contagion. The joke, however, became serious earnest when the boar, by a sudden wriggle of his unclean body, shook off the counsellor, and turned upon him with the evident purpose of ripping his rotundity with his dangerous tusks. This occurred within a few steps of where I stood, and at the moment that the mirth of the spectators was exchanged for cries of anxious horror, and when the swine's ivory seemed already fumbling the ribs of the fallen man, I sprang forward and drove my couteau de chasse deep into the shoulder of the grunting savage. The next moment, a well-directed and powerful thrust from a huntsman's boar-spear laid the brute expiring upon the ground, cheek by jowl with the luckless sportsman who had so nearly been its victim. Bewildered by his fall, and panting with terror, the corpulent courtier, when set upon his legs by the huntsman, at first seemed in doubt whether the blood that sprinkled his smart hunting-dress belonged to himself or the pig. Satisfied upon this point, he picked up his crushed castor, and, without replacing it on his head, turned to me, with an air of profound respect. "Gracious sir," he said, bowing to the ground, "I am doubly fortunate in being rescued by so illustrious a hand from so imminent a danger." I at first thought the man was playing the buffoon by addressing me in this style, which had been more appropriate to a prince than to an unpretending commoner like myself, and I scanned his features sharply, but their sole expression was one of satisfaction at his deliverance, and of obsequious gratitude to his deliverer. Before I could frame a disclaimer of the honour thrust upon me, we were surrounded by the court. In a tone of mingled cordiality and circumspection, the duke paid me a compliment on the prompt aid afforded to his trusty friend and counsellor, upon whom he then opened a smart fire of good-humoured sarcasms, which, as in duty bound, his suite heartily laughed at and applauded. His wit was lost upon me, engrossed as I was by the presence of the lovely Theresa, who, encouraged by her father's example, smiled approvingly, and addressed to me a few obliging words, whilst a blush mantled her beauteous cheek. Then the char-à-banc drove on, accompanied by the horsemen, and I remained as one entranced, her silver tones yet ringing in my ear, her sweet and graceful smile still shedding sunshine around me. I had not yet recovered full possession of my senses, scattered and confused by the quick succession of events, and the curious dilemma in which I found myself, when one of the duke's grooms led up a saddle-horse, and respectfully held the stirrup for me to mount. I began to be resigned to the sort of equivoque in which I was entangled, and, somewhat tired by the exertions of the morning, I willingly availed myself of the proffered steed. At the door of the hotel I gave the animal up to my attendant, with a douceur whose liberality may certainly have contributed to maintain a belief of my being a more important personage than I seemed. My appearance on a horse of the duke's, and attended by one of his grooms, produced a great and manifest impression upon Herr Damfnudel, who treated me with redoubled respect, and, I have little doubt, augmented my score in the same proportion.

Left to solitude and reflection, after the bustle and excitement of the morning, a certain uneasiness took possession of me. Hurried along by a stream of odd but agreeable incidents, I had as yet lacked time to weigh the possible consequences. I almost wished I had kept in the background, and contented myself with sighing at a hopeless distance for the amiable Theresa, instead of accepting proffered attentions, and so passively encouraging the error into which the duke and his family had evidently run. I felt that I was in some degree an impostor, unless I at once broke down the blunder by declaring who I was. On the other hand, I could not make up my mind thus rudely to alter a state of things which I had not brought about, for which I consequently was not to blame, and which, I plainly saw, was likely to afford me opportunities of interviews, and even of intimacy, with her by whom my thoughts were now entirely engrossed. Another course was certainly open to me, namely, instant departure; but to this I had great difficulty in making up my mind. My perplexities haunted me in my dreams, and the next morning found me in the same state of painful indecision, when a letter weighed down the scale of inclination, and made prudence kick the beam. It was brought me by a servant in the duke's livery, and written in courtly French by the marshal of his household. I had betrayed, it said, so charming a musical talent, that I must not feel surprised at the inference that my dramatic abilities were equally remarkable. To celebrate the birthday of his highness the duke, the court proposed getting up Kotzebue's play of the Love Child, and it was earnestly hoped I would not refuse to take the part of Ehrmann, which was accordingly enclosed. There was to be a rehearsal that evening at the palace.

This tempting invitation swept away my uncertainties like cobwebs. My theatrical experience little exceeded a few acted charades, but I had always been a great playgoer, and had long frequented a school of elocution, where I had acquired readiness of delivery, and the habit of speaking before a numerous audience. So I doubted not of making at least a respectable appearance upon the boards of the palace theatre. I had no reason to complain of the part assigned to me, for it was to be rewarded upon the stage with the hand of a beautiful baroness. Like more than one pious congregation, I thought the Klein-Fleckenbergers were in distress for a good parson, and doubtless I might pass muster as a tolerable one. It was no small stimulus to me to accept the part and do my best, that I should thereby be giving pleasure to her who I felt assured would be at once the most illustrious and the most lovely of my audience. And since the court persisted in discerning in me, an undisguised and unassuming private gentleman, a distinguished Incognito, whose mask, however, it carefully abstained from plucking off, I made up my mind there was no harm in letting the mistake go a stage further.

Kotzebue's agreeable play of the Love Child (Das Kind der Liebe) has, I think, appeared in an English dress, and will be known to many. I need here refer but to a small portion of the plot. Baron Wildenhain, a wealthy nobleman, destines the hand of his beautiful and artless daughter, Amelia, to Count Von der Mulde, a Frenchified German and empty coxcomb, but in other respects an advantageous match. Unwilling, however, to bestow her hand upon one to whom she may be unable to give her heart, he commissions Ehrmann, a clergyman, who has been her tutor, to ascertain her feelings towards the count, and to warn her against accepting him as a companion for life if she is unable to love and esteem him. Ehrmann, who has long been secretly attached to Amelia, but has scrupulously concealed his passion, magnanimously accepts the difficult and delicate mission; but whilst accomplishing it, and explaining to his former pupil the indispensable conditions of conjugal happiness, he is at once surprised, pained, and overjoyed by her naive confession that the sentiments of esteem and affection he tells her she ought to entertain towards her future husband, are exactly those she experiences for himself. This scene is skilfully managed, and a happy dénouement is brought about by the baron's preferring his daughter's happiness to his own pride, and giving her to the humbly-born but accomplished and virtuous minister.

By assiduous application during the whole of that day, I knew my part pretty well when the hour of rehearsal came. On reaching the palace, I was conducted to one of the wings, where a small but very complete theatre was fitted up. The marshal of the household, who received me with the most courteous attention, played Baron Wildenhain; his lady was Wilhelmina Bottger; the humorous part of the butler was worthily filled by my boar-hunting friend of the previous day. The other male characters had all found very tolerable representatives, with the exception of the important one of Count Von der Mulde, which was taken by a young secretary who had scarcely set foot over the boundary of the duchy, and who, strive as he might, was but a tame and inefficient representative of the mincing Frenchified fop. The morrow being the duke's birthday, there was time but for this one rehearsal, which was therefore to be gone through in full dress. A costume awaited me, and I flattered myself I made a most reverend and imposing appearance in my priestly sables. My next concern was to know who took the character of the baron's daughter, the sprightly and innocent Amelia, with whom my own part was so closely linked. I conjectured it would be the marshal's daughter, but did not choose to ask. Great indeed was my surprise when, in the second act, the Princess Theresa made her entrance in a morning dress of exquisite elegance and freshness, and, in the character of Amelia, tripped and prattled, with natural and enchanting grace, through the scene where the baron sounds his daughter respecting Count Von der Mulde. With lightning swiftness the tender scenes I should have to play with her flashed across my memory, and drove every drop of blood to my heart. It was fortunate I was not then required on the stage, for I should have been unable to remember or utter a word. During that and the following scene, however, I had time to recover my composure; and when I at last went on for an interview with the father, I quickly glided into the spirit of my part, and acquitted myself well enough. Soon I found myself alone on the stage with Amelia, with the task set me to expose and explain to her the joys and sorrows of wedlock, and then her admirable acting and my feelings towards her converted the dramatic fiction into gravest reality – so far, at least, as I was concerned. When she so innocently and artlessly confessed her love, when she placed her hand in mine to move me to an avowal of affection, when I felt the pressure of her delicate fingers, it was all I could do to adhere to the letter of my part, and not avow in earnest the passion I was to appear to repress and conceal. With what seductive simplicity did she deliver the passage, "Long have I wondered what made my heart so full; but now I know; 'tis here!" And as she spoke, her bosom rose and fell beneath its covering of snow-white muslin. "Lady!" I exclaimed, and never were words more heartfelt, "you have destroyed my peace of mind for ever!"

It was with feelings approaching to rapture that I observed how completely the princess identified herself with her part. More than once I saw tears of sensibility suffuse her eyes. Her admirable performance elicited from the other actors applause too hearty and cordial to be the mere tribute of courtly adulation. And the scene in which Amelia, pretending to seek a needle beside her father's chair, throws herself suddenly on his neck, and passionately implores his consent, took the hearts of all present by storm. As for mine, it had long since surrendered at discretion.

The better to adapt it to the means and circumstances of a private theatre, the play had been a good deal cut and altered. The scene in which the fortunate Ehrmann obtains the hand of Amelia had been somewhat toned down, in consideration for the rank of the actress; and the embrace and kiss had been struck out. But, as it often happens that one involuntarily does the very thing that should be avoided, so, when Baron Wildenhain said, "I am indeed deeply in your debt: Milly, will you pay him for me?" she adhered to the uncurtailed version, let herself fall upon my arm, and exclaimed, with tender emotion, as my lips pressed her cheek, "Ah, what joy is this!" That thrill of felicity could not be surpassed. Immense was the happiness concentrated in that one brief moment. How incredulously should I have listened had I been told, twenty-four hours previously, that I so soon was to press that angel to my breast, and feel upon my arm the quick throbbings of her heart!

The rehearsal over, I was divesting myself of my clerical robe, when the princess passed near me, accompanied by the marshal's lady.

"Dear Mr Ehrmann!" she said, "surely we soon shall see you doff another disguise?"

"Gracious princess," I was forced to reply, "unhappily I am and must ever remain what I now appear."

With a half-incredulous, half-mournful look she passed on, and left the theatre.

On returning to the hotel, I found there had been an arrival during my absence. A gentleman, mounted on a fine horse, and attended by a servant, had alighted about an hour previously at the Fleckenberger Arms, and was now seated in the coffee-room at supper. The stranger, a young man of agreeable exterior and remarkably well-bred air, had already heard of the private theatricals in preparation at the palace, and doubtless the loquacious Damfnudel had also informed him I was one of the performers; for scarcely had we exchanged a few of those commonplace remarks with which travellers at an hotel usually commence acquaintance, when, with an air of lively interest, he began to question me on the subject. I told him what the play was, described the arrangement of the theatre and the distribution of the parts, and added some remarks on the comparative merits of the performers, the least effective of whom, I observed, was the young secretary, who took the prominent and difficult character of Count Von der Mulde. There was something so encouraging to confidence in the frank and pleasing manner of the stranger, that before we retired to bed, after a pretty long sitting over our cigars, I narrated to him the curious chain of trifling circumstances that had led to my sharing in the projected performance, and did not even conceal that the inmates of the palace evidently took me for some great personage travelling incognito. I said little about the Princess Theresa, and nothing at all of the romantic passion with which she had inspired me. The stranger was vastly diverted at the whole affair; and declared me perfectly justified in yielding to the gentle violence done me, and profiting for my amusement by the harmless misapprehension. He then told me that he himself was a great lover of theatricals, and that he should like exceedingly to share in the performance at the palace; and, if possible, to take the part of Count Von der Mulde, in which he had frequently been applauded in his own country. He was a Livonian baron, who had been much at Paris; and I made no doubt that he really would perform the Gallomaniac fop extremely well, the more so that he himself was a little Frenchified in his manner. And I felt sure the general effect of the performance would be greatly heightened if a practised actor replaced the present unskilled representative of Von der Mulde. It was out of the question for me to think of proposing or presenting him, when my own footing was so precarious; but I informed him that the whole management was vested in the marshal of the duke's household – an affable and amiable person, by whom, if he could obtain the slightest introduction, I thought his aid would gladly be accepted. My Livonian friend mused a little; thought it possible he might get presented to the marshal; fancied he had formerly known a cousin of his at Paris; would think over it, and see in the morning what could be done. Thereupon we parted for the night.

I passed the whole of the next morning studying my part, and it was afternoon before I again met the accomplished stranger. With a pleasant smile, and easy, self-satisfied air, he told me he had settled everything, and should have the honour of appearing that evening as my unsuccessful rival for the hand of the fair Amelia Wildenhain. He had procured an introduction to the marshal, (he did not say through whom,) and that nobleman, delighted to recruit an efficient actor in lieu of a stop-gap, had proposed calling a morning rehearsal; but this the new representative of Von der Mulde declared to be quite unnecessary. He was perfectly familiar with the part, and undertook not to miss a word.

The hour of performance came. The little theatre was thronged with Klein-Fleckenbergers, noble and gentle, from country and town. The duke and duchess made their appearance, and were greeted by a flourish of trumpets, whilst the audience rose in a body to welcome them. Count Von der Mulde dressed at the hotel, and did not appear in the greenroom till towards the close of that portion of the play in which he had nothing to do. In the fifth scene of the second act he made his entrance, and almost embarrassed Wildenhain and Amelia by the great spirit and naturalness of his acting. Kotzebue himself can hardly have conceived the part more vividly and characteristically than the stranger rendered it.

"I have scarcely recovered myself yet, dear Mr Ehrmann," said the Princess Theresa to me, between the acts. "The count quite frightened me. I could not help fancying it was the real Von der Mulde."

The completeness of the illusion was undeniable. The jests of the portly boar-hunter, in the part of the butler, passed unperceived, amidst the admiration excited by the count, who bewailed the pomatum-pot, forgotten by his servant, as though it were his best friend he had been compelled to leave behind, and whose eyes actually glistened with tears as he whined forth his apprehensions that unsavoury German mice would devour the most delicate perfume France had ever produced. The question passed round, amongst actors and audience, who this admirable performer was, and the duke himself sent behind the scenes to make the inquiry. "A Livonian gentleman," was the reply, "who would shortly have the honour to pay his respects to his highness."

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